TAME IMPALA DEADBEAT OUT NOW VIA COLUMBIA RECORDS

LISTEN TO ALBUM OPENER “MY OLD WAYS” AND WATCH THE VIDEO HERE

US FALL TOUR KICKS OFF OCTOBER 27

Photo by Julian Klincewicz- download here

Tame Impala (Kevin Parker) has released his fifth full-length album, Deadbeat via Columbia Records today. Stream/purchase the album here. Tame Impala teased the release of Deadbeat with three advance singles, “Loser,” “End of Summer, and “Dracula” which broke into Billboard’s Hot 100 and saw an instant chart debut at AAA and Alternative - his biggest debuts yet. Today he shares a music video for the album opener “My Old Ways,” directed by Kristofski and featuring cinéma vérité footage the director took throughout the process of Parker making the record in various locations around the world. WATCH HERE

On Deadbeat, Parker sculpts a collection of wickedly potent club-psych explorations as a vehicle for some of his most direct, brain-wormy songwriting to date. The album is deeply inspired by Australian bush doof culture and particularly the local scene centered around Margaret River in Western Australia in the 90’s, recasting Tame Impala as a kind of future primitive rave act in the process. “In the past 15 years, arguably no other rock musician has straddled multiple worlds quite as well as Parker,” says critic Grayson Haver Currin in his GQ Hype cover story. “Tame Impala began as a modernized psych-rock band with exploding-world drums and skyscraping hooks that made it clear Parker also loved pop, soul, and hip-hop. As Tame Impala has steadily morphed into something stranger and self-renewing, where spoken-word stories about picking up laundry led to late-night confessionals, Parker has become a key collaborator to some of the biggest stars in the world. Deadbeat feels like a last act of resignation and acceptance, with Parker finally coming to terms with the person he has always been and may always be. He is suspended in an emotional stalemate, wondering if he can be more than he knows he is.”

Conceived in various locations over the last few years, the album was largely galvanized between Parker’s hometown of Fremantle and his studio, Wave House in Injidup, Western Australia in the first half of 2025. Deadbeat sounds like the work of an artist with a leveled-up mastery, crafted with a newfound embrace of spontaneity for the renowned perfectionist. How that manifests is a distinct minimalism and crunch, with timbres and textures that add an ineffably new dimension to the sound, as well as a richer, more playful vocal range than ever. .

Tame Impala will kick off his first tour in support ofDeadbeat on October 27 for the first of 4 shows at Barclays Center in Brooklyn, NY.  The run wraps on November 17 with the last of three performances at The Kia Forum in Los Angeles.Tame Impala has also announced a major UK and EU tour starting spring of 2026. Full tour dates are below. All dates are listed below and tickets are on-sale here.

Kevin Parker has emerged as one of the most influential voices of the last decade. A singular artist renowned for carving out a distinct sound all of his own, Parker crafts transcendent genre-bending sonic landscapes, playing every instrument and acting as writer, producer, mixer and engineer on his projects. He has been nominated for four GRAMMY awards with one win for his collaboration with Justice on 2024’s “Neverender.” In his home country of Australia, he’s racked up an impressive 13 ARIA Awards and 27 Nominations. He’s won the BRIT Award forBest International Band and scored nominations for two Billboard Music Awards and an American Music Award. Tame Impala has had numerous US Alternative Radio Top 10 songs including two #1’s for “Lost In Yesterday” and “Is It True.” Tame Impala’s “The Less I Know The Better” is part of the Billionaires Club with over 2 billion streams and the project has racked up numerous gold and platinum certifications globally.

Tame Impala has headlined festivals and arenas around the world and released four full-length albums - InnerSpeaker, Lonerism, Currents and his most recent album The Slow Rush. The Slow Rush landed at #1 in multiple territories and was his highest charting album to date in both the US and UK, with 14 top 10 chart positions around the world.  As a writer and producer Parker has collaborated with Dua Lipa, The Weeknd, SZA, Lady Gaga, Travis Scott, Mark Ronson, Gorillaz, Thundercat, Kali Uchis, 070 Shake, Rhianna, Miguel, A$AP Rocky and many more.

Tame Impala Tour Dates

2025 - U.S.

10/27 - Barclays Center - Brooklyn NY - LOW TICKET WARNING

10/28 - Barclays Center - Brooklyn NY - LOW TICKET WARNING

10/31 - Barclays Center - Brooklyn, NY - SOLD OUT

11/1 - Barclays Center - Brooklyn, NY - SOLD OUT

11/3 - United Center - Chicago, IL - SOLD OUT

11/6 - Moody Center - Austin, TX - SOLD OUT

11/9 - Pechanga Arena San Diego - San Diego, CA - SOLD OUT

11/11 - Kia Forum - Los Angeles, CA - SOLD OUT

11/12 - Kia Forum - Los Angeles, CA - SOLD OUT

11/14 - Oakland Arena - Oakland, CA - SOLD OUT - LOW TICKET WARNING

11/15 - Oakland Arena - Oakland, CA - LOW TICKET WARNING

11/17 - Kia Forum - Los Angeles, CA - LOW TICKET WARNING

2026 - UK & EU

4/4 – Super Bock Arena - Pavilhão Rosa Mota – Porto, Portugal

4/5 – MEO Arena – Lisbon, Portugal

4/7 – Movistar Arena – Madrid, Spain

4/8 – Palau Sant Jordi – Barcelona, Spain

4/10 – LDLC Arena – Lyon, France

4/12 – Inalpi Arena – Turin, Italy

4/13 – Unipol Arena – Bologna, Italy

4/14 – Hallenstadion – Zurich, Switzerland

4/16 – Olympiahalle – Munich, Germany

4/18 – PreZero Arena – Gliwice, Poland

4/20 – O2 Arena – Prague, Czechia

4/23 – Barclays Arena – Hamburg, Germany

4/25 – Royal Arena – Copenhagen, Denmark

4/26 – Avicii Arena – Stockholm, Sweden

4/27 – Unity Arena – Oslo, Norway

4/29 – Uber Arena – Berlin, Germany

4/30 – Festhalle – Frankfurt, Germany

5/1 – PSD Bank Dome – Dusseldorf, Germany

5/3 – Accor Arena – Paris, France

5/4 – Ziggo Dome – Amsterdam, Netherlands

5/5 – AFAS Dome – Antwerp, Belgium

5/7 – The O2 – London, United Kingdom

5/8 – Co-op Live Arena – Manchester, United Kingdom

5/9 – Utilita Arena Birmingham – Birmingham, United Kingdom

5/11 – OVO Hydro – Glasgow, United Kingdom

5/13 – 3Arena – Dublin, Ireland

Deadbeat Album Art - Download Hi-Res HERE

Deadbeat tracklisting

1. My Old Ways

2. No Reply

3. Dracula

4. Loser

5. Oblivion

6. Not My World

7. Piece of Heaven

8. Obsolete

9. Ethereal Connection

10. See You On Monday (You’re Lost)

11. Afterthought

12. End of Summer

Follow Tame Impala:

Website | Instagram | YouTube | TikTok

 Source: Sony Music

GRAMMY® AWARD-WINNING SINGER, SONGWRITER & PRODUCER ROSALÍA ANNOUNCES NEW ALBUM LUX OUT NOVEMBER 7

LIGHTS UP SPAIN TO REVEAL ALBUM

Download here

Credit: Noah Dillon

ROSALÍA, the GRAMMY® Award-winning singer, songwriter, and producer shares the details of her immersive and innovative fourth full-length body of work, LUX, out November 7, 2025 via Columbia Records. The album was recorded with the London Symphonic Orchestra conducted by Daníel Bjarnason and features feminine voices including Björk, Carminho, Estrella Morente, Silvia Pérez Cruz, and the Escolania de Montserrat iCor Cambra Palau de la Música Catalana, Yahritza, and Yves Tumor. 

Last night, she introduced this movement with a monumental takeover of Madrid's Gran Vía in which she turned off the lights across the area, plunged the city into darkness, and reignited it to reveal the official album artwork—all captured via livestream for fans around the world.

Watch HERE

This stunning global moment left fans in awe. It proved to be an apropos prelude of what’s to come, embodying the record’s exploration of themes of feminine mystique, transformation, and spirituality.

As the Executive Producer of LUX, the album traces a widescreen emotional arc of feminine mystique, transformation, and transcendence—moving between intimacy and operatic scale to create a radiant world where sound, language, and culture fuse as one.

The CD and vinyl editions of LUX feature three exclusive tracks, inviting listeners to experience the album in its most immersive form.  Pre-save LUX here.

Track List

MOV I 

1. Sexo, Violencia y Llantas 

2. Reliquia 

3. Divinize 

4. Porcelana 

5. Mio Cristo

MOV II 

6. Berghain 

7. La Perla 

8. Mundo Nuevo 

9. De Madrugá 

MOV III 

10. Dios Es Un Stalker 

11. La Yugular 

12. Focu ‘ranni [Exclusive]

13. Sauvignon Blanc 

14. Jeanne [Exclusive]

MOV IV 

15. Novia Robot [Exclusive]

16. La Rumba Del Perdón

17. Memória 

18. Magnolias 

MOTOMAMI made history as the first album by a Spanish artist to debut at #1 on Spotify’s Global Album Chart, delivered the strongest Billboard chart debut for any Latin album in 2022, and earned the year’s highest Metacritic score.

Beyond music, ROSALÍA has cemented herself as a fashion and cultural icon. She commanded worldwide attention at the 2025 Met Gala in a custom Balmain gown featured across Vogue, Harper's Bazaar, Cosmopolitan, and more. She also starred in Calvin Klein's Fall 2025 campaign and serves as a global ambassador for New Balance. ROSALÍA is set to make her acting debut in the upcoming third season of Euphoria in 2026.

Follow ROSALÍA

Instagram  – Substack - YouTube – Spotify

ABOUT ROSALÍA

ROSALÍA is a two-time GRAMMY® and 13-time Latin GRAMMY® Award-winning artist and producer redefining global pop with fearless musical fusion and singular visual language. Her breakthrough El Mal Querer reimagined flamenco for a new era and earned her a GRAMMY plus eight Latin GRAMMYs including Album of the Year, making her the first Spanish-language artist nominated for Best New Artist at the GRAMMYs. In 2022, she released MOTOMAMI, which she wrote, performed, recorded, and produced; it debuted at #1 on Spotify’s Global Album Chart, scored the highest Metacritic rating of the year, and powered her sold-out MOTOMAMI WORLD TOUR.

Source: Sony Music

BAD OMENS DELIVER ANTHEMIC NEW SINGLE “DYING TO LOVE”

LISTEN TO “DYING TO LOVE”

WATCH “DYING TO LOVE” MUSIC VIDEO

“SPECTER” ASCENDS TO #1 ON BILLBOARD MAINSTREAM ROCK CHART & MEDIABASE ACTIVE ROCK CHART

DOWNLOAD HI-RES PRESS PHOTO (Credit: Bryan Kirks)

Chart-topping rock band Bad Omens are back with their latest single, “Dying To Love,” an anthemic track that blends the band’s heavy roots with forward-thinking production. Out today via Sumerian Records, the song features passionate, soaring vocals from Noah Sebastian, whose angelic falsetto cascades across the production before giving way to guttural screams on the bridge, elevating the emotional stakes.

