RAMONA breaks the cycle with empowering new single “Manloloko”

Listen to the infectious pop-punk anthem about self-worth, self-respect, and finally walking away from the wrong kind of love

After delivering infectious pop-punk anthems via her previously released singles “Laguna” and “GAGA,” RAMONA returns with “Manloloko,” an unapologetic kiss-off that captures the messy, downward spiral of what used to be a picture-perfect relationship and the importance of self-worth.

Produced by Sam Marquez and timothy Run, with mastering by Emil Dela Rosa, “Manloloko” confronts the familiar cycle of falling for the wrong kind of person and the clarity that comes with the decision to walk away. The track makes its takeaway clear: staying in a relationship that repeatedly causes pain is neither an obligation nor a measure of love.

“It’s about knowing your worth, learning from heartbreak, and realizing that walking away from a ‘manloloko’ can lead you to someone who actually knows how to value you,” says RAMONA.

“Manloloko” borrows from the rawness of ’90s alternative rock and riot grrrl while incorporating the glossy immediacy and pop sensibilities of TRL-era pop music. The collision of these influences gives the track a bubblegum-punk edge: loud, catchy, confrontational, and unafraid to say exactly what needs to be said.

The song’s themes of leaving the past behind come to life in its accompanying music video, which features RAMONA as a runaway bride with nowhere in particular to go. Freed from the expectations and commitments she once believed she had to fulfill, she gradually embraces the uncertainty of the road ahead, eventually reveling in the newfound freedom of choosing herself.

From the get-go, “Manloloko” is a song about reclaiming agency. RAMONA turns the frustration of being deceived into an assertion of independence and a refusal to settle for relationships that diminish one’s value.

RAMONA’s “Manloloko” is out now on all major digital music platforms worldwide via Sony Music Entertainment. The music video will drop on October 2, 2026, at 6:00 P.M.

Source: Nyou

JASMINE YEN UNLEASHES THE SHADOW WITH NEW SINGLE "SWEAT"

 (Credit: Bullet Films)

For immediate release - Jasmine Yen is stepping into the spotlight—and the shadows—with her stunning new single, "SWEAT," available now on all major streaming platforms. A dark pop tour de force, the track ushers in a bold new era for the artist, fusing theatrical grandeur, fashion-forward attitude, and visceral, unbridled emotion into a sound that is as captivating as it is unsettling.

"SWEAT" is not just a song—it's a statement. Built on brooding synths, a thundering bassline, and Jasmine's sultry, commanding vocals, the track channels the mystique of dark pop icons while carving out a lane entirely her own. Haunting yet danceable, vulnerable yet fierce, the single explores themes of desire, obsession, and the intoxicating rush of losing control—all delivered with the polish and precision of a performer born for the stage.

"I wanted 'SWEAT' to feel like a runway show—beautiful, dark, and a little dangerous," says Jasmine. "Every sound, every lyric, every visual is meant to transport you into a world that's heightened, theatrical, and unapologetically fashion-forward. This is the most honest I've ever been."

The accompanying music video, scheduled to premiere on 9 October, is directed by Erik He (YEONJUN, Claudia Valentina) and shot on location in Stockholm. An intimate yet electrifying visual experience set entirely indoors against stark, atmospheric backdrops, the video places the spotlight squarely on Jasmine's raw physicality and emotional intensity. Driven by fluid choreography, spontaneous improvisation, and uninhibited self-expression, every movement is a release—a visceral outpouring of feeling that mirrors the song's pulsating, dark energy. From controlled, sharp dance sequences to moments of instinctive, free-flowing motion, Jasmine bares herself completely, using her body as an instrument of storytelling. Styled in sculptural, high-fashion looks that cut through the shadowy interiors, she commands every frame with the presence of a seasoned performer, channeling Stockholm's reputation as a global fashion and design capital into every carefully crafted visual.

The release of "SWEAT" marks a significant artistic evolution for the 22-year-old singer-songwriter—and her first major release as an independent artist. Moving beyond the teenage introspection of her debut album Tbh and the wistful nostalgia of her 2024 hit "Forever 19," Jasmine embraces a darker, more mature sonic identity, now with full creative control over her vision. Her journey—from winning a half-scholarship to Berklee College of Music to seeing "Forever 19" rank among RTHK's Top Ten International Gold Songs—has led to this pivotal moment of artistic liberation.

"Going independent has given me the freedom to take risks and be completely unapologetic about what I want to create," she reflects. "'SWEAT' is the truest representation of who I am right now—expressive, theatrical, and completely free. This is just the beginning."

With its runway-ready energy, cinematic ambition, and fearless creative vision, "SWEAT" sets the stage for an electrifying new chapter in Jasmine Yen's career—on her own terms.

"SWEAT" is out now on all streaming platforms. Listen here.

ABOUT JASMINE YEN

Jasmine Yen is a Hong Kong/LA-based singer-songwriter and independent artist who began composing music at the age of seven. The daughter of renowned actor Donnie Yen and manager Cissy Wang, she has forged her own path in the music industry, driven by a passion for creative freedom and authentic self-expression. Blending pop, R&B, and alternative influences, Jasmine has continued to evolve her sound with each release, from her debut album Tbh and 2024’s “Forever 19” to “Roll With Me,” released this June. She continues to explore a bolder creative direction led by her latest single “SWEAT.”

Follow Jasmine Yen:

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For enquiries please contact Blackstar Asia at mabuhay@blackstar.space

Lil Nas X returns with deeply personal new single “World’s Greatest”

New video connects Montero’s past and present in a powerful visual story

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 I hope your dreams work out for you

I hope your green comes out the blue

I hope you learn to love again

Yeah I hope you learn to trust the plan

I hope the world shows up for you 

I hope they never laugh at you 

Yeah I hope you learn to love again

Multi-platinum, chart-topping, award-winning artist Lil Nas X has returned with his first single in a year and a half, the triumphant and deeply personal “World’s Greatest,” out today via Columbia Records. 

Montero first announced the song with a personal message from his late mother, Tamikia Hill, to whom he dedicates the song and accompanying video. In a touching voicemail, she encourages her son to “walk by faith, not by sight,” to “never give up,” and reminds him that everything will work itself out. Alongside the message, Montero shared, “‘Walk by faith, not by sight’ was my mom’s favorite phrase to say. As I move through life it resonates more & more.”

The song finds Montero reflecting on his journey from humble beginnings to becoming one of the most recognizable artists in the world. Written entirely by Lil Nas X and produced by C.WRAY and Steve Rusch, “World’s Greatest” is both a celebration of how far he has come and a reminder to keep moving forward when the path gets difficult. The song moves between vulnerability and celebration, acknowledging the moments of sadness and defeat while ultimately landing on an undeniable declaration: “I’m a champion.”

The accompanying video, which was filmed in his hometown of Atlanta and directed by Phillip Youmans, brings that journey to life through a poignant meeting of Montero’s past and present. Memories of his childhood unfold alongside scenes of his present-day life, creating a visual conversation between the young boy who dreamed of more and the artist he has become. As the pressures of the present begin to take their toll, the past becomes a source of strength, culminating in a powerful reminder of the person at the heart of it all. 

“World’s Greatest” marks Lil Nas X’s first release since March 2025 and arrives as a new chapter in the story of an artist who has continually challenged expectations, blurred cultural boundaries and reshaped the possibilities of modern pop stardom. From the record-breaking success of “Old Town Road” to MONTERO, his critically acclaimed debut album, and hits including “INDUSTRY BABY,” “MONTERO (Call Me By Your Name)” and “THAT’S WHAT I WANT,” Lil Nas X has built a career defined by cultural impact, fearless self-expression and an ability to turn deeply personal experiences into moments that resonate around the world.

With “World’s Greatest,” Montero turns inward, looking back at the journey that brought him here while reminding himself and anyone listening to keep believing in what comes next.

Lil Nas X Socials:Instagram | TikTok | X

Source: Nyou

‘Eraserheads: Combo On The Run’ wins Best International Director Award at New York’s LIMEHOF Music Documentary Film Festival

Director Maria Diane Ventura is recognized for bringing the story of the iconic Filipino band to an international audience

NEW YORK / MANILA — Eraserheads: Combo On The Run, the acclaimed music documentary chronicling the legacy of the Eraserheads, has earned another international distinction, with director Maria Diane Ventura receiving the Best International Director Award at the Long Island Music & Entertainment Hall of Fame (LIMEHOF) Music Documentary Film Festival in New York.

The recognition came as the film was screened at the annual LIMEHOF Music Documentary Film Festival on September 27, 2026, followed by a special post-screening conversation featuring Ventura and Eraserheads frontman Ely Buendia.

According to Ventura, the recognition is particularly important because Combo On The Run documents an important chapter in Philippine pop culture history: one that deserves to be shared with a wider global audience.

“Every recognition Combo on the Run receives still feels a little surreal to me. We made a film that is deeply rooted in our culture, our music and our collective experience as Filipinos, so to watch it continue to travel and connect with audiences outside of home is incredibly meaningful,” Ventura said. “More than the award itself, I’m grateful that the film continues to create space for our stories and our artists on an international stage. I’ve always believed in the power and brilliance of Filipino talent. If Combo on the Run can contribute even a little to bringing more attention to that, then every difficult decision, sleepless night and challenge it took to make this film has been worth it.”

The latest accolade adds to the documentary’s growing list of global recognitions. Following its theatrical run in the Philippines and subsequent international screenings, Combo On The Run continues to introduce the Eraserheads’ story to audiences outside the Philippines, with its universal storytelling at the center.

Produced by DVent Productions, Eraserheads: Combo On The Run reinforces the production’s commitment to bringing Filipino music, films, and entertainment to a global level. DVent’s recent activities have also extended into large-scale live entertainment, including its co-production of the Ely Buendia and Chito Miranda concert in Dubai (with Live Nation and Tiana), which drew a sold-out crowd at the Coca-Cola Arena on August 30, 2026.

Source: Nyou

Nadine Lustre turns a decade of life lessons in “10YRS”

Her latest track turns life’s highs, lows, mistakes, and heartbreaks into an empowering anthem of acceptance and self-reclamation

Press Photos

Manila, Philippines – Nadine Lustre has released her new song “10YRS,” an introspective ballad that looks back on a decade of growth, heartbreak, mistakes, self-discovery, and transformation.

Rather than dwelling on the past, “10YRS” embraces every experience, both difficult and beautiful, as essential to becoming the person she is today. The song traces Nadine’s journey toward letting go of what no longer serves her, reclaiming her identity, and looking ahead to what’s next.

The song turns those experiences into a clear-cut affirmation of self-worth, culminating in the realization that healing and growth don't require perfection. As the lyrics sum it up, “Dance with the chaos like I’m part of it.” It’s simply Nadine embracing life in all its unpredictability while standing tall through it all.

Written by Nadine Lustre, and Rose Caroline Mamonong, with beats and instrumentation by Isagani Palabyab, “10YRS” features violin work by GD Onallices, adding subtle drama to the mix. Its somber, understated production highlights Nadine’s singing in its vulnerable glory: tender, delicate, but beaming with light and life.

“10YRS” is out now on all digital music platforms worldwide via Cool Girl Records.

Source: Nyou

Barbie Almalbis, Kitchie Nadal to Bring Generations of Pinoy Rock Together at ‘CROSSFADE’

The two acclaimed artists team up for a special two-billed show celebrating enduring favorites and new releases in an intimate setting

Barbie Almalbis photo by Nina Sandejas

Pinoy rock queens Barbie Almalbis and Kitchie Nadal join forces for CROSSFADE, an intimate, two-billed show on October 11, 2026 (Sunday), at Matchpoint Sports Bar and Events in Mandaluyong City.

The one-night-only engagement will feature long sets of new releases and classic hits that have defined Pinoy pop culture for decades, letting the audience experience the music in an intimate, live setting.

Almalbis and Nadal have previously shared the stage through the first two editions of Secrets at the Music Museum. They later reunited for the two-part Tanaw series, which featured contemporaries from the Philippine rock and alternative-pop scene.

CROSSFADE promises a night of live music that connects eras, influences, and personal histories. It also aims to champion both the songs audiences have grown up with and the new material that accompanies their respective artistic pathways.

Tickets are available for PHP 1,600 via bit.ly/barbiekitchiecrossfade. The event is standing-room only, with a limited number of seats available on a first-come, first-served basis.

Crossfade is presented by GNN.

Source: Nyou

Filipino all-girl band tuesday trinkets finds comfort in “I know one day”

The dreamy power pop band drops their first official single as an artist under Sony Music Entertainment

All-girl dreamy power pop band tuesday trinkets explores the unspoken comfort of having someone by your side in “I know one day,” their new single released under Sony Music Entertainment.

Instead of framing companionship through the conventions of a romantic love song, “I know one day” focuses on something more understated and universal: the relief of having someone around when life feels repetitive, overwhelming, or exhausting. As the song suggests, sometimes a person’s presence is enough to make a difficult day feel lighter.

“Even something as simple as getting the keys, stealing a kiss, and spending time together suddenly makes everything else feel less important,” the band shares.

Sonically speaking, “I know one day” blends contemporary pop-rock production with dreamy, nostalgic melodies that shaped the band’s musical sensibilities. Influenced by the music and films they grew up with—including Barbie Diaries, Michelle Branch, Hilary Duff, and late-2000s to early-2010s pop—the track carries the familiarity of childhood nostalgia while remaining distinctly tuesday trinkets.

Rather than embracing a rigid blueprint, tuesday trinkets introduced new sonic elements in “I know one day,” incorporating disc scratches and cyber-inspired arpeggiated synths. This process informs the band’s instinctive approach to songwriting and production while letting experimentation speak for the music.