The single is accompanied by a dark, haunting video, directed by Noah Sebastian and Nico, their third collaboration which has set the stage for this next chapter in Bad Omens’ evolution. The cinematic, story-driven visual - a hallmark of the band’s creative identity - places the band performing deep within the pit of a condemned brutalist structure, surrounded by ominous spectators, while a parallel narrative follows a man wandering through an endless labyrinth of darkness.

Bad Omens kicked off their latest chapter with “Specter,” a cinematic single that has become the band’s fastest climb to #1 on the Billboard Mainstream Rock Airplay / Mediabase Active Rock charts, while also reaching #15 on Alternative Radio. With over 47 million global streams, the track continues to make waves with its anthemic hooks and cinematic intensity. Its follow-up, “Impose” pushes the band into bold new sonic territory, expanding their sound while maintaining the signature intensity that has earned them a devoted worldwide fanbase.

Bad Omens are taking that momentum to the stage, turning every performance into an event. Fans were captivated during recent headline sets at Louder Than Life and Aftershockfestivals, and now the band is set to kick off their Do You Feel Love European headline arena tour in Dublin on November 21. More dates across the globe are expected, hinting at what’s next from Bad Omens as they continue to build toward what’s to come.

TOUR DATES:

Nov 21 - Dublin, Ireland

Nov 23 - Glasgow, United Kingdom

Nov 26 - London, United Kingdom

Nov 28 - Manchester, United Kingdom

Nov 29 - Nottingham, United Kingdom

Dec 1 - Bruxelles, Belgium

Dec 2 - Paris, France

Dec 4 - Dübendorf, Switzerland

Dec 5 - Nuremberg, Germany

Dec 6 - Berlin, Germany

Dec 9 - Hamburg, Germany

Dec 10 - Oberhausen, Germany

Dec 12 - Amsterdam, Netherlands

 ABOUT BAD OMENS:

Bad Omens are coming off a wildly successful three years with the explosive success of their breakthrough third studio album The Death of Peace of Mind (2022). Hailed as “a stunning fusion of dark, Weeknd-esque pop and industrialized metalcore” (Revolver), the project has garnered over 1.8 Billion Streams, with the catalog surging over 2.7 Billion Streams. The album is RIAA certified Gold.

The hardworking bands ascension was driven in part by the albums hit-single “Just Pretend” experiencing a viral TikTok moment that yielded a growing, dedicated fandom who catapulted them into the spotlight. Becoming the band's first RIAA-certified Platinum single, “Just Pretend” reached #1 at US Alternative Radio and smashed multiple Billboard Year-End charts coming in at #1 on Hot Hard Rock Songs, #6 on Alternative Airplay Songs, #11 on Rock and Alternative Airplay Songs, #11 on Mainstream Rock Airplay Songs, #14 Hot Rock & Alternative Songs, and #23 on Hot Alternative Songs. The genre-defyers continued their climb with the album's seductive RIAA certified title track, “The Death of Peace of Mind” reached the top 10 on US Rock and Alternative Airplay Billboard Charts. Their radio success also earned Bad Omens a nomination for Best New Artist (Alt & Rock) at the 2024 iHeartRadio Music Awards.

Gaining momentum online and over the airwaves, Bad Omens persistently surged ahead, captivating their rapidly expanding fanbase with electrifying live shows at numerous sold-out tours and festival performances worldwide. The band spent 2024 extensively touring, including UK dates with Bring Me The Horizon and the CONCRETE FOREVER European headline run with opener Poppy, with numerous US performances and a lineup of festivals into the 2025 season.

BAD OMENS ONLINE:

Website | Instagram | Facebook | Twitter

BAD OMENS SEA PR Contact:

mabuhay@blackstar.space

https://blackstar.space/

Arkin Magalona joins Sony Music Entertainment as BARQ, releases debut single “Shake Dat Thang”

BARQ channels Y2K energy and modern swagger in his first official release

The next generation of the Magalona lineage is poised to make his mark.

Arkin Magalona claims his place into the limelight with BARQ, joining the esteemed ranks of exceptional artists at Sony Music Entertainment.

Coming from a family with a well-meaning music, film, and entertainment background, the rookie rapper launches his music journey in style with the release of his official debut single, “Shake Dat Thang.”

Produced by Kyleaux, the upbeat banger belongs to the Y2K revival wing: cinematic in its breadth but filled with sonic surprises.

BARQ shares, “We were vibing to music from the 2000s:Neptunes, 50 Cent, Timbaland, Pharrell, Kanye, and all the greats. It was our first time working together, and we just bounced off each other’s energy until everything fell perfectly into place.”

The youngest son of the late Francis Magalona reveals that he picked “Shake Dat Thang” as his lead single because it embodies his intent to disrupt, redefine, and celebrate modern hip-hop with authenticity and flair.

“I chose this as my debut single because I wanted to make a statement that I’m here and ready to shake things up in the scene. I want listeners to have fun, let loose, and enjoy this different side of me.”

He adds, “Shake Dat Thang represents that playful yet fresh sound I want to be known for. It’s about reminding people that having fun is one of the most important parts of making anything in life.”

BARQ recently debuted “Shake Dat Thang” at Balabagan saMic, an urban music event, delivering a performance that highlighted his charisma, stage presence, and talent. The short but powerful stint affirmed his arrival as an artist to watch, making every last moment count.

“I’m just getting started, and I can’t wait to share more songs, more collaborations, and a more confident version of myself with everyone,” BARQ points out.

BARQ’s “Shake Dat Thang” is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch the music video on Barq's YouTube channel on Oct 24, 12PM.

Source: Nyou

JO1 Global Boy Group Release New EP “Handz in My Pocket”

Featuring New Performance Video “Just Say Yes”

Download Handz In My Pocket artwork here
Buy/Stream Handz In My Pocket EP here

Download press image here (Credit: LAPONE Entertainment)

Chart-topping Japanese sensation JO1 has released their new EP, Handz In My Pocket on 22nd October, following the soaring release of their 10th single, “Handz In My Pocket”. This special release will include a performance video for the track, “Just Say Yes”, set to premiere at a later date. The project captures JO1’s unmistakable sound and expanding global reach, an evolution that continues to bridge J-Pop and K-Pop to international pop culture.
 
The emotions we’ve hidden, the skills we’ve honed, and the potential not yet revealed - these ideas form the core of the EP. “In My Pocket” doesn’t simply refer to space; it represents the confidence, potential, and tools we all carry to take our next steps. Showcasing stronger musicality and message than before, Handz In My Pocket embodies JO1’s conviction that “we are still evolving.”
 
With electrifying choreography, sleek production, and lyrics rooted in optimism and self-expression, “Just Say Yes” marks a bold new creative era for JO1. Its performance video, set to premier soon, captures the group’s dynamic energy and forward-thinking artistry.
 
The EP is available in four collectible formats, including an exclusive Fan Club Collectors Edition featuring 11 solo covers - one for each member. Details here.
 
Handz In My Pocket EP Highlights
 
1. Handz In My Pocket
Based on house and trap genres, this track incorporates syncopated bass and drum rhythms inspired by Brazilian baile funk. Its powerful beat and vocal effects highlight hidden confidence and ambition, using clever lyrical wordplay around “pocket” - a standout example of JO1’s witty and dynamic style.
 
2. Just Say Yes
A synth-pop track built around a piano-driven riff, blending pop sensibility with Gen Z’s direct expression of love. The track’s vibrant melodies and crisp vocals express bittersweet, heart-pounding emotions through a cheerful, youthful lens.
 
3. RUSH
A high-energy track that borrows from Miami bass and Jersey club influences, featuring stomping kicks and punchy rhythms. It conveys JO1’s unrelenting drive and determination to pursue their goals, pairing bold sonics with fearless lyricism.
 
4. INTO YOU
An ethereal dream pop blend opening with acoustic guitar and warm analog synths, wrapping listeners in an emotional embrace. The song conveys gratitude to fans, known as JAM, and captures the comfort of enduring connection and love.
 
5. ひらく(HIRAKU)
Serving as the theme song for the film Mount Fuji, Coffee, and the Formula for Happiness starring Issei Mamehara, this original track was written by acclaimed singer-songwriter Hata Motohiro and arranged by Tomi Yo, a long-time collaborator. Opening with a tender solo vocal over gentle piano, the song gradually builds with Hata’s signature acoustic guitar arpeggios, creating a rich and emotional soundscape. A warm, medium-tempo ballad, the track beautifully complements the film’s themes of family, learning and quiet joy, while revealing a softer side of JO1.

Download Handz In My Pocket artwork here
Buy/Stream Handz In My Pocket EP here

Tracklisting

1. Handz in My Pocket

2. Just Say Yes

3. RUSH

4. INTO YOU

5. ひらく(Hiraku)

6. Handz In My Pocket (English ver.)

On 18th and 19th October JO1 held their first-ever solo outdoor live show, JO1 5th Anniversary ~Matsuri~, a two-day festival in Tokyo combining music, fireworks, exclusive merch and fan events to mark five incredible years. Following this milestone, the group is set to perform at the 2025 MAMA Awards in Hong Kong in November, and will make history as the first Japanese artists to perform at the 2025 iHeartRadio Jingle Ball Tour, taking the stage on 2nd December.

ABOUT JO1
JO1 is an 11-member global boy group on the rise to becoming worldwide stars. Emerging from PRODUCE 101 JAPAN on 4th March 2020, they have quickly made their mark with their remarkable talent, chart-topping hits, and dynamic performances. Consisting of 11 members – Sho, Ren, Ruki, Junki, Keigo, Takumi, Syoya, Shosei, Sky, Shion, and Issei, they were formed through 65 million votes by their passionate fans - the "nation’s producers" - JO1 is carving out a major presence not only in Japan but across the globe. JO1 has nine consecutive number-one singles on the Oricon charts, including the record-breaking debut single “Protostar”, which sold over 300,000 copies in its first week. They have eight number-one songs and two number-one albums on Billboard Japan, with “Wandering” achieving double platinum status. They’ve achieved three MTV Video Music Awards Japan, three MAMA Awards, and one Japan Gold Disc Award, including Favorite Asian Artist at the 2022 MAMA Awards.

CONNECT WITH JO1:
Official website | Instagram | Youtube | TikTok | X

FOR MORE INFORMATION, CONTACT blackstar
CONNECT WITH US AT OUR WEBSITE HERE

AXEAN Festival 2025 forges new connections and creative futures in Bali

From world-class performances to songwriting collaborations, business matchmaking to industry dialogue, this year’s edition proved that the true rhythm of Southeast Asia lies in its spirit of community, innovation, and collaboration

October 21, 2025 – Bali, Indonesia – ​ AXEAN Festival 2025 recently concluded its most triumphant edition yet at Jimbaran Hub in Bali, Indonesia, attracting nearly 4,000 attendees and cementing its place as one of the region’s most influential music discovery platforms.

With glowing reviews praising its impressive curation and visionary programming, the sixth edition of AXEAN Festival 2025 delivered a dynamic fusion of discovery, dialogue, and community. The festival not only celebrated the region’s finest emerging talents but also fostered meaningful exchanges between artists, industry professionals, and delegates from around the world, reinforcing its reputation as a bridge between Southeast Asia’s creative energy and the global music stage.

A Celebration of Discovery and Identity

This year’s edition featured a lineup of more than 40 artists across three stages, culminating in one of the weekend’s standout moments—the Club SEA Showcase. Dedicated to the explosive rise of grassroots and club music across the region, the showcase ignited the dance floor with stellar performances by Singapore’s Fauxe, Thailand’s S.O.L.E., Philippines’ DJ Love, and Indonesia’s Feel Koplo x Toxicdev!.