The band’s latest release marks their first partnership with record label Sony Music Entertainment. After releasing music independently, the band sees the collaboration as an opportunity to reach new listeners, learn from industry professionals, and discover where their music can go on a broader platform.

At the same time, the band remains committed to preserving the curiosity, honesty, and sense of wonder that define its indie roots. For tuesday trinkets, growth does not require abandoning where it came from. Instead, it means learning how to occupy a bigger space while ensuring that every song still feels unmistakably its own.

tuesday trinkets’ “I know one day” is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

george Teams Up With PRIMARY For "AGAIN and AGAIN", The Ending Theme For 'REAWAKEN MAN: THE RED'

LISTEN HERE

September 30th, 2026 - Philippines – Korean singer-songwriter george and producer PRIMARY have joined forces for “AGAIN and AGAIN”, a new OST for the upcoming action film 'REAWAKEN MAN: THE RED'. Serving as the film’s ending theme, the track will be released on September 29 at 6 p.m. KST, one day ahead of the film’s theatrical release in Korea. Fans can listen to the song here.

PRIMARY, who serves as the film’s music director, also produced the track alongside george. Rooted in R&B and disco, “AGAIN and AGAIN” was co-written and co-composed by both artists, bringing PRIMARY’s distinctive production together with george’s captivating vocals to create a sound that reflects the musical identities of both artists.

The collaboration adds another layer to the film’s soundtrack, with the two artists moving seamlessly between film music and contemporary popular music. Their combined sound is set to accompany the film’s final moments, adding an emotional dimension to its closing scenes.

george has continued to build momentum this year with the release of his pre-release single “if i’m with you (feat. MINNIE)” and EP ‘solsol~ condo’. Through his latest collaboration with PRIMARY, he expands his musical repertoire with an OST that brings his signature sound into the cinematic world of 'REAWAKEN MAN: THE RED'.

Directed by Baek Jong-yul, 'REAWAKEN MAN: THE RED' stars Koo Kyo-hwan, Shin Seung-ho, Kang Ki-young, Kim Si-a, and Kim Sung-ryoung. The film is set to open in Korean theaters on September 30.
 

Listen to "AGAIN and AGAIN" here

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About george

Since making his debut in 2016, george has established himself as one of Korea's most distinctive voices in contemporary R&B. Blending lo-fi textures, understated production, and deeply personal songwriting, he has cultivated a signature sound defined by warmth, sincerity, and emotional nuance. Rather than relying on grand gestures, george's music resonates through its quiet intimacy, offering listeners a sense of familiarity and comfort.

Over the years, george has collaborated with some of Korea's most respected artists, including Loco, Heize, BIG Naughty, SUMIN, pH-1, Sam Kim, Yoon Jong Shin, and Kwon Jin Ah, showcasing his versatility as both a songwriter and collaborator. Breakout tracks such as "Boat" and "look at me"introduced his music to a wider audience, while his debut EP ‘cassette’ earned a nomination at the Korean Music Awards. His acclaimed first full-length album, ‘FRR’ (2023), further cemented his reputation as a compelling singer-songwriter with a distinct artistic voice.

With his latest EP, 'solsol~ condo', george continues to expand his understated approach to storytelling, capturing the beauty of everyday moments through gentle melodies, heartfelt lyricism, and an effortless sense of warmth. It is the latest chapter in an ever-evolving catalogue that invites listeners to slow down, find comfort in simplicity, and appreciate the people who make ordinary moments meaningful.

FOR MORE INFORMATION
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FOLLOW GEORGE

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Source: Nyou

One Click Straight to perform at Vagabond Festival 2026 in Taiwan

The Filipino four-piece will make its Vagabond debut with a collaborative B2B set alongside Taiwanese band SADOG

ONE CLICK STRAIGHT (OCS) will perform at Vagabond Festival 2026, one of Taiwan's biggest music festivals.

The Filipino alternative-pop/rock band will be joining the festival’s Band Battle B2B stage for a special collaborative performance with Taiwanese indie blues-punk band SADOG.

The Band Battle B2B format will see the two bands perform in a face-to-face setup, trading musical ideas in an improvised set without a fixed setlist. According to ONE CLICK STRAIGHT, the format presents a new kind of performance challenge: one that puts spontaneity and musical interplay at the center of the show.

“First things first, we are beyond grateful and excited to be part of the artist lineup for Taiwan’s Vagabond Festival this 2026,” the four-piece band shares. “Preparing for this show will be exciting and strangely alien to us, as we are set to play the Parachute stage with Taiwanese band SADOG in a face-to-face, no-setlist setup—something that we’ve never done in our career before. Everything is a mix of excitement and gratitude.”

The upcoming Taiwan performance continues to strengthen the band’s foothold in the Asian music festival circuit, which previously started at AXEAN Festival in Bali, Indonesia, and Baybeats Festival in Singapore in 2025, then continued with stints at Music Lane Festival Okinawa in Japan, Bangkok Music City in Thailand, All Of The Noise and Sonik Philippines in Manila, and Playtime Festival in Mongolia in 2026.

At Vagabond Festival, OCS plans to embrace the format’s spontaneity, letting its live sound shine in real time alongside SADOG and the festival audience.

“We aim to ride our sound through the spur of the moment alongside all music lovers in Vagabond,” the band says. “Audiences can expect to see us in our purest form, jamming out our own sonic DNA live and improvised.”

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Follow ONE CLICK STRAIGHT’s Official social media channels• Facebook:https://www.facebook.com/ONECLICKSTRAIGHT• Instagram: https://www.instagram.com/oneclickstraight/• YouTube:https://www.youtube.com/@ONECLICKSTRAIGHT• Twitter / X: https://x.com/ONECLKSTRAIGHT• Tiktok: https://www.tiktok.com/@oneclickstraight

About The Rest Is Noise PH

The Rest Is Noise PH (TRIN) is a music curator, export and exchange facilitator, events production, and online publication based in Manila, Philippines.

Founded in 2015, TRIN has curated and produced more than 40 shows: ranging from pocket venues to outdoor festival settings. It is home to the annual Summer Noise and All Of The Noise music showcase and culture platform event, which feature critically acclaimed homegrown and international music acts, primarily dedicated to showcasing Asian and Asian diaspora music artists, such as Japanese Breakfast, Phum Viphurit, Elephant Gym, Turnover, Deafheaven, Hitsujibungaku, Last Dinosaurs, Up Dharma Down, Sandwich, and more. These shows highlight the rich and diverse backgrounds, cultures, and styles of music artists from home and abroad, championing both emerging and established music-makers. 

In June 2026, TRIN formally launched its artist development and global management service consultancy, signing ONE CLICK STRAIGHT as its first artist partner for global management.

TRIN takes pride in fostering a thriving sense of community, culture, and inclusivity—providing a platform that champions the best of Asian music and strengthening regional and global connections, onstage or in the digital space. 

General inquiries: info@therestisnoiseph.com

Website: www.therestisnoiseph.com

Twitter: twitter.com/therestisnoise_

Facebook: facebook.com/therestisnoiseph

Instagram: instagram.com/therestisnoiseph

Source: Nyou

George Optical marks 66 years of eye care with special anniversary treat

The homegrown eye-care brand celebrates its journey from a modest clinic to a modern vision-care institution with a special ₱66 anniversary offer

[MORE PHOTOS HERE]

Manila, Philippines – Sixty-six years after opening its first clinic in Binondo, George Optical is marking its anniversary with an offer that centers its long-standing commitment to Filipino customers.

As part of the George Optical 66th Anniversary Treat, customers who purchase any frame worth ₱6,990 and above can get a second selected designer frame for only ₱66. The offer runs until October 31, 2026, at George Optical branches nationwide.

The milestone promo coincides with the brand’s 66 years of strong ties with the Filipino people, growing from a single optical clinic into a broader eye-care institution while remaining anchored on the same principles that shaped its beginnings: quality, expertise, service, and genuine care.

At the helm of that evolution is a simple philosophy: George cares.

Looking ahead: A modern approach to eye care

Today, George Optical continues to expand beyond prescription eyewear, embracing technology, specialized eye care, and more personalized patient care.

Leading this evolution is Dr. Geoffrey Co, President and CEO of George Optical, representing the second generation of the Co family to carry the company forward.

Dr. Geoffrey graduated with First Class Honours from City University in London in 1993 and trained at Moorfields Eye Hospital, where he gained experience in Contact Lens, Low Vision, Glaucoma, and Corneal clinics. His contact lens training included complex cases involving keratoconus, high myopia, post-corneal graft patients, aphakia, and prosthetics.

He went on to top the Philippine Optometry Board Examinations in 1996 and is licensed to practice optometry in both the United Kingdom and the Philippines. He has also served as a resource speaker for optometry organizations and universities, particularly on primary eye care and contact lens fitting.

His contributions to the profession earned national recognition. In 2012, the Professional Regulation Commission named him Most Outstanding Professional in Optometry, while in 2023, he received the Distinction Award from the Philippine Federation of Professional Associations for his private and specialized practice.

Yet for Dr. Geoffrey, carrying the family name forward is about more than professional distinction. It is about preserving a standard of care while ensuring that the brand continues to respond to the changing needs of its patients.

Under his leadership, George Optical has continued to build capabilities in primary eye care, specialized services, technology, and professional practice, building on the foundation his father established more than six decades ago.

As Dr. Geoffrey puts it, “One thing remains constant—George cares.”

Where it all began

That commitment traces back to the remarkable journey of Dr. George Co Sr., the company’s founder.

Born Co Kian Kong in Fujian, China, on September 2, 1930, he came to the Philippines with his father at age seven in search of better opportunities. He worked while studying and took on various jobs, including selling cigarettes on the sidewalk, to support himself.

After World War II, he began working at his uncle’s optical shop. Starting as an all-around houseboy, he cleaned, ran errands, bought food, cooked, and did laundry. Among these responsibilities was the skill that would shape his future: grinding glass lenses and fitting them into spectacle frames.

Rather than remain content with his circumstances, Dr. Co Sr. chose to pursue Optometry. His guiding belief was straightforward: “To attain something of greater value, one must give up something of lesser value.”

The decision proved transformative. He graduated with honors in Optometry and placed among the Top 10 in the Philippine Optometry Board Examinations.

On October 10, 1960, Dr. George Co Sr. and his wife, Mrs. Belen Co, took a decisive step toward building their future by opening the first George Optometric Clinic on Ongpin Street in Binondo.

They did not begin with substantial financial resources. They carried their belongings in a “kariton,” and Dr. Co Sr.’s reputation and the trust he had built with others made the capital needed to establish the clinic possible. He honored that trust by steadily paying his debts as the practice grew.

One patient at a time, the small clinic built a reputation for quality, service, and expertise.

Six decades of seeing what comes next

The company continued to grow alongside the Philippine optical industry.

In 1975, Dr. Co Sr. began producing hard contact lenses, eventually leading to what is now G&B Vision Care Inc. The company established its headquarters in Pasay in 1980, and George Optical continued to evolve beyond traditional prescription eyewear toward a more comprehensive approach to primary eye care.

Much has changed since that first clinic opened on Ongpin Street. Optical technology has advanced, patient needs have evolved, and eye care itself has expanded.

What has remained is the belief that caring for people’s vision requires more than providing a product. It requires expertise, responsibility, and trust.

That philosophy has allowed George Optical to become part of the lives of generations of Filipino families, and it remains at the center of how the brand looks toward its next chapter.

After 66 years, George Optical continues to move forward with the same principle that guided its founder from the beginning: a good name is built through the trust you earn and the care you give, and that remains its closing promise.

66 years later, George still cares—and always will.

About George Optical

Founded in 1960, George Optical is a Filipino eye-care brand dedicated to providing professional, personalized, and comprehensive vision care. From quality eyewear and contact lenses to primary eye-care services and specialized solutions, George Optical continues to evolve with the needs of Filipino patients while remaining grounded in its enduring commitment to quality, expertise, service, and care.

For more information, visit www.george.ph or follow George Optical on Facebook, Instagram, TikTok, and YouTube at @georgeph.official.

Facebook: https://www.facebook.com/georgeph.official

Instagram: https://www.instagram.com/georgeph.official

TikTok: https://www.tiktok.com/@georgeph.official

Source: Nyou

NICKELBACK RELEASE NEW SINGLE “MAKE ME LOVE YOU”

Emotionally Charged New Track Explores the Fragile Space Between Possibility and Heartbreak

New Studio Album Everything Under The Sun Arrives October 30 Via Virgin Music Group

(September 24, 2026) - Following the explosive arrival of “Rattle The Cage” (feat. John 5) and the emotionally charged “Leave Me Behind,” Diamond-certified rock band Nickelback today release their new single “Make Me Love You,” the latest offering from their highly anticipated new studio album, Everything Under The Sun, arriving October 30, via Virgin Music Group.

STREAM OR DOWNLOAD “MAKE ME LOVE YOU” HERE.

PRE-ORDER EVERYTHING UNDER THE SUN HERE.

With “Make Me Love You,” Nickelback deliver some of their most personal songwriting to date, turning inward to explore the uncertainty, vulnerability and emotional risk that come with opening yourself up to someone or something else.

The song captures the fragile space between possibility and heartbreak - that moment when the promise of something real can feel just as exhilarating as it is frightening. Opening your heart can feel every bit as dangerous as closing it, and “Make Me Love You” lives squarely in that tension.

Where “Rattle The Cage” (feat. John 5) introduced Everything Under The Sun with blistering guitars, pounding riffs and arena-sized energy, and “Leave Me Behind” revealed a deeply vulnerable story of loyalty, resilience and letting go, “Make Me Love You” explores another side of the album: romance, uncertainty and the complicated emotions that come with wanting to be loved while knowing what it means to risk getting hurt.