Left to right: Fauxe’s set, DJ Love teaching budots dance moves, Feel Koplo x Toxicdev! props

With their unique tapestry of local textures, tropical rhythms, and theatrical flair, these artists embodied AXEAN’s ethos of celebrating regional identity in global contexts, leaving audiences in awe and critics calling it “a defining moment in Southeast Asia’s club culture.”

Beyond the stage: a Platform for Growth and Exchange

Now in its sixth year, AXEAN Festival has grown into far more than a music showcase. It has evolved into a comprehensive cultural and business platform, one that nurtures collaboration, facilitates cross-border partnerships, and accelerates the professional development of Southeast Asian artists.

Left to right: Welcome Party, Panel Discussion

The festival’s conference programming impressed attendees with its forward-looking themes and engaging discourse. Over two days, panels and networking sessions explored vital industry topics, including:

1. ​Beyond the Upload: Strategies for Long-Term Growth for Southeast Asian Artists

2. ​Rethinking Music’s Footprint: Practical Pathways for Southeast Asia’s Music Scenes

3. ​From Funkot to Budots: The Booming Wave of Southeast Asia’s Grassroots Dance Music

4. ​Across the Pacific: Strengthening Music Ties Between New Zealand and Southeast Asia

The conference’s business matchmaking sessions and structured networking activities drew enthusiastic participation from regional and international delegates alike, creating new touring partnerships, booking opportunities, potential signings, and collaborative projects that will continue to resonate beyond festival grounds.

“The response was overwhelmingly positive,” said Mahanugru Kinzana, Head of Business & Commercial of Jimbaran Hub. “The structured networking sessions created genuine opportunities for dialogue between artists, managers, and delegates. AXEAN has become a rare space where serious industry conversations can happen within a creative, inspiring environment.”

Songwriting Camp: Building the Sound of Tomorrow

In line with its artist-first philosophy, AXEAN Festival 2025 extended its creative spirit beyond the main event through its Songwriting Camp, which brought together select artists and producers from across Asia to collaborate, co-create, and push the boundaries of regional sound.

“The songwriting camp was overflowing with talent—truly a gathering of geniuses from across Asia,” said Kinzana. “What stood out was how naturally diverse voices blended to create something fresh, yet deeply rooted in our region’s identity. For me, it reinforced a bigger realization: Southeast Asian music doesn’t just have talent, it has a distinct character that deserves a clear and strong positioning in the global music scene. The camp captured that spirit in the most inspiring way.”

AXEAN co-founder Piyapong Muenprasertdee shared the same sentiment, adding, “By the third day, something magical happened—all the artists came together to create one collective track, a true regional collaboration. More than writing songs, they build friendships and creative ecosystems that will carry forward long after the festival.”

Local Roots, Global Reach

This year also saw AXEAN deepening its ties with the local creative community through new partnerships with Jimbaran Hub and Bali-based organizations. A co-organized local music competition led to the discovery of standout talents Morbid Monke and Gozal, whose performances captivated international delegates and underscored the island’s growing relevance in the regional music map.

“Originally, we planned to feature just one winner, but the quality of the artists was so outstanding that we added a second slot,” shared Muenprasertdee. “These unexpected highlights reminded us of the importance of creating genuine opportunities for discovery and exchange.”

A Vision for the Future

Looking ahead, AXEAN Festival reaffirms its commitment to Bali as its home base, with ambitious plans to expand regionally through satellite events and stronger artist export pipelines. The next edition aims to enhance audience experience, sustainability, and global visibility, all while staying true to its core of inclusivity, collaboration, and discovery.

“We’re committed to growing the AXEAN Festival in Bali,” Kinzana asserts. “Bali offers a perfect balance: an international destination that combines serious industry engagement with world-class hospitality. Our next focus is to strengthen the story and experience of AXEAN so that more audiences connect deeply with what we stand for.”

Muenprasertdee added, “We hope to establish a permanent home for AXEAN here while also developing satellite events across the region to strengthen local ecosystems and create touring routes for our artists. Looking ahead, our strategy focuses on three key areas: (1) strengthening artist export pipelines by deepening ties with international delegates, (2) expanding fan engagement so AXEAN grows into both an industry platform and a beloved cultural festival, and (3) enhancing sustainability—financially, socially, and environmentally—so the festival can continue to thrive and evolve for years to come.”

About AXEAN Festival

The AXEAN Festival is a prominent Southeast Asian music export platform, combining a music conference and showcase festival.

Launched in 2020 during the pandemic by music professionals across Southeast Asia, AXEAN Festival has successfully hosted both virtual (2020-2021) and in-person (2022-2025) events. Over six editions, it has featured 200 artists from 20 countries, attracted 420 delegates from 32 countries, and reached over 46,000 virtual viewers, along with close to 18,000 live attendees.

With its growing international reputation, AXEAN has firmly established itself as Southeast Asia’s leading music export platform. Its first venture into a new market beyond its original home base in Singapore and Bali garnered widespread acclaim among attendees, music industry professionals, and participating artists.

 Source: Nyou 

2025 Golden Indie Music Awards announces global guest performers, “Best Asian Creative Artist Award” nominees, and ceremony highlights

South Korean indie rock band Silica Gel and Thai rapper AUTTA (featuring Taiwanese trio The Chairs) are both set to deliver distinct showcases

[More photos here]

The Golden Indie Music Awards (GIMA), Taiwan's premier independent music award-giving body, will be hosting its grand ceremony on Saturday, November 1, 2025, at the Taipei Music Center, and it will be livestreamed in South Korea and Thailand.

This year’s edition puts a spotlight on international guest performers, including South Korea’s leading indie rock band Silica Gel and rising Thai rapper AUTTA, who will be sharing the stage with Taiwan’s folk-pop trio The Chairs in a rare cross-border collaboration. The highly anticipated teamup is centered on this year’s theme, “Brave,” and will feature four more acts from across Asia whose work reflects fearlessness in confronting expectations and expressing uncompromising truth in music.

On the Asian front, GIMA will be honoring the "Best Asian Creative Artist Award,” whose nominees illustrate the breadth of Asia’s independent music scene, crossing languages and genres while sharing a commitment to authenticity.

From 60 submissions across Japan, South Korea, China, Hong Kong, the Philippines, Malaysia, Singapore, Indonesia, and Thailand, the shortlist features South Korean electro-punk duo Fat Hamster and KANG New, rising South Korean R&B and neo-soul artist Jacqui, Indonesian indie group Lomba Sihir, socio-politically charged rock band. Feast, and Tokyo-born, Melbourne-based violinist, producer, and vocalist ELLE SHIMADA.

Now in its 16th year, the GIMA drew a record 4,052 submissions from across Asia.

Among the nominees, rapper and songwriter Hsien Ching (陳嫺靜) has emerged as one of the most talked-about figures, securing seven nominations for her twin albums, 《Ifwe can be happy happy every day, who wants to be sad:))》and《If we can be happy happy every day, who wants to be sad:＊》. Her work, defined by a non-conventional approach to hip hop and a distinctly female perspective, has made her a unique voice in Taiwan’s independent music scene. Close behind is the band Lilium (百合花), which blends Taiwanese language, traditional instruments, and rock elements in their album,《Everything Will Go Wonderfully》, earning six nominations and demonstrating the vibrancy of Taiwan’s cultural roots within modern music. The nominations also include works by prominent and emerging artists such as Enno Cheng (鄭宜農), Modern Cinema Master (當代電影大師), YELLOW (黃宣), Dinosaur’s Skin (恐龍的皮), and Andr, whose creations have likewise drawn significant attention.

For more details and a complete list of nominees for the 16^th Golden Indie Music Awards, please check out the GIMA’s official website or follow onFacebook, Instagram, and YouTube.

Source: Nyou

POP ICON RUEL RELEASES SOPHOMORE ALBUM KICKING MY FEET

LISTEN HERE

MUSIC VIDEO FOR “WILD GUESS”

STARRING MARY BETH BARONE

OUT NOW

WATCH HERE

(photo credit: Erica Snyder)

From teenage sensation to global star, Ruel enters a bold new chapter with his sophomore record, Kicking My Feet, out nowvia Giant Music– Listen HERE. Across its 11 tracks, the project signals a bold new era for the 22-year-old artist, capturing his growth as a songwriter and storyteller while pushing further into the emotional honesty and sonic richness that continue to define his artistry.

Led by the focus track “Not What’s Going On”, the album puts Ruel’s heart on full display, wrestling with the weight of love that both lingers and leaves. Building on the stripped back vulnerability of recent singles “Wild Guess”, “I Can Die Now” and “The Suburbs”, Kicking My Feet finds him at his most raw and reflective. Throughout the record, he unpacks the highs and lows of love, from heartbreak, healing and self-sabotage to self-discovery and independence. At its core, it is a coming-of-age album that translates the defining years of his life into unflinching storytelling.

“With the lack of restrictions I gave myself, I still feel like I had the clearest vision I've ever had going into making a project. And there was a lot of certainty on how I wanted it to be perceived, the kind of artist that I want to be perceived as, and the things I wanted to say.” - Ruel

Earlier this week, Ruel released the official music video for “Wild Guess,” co-starring actor/comedian Mary Beth Barone (Overcompensating) and directed by Jackie Zhou (Chappell Roan “Hot To Go!”). Set in the Wild West, the tongue-in-cheek visual sees Barone as his ex, as the two are forced to reunite on set as actors who can’t quite put the past behind them. Between the bickering, eye-rolls and on-camera tension, the duo captures the hilariously messy reality of working with someone you once loved. Their undeniable chemistry and sharp comedic timing turn the whole thing into a rom-com gone deliciously wrong.

Barone on the experience, “I was so excited to play the ex loveinterest of a 22 year old in a music video. It’s just an honor to be thought of in that way as a woman in my 30s. I think it’s a step forward for filmmaking, storytelling, and culture in general. And the song being about a breakup, it just felt right.

My heart goes out to anyone who has to work with their ex, especially in an on set environment.

Ruel is a total professional and very kind so maybe the youth really will save us.”

As an extension of his recent releases, the Kicking My Feet leans into warm, folk-inspired textures while staying true to his pop roots. On “Wild Guess” he contemplates the slow unraveling of a relationship with quiet resignation, while the buoyant “I Can Die Now” celebrates a love so powerful it feels like the peak of existence. Tracks like “The Suburbs” and “No News Is Good News” dive into nostalgia and uncertainty, before the closer “dst (outro)” leaves listeners with a sense of acceptance. Honest lyricism pairs with the signature vocals fans know and love as Ruel evolves his sound into new territory. The result is a body of work that resonates both sonically and emotionally, blending sharp wordplay with melodies that linger long after the songs end.

To shape the sound of of Kicking My Feet, Ruel teamed up with an all-star roster of producers including Julian Bunetta (Sabrina Carpenter, One Direction), Kenny Beats (Dominic Fike, Ed Sheeran), Dan Wilson (Adele, Taylor Swift, Chris Stapleton), Taka Perry (KATSEYE), and longtime collaborator M-Phazes(Eminem, Kehlani, Ruel’s debut album). Earlier this week, he was also announced to join the lineup for Lollapalooza’s South American run, with performances in Argentina, Chile, and Brazil, as well as Colombia next March.

DOWNLOAD ALTERNATIVE PRESS IMAGE HERE

(photo credit: Erica Snyder)

Kicking My Feet Tracklist:

1. Only Ever

2. Wild Guess

3. When You Walk In The Room

4. I Can Die Now

5. Not What’s Going On

6. Destroyer

7. The Suburbs

8. No News Is Good News

9. Even Angels Won’t

10. Kicking My Feet

11. dst (outro)

About Ruel

Australia’s pop prodigy Ruel is growing up and it shows on his highly anticipated sophomore album Kicking My Feet, available Oct 17th via Giant Music. Pop’s newest It Boy has been on the rise since he was a teenager, adorning his studio walls are an ever-growing collection of platinum plaques and award statues from the likes of RIAA, MTV, ARIA and Nickelodeon. 

He has amassed over three billion streams, sold out multiple world tours and regularly attends fashion shows at the invitation of luxury haute couture such as Louis Vuitton and Hermès. Away from the runway, Ruel’s admiration for unique, highly conceptualised style can be seen in his editorials with Prada and Fendi, and through his extensive list of features on the pages of Vogue, GQ, NME and The Face. Around the world, eyes have been keenly watching Ruel’s career ascent; notably by Sir Elton John and Zane Lowe, both of whom have sung the praises of the UK-born, Sydney-raised talent, calling him a "superstar." 

Kicking My Feet showcases the 22-year-old’s sharpened songwriting as he explores the innocence and embarrassment of being young and in love, as the album title teases. Alongside frequent collaborator M-Phazes, the album has Ruel expanding his roster of creative partners, including Dan Wilson, Julian Bunetta, Kenny Beats and Taka Perry. The experimentation with his sound and artistry, has Ruel evolving himself into a bolder musician on an unmissable trajectory. 

Instagram // TikTok // YouTube // Facebook

RUEL SEA PRESS CONTACTS:

mabuhay@blackstar.space

Website: https://blackstar.space/

Ely Buendia set to drop cinematic official music video for “Kandarapa”, collaborates with emerging visionary—set for a TikTok Live during premiere

            Photo taken by Lawrence Del Rosario

MANILA, PHILIPPINES—At this point, solid listeners and the general public alike are already used to seeing Buendia's tenacity for acting as the perennial frontman has been on the big screen for “Pandamlagan (2025)”—a full-length period film featured at this year's Cinemalaya, the most prestigious independent film festival in the country. In this particular release, the “Bulaklak sa Buwan” hitmaker undeniably showcased his freshly-honed acting capabilities on his own very own material, “Kandarapa.”

“Kandarapa” exists as the third single of Buendia's latest solo oeuvre, “Method Adaptor”, an album that came from the depths of the artist's soul which relishes on narratives personal and deep from within, ultimately creating a meaningful 10-track masterpiece. But at this moment, we shift our attention solely to the single's official music video, furthering the plot of this new era of Ely Buendia.

Produced by the man himself, the “Kandarapa” music video is proudly “D.I.Y-ed” (do-it-yourself), with the help of Buendia's own record label Offshore Music, even directed by one of its own hired hands and in-house creative, Gada Nyssa Zayco.

“When I first heard Kandarapa, I felt the courage behind it. It takes a certain kind of bravery and strength to begin a song with an admission to say that you or something is not okay right from the first line, before any instrument even begins,” shares Zayco, detailing her initial reaction to the song. “I wanted the visuals to feel like a dream you’re half-aware of, caught between wanting to wake up but at the same time trapped.”

Zayco has done plenty of creative work in Offshore Music, most of which are for the internal side of the label and for its own impressive music roster, most regularly for official photos and visual collateral. But Zayco's prowess in directing, shooting, and editing for these types of work have already been out in the open as she also directed the extremely relatable music video for Pinkmen's song, “Di Pa Rin Sapat (Ang Sahod)”, a 5-minute mirror-to-society visualizer which heavily presents working class struggles through guerilla-style shots and political imagery, utilizing the song's explicit message about underpaid labor as base for the video.

In Zayco's terms, her directorial approach for “Kandarapa” differs from the mentioned music video through implementing more of an “art house” style in its overall concept, toying around with colors (and the lack thereof), significant props that borders on metaphors, and of course the most prevalent of them all, the ocean. “They all echo what it feels like to live through cycles,” the director says.

In the same breath, the young creative acknowledges the fact that this particular project holds a significant amount of weight, not only because she classifies herself as "fairly new” in her film journey, but also this marks her first time working on a project of this caliber with Ely Buendia. “He gives you space to create, yet challenges you to see things from a deeper place,” shares Zayco. “I used to see him as someone almost unreachable—a legend whose work defined generations.”

She also gets candid with her feelings, recalling the time when Buendia approached her to be the director of the single. She cites that the singer's simple act of trust became her compass throughout the project.

The Kandarapa Music Video is set to premiere on October 19 (Sunday), 6PM on Ely Buendia's YouTube channel. He also invites everyone to watch it with him through a livestream session on his TikTok accountwhere fans can ask questions right after the premiere.

Link to MV: https://youtu.be/OWnvT8oIxOE

About Ely Buendia

More than the usual string of superlatives, Ely Buendia is a storyteller. Not just someone with above-average verbiage, or a propensity to weave hastily rhymed couplets. But the genuine article.   And whether it’s with the massively popular Eraserheads, or with any of his latter-era pursuits (the genre-bending rock outfit Pupil, rockabilly meisters Oktaves, or the soul/funk collective Apartel), listeners are assured of both pop smarts and an indefatigable sense of invention.   Buendia’s canon is a ride to be relished. From landmark Eraserheads classics (“Alapaap,” “Magasin,” “Ang Huling El Bimbo”) to smashers by Pupil in the mid-aughts (“Nasaan Ka?,” “Disconnection Notice,” “TNT,”), the tunes serve as balm to the weary soul.  But the lesser-known items is where we are given a picture of Buendia’s creative breadth: the one-off release Wanted Bedspacer; In Love & War (made with rap legend Francis Magalona); collabs with the Itchyworms (“Pariwara,” “Lutang”); and, more recently with indie rockers Cheats (“Plunder My Heart”).  Buendia is also committed to guiding a new generation of artists in the OPM scene. As co-founder and CEO of Offshore Music Philippines, he has shaped the future of Filipino music.  Now releasing a new single, "Bulaklak sa Buwan" from the new album “Method Adaptor” under Offshore Music, Buendia offers a glimpse of his currency as a songwriter and musician. Music that is sure to inspire new and old fans alike.

Ely Buendia Socials

FB: https://www.facebook.com/profile.php?id=61560884825570

IG: https://www.instagram.com/elybumbilya/

X: https://x.com/elybuendia9001

YT: https://www.youtube.com/@elybuendia9000

TT: https://www.tiktok.com/@theelybuendia

Source: Sony Music 

Tame Impala’s fifth full-length album ‘Deadbeat’ out now

Photo by Julian Klincewicz

Tame Impala (Kevin Parker) has released his fifth full-length album, Deadbeat via Columbia Records today. Tame Impala teased the release of Deadbeat with three advance singles, “Loser,” “End of Summer, and “Dracula” which broke into Billboard’s Hot 100 and saw an instant chart debut at AAA and Alternative - his biggest debuts yet. Today he shares a music video for the album opener “My Old Ways,” directed by Kristofski and featuring cinéma vérité footage the director took throughout the process of Parker making the record in various locations around the world.

On Deadbeat, Parker sculpts a collection of wickedly potent club-psych explorations as a vehicle for some of his most direct, brain-wormy songwriting to date. The album is deeply inspired by Australian bush doof culture and particularly the local scene centered around Margaret River in Western Australia in the 90’s, recasting Tame Impala as a kind of future primitive rave act in the process. “In the past 15 years, arguably no other rock musician has straddled multiple worlds quite as well as Parker,” says critic Grayson Haver Currin in his GQ Hype cover story. “Tame Impala began as a modernized psych-rock band with exploding-world drums and skyscraping hooks that made it clear Parker also loved pop, soul, and hip-hop. As Tame Impala has steadily morphed into something stranger and self-renewing, where spoken-word stories about picking up laundry led to late-night confessionals, Parker has become a key collaborator to some of the biggest stars in the world. Deadbeatfeels like a last act of resignation and acceptance, with Parker finally coming to terms with the person he has always been and may always be. He is suspended in an emotional stalemate, wondering if he can be more than he knows he is.”

Conceived in various locations over the last few years, the album was largely galvanized between Parker’s hometown of Fremantle and his studio, Wave House in Injidup, Western Australia in the first half of 2025. Deadbeat sounds like the work of an artist with a leveled-up mastery, crafted with a newfound embrace of spontaneity for the renowned perfectionist. How that manifests is a distinct minimalism and crunch, with timbres and textures that add an ineffably new dimension to the sound, as well as a richer, more playful vocal range than ever. .

Tame Impala will kick off his first tour in support of Deadbeat on October 27 for the first of 4 shows at Barclays Center in Brooklyn, NY.  The run wraps on November 17 with the last of three performances at The Kia Forum in Los Angeles. Tame Impala has also announced a major UK and EU tour starting spring of 2026. Full tour dates are below. All dates are listed below and tickets are on-sale here.

Kevin Parker has emerged as one of the most influential voices of the last decade. A singular artist renowned for carving out a distinct sound all of his own, Parker crafts transcendent genre-bending sonic landscapes, playing every instrument and acting as writer, producer, mixer and engineer on his projects. He has been nominated for four GRAMMY awards with one win for his collaboration with Justice on 2024’s “Neverender.” In his home country of Australia, he’s racked up an impressive 13 ARIA Awards and 27 Nominations. He’s won the BRIT Award for Best International Band and scored nominations for two Billboard Music Awards and an American Music Award. Tame Impala has had numerous US Alternative Radio Top 10 songs including two #1’s for “Lost In Yesterday” and “Is It True.” Tame Impala’s “The Less I Know The Better” is part of the Billionaires Club with over 2 billion streams and the project has racked up numerous gold and platinum certifications globally.

Tame Impala has headlined festivals and arenas around the world and released four full-length albums - InnerSpeaker, Lonerism, Currents and his most recent album The Slow Rush. The Slow Rush landed at #1 in multiple territories and was his highest charting album to date in both the US and UK, with 14 top 10 chart positions around the world.  As a writer and producer Parker has collaborated with Dua Lipa, The Weeknd, SZA, Lady Gaga, Travis Scott, Mark Ronson, Gorillaz, Thundercat, Kali Uchis, 070 Shake, Rhianna, Miguel, A$AP Rocky and many more.

Deadbeat tracklisting

1. My Old Ways

2. No Reply

3. Dracula

4. Loser

5. Oblivion

6. Not My World

7. Piece of Heaven

8. Obsolete

9. Ethereal Connection

10. See You On Monday (You’re Lost)

11. Afterthought

12. End of Summer

FOLLOW TAME IMPALA

WEBSITE | INSTAGRAM | YOUTUBE | TIKTOK

Source: Nyou 

BBNO$ RELEASES HIS SELF-TITLED NINTH STUDIO ALBUM

(Photo credit: Olen Quinn)

LISTEN HERE

Today, Canadian artist bbno$ (pronounced "baby no money") releases his self-titled ninth studio album via Broke Records/CMG. LISTEN HERE.