“Make Me Love You” reflects the emotional breadth that runs throughout Everything Under The Sun. The album embraces romance with the same honesty it brings to heartbreak, resilience and reflection, allowing Nickelback to explore the full spectrum of human experience without sacrificing the massive melodies and unmistakable rock sound that have defined the band for more than three decades.

The new single follows “Leave Me Behind,” which offered a powerful counterpoint to the explosive chart-topping lead single “Rattle The Cage” (feat. John 5), as well as the No. 1 single “Bones For The Crows,” which marked Nickelback’s first new music since 2022’s Get Rollin’ and introduced the world to Everything Under The Sun.

Collectively, the songs offer an increasingly revealing look at the album’s range. True to its title, Everything Under The Sun embraces the complete spectrum of what has made Nickelback one of the biggest rock bands in the world - from towering arena anthems and massive guitars to intimate moments, undeniable melodies and deeply personal songwriting.

Photo credit: Lindsay Siu

From humble beginnings in Hanna, Alberta, Nickelback have grown into one of the most successful rock bands of the 21st century. Since emerging onto the global stage with Silver Side Up and the era-defining hit “How You Remind Me,” the band has built an unparalleled catalog of rock staples, earning multiple Grammy Award nominations, American Music Awards, Billboard Music Awards, JUNO Awards and international acclaim along the way.

With nearly 60 million albums sold worldwide, billions of streams across digital platforms and more than 50 million monthly listeners across digital platforms, Nickelback remain one of the most streamed and commercially successful rock bands in the world. Their music continues to resonate across generations, finding new audiences through streaming while maintaining a devoted global fanbase that has filled arenas for more than two decades.

That enduring appeal reached new heights over the past several years. The Netflix documentary Hate to Love: Nickelback became a global sensation, spending weeks in the platform’s Global Top 10 while offering fans an unprecedented look inside the band’s remarkable journey. At the same time, the Get Rollin’ World Tour shattered attendance records and became the fastest-selling and highest-attended tour of the band’s career.

Everything Under The Sun builds on that momentum while looking firmly ahead. It is both a celebration of everything Nickelback have accomplished and a statement that their creative fire burns as brightly as ever.

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Watch the music video of Josh Cullen new single “Like Me,” featuring Jay Park

Produced by Josh himself, the bold new single examines identity, adaptation, and what it means to remain one of one

Josh Cullen returns to his solo era with “Like Me,” his collab single with multi-awarded Korean-American rapper Jay Parkunder Sony Music Entertainment.

Produced by Josh Cullen himself and co-written with Mathew Auditor and Jay Park, “Like Me” reflects on a world increasingly shaped by imitation, adaptation, and algorithmic influence, where originality can easily be diluted by the pressure to follow familiar formulas. 

Its accompanying music video expands on this concept through a striking sci-fi-inspired visual world, anchored by intricate choreography and a cast of backup dancers. The music video is helmed by Josh Cullen, alongside Iana Forbes and Louis Duran, extending the song’s conceptual exploration into its visual language.

“LIKE ME” ultimately challenges the notions of identity from Josh Cullen’s lens. Instead of simply resisting change, the song embraces transformation while drawing a line between adapting and becoming someone else.  Without these inevitable compromises, “adaptation risks becoming indistinguishable from imitation,” as Josh puts it.

The prominent Filipino singer, songwriter, rapper, and dancer from SB19 recently debuted “LIKE ME” on stage at his solo live showcase last Saturday, September 26, at Samsung Hall in SM Aura, Taguig City.

On October 2, selected lucky fans will get the chance to learn the choreography for Josh Cullen’s “LIKE ME” at an exclusive dance workshop at SPAC3 Studios in Quezon City. More detailshere.

Josh Cullen’s “Like Me” is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch the music video here.

Source: Nyou

Unicharm, Shopee Philippines unite to bring Japanese-quality care closer to Filipino families

Unicharm and Shopee Philippines showcase Sofy, MamyPoko, and Certainty in a celebration of life care across generations

MANILA, Philippines — Unicharm Philippines and Shopee Philippines team up for Unicharm Fiesta, bringing Japanese hygiene solutions closer to Filipino families through e-commerce while celebrating everyday care.

Created with a shared goal of improving quality of life, Unicharm Fiesta brings together the complementary strengths of both iconic global brands, rendering them more accessible for Filipino consumers. Unicharm contributes its expertise in Japanese innovation, hygiene, and absorbent technology, while Shopee provides its convenient, engaging online shopping platform.

The showcase highlights three of Unicharm’s key brands—Sofy,MamyPoko, and Certainty—each developed to address targeted needs across varying life stages.

For young, active, and working Filipinas, Sofy offers menstrual care designed to keep pace with the demands of everyday life, combining Japanese-quality hygiene technology with features that promote freshness, comfort, and confidence. Its Instant Cooling Feeling, powered by natural mint extract, provides a refreshing, kulob-free breeziness, while its dermatologically tested materials offer added reassurance against irritation. With advanced absorbency that provides reliable protection throughout the day, Sofy helps women stay confident whether they are in school, at work, commuting, or enjoying time with friends. Breathable materials and leak-protection technology further enhance comfort and protection, making Sofy a thoughtful menstrual care solution for Filipinas navigating busy, active lifestyles. Their premium products include Sofy Cool Fresh Instant Cool Sanitary  Napkin and Sofy Color Fit Mood Pants Menstrual Shorts.

MamyPoko, on the other hand, combines comfort, protection, and Japan-quality technology to give Filipino parents dependable care for their babies at every stage. Its diapers offer 10–14 hours of leakage protection, helping keep babies comfortable and dry from day to night, while the Soft Sheet provides a gentle touch designed to help protect delicate skin from itching and chafing. Recognizing that every family has different needs and budgets, MamyPoko offers not only premium diaper options but also economy products that remain committed to quality, comfort, and reliable protection. Among its specialized offerings is MamyPoko Bye Bye Lamok, an innovative diaper designed with mosquito-repellent protection, giving parents an added layer of care and peace of mind as their little ones play, rest, and go about their day, and Mamypoko Marshmallow Skin Comfort, a premium, Japan-made disposable baby diaper designed with ultra-soft materials and plant-based oils to prevent skin irritation.

For older adults, Certainty delivers discreet, comfortable solutions at an affordable price. Its main product, Certainty Adult Diaper supports seniors’ mobility and dignity while helping caregivers approach elderly care with utmost confidence.

Guided by its Japanese roots, Unicharm remains firm in developing products grounded in innovation and comfort. Its product line spans life phases while taking into account the needs and realities of Filipino consumers. As Unicharm continues to expand its presence in the Philippine market, consumers can look forward to further innovations across its three major brands, as well as its convenient partnership with e-commerce giant Shopee.

Source: Nyou

Over October to take the stage one last time with its original five-piece lineup

The band prepares for a defining concert celebrating its journey from bar gigs to sold-out venues

Visual Credits: Photo by Andrea Beldua; Creative Director: Karen dela Fuente; and Art Director: Elliesha Angeles

With just a week to go before their highly anticipated headline concert, Over October Live at the New Frontier Theater is less than a few tickets away from selling out.