The 21-track project is a testament to bbno$’s ability to work across different sounds, while delivering on his widely enjoyed, energetic rap style. The Canadian artist weaves through different pockets, from dance-heavy records like the Sammy Virji co-produced ‘yezzir’; to the soft, mellow serenade ‘main squeeze’. The focus track of the album, 'bing bong', features prominent social media creator Vanilla Mace first ever musical endeavouras VNLLA. The accompanying music video is pure entertainment gold, featuring Mace in a lavish role reversal where bbno$ transforms into her impeccably dressed, devoted butler within the opulent walls of a sprawling mansion. It's visual storytelling that perfectly captures the track's playful energy and bbno$ knack for turning expectations upside down.

WATCH “BING BONG” MUSIC VIDEO HERE

The album] also includes some of the internet’s most popular earworms of 2025, including ‘1-800’ with V-Tuber Ironmouse, ‘two’, and ‘it boy’. The project sees production credits from Diamond Pistols (DJ Snake, Rich Brian), Pink Slip (Katseye, Jason Derulo, Ty Dolla $ign, Lauv) and Y2K (Doja Cat, Young Gravy), plus assists on the pen from Jesse Saint John (Charli XCX, Brooke Candy, The Neighbourhood) and JBACH (LE SSERAFIM, Anitta, Ava Max).

This release is the culmination of a phenomenal year for bbno$, where he more than doubled his audience adding over 14 million new followers across his channels. It also comes on the heels of an ambitious 6-week album rollout campaign with 6 single releases, and a slew of content featuring cameos from the internet’s most recognizable faces, including jschlatt, Vanilla Mace, Jake Webber, Brandon Rogers, TheAnimeMen, Leeda Dong, Smosh, CG5, and The Content Machine. At this time, the campaign generated over 150M impressions on content across all platforms, not including user-generated content.

In the next few weeks, bbno$ will embark on his biggest global tour yet starting October 31st in Sydney, Australia. The tour will cover over 65 dates throughout Q2 of 2026, with venue capacities exceeding 7,000 in some of the major markets across North America, Europe, Asia and Oceania. The tour will be landing at iconic venues in North America and Europe, including the O2 Academy Brixton in London, and it’s guaranteed to be a real rager of a party.

ALBUM TRACK LIST

1. bag TF up

2. bing bong (feat. vnlla)

3. gigolo

4. eat slay love (feat. Käärijä)

5. it boy

6. estrella

7. come to brazil

8. check

9. hot topic

10. yezzir

11. rich sexy ugly

12. 1-800 (feat. Ironmouse)

13. pump it

14. NSFW

15. F.U.N.K.

16. main squeeze

17. ADD

18. like this like that

19. two

20. boom

21. finally up

TOUR DATES

10/31/2025

Australia

Sydney

Hordern

11/2/2025

Australia

Sydney

Hordern

11/3/2025

Australia

Melbourne

Festival Hall

11/4/2025

Australia

Melbourne

Festival Hall

11/5/2025

Australia

Brisbane

Fortitude Music Hall

11/6/2025

Australia

Adelaide

Hindley Street Music Hall

11/8/2025

New Zealand

Auckland

Power Station

11/9/2025

New Zealand

Wellington

Meow Nui

11/11/2025

Australia

Perth

Metro City

11/12/2025

Singapore

Singapore

SCAPE Theater

11/13/2025

Hong Kong

Hong Kong

TIDES

11/14/2025

Taiwan

Taipei

Clapper Studio

11/16/2025

South Korea

Seoul

Musinsa Garage

11/17/2025

Japan

Tokyo

WWWX

11/22/2025

Brazil

Sao Paulo

Cine Joia

11/29/2025

Mexico

CDMX

Pabellón Oeste

2/14/2026

US

San Francisco, CA

The Warfield

2/18/2026

US

Los Angeles, CA

Palladium

2/19/2026

US

Anaheim, CA

House of Blues

2/20/2026

US

Anaheim, CA

House of Blues

2/21/2026

US

Phoenix, AZ

Arizona Financial Theatre

2/23/2026

US

San Diego, CA

SOMA

2/25/2026

US

Albuquerque, NM

The Revel

2/27/2026

US

Dallas, TX

The Bomb Factory

2/28/2026

US

Austin, TX

Stubb's

3/1/2026

US

San Antonio, TX

The Aztec Theatre

3/4/2026

US

St. Petersburg, FL

Jannus Live

3/5/2026

US

Orlando, FL

House of Blues

3/7/2026

US

Atlanta, GA

Coca-Cola Roxy

3/8/2026

US

Charlotte, NC

The Fillmore

3/10/2026

US

Philadelphia, PA

Franklin Music Hall

3/11/2026

US

Boston, MA

MGM Music Hall at Fenway

3/12/2026

US

Washington D.C.

Anthem

3/13/2026

US

New York, NY

Terminal 5

3/16/2026

US

Detroit, MI

The Fillmore Detroit

3/17/2026

US

Chicago, IL

Salt Shed

3/19/2026

US

Cleveland, OH

Agora Theatre

3/21/2026

CA

Montreal, QC

Place Bell (Laval)

3/22/2026

US

Milwaukee, WI

The Eagles Ballroom

3/24/2026

US

St. Louis, MO

The Pageant

3/25/2026

US

Omaha, NE

Steelhouse Omaha

3/27/2026

US

Kansas City, MO

Uptown Theater

3/28/2026

US

Minneapolis, MN

Armory

3/29/2026

US

Des Moines, IA

Val Air Ballroom

4/2/2026

US

Salt Lake City

The Union

4/4/2026

US

Seattle, WA

WAMU

5/4/2026

Ireland

Dublin

National Stadium

5/5/2026

Ireland

Dublin

National Stadium

5/7/2026

United Kingdom

Manchester

O2 Victoria Warehouse

5/8/2026

United Kingdom

Manchester

O2 Victoria Warehouse

5/10/2026

United Kingdom

Glasgow

O2 Academy Glasgow

5/11/2026

United Kingdom

Glasgow

O2 Academy Glasgow

5/13/2026

United Kingdom

London

O2 Academy Brixton

5/15/2025

Switzerland

Zurich

Halle 622

5/16/2026

Germany

Cologne

E-Werk

5/17/2026

Germany

Cologne

Palladium

5/19/2026

Netherlands

Amsterdam

AFAS Live

5/20/2026

France

Paris

Le Bataclan

5/22/2026

Italy

Milan

Fabrique

5/24/2026

Czech Republic

Prague

SaSaZu

5/26/2026

Germany

Berlin

Columbiahalle

5/28/2026

Slovakia

Bratislava

Majestic Music Club

6/5/2026

CA

Toronto

Budweiser Stage

ABOUT BBNO$:

bbno$ (pronounced “baby no money”) has quietly become one of the most astute observers and architects of digital music culture, operating at the intersection where viral moments evolve into lasting artistic statements. Beneath the irreverent surface lies a sharp understanding of how modern pop culture actually moves, an instinct that has made him one of the most consistently relevant independent artists of the last five years.

That instinct powered his latest breakout, “1-800” featuring VTuber sensation Ironmouse. Released in June 2025, the track quickly became his most daily streamed song to date and one of the year’s biggest independent hits. What could have been a novelty elsewhere became something forward-thinking, cementing bbno$’s role as a cultural translator between internet subcultures and global pop. The momentum now leads into his highly anticipated self-titled album, released on October 17, following a six-week internet-breaking marketing campaign.

bbno$’s career jumpstarted with “Lalala”, a record that didn’t just go viral but rewired TikTok’s musical DNA and ushered in a new era of digital-first pop. He followed with “Edamame” featuring Rich Brian, another multi-Platinum smash that proved his staying power. Since then, bbno$ has built an extensive body of work, from the collaborative “Baby Gravy” albums with Yung Gravy to a relentless stream of singles that, in just the past year, have generated 750 million video views, 1.4 million fan-made creations, 140 million DSP streams, and more than 2.5 million new followers.

His live presence has grown just as rapidly. What began with digital discovery now commands sold-out headline tours across North America, Europe, Australia, and New Zealand. The upcoming world tour supporting his self-titled album will include career-defining performances at London’s O2 Brixton Academy and other legendary North American venues.

What distinguishes bbno$ from his contemporaries is not just his fluency in viral culture, but his ability to bend it toward his own creative vision. Unapologetically independent and irreverently inventive, he continues to redefine how artists build, engage, and entertain in the digital age. Above all, he proves that authentic connection with fans remains the ultimate currency in modern pop culture.

Follow bbno$

Website | Instagram | X | Facebook | TikTok | Youtube

For more information, contact mabuhay@blackstar.space

Filipino - American Indie Pop Singer-Songwriter Labit Unveils Debut Album 'SOL'

LISTEN HERE

Photo Credit: Erica Hernandez

October 17th, 2025 — Today, Filipino-American singer, songwriter, and storyteller Labit shares his debut album 'SOL'. Named in honour of his grandmother Solita ("Grandma Sol"), 'SOL' is a widescreen coming-of-age statement that turns kitchen-table wisdom, late-night truth-talks, and hard-won self-belief into vivid storytelling. Fans can stream the album HERE.

Across 18 tracks, Labit blends honeyed vocals, warm analog textures, and diaristic lyrics into songs that feel both lived-in and cinematic at once. Whether he's reflecting on family, identity, or the tender chaos of growing up, the result is a body of work that feels intimate yet expansive — rooted in real life, but resonating far beyond it.

"'SOL' is me taking stock of who raised me, what shaped me, and how to move forward with grace. These songs are about finding clarity: in love, in family, and in myself."

— Labit

In the advance singles, Labit had already started sketching out the album's emotional arc. "MANGOES AND RICE" is an intimate love letter to growing up Filipino-American; written as a conversation with his sister and brought to life in a video that foregrounds heritage, family, and community. With "CLEANING OUT THE FRIDGE" (ft. Emily Rowed), Labit leans into radical honesty: "airing it out", tearing down walls, and choosing to rebuild. With "PARALLEL", he captures the a-ha clarity of finding love right beside you. The hazart-directed video reimagines an iconic "song-in-the-back-seat" moment inside a family Buick LeSabre, the same car that Grandma Sol drove him around in as a child, as another nostalgic nod to her influence.

The record's palette moves from soft-focus nostalgia to full-colour uplift: late-night confessions that spill into sunrise ("FEBRUARY"), the anxious comedy of trying to keep up ("ALL MY PLANTS ARE DYING"), and the quiet strength of choosing the right person in a chaotic season ("BETTER"). Throughout, recurring motifs—cars, kitchens, seasons—tie the chapters together, while Labit's upfront vocal and conversational writing keep the storytelling close.

'SOL' features the previously released singles alongside new standouts like title track "SOL", a quiet dedication to the grandmother whose name, counsel, and compassion echo throughout the album.

Reflecting growing regional momentum, Labit's singles leading up to his debut album have earned coveted placements on Spotify's New Music Friday playlists across Asia—including the Philippines, Thailand, Indonesia, Singapore, Malaysia, Taiwan, Hong Kong, and Vietnam. Asian markets dominate his Top 10 audience: #2 India, #3 Indonesia, #4 Philippines, #7 Thailand, #8 Taiwan, and #10 Malaysia and his Top 5 streaming cities are based in Southeast Asia. Since debuting in 2019, his ability to connect across borders and cultures is rooted in honest storytelling and a sonic versatility that transcends genre.

For Labit, 'SOL' captures that ongoing process of self-discovery—written as a personal journal while navigating the intricacies of adulthood, finding strength in vulnerability and grace in growth.