Happening on October 4, 2026, at the New Frontier Theater, the concert is their biggest offering to date, following a string of milestones in the live music scene, including two sold-out shows at the Music Museum and their successful 2025 anniversary concert at the MOA Sky.

Over October Live at the New Frontier Theater also marks a special moment for the band as it will be their last show featuring its original five-member lineup, making the upcoming performance both a celebration of their journey and a pivotal moment in their story.

Expect a meticulously curated setlist featuring fan favorites, rarities, and special numbers with room for big surprises. “It's going to be a trip down memory lane, especially if you’ve been a fan since the beginning,” the band shares, teasing a show designed to maintain momentum from beginning to end.

While the band remains tight-lipped about possible special guests and collaborations, fans can expect a concert experience that goes beyond the music.

The alternative pop band explains, “We also want this show to be a celebration of our journey together. We would also want joy to be one of the emotions our audience will experience. We can all look back on the journey so far and remind ourselves how far we’ve come, not just as a band but as a community.”

The overwhelming ticket response has also given the band a chance to reflect on how far they've come since their early days. “It’s surreal, honestly. Filling up these venues was only just a dream of ours a few years back. We’d struggle even to fill up bar gigs, and now we’re filling up concert venues.”

With the concert now nearly sold out, only a limited number of tickets remain, making this a last chance for fans to secure seats through TicketNet Online and participating TicketNet outlet stores.

Over October Live at the New Frontier Theater is presented by Over October, with GNN, Move It, and Swee Lee Philippines as partners.

The Over October Concert Press Conference is made possible with the support of press conference sponsors El Calle Food and Music Hall, Maruca, and Fiery Style.

Source: Nyou

Fern.’s “Kahit Na Umulan” enjoys renewed virality with humorous TikTok trends and music video release

The Filipino R&B artist-producer’s late-’90s-inspired track is enjoying a fresh wave of attention as nostalgic sounds make their way back into pop culture conversations

Check out the rainy, soul-stirring music video here

MANILA, PHILIPPINES — Nostalgia is finding its way back into the Filipino music conversation, with the sounds and sensibilities of late-’90s and early-2000s R&B now reimagined for the modern audience.

Among the songs benefiting from this renewed interest is Fern.’s “Kahit Na Umulan,” which has recently found new life on TikTok through the unexpected Dinorobong Tubo dance trend, Dante Gulapa’s Flying Eagle take on the track, and the platform’s humor-driven remix culture.

Online traction

Its newfound virality reflects TikTok’s unpredictable role in music discovery, where songs can shift between sincerity and humor and reach audiences far beyond their original release cycle.

According to the Filipino artist-producer, the renewed attention came unexpectedly. While traveling home from Canada, he noticed the trend taking off during his connecting flights and later saw its impact in the song’s streaming numbers.

“All of a sudden it became a trend, but none of those are controlled by us,” Fern. says. “We put the song out there, and I think people have just gotten accustomed to my vibe, sound, and brand.”

The timing of “Kahit Na Umulan” also coincides with a broader appetite for warmer, more emotionally driven music. Fern. attributes the renewed appeal of romantic R&B to the cyclical nature of musical taste.

“People are getting tired of fast, upbeat stuff,” he points out. “The heartfelt ones are making a huge comeback. It’s a cycle.”

The song’s pairing with the humorous Dinorobong Tubo trend further shows how contemporary audiences engage with music, letting a single track function as a romantic throwback, a source of humor, and an entry point into another era. “It’s funny and unexpected, but I rode with it,” admits the MANILA SOUL adventurist.

Music video release

With the song gaining traction online, Fern. and his team released the music video for “Kahit Na Umulan,” shot in Canada a few months ago. Developed with Fern.’s close creative direction, the video translates the song’s romantic atmosphere into rainy, sensual imagery and reinforces his interest in millennial R&B visual storytelling, cinema, pop culture, and humor.

For Fern., the resurgence aligns with his decision to pursue greater creative independence and develop music from a more personal perspective. “I’m planning to take what I have now and do what feels original on my end,” he says. “I’ve finally figured out where I’m coming from.”

Watch the music video of “Kahit Na Umulan” here.

Source: Nyou

Rising Filipino-American Singer-Songwriter Rocco Kicks Off The Final Chapter Of 'A Comedy Romantic' With Angsty Pop-Rock Anthem "Someone I Never Had"

LISTEN HERE

September 25th, 2026 - Philippines — Three months fresh off the release of his EP 'A Comedy Romantic (Act.1)', rising Filipino-American indie pop singer-songwriter Rocco returns with "Someone I Never Had", an angsty, emotionally charged pop-rock anthem that opens the final chapter of his viral narrative series and sets the stage for the highly anticipated 'A Comedy Romantic (Act. 2)'. Fans can listen to the new single HERE.

Built around the ache of an almost-relationship, "Someone I Never Had" captures a uniquely modern kind of heartbreak: grieving someone who was never truly yours. What begins as a story of blurred boundaries and undefined feelings quickly becomes an explosive self-confession, with Rocco confronting the question at the heart of the song: "Why do you miss someone that was never really yours?"

Rocco – "Someone I Never Had" (Official Visualizer)

The track serves as the emotional anchor of Rocco's 'A Comedy Romantic' universe, bringing the story of two friends trapped in the limbo of a situationship into sharper focus. Across vulnerable verses and anthemic pop-rock production, Rocco turns the uncertainty of an undefined relationship into a cathartic soundtrack for anyone who has ever been left mourning what could have been.

Produced by Jason Suwito and written alongside Micah Premnath, the track follows Rocco's first successful collaboration with "Palm", continuing a creative relationship that has helped shape the sonic world of 'A Comedy Romantic'.

Inspired by Rocco's deep-rooted love for the romantic comedies of the 1990s and 2000s, 'A Comedy Romantic' exists far beyond the songs themselves. The project unfolds as an episodic short-form narrative series across Rocco's social platforms, blending music, storytelling, and performance as he brings the characters and relationships behind the songs to life.

The series has generated significant traction online, transforming individual releases into chapters of a growing visual and sonic universe. With each episode and song revealing another piece of the story, Rocco invites listeners to experience 'A Comedy Romantic' as a story unfolding in real time.

Now, "Someone I Never Had" takes that story into its final act.

Stream "Someone I Never Had" here
Watch the official visualizer here
 

About Rocco

Unapologetically himself, Rocco is a 23-year-old Filipino-American singer, songwriter, and producer known for his atmospheric bedroom pop sound, playful melodies, and a colourful personality. Raised in the suburbs of New Jersey, he dedicated himself to music early on before moving to Los Angeles. His academic path was short-lived when his breakout singles "Spin You Round" and "Baby Blue" exploded online, prompting him to pursue music full-time and embark on his first headline tour.