'SOL' Album Tracklisting:
1. STAY AWHILE
2. BREAK!
3. PRETTY
4. CLOUD
5. ALL MY PLANTS ARE DYING
6. CLICK
7. BET
8. WHO WE WERE
9. WYL
10. CLEANING OUT THE FRIDGE (FT. EMILY ROWED)
11. MANGOES AND RICE
12. LEADS (ME TO YOU)
13. BETTER
14. FEBRUARY
15. PARALLEL
16. CODEPENDENT
17. ANYBODY’S GUESS
18. SOL

Stream 'SOL' here
 

About Labit

Stephen Ordoñez, aka Labit, is a genre-blurring, Los Angeles-based Filipino-American multi-instrumentalist, singer-songwriter, producer, and artist. Known for his heartfelt lyricism, evocative melodies, and ability to make the deeply personal feel universal, Labit writes with unfiltered honesty and emotional depth, often drawing from the people and connections that have shaped his world. Through his music, he creates spaces where lived experiences and cultural memories intersect, inviting listeners into moments that feel both intimate and shared.

Since his first release in 2019, Labit's catalog has grown in generous authenticity, blending melodies that feel like being wrapped in a warm blanket with infectious hooks that linger long after they're heard. Whether soft and nostalgic or loud and spiralling, his songs speak to the messiness and beauty of being human.

Beyond his solo work, he's a versatile songwriter, known for pairing distinctive melodies with strong vocals and guitar playing. Ordoñez has penned numerous tracks across pop, rock, and R&B, including credits with Emei, BYRNE, and more.

FOR MORE INFORMATION
SECRET SIGNALS

FOLLOW LABIT

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Website

YouTube

X

R&B Duo CVIRO & GXNXVS Link with Nippa On New Single "Close 2 U"

LISTEN HERE

Photo Credit: Michael Candrick

October 16th, 2025 – R&B producer and singer-songwriter CVIRO & GXNXVS have released their second single “Close 2 U” featuring breakout UK R&B artist Nippa on Red Bull Records. Fans can stream the song here. 

A merging of two very distinct worlds, this track combines the best of the UK R&B scene with what CVIRO and GXNXVS do best. “Close 2 U” is perfectly timeless, weaving 90s/early 2000s R&B in with smooth beats and infectious melodies.

On the single, CVIRO & GXNXVS shared, “This song is about connection in its purest form. An AUS x UK R&B collab has been a long time coming, and "Close 2 U" is one of those moments where everything just clicked. Having Nippa be part of it brought it into a new dimension".

CVIRO & GXNXVS – "Close 2 U" (feat. Nippa) (Visualizer)

CVIRO & GXNXVS made their return as a duo earlier this year with the single “Were You Down?” – a bumping track with a club-ready energy. In between this new era and their previous project together the two kept busy, appearing on global releases with UK-based R&B singer H33RA and Toronto rapper JAHKOY – with this second collaboration receiving an enthusiastic shoutout on The Joe Budden Podcast.

CVIRO & GXNXVS continue to solidify their presence in the R&B scene, pushing boundaries with a multi-genre, global sound that’s destined to become timeless. 

Stream "Close 2 U" here
Watch the visualizer here
 

About CVIRO & GXNXVS

A while back, vocalist CVIRO and producer GXNXVS met and instantly bonded over the sound and spirit of nineties R&B and soul. As if meant to make music together all along, GXNXVS showed up to their first encounter with his recording gear in tow. Not long after, the duo bubbled up out of Australia and into the international conversation by 2014. The breakout “Benjamins” announced their arrival, piling up 8.1 million Spotify streams and counting. “Problem” and “Lady” posted up millions of Spotify streams, and “Sober” eclipsed 8.2 million Spotify streams. Along the way, OVO Sound Radio and Beats 1 championed their music. Not to mention, global supermodel and style icon Bella Hadid played CVIRO & GXNXVS on her social media to tens of millions of followers.

Receiving widespread praise, Earmilk exclaimed, “Each new song possesses equally as much flava as the last,” and HYPEBEAST praised the single “Caught Up” as “reminiscent of 90s throwback R&B with its smooth but bouncy production and vocal delivery”. Perhaps, Acclaim put it best, “Their sound is smooth and sexy, a fusion of old school R&B sounds with modern neo-soul”. With EPs such as 'Now You Know' [2018] and 'The Sequel' [2020] under their belt, their collective work ethic simply never relented.

In 2022, they reemerged with 'Come On In', their debut EP on Red Bull Records, featuring the seductive standout “Nasty” with Jean Deaux. The following year, they delivered a bold reimagining of the project with the 'Come On In' (Remix EP) [2023], flipping select tracks into new sonic directions. Most recently, the duo teamed up with rising UK artist H3RRA for her 2024 single “Cardiac", lending their signature polish and mood-driven production to a buzzy collaboration that’s further cemented their status as global tastemakers in modern R&B.

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Costa Cashman redefines what it means to be a “Gangsta” in his most compelling single yet

From street survival to self-made success, Cashman flips the term into an anthem for growth and grit earned through real hustle

Rising hip-hop powerhouse Costa Cashman returns with a new single that flips the narrative of what it truly means to be a gangsta.

His new track, “Gangsta,” featuring Fern and produced by dot.jaime, celebrates transformation, discipline, and success earned through grind and growth.

On “Gangsta,” Costa Cashman continues to expand his distinct Cheke sound, a sonic signature that fuses grit with cinematic ambition. The track builds on the success of his previous hit “HUSS,” marking a refreshing pivot in Cashman’s storytelling: one that reflects his past struggles while embracing the victories of his present.

Gangsta, redefined

“Para sakin kasi, hindi na ‘gangsta’ yung pagiging agresibo o pagiging mapusok,” Cashman shares. “Para sa akin, ang‘gangsta’ na is yung nakakapag-provide ka, nagagawa mo yunggusto mo, nag-eenjoy ka at nagagawa mo yun ng sarili mo lang. Nagawa mo siya ng pinaghirapan mo. Ayun na yung ‘gangsta’ para sakin.”

Co-produced by dot.jaime, “Gangsta” delivers a hard-hitting yet expansive soundscape, anchored by a bass-heavy beat that mirrors Cashman’s confidence and creative clarity. Recording during a writing session in Bali with Fern, the track came together organically, combining effortless lyricism with raw, tender honesty.

“Natural lang siyang lumabas sa akin,” Cashman recalls. “Lumabas siya sa utak ko, tapos sinulat ko na siya. Sobrangsaya ko kasi parang yun yung pinaka-legit na nasulat ko. I mean, legit naman lahat ng sinusulat ko, pero ayun ung mas dama ko at mas personal siya.

Lyrically, “Gangsta” serves as both reflection and declaration. Cashman contrasts the grind of his early days, recording music in cramped spaces and dodging daily hardships. Thinking about it, the acclaimed newcomer takes pride in the fulfillment of having built something real and meaningful from nothing.

From the streets to the spotlight, “Gangsta” serves as an anthem for those still in the grind, reminding them that success doesn’t erase struggle; it redefines it. From TV features to magazine covers, Costa Cashman stands as a symbol of authenticity and ambition, embodying what it means to glow up while staying grounded.

UND x Costa Cashman

In tandem with the single release, Costa Cashman will debut a limited-edition capsule collection in collaboration with UNDRAFTED (UND)—a partnership aligning with the UND Anniversary celebration. The capsule embodies the same spirit of “Gangsta”: success born from hustle, crafted with intention and authenticity.

The UND x Costa Cashman capsule will drop around the same time as the single’s release, and will be available in limited stock. “This collaboration represents not just a fashion statement but a manifestation of Cashman’s evolution, from the streets of Malate to the forefront of Philippine hip-hop culture,” Justin Wieneke, CEO of Cheke, explains.

About Costa Cashman

Hailing from Malate, Batang M, Costa Cashman is a star in the Philippine hip-hop scene and a prominent member of the influential rap group, O-SIDE Mafia, which has 2.3 million monthly listeners on Spotify.

Known for his infectious hooks, lyrical prowess, and dynamic energy, Costa has solidified his place in the industry with consistently high-performing tracks that garner over 1 million streams per release. His music embodies the essence of contemporary hip-hop while staying true to his Filipino roots, making him a fan favorite both locally and internationally, especially with the Filipino diaspora.

Source: Nyou

Rock royalty meets new wave rebellion in The Dawn and Sean Archer collab track “Delikado”

Bridging eras and emotions with cinematic intensity, “Delikado” tells a gripping father-and-son narrative wrapped in post-punk energy

Iconic rock legends The Dawn team up with rising alternative artist Sean Archer for their new single “Delikado”—out today via Sony Music Entertainment. The upbeat, guitar-driven track blurs generational lines and musical boundaries while making sure to retain their distinct music stamp in the mix.

Steeped in themes that revolve around tension, truth, and tenderness, “Delikado” is an emotionally charged anthem that explores the relationship dynamics between a father and a son, mirroring love, fear, and understanding. Beneath its edgy riffs and pulsating beats lies a more profound message: always look over your shoulder, and be mindful of what lurks in the night.

“When we signed with Sony, they encouraged us to collaborate with one of their artists,” shares Sancho Sanchez of The Dawn. “We sat down and watched videos of different Sony artists, and Sean Archer’s songs and music videos really appealed to us. It’s like his musical DNA is something we’re very familiar with.”

The Dawn’s resident guitarist Kiko Reyes adds, “We’ve always been on the lookout for interesting collaborations that challenge us on creative terms. Sean’s songs, especially “Patay,” had energy, wit, and great hooks. I think initially we were looking for an artist who was not in our area stylistically because we like different challenges and perspectives. But we couldn’t ignore how much we liked Sean’s songs and style.”

Though The Dawn and Sean Archer come from vastly different eras and creative processes, the collaboration flowed with surprising ease.

Actually, kahit ako nagulat din. Demo palang yungDelikado noon, and si Rico Blanco yung nagsend sakin ng demo at nagsabing gusto makipag collab ng The Dawn.

“Sa demo pa lang, solid na yung theme ng kanta eh,” Sean reveals. “Tungkol siya sa perspective ng nag-aalalang magulang, so naisip ko ang idadagdag ko naman ay yung perspective ng anak. Kumuha ako sa sarilingexperiences ko kasi madalas din ako inaabot ng gabi noon kaya madalas din mag-alala magulang ko.”

The result is a dynamic conversation in a song, a father’s protective concern clashing with a son’s yearning for independence. Both sides are fueled by love, but expressed through friction.

“Sean did an awesome job of answering my words, which represent the typical worry of a parent or elder,” says Jett Pangan, The Dawn’s frontman. “His lyrics complete the relatable narrative of a family living in dangerous times, plus his vocal style levels up that rebellious punch.”

Musically, “Delikado” sounds like a controlled explosion: a driving, post-punk-inspired track feels urgent yet artfully restrained. The Dawn’s cinematic guitars and pounding drums collide with Sean Archer’s modern edge and textured vocals, forming a sound that’s equal parts tension and precision.

Guitarist Francis Reyes explains, “I think we liked the post-punk sort of thing that we drunkenly messed around with. Initially it sounded very Gang of Four-ish or early Bloc Party-ish. Parts, specifically guitars, morphed during the recording. Bim was imagining a Billy Idol/Steve Stevens approach—aggressive guitars with synths in the background—so it has those references as well. On my end, I used a raw, semi-distorted guitar tone I’ve never used on any recording, which changed how I would normally write a guitar part. I figured if I went my normal route—either processed clean or high gain—I’d be mining familiar territory, and that would be boring for me. The song has a rawness, and I kept that in mind for my area of sound. There are quiet moments, including ambient spacey stuff from Sancho and me that we both love, but even those moments maintain the tension. The song is about two generations ‘arguing’ after all, with each side wishing to be understood. Jett and Sean really nailed a great narrative with their lyrics.”

The Dawn and Sean Archer’s “Delikado” is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

The key to innovation: Casio partners with Lyric for official Philippine distribution

Through an exclusive partnership, Lyric becomes the home of Casio’s most advanced digital pianos and keyboards– bridging innovation and artistry

From left to right: Bel Sayson, General Manager of Lyric; Kazunori Yamagishi, Casio Manager for Southeast Asia; Maisie Anne Cristobal, Lyric Vice President; (back) Christopher Cristobal, Lyric Business Development Manager; Ayman Linzag, UST Conservatory of Music – Piano; Alma Joy Cristobal, Lyric President; and Kai Honasan, Lyric–Casio Ambassador

Manila, Philippines – Lyric, the largest musical instrument retail chain in the country, is now the official and exclusive distributor of Casio digital pianos and weighted, portable keyboards in the Philippines.

The partnership between two music equipment titans brings Casio’s world-renowned digital piano innovations—including the Celviano, Privia, and Casiotone series—to Filipino musicians and hobbyists nationwide through Lyric’s 24 retail stores, numerous third-party dealers, and its online platform:www.lyric.ph.

A new era of partnership

The collaboration marks a landmark development for both brands, united by their shared mission to make high-quality musical instruments accessible to all levels of musicians.

“Lyric has always been a fan of Casio for the longest time with their unique products addressing many markets,” said Zorobabel Sayson, General Manager of Lyric. “We were fortunate to be given an audience with the people behind Casio Southeast Asia, particularly Messrs. Yamagishi and Ogawa-san. Lyric’s strength—with 24 of our own retail stores and numerous dealers nationwide—is perfect to distribute Casio, and we are glad that they equally saw the big potential of this partnership.”

With this agreement, Casio’s distribution and representation in the Philippines are now officially under Lyric, ensuring that musicians and potential consumers get to experience Casio’s exceptional quality with comprehensive service, local availability, and technical support.

Casio’s signature sound and innovation

Casio has long been celebrated for its technological excellence and authentic musical experience. The brand’s Celviano Grand Hybrid series, developed in collaboration with legendary piano maker C. Bechstein, bridges the best of acoustic tradition and digital innovation. It offers the touch, tone, and response of a concert grand piano enhanced with cutting-edge sound technology.

Meanwhile Casio’s Privia series redefines performance and portability for professionals and studio musicians, with special features like seamless Bluetooth connectivity and an authentic hammer-action feel in a sleek, lightweight form. For beginners and hobbyists, the Casiotone and CDP series deliver powerful sound, expressive dynamics, and unique functions such as pitch bend wheels and bundled stands, making them ideal choices for learning and performance.

Sayson added, “This is a great deal for us at Lyric as Casio is considered the top brand for digital pianos and keyboards in many countries across the globe. Now is the perfect time to aggressively market Casio in the Philippines, starting with this official launch.”

Shared vision

The partnership reflects a natural alignment between two brands that both value innovation, craftsmanship, and musical empowerment. “Lyric and Casio share the same commitment of creating and providing new value keyboards through innovation,” said Alma Joy Cristobal, President and CEO of Lyric. “Casio’s focus on advanced technology contributes to developing and upgrading musical skills and talents of Filipinos. Our goal is not only to inspire creativity but also to elevate musical expression.”

Alma Joy Cristobal also highlighted Lyric’s mission to support Filipino musicians through accessibility and outreach. “We have always supported Filipino musicians by providing free use of instruments and gadgets during events, especially in areas where such resources are limited. With the Casio Grand Hybrid piano alone, it is now possible to bring the experience of a grand piano anywhere, plus it’s easy to transport for events.”

Casio now available in all Lyric stores and online

Beginning this quarter, Casio’s full range of digital pianos and keyboards will be showcased and available for hands-on experience at all Lyric retail locations nationwide. Customers can check out demo units, attend workshops, and purchase directly in-store or through Lyric’s online platform atwww.lyric.ph.

“Any musicians or music enthusiasts of Casio digital pianos and keyboards can purchase Casio latest models in any of the 24 Lyric stores,” Cristobal noted. “Everyone is welcome to visit any Lyric stores located at various mall and store locations.

Championing Filipino talent

To strengthen its engagement with the music community, Lyric has also begun partnering with prominent Filipino artists to showcase Casio’s versatility across demos, genres, and generations.

Lyric recently signed classically trained pianist and indie folk-pop artist Kai  Honasan as one of its endorsers for the Lyric and Casio collaboration. Cristobal revealed, “We are aligned with the direction of tapping local Filipino artists to showcase Filipino musical talents. More ambassadors coming... young and young at heart.”

Shaping the future of music

Both entities envision this partnership as more than just a formidable business relationship. For what it’s worth, both Casio and Lyric have inspired a movement to push the boundaries of music technology in the Philippines while prioritizing accessibility.

“Casio‘s music business is evolving digital technologies related to sound,” Cristobal concludes. “Together, we envision the future of a more technology-driven keyboard that addresses the needs of the ever-evolving trends and new music generations.”

About Lyric

Lyric is the Philippines’ largest musical instrument retail chain. It was founded in 1964 by Mr. Severo Panganiban as a supplier of parts and accessories to piano manufacturers. In 1968, it evolved into manufacturing its own pianos for the domestic market, and, after a few years, it exported its first set of pianos under its own label. In order to meet the local demand for imported pianos, Lyric acquired the distributorship of Kohler & Campbell pianos. Wurlitzer and Baldwin pianos were also acquired. By 1998, Lyric assumed the exclusive local distributorship of Kawai and Fazioli are its current biggest piano brands.

To support its sales outlets, Lyric has a well-organized service center with trained staff and technicians. They are receiving training in Japan and Germany to fully support and maintain the musical instruments the company offers to the public. It also maintains a spare parts and accessories outlet to supply the instruments it carries with original parts straight from manufacturers.

Although famous for its piano heritage, Lyric has now expanded to become a full-line music store as they offer official distributorship of world-renowned instrument brands such as Peavey amplifiers, PRS guitars, ESP guitars, DW drums, Meinl cymbals, and Mono bags. It also expanded into professional audio with the acquisition of select brands as JBL speakers, Soundcraft mixers; AKG microphones; Severo guitars, and Peavey speakers, to name a few. With 60 years in the business, Lyric has retail branches in the most accessible locations and continues to expand across the country. It has dedicated itself to ensure that Filipino music fans can grow and play the best brands with Lyric.

About Casio Music Instruments

Casio’s digital pianos and weighted, portable keyboards are crafted to deliver the authentic feel and sound of a traditional grand piano, paired with cutting-edge digital capabilities. From the Celviano Grand Hybrid series to the Privia and Casiotone lines, Casio combines acoustic excellence with innovation, creating instruments that are both expressive and accessible for musicians of every level.

Casio digital pianos and weighted, portable keyboards are now available at all Lyric stores nationwide and online viawww.lyric.ph.

Source: Nyou

Multi-Platinum Singer-Songwriter elijah woods Drops Highly Anticipated Debut Album 'Can We Talk?'

LISTEN HERE

Photo Credit: Austin Calvello

October 14th, 2025 - Philippines — Today, breakout pop artist and multi-platinum singer-songwriter/producer elijah woods releases his highly anticipated debut album, 'Can We Talk?'. With more than 1 billion streams and world tours spanning sold-out headline runs across Canada and Asia, major international festivals, and a coveted opening slot for Niall Horan, elijah has established himself as a global force in pop music. Fans can stream the new album HERE.

Having already built a loyal global fanbase of over 5 million followers entirely as an independent artist, elijah now delivers a record that captures both the emotional intimacy and magnetic pop craftsmanship that have defined his meteoric rise. Across all 11 songs on the album, 'Can We Talk?' blends raw vulnerability with irresistible hooks, affirming elijah as an artist who thrives in the space where honesty and undeniable pop energy meet.

"'Can We Talk?' is the most personal project I've ever made. It's a collection of late night thoughts and real conversations–things I’ve said, things I wish I'd said, and things I'll probably never say out loud. For me, it's about the messy, beautiful parts of trying to connect with people and how easy it is to get lost in miscommunication."

— elijah woods

elijah describes the album as a reflection of personal and artistic growth. He shares that, in making the album, he "was chasing a sense of sonic maturity—finding comfort in letting songs breathe emotionally while still pulling you in with production that feels big, bold, and alive." "This album feels like finally letting people sit in the room with me while I figure it all out," elijah says — an open invitation into the most honest version of his artistry yet.

The singles leading up to the album's release have already been making waves, securing strong DSP placements and notable radio play across the region. Tracks like "Could You Love Me?", "Ghost on the Radio", "Slicked Back Hair", and most recently, "I Miss You" have helped shape the emotional tone of the record while showcasing elijah's versatility — from raw ballads to more upbeat, dance-leaning pop moments. Several of these songs have already become fan-favourites on tour, resonating powerfully in live settings with each performance deepening the connection between elijah and his audience while building momentum and anticipation for what many are calling his most defining project to date.

elijah woods – "So Good" (Official Music Video)
Focus track from new album 'Can We Talk?'

Alongside the release, elijah unveils the official music video for the album's opening track and focus single, "So Good". A soaring, singalong-ready pop anthem, the track captures the rush of new love and its transformative glow. ""So Good" is about that feeling when someone walks into your life and suddenly everything feels lighter, easier, and better than you expected—the craving for something you just can't get over," elijah explains.

After releasing five EPs and a string of viral singles over the past five years, elijah has carved out a remarkable path as a fully independent artist. With 'Can We Talk?', elijah delivers exactly what fans have come to love: vibey, emotionally resonant tracks that speak straight from—and to—the heart.

elijah woods just wrapped his second headline tour across Asia, igniting 12 cities on the 'Give Me The Sunlight!' tour—including sold-out shows in Taipei and Hong Kong, a marquee set at The Sounds Project in Jakarta, and standout performances at Japan's iconic Summer Sonic Festival in Osaka and Tokyo. The run also included major stops in Manila, Singapore, Bangkok, and more. Earlier in 2024, elijah sold out his first-ever Asia tour in May, opening for Niall Horan in Jakarta, and taking the stage at the Seoul Jazz Festival alongside Lauv, Jeremy Zucker, and JP Saxe. Today, Asia dominates his global streaming audience, with top markets including: #2 Indonesia, #3 Philippines, #5 Taiwan, #6 India, #8 Malaysia, #9 Thailand, and #11 Singapore.

Beyond the stage, elijah's charisma and personal style are making waves in fashion. He recently graced the cover of Esquire Singapore and was featured in The Greatest Magazine, VMAN SEA, and NYLON Manila—with more coverage on the way.

With this debut album, elijah woods cements his place as one of pop's most emotionally resonant and globally rising voices — delivering a body of work that's as honest as it is unforgettable.