Seamlessly blending moody textures with soaring alternative melodies, his music explores the intricate dynamics of intimacy, heartbreak, and emotional vulnerability.

Rocco is steadily positioning himself as a compelling voice in the global indie landscape, having established a strong regional footprint across Asia, tracking heavily in markets including the Philippines, Indonesia, Malaysia, Taiwan, and Thailand, alongside major city centres like Hong Kong.

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Iman Fandi enters her bold era with new EP "Afterglow"

25th September 2026 – Singaporean artist Iman Fandi releases her debut EP "Afterglow" on 25 September 2026 across all major streaming platforms, the culmination of a breakout year and her most significant work yet as an independent artist.

“Afterglow” is a story of finding yourself again, discovering confidence, embracing ambition and learning to put yourself first. Across the EP, Iman steps into her own light, leaves behind what no longer serves her and embraces a bolder, more unapologetic version of herself. The EP explores the tension between the heart’s desire for connection and the mind’s instinct to walk away, creating a sound that is emotionally honest, self-assured and full of clarity.

LISTEN TO IMAN FANDI'S "AFTERGLOW" HERE

“But it’s also about having fun along the way,” Iman shares. “Dancing around with your girls, celebrating how far you’ve come, and romanticising your own life.” Through its sleek, edgy pop and R&B sound, “Afterglow” becomes a feel-good soundtrack for choosing yourself, embracing your ambition and letting your glow shine.

Where earlier singles "Tip Toes," "Out Of My Mind" and "IT IS" traced that journey one chapter at a time, "Afterglow" brings the full arc together - the clearest statement yet of who Iman is as an independent artist.

The EP arrives on the back of a defining year, from her Singapore National Day Parade debut before a 42,000-strong crowd at the National Stadium to her first US stage at Broadus Together: Superstar Among Friends in Los Angeles.

Iman Fandi

Iman Fandi is a Singapore-born singer working at the intersection of music, fashion and contemporary culture. The daughter of football legend Fandi Ahmad, she is building an independent career on her own terms. Managed by Gushcloud International, her music draws from modern pop and R&B, exploring themes of growth, resilience, and self-possession.

2026 has been her defining year. She performed "Giants," co-written with Weish, at Singapore's National Day Parade before a 42,000-strong crowd at the National Stadium, made a historic half-time debut at the AFC Asian Cup, and took her first international stage in Los Angeles at Broadus Together: Superstar Among Friends, produced by Death Row Games and co-produced by CMC Shine SEA and Gushcloud International, with Snoop Dogg performing as DJ. Following her 2026 singles "Tip Toes," "Out Of My Mind" and "IT IS," her debut EP "Afterglow" marks her most significant statement yet.

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Source: Nyou

DAELUX steps into the spotlight with pre-debut single “Like That”

The newly signed Sony Music Philippines act embraces youthful energy, sisterhood, and the exhilarating uncertainty of catching feelings

Davao-based girl group DAELUX makes its P-Pop pre-debutwith “Like That,” released under Sony Music Entertainment.

The seven-member group’s latest offering centers on the excitement and uncertainty of falling in love and whether those feelings could be reciprocated. With playful lyrics and bouncy, upbeat energy, the feel-good pop anthem captures mixed emotions and frustration over reading signals and wondering where a relationship might lead.

“We were drawn to this theme because the feeling of liking someone and trying to figure out where you stand is something a lot of people can relate to,” DAELUX admits. “There’s excitement, but there’s also that uncertainty when you start overthinking little actions. For us, Like That captures that stage in a fun and lighthearted way. We may all have different experiences and perspectives on love, but the song reflects that real feeling of wanting clarity while still hoping the other person feels the same way.”

Instead of moping on the track’s complicated sentiments, “Like That” approaches the experience with optimism and youthful candor. Beneath its bright exterior, the song encourages confidence in expressing genuine emotions, especially when fear of rejection makes silence tempting.

The track also reflects the Filipino pop group’s sonic identity, with familiar storytelling and a clear sense of duality. The group embraces its free-spirited side while making room for a softer, more emotional dimension, allowing the music to reflect how young people navigate relationships, self-expression, and growing into themselves.

“We think one of the biggest messages of the song is not to be afraid of truly expressing what you feel toward another person,” DAELUX explains. “It’s okay to be vulnerable, as long as you also know your worth and what you truly deserve.”

“Like That” is produced by Pao Lofranco with AndreaH as a co-writer, while the members contribute their own creative ideas to the songwriting process. Throughout its development, the group made several revisions, working closely with the production team and label to ensure the final arrangement felt authentic to DAELUX.

The song’s harmonies were arranged with the help of their vocal coach, Ma’am Shelley, who also worked on distributing the vocal parts to highlight the individual qualities of each member’s voice.

“While recording, we tried to bring ourselves back to a younger and more innocent feeling—when you’re still a little unsure and inexperienced when it comes to love,” DAELUX says. “We think that helped give the song its bright, playful, and youthful feel.”

“Like That” is DAELUX’s first release since partnering with Sony Music Philippines, bringing its distinct P-Pop brand to a wider audience.

“Being part of Sony Music is a huge opportunity for us. It gives us the chance to learn, grow, and take our music more seriously as artists. Working with them has also encouraged us to think bigger while still staying true to who DAELUX is,” shares the seven-piece group.

With all seven members hailing from Davao (CK, Alice, Ara, Rhya, Slane, Zyra, and Riri), DAELUX represents a homegrown P-Pop story that extends beyond the group itself. The team behind its music and performance  video also comes from the city, creating a shared creative ecosystem that has helped shape the group’s sound, visuals, and identity from the ground up.

DAELUX’s “Like That” is out now on all digital platforms worldwide via Sony Music Entertainment.

Source: Nyou

CHVRCHES RETURN WITH NEW SINGLE “ROSES”

FIRST NEW MUSIC IN THREE YEARS OUT TODAY ON FUTURES ✦

Announce Two Very Special Shows In Glasgow and London

Photo credit: Jody Evans, hi-res download HERE

Five years after the release of their last album, acclaimed synth-pop trio CHVRCHES - Lauren Mayberry, Martin Doherty and Iain Cook - have announced their return with a new single, the bold, caustic rock anthem "Roses". Premiering as BBC Radio 1's Hottest Record, the song serves as a mission statement for the band’s sonic shift, letting us in on the opening chapter of an entirely new era. “Roses” is out today via Futures Music Group (Lykke Li, Phantogram, Mt. Joy, et. al). 

LISTEN TO “ROSES” HERE

[https://youtu.be/3x2BXn0cPM8] 

“Roses” is a scathing piece of contemporary social commentary, a confrontation with the darker undercurrents of Britain, with Mayberry snarling, “raise a glass to delusions of the good days of blood and wine; of pearls for swine.” The song’s Orwellian closing announcement, “If I may command your undivided attention, now we can start,” sets the stage for what’s to come from new material that will be unlike anything the band has released before. "This is the longest break we had ever taken between albums and when we got together to write new music, we wanted to really push ourselves and not be retreading ground we'd walked before," says Mayberry. "I really think we achieved that. It feels like the most coherent vision we've had as a band. We're excited to be back..."

The band has also announced two very special intimate shows this Autumn with proceeds going to charity. They will perform in their hometown of Glasgow on October 26th and in London on October 29th. Fans can enter the ballot to purchase tickets athttps://laylo.com/chvrches/intimate_26

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Email: mabuhay@blackstar.space

Ben&Ben honors nearly a decade of music, memory, and becoming with anthology album “Nine”

The new anthology brings together a collection of reimagined favorites and new song “Harinawa,” offering a reflective look at the band’s evolution and the road ahead

Manila, Philippines – For nine years, Ben&Ben has grown from a promising Filipino folk-pop collective into one of the Philippines’ most accomplished OPM acts. With billions of streams, major awards, sold-out concerts, and acclaimed performances on international stages, the nine-piece band has built a catalog of heartfelt anthems that resonate deeply with audiences at home and abroad. This year, the band adds another feather to their cap with the release of Nine, an anthology album that looks back on the music, memories, and experiences that defined Ben&Ben and shaped them into what they are today while opening doors to what comes next.

Rather than a straight retrospective, Nine serves as a musical time capsule of Ben&Ben’s first nine years: a collection that captures where the band has been, who they have become, and what they are still becoming. Gathering nine tracks that convey key moments in their story, the 9-track record lives at the intersection of nostalgia and discovery, comforting enough for longtime Liwanag (the group’s fanbase) to recognize the impact of every reworked note, yet fresh enough to offer new listeners an entry point into the band’s expansive sonic world. Apart from simply looking back, Nine honors the longevity of a friendship and creative partnership, reflecting a shared musical life that continues to unfold with brighter results ahead.

“We celebrate the love we have for one another and the bond we have built through the years,” says violinist Keifer Cabugao. “We’re just deeply grateful, not only for everything the past has taught us, but also for the gift of being present with one another today.”

Also worth mentioning is how Nine doubles as an act of revisiting—or, for simpler context, reimagining. The anthology features some of Ben&Ben’s most important songs through the perspective of musicians who have lived with them for years. The band returned to the original recordings, revisiting the instruments, arrangements, performances, and even the people they were when the songs first came to life. In doing so, the members discovered not only how much their music had changed but also how much they themselves had changed alongside it. The resulting songs retain the emotional DNA that first connected them with listeners while reflecting the experience and maturity of a band that has now spent nine years creating together.

“Reimagined, for us, is letting the songs grow up with us,” explains lead vocalist and acoustic guitar player Paolo Benjamin. “Our Liwanag, and we the band too, were molded by life a lot in the past nine years. Hindi biro ang mga karanasang humubog sa aming pagkatao nitong halos isang dekada na ang lumipas, parehong yung mga maaliwalas at yung mga madilim na yugto. And from all these combined, there was a burning desire to update the songs with our deeper, more nuanced perspective in the present.”

The evolution is evident in the album’s production and musical direction. Instead of radically reinventing the songs for reinvention’s sake, Ben&Ben reimagined each track from the vantage point of who they are as musicians in 2026. The arrangements reflect a band that has spent years performing together, while the instrumentation and production let familiar melodies move in new ways. Integral to the process was the intention to bring the chemistry and immediacy of their live performances into the studio, balancing stage energy with the precision and detail of a recorded work. The result is an album that feels both lived-in and renewed: recognizably Ben&Ben, but shaped by nearly a decade together.

“The influences and inspiration we truly channeled in producing ‘Nine’ were literally our nine years of experience in doing what we do—from our live show moments on stage and with Liwanag, to the close relationships we’ve built with each other in the band,” shares lead guitarist and backing vocalist Poch Barretto. “We really wanted to bring our live music experience and musical chemistry into the studio. It was a fun challenge for us to balance the energy of what we play live with the refinements of a studio recording.”

The album also highlights the collaborative relationships that have shaped Ben&Ben’s music over the years. JP Verona, who has worked with the band since its first album and across much of its recorded catalog, brought an understanding of the group’s core musical identity. At the same time, producer Ziv contributed a newer perspective that pushed the band toward fresher sonic possibilities. Poch led the album’s full production, balancing the different creative directions and ensuring that the recordings captured the band as it exists today. The project also features the contributions of Luke and Eoon drums for songs recorded during Jam Villanueva’s recovery from injury. Photographer and visual artist Sara Erasmo translated the album’s themes of memory and journey into its artwork and accompanying imagery.

Among the collection’s pivotal moments is its focus track, “Maybe the Night (Reimagined).” The song played an important role in the band’s history, as it was the first song the members worked on from beginning to end as a nine-piece, arranged collectively in Jam’s attic in 2017. Reimagined nearly a decade later, “Maybe the Night” becomes both a return to the beginning and a reflection of how far the nine musicians have traveled since then.

“Maybe the Night was the first song we collaborated on from start to finish as nine,” shares bassist Agnes Reoma. “Binigay namin lahat ng puso namin sa kanta na ‘to and it opened a lot of opportunities for us, from our first ever Paskuhan, first official movie soundtrack, to our first band trip abroad. This new album is a testament to our journey, and ‘Maybe The Night (Reimagined)’ reflects how we have grown as individual musicians and as a collective since that attic session.”

Alongside the reimagined songs, “Nine” introduces a brand-new track, “Harinawa,” giving the anthology a forward-looking conclusion. Written and completed in 2026, the band's ninth year, it holds a specific place in the album’s chronological sequence. If the reworked songs serve as vignettes of Ben&Ben’s past nine years, “Harinawa” serves as the link to whatever lies beyond them. Carrying a spirit of positivity and good energy, the song closes the anthology not with finality, but with anticipation for the band’s next chapter.

“We hope for these nine songs to accompany [Liwanag and our listeners] wherever they’re at in their lives right now,” says percussionist and backing vocalist Toni Muñoz. “Hope comes in many forms, and we wish for our music to be even just a glimpse of one of them.”

About Sony Music Entertainment

At Sony Music Entertainment, we honor the creative journey. Our creators shape movements, culture, communities, even history. And we’ve played a pioneering role in music history, from establishing the first-ever music label to inventing the flat disc record. We’ve nurtured some of music’s most iconic artists and produced some of the most influential recordings of all time. Today, we work in more than 100 countries, supporting a diverse and distinctive roster of talented creators at every level and on every stage. Situated at the intersection of music, entertainment, and technology, we bring imagination and expertise to emerging products and platforms, embrace new business models, and employ breakthrough tools—all to support the creative community’s experimentation, risk-taking, and growth. And we form deep, trusted, cause-based partnerships to uplift and empower communities around the world. Sony Music Entertainment is part of the global Sony family. Learn more about our creators and labels here. 

Ben&Ben’s new anthology album, Nine is out now on all digital platforms worldwide via Sony Music Entertainment. 

Source: Nyou