'Can We Talk?' Tracklisting:
1. So Good
2. Could You Love Me?
3. Ghost on the Radio
4. Exercise Your Demons
5. Cutting The Grass
6. Can We Talk
7. Stay Home
8. Slicked Back Hair
9. I Miss You
10. Dynamite
11. That’s All Folks

Stream 'Can We Talk?' here
Watch the "So Good" official music video here
 

About elijah woods

elijah woods has carved out a unique space in the pop landscape as a multi-faceted artist, singer-songwriter, and producer. Renowned for his vivid storytelling, crisp production, and irresistible hooks that balance raw emotion with magnetic pop energy, he has established himself as one of pop music's most compelling solo acts, as well as a highly sought-after collaborator. Over the years, elijah has built a global following through sold-out headline tours across Canada and Asia, appearances at major international festivals, and a coveted opening slot for Niall Horan. Most remarkably, he has achieved it all as an independent artist.

With over 1 billion streams to his name, multiple platinum and gold certifications and four JUNO Award nominations, elijah's ascent as an independent artist has been nothing short of remarkable. In just the past three years, he's released five EPs, including 'Elijah Would!', 'Hey There Elijah', and 'silver lining'—all in 2024. He's graced the cover of Esquire Singapore and been featured in VMAN SEA, 1883 Magazine, and Vogue Hong Kong. Recently named one of the top 500 artists in the world, elijah is now stepping into a defining moment with his debut album, 'Can We Talk?', cementing his place as one of pop's most exciting and enduring voices.

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JOJI RETURNS WITH “PIXELATED KISSES”

MARKS FIRST NEW MUSIC SINCE SMITHEREENS (2022)

WHICH FEATURED

RIAA 2X PLATINUM, #1 SPOTIFY GLOBAL 50 HIT

“GLIMPSE OF US”

Joji press photo, credit: ​​Evers Pund

“From commandeering the wave of lo-fi tinted trap and hip hop in the late 2010s to cementing himself as an alt pop heavy hitter, Joji consistently reinvents himself and truly proves himself as one of the most interesting artists in the alternative, ‘anti’ pop sphere.”

- CLASH

“can't be put in a box, and his empowering versatility is on full display”

- Teen Vogue

Today, singer, songwriter, producer Joji shares “PIXELATED KISSES.” The single marks his first new music since 2022’s SMITHEREENS, which featured the RIAA 2x Platinum, #1 Spotify Global 50 hit “Glimpse of Us.”

STREAM “PIXELATED KISSES” HERE

Entirely written, produced, and recorded by Joji, “PIXELATED KISSES” marks a sonic return to form. Joji’s quintessential pared-down vocals and an indelible hook unite with a gritty trap beat for a masterclass on the art of simplicity. The resulting product is haunting, moody, and indelible, representing the core of his artistry and what makes it so special.

Since his breakthrough in 2017, Joji has released four critically-acclaimed studio albums BALLADS 1 (2018), which included the RIAA-certified 5x Platinum single “SLOW DANCING IN THE DARK,” Nectar (2020), and SMITHEREENS (2022), which featured his highest-charting single to date “Glimpse of Us.” In support of these projects, he has toured internationally and performed at major festivals including Coachella, Lollapalooza, and Reading & Leeds. In 2023, he embarked on the OBLIVION and PANDEMONIUM arena tours, spanning 41 shows with sold-out dates at Madison Square Garden, Barclays Center, Kia Forum, Crypto.com Arena, United Center, and London’s Gunnersbury Park.

“PIXELATED KISSES” artwork — download HERE

Connect with Joji:

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Press Contact:

Mark Bonifacio

mabuhay@blackstar.space

The world falls apart beautifully in Jewel Owusu’s new EP, the end of everything

With lush, experimental production and disarmingly honest lyrics, Owusu delivers a compelling mixtape about heartbreak, loss, and identity

Filipino-Ghanian artist Jewel Owusu has released her new mixtape project, the end of everything on all digital music platforms worldwide.

The eight-track EP captures the fragility, resilience, and transformation that come with endings—be it ordinary or life-altering—but experienced through the turbulent lens of youth.

At once poetic and piercing, the end of everything explores what it means to come undone and be rebuilt, weaving existential reflection with sonic experimentation. Owusu’s songwriting unearths the nuanced devastation of loss, heartbreak, and disillusionment, but with hope still clinging behind the trail.

“When you’re young, everything from minor inconveniences to life-shattering moments can feel equally devastating, as if the world is collapsing around you,” shares the Australia-based pop act. “This project captures the journey of coming to terms with an imperfect reality, uncovering the cracks in relationships, worldviews, and expectations that once seemed unshakable.”

The art of endings

Across its eight songs, the end of everything transforms endings into a kaleidoscope of emotion and experience, with each track serving as a mirror for the different ways we lose and rediscover ourselves. From the grief-laden stillness of “this is the end” to the aching surrender of “don’t let me go” and the existential unraveling of “self-importance,” Owusu delivers a collection that feels deeply personal and universally resonant.

Described as the project’s anchor points, “slip away” and “self-importance” reveal a more vulnerable side of Jewel Owusu. “The former captures the sonic and emotional atmosphere I wanted for the EP,” she says. “It conveys isolation and the feeling of being out of place while growing up. The latter, on the other hand, reflects on how humans create meaning to cope with existence and death, and how those beliefs can sometimes lead to a heightened sense of ego.”

The recurring motif of the mouse threads through the project’s conceptual heart,  a metaphor for fragility and endurance amidst chaos. In Owusu’s world, the mouse represents tact and survival, a symbol of power within powerlessness. It embodies the emotional landscape of the record: the tension between fear and resilience, control and surrender.

A sonic evolution

Produced alongside a cohort of talented collaborators, including HAMLEY, Dylan Guy, Aria Wood, Dugong, and Jarrod Jeremiah, the EP marks a remarkable pivot for Owusu in terms of songwriting and sound. Known for her genre-blending approach and tender storytelling, she expands her sound on the eight-track mixtape through textured production, layered vocal effects, and experimental arrangements, all while retaining her pop appeal.

“This project is definitely an evolution of my sound. I experimented a lot with vocal production, pushing my voice in new ways,” Owusu reflects. “My collaborators and I played around with different types of distortion and layered a lot of FX into the backing vocals, which is something I had not explored as deeply before. A great example is the final track, ‘cut my hand,’ where so many of the textures were created using my voice.”

Working closely with HAMLEY, who also mixed the entire project, gave the EP a unified, cohesive sound while preserving its emotional volatility. The result is a collection of songs the feels cinematic yet intimate, built from a palette of melancholic synths, subtle percussions, and affecting vocal performances that oscillate between fragility and defiance.

Following the shimmering, playful tones of her previous EP, Jool Wave, Owusu now ventures into darker, more introspective territory. “Jool Wave was a lot more experimental and leaned into a cute, bubbly sound,” she shares. “The End of Everything has a grittier sonic soundscape that matches its themes. I feel like I’m growing into an artist who is more honest in their writing—unafraid to say exactly what I think.”

That honesty is what makes the end of everything so arresting. Each track feels like a page torn from a private journal,  confessional set to soundscapes that shimmer between melancholy and transcendence. Whether reflecting on the end of belief, love, ego, or belonging, Owusu reveals the moment when endings give birth to renewal—the realization that even in the ruins, something soft remains.

“I hope that listeners feel a sense of hope on the other side of whatever they’re going through,” she says. “Even the darkest moments will eventually pass.”

Track list – the end of everything:

1. ​this is the end

Written and performed by Jewel Owusu

Produced by Jarrod Jeremiah and Jewel Owusu

2. ​don’t let me go

Written and performed by Jewel Owusu

Produced by HAMLEY

3. ​mouse

Written and performed by Jewel Owusu

Produced by Jewel Owusu, Dylan Guy and Aria Wood

4. ​spark

Written and performed by Jewel Owusu

Produced by Aria Wood

5. ​slip away

Written and performed by Jewel Owusu

Produced by Jewel Owusu and Dylan Guy

6. ​self-importance

Written and performed by Jewel Owusu

Produced by Dugong Jr

7. ​bed

Written and performed by Jewel Owusu

Produced by HAMLEY

8. ​cut my hand

Written by Jewel Owusu and Craig Bishop Ngatupuna

About Jewel Owusu

Jewel Owusu has always felt like she lives in the space in between—between sounds, between cultures, and between versions of herself that are constantly shifting.

As a Filipino-Ghanaian artist and producer, she’s forging a new path in alternative electronic pop—one that’s as unfiltered and dynamic as she is.

Born in Hong Kong and raised in New Zealand, Jewel’s music is a melting pot of influences. Combining elements of electronic, dance, indie pop, rock, and more, her sound blends every experience that inspires her.

Now based in Melbourne, Australia, Jewel has been garnering eyes through international shows, showcases at SXSW Sydney and Music Matters in Singapore, national tours, and an overflowing headline show.

She has been recognized as an artist to watch, won Triple J Unearthed's collaboration competition, and caught the eye of major outlets such as Rolling Stone, Complex, Colors Studio, MTV, Triple J, and TikTok.

In Jewel’s world, music and visuals are more than just art—they are spaces for transformation and self-expression, where imperfection is not only welcomed but celebrated.

Source: Nyou

Madison Beer shares new single "bittersweet"

Listen to the new single HERE

PERFORMING AT VICTORIA’S SECRET FASHION SHOW IN NYC ON OCT 15TH

(Photo Credit: Morgan Maher; download hi-res version HERE)

Today, two-time GRAMMY nominated and platinum selling artist Madison Beer has released a new single, “bittersweet” via Epic Records. It follows her highly infectious dance track, “yes baby.”

Beer says about the song, “bittersweet is about the end of a chapter and the difficulty of coming to terms with it, while also recognizing that deep down you know it’s for the best—and finding peace in that along the journey”

CLICK HERE TO LISTEN TO “BITTERSWEET”

Download Artwork HERE

Last month, Beer released her first new song of 2025 - “yes baby”. Released alongside a fierce music video, created and co-directed by Beer and director Aerin Moreno, and received praise from outlets including Billboard, which raved, “Beer understands how to follow through on a fun, flirty electropop banger, as she proves again.”

She is set to perform at the Victoria’s Secret Fashion Show in New York City on Wednesday, October 15th at 7 PM ET on Prime Video and Amazon Live for U.S. audiences and globally on Victoria's Secret's official YouTube, TikTok, and Instagram account.  

Beer is a platinum-selling, two-time GRAMMY-nominated singer, songwriter, producer, and author. She has built an impressive resume with visceral vocals —becoming a dynamic multi-hyphenate.

Her second studio album, Silence Between Songs, earned her first GRAMMY nomination and secured her second consecutive spot on the Billboard 200, following Life Support. She released standout singles including “Sweet Relief” with the music video quickly hitting a million views, while “Spinnin” inspired her third sold out global headlining tour. The Spinnin Tour spanned 60 dates across the U.S., EU, U.K., and Australia, with stops at iconic venues including Radio City Music Hall and The Greek Theatre.

Madison earned her second GRAMMY nomination for “Make You Mine” in the Best Dance Pop Recording category. Since its release in April 2024, the track has topped Billboard’s Dance Airplay chart, marking her first solo #1. She followed with “15 MINUTES,” another chart-topping Dance Radio hit, earning her back-to-back #1s.

Most recently, Madison released “yes baby”, her first new song of 2025, which surpassed over 1 million Spotify streams in its first 24 hours and received early praise from Rolling Stone, Billboard, PAPER, and more.

A true creative force, Madison writes, produces, directs, and designs with uncompromising authenticity. With an audience of over 72 million on social media, she is one of the most influential voices of her generation.

FOLLOW MADISON BEER HERE:

Website | Instagram | TikTok | Facebook

Source: Nyou