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Samantha Gail B. Lucas

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Filipino all-girl band tuesday trinkets finds comfort in “I know one day”

September 30, 2026

The dreamy power pop band drops their first official single as an artist under Sony Music Entertainment

All-girl dreamy power pop band tuesday trinkets explores the unspoken comfort of having someone by your side in “I know one day,” their new single released under Sony Music Entertainment.

Instead of framing companionship through the conventions of a romantic love song, “I know one day” focuses on something more understated and universal: the relief of having someone around when life feels repetitive, overwhelming, or exhausting. As the song suggests, sometimes a person’s presence is enough to make a difficult day feel lighter.

“Even something as simple as getting the keys, stealing a kiss, and spending time together suddenly makes everything else feel less important,” the band shares.

Sonically speaking, “I know one day” blends contemporary pop-rock production with dreamy, nostalgic melodies that shaped the band’s musical sensibilities. Influenced by the music and films they grew up with—including Barbie Diaries, Michelle Branch, Hilary Duff, and late-2000s to early-2010s pop—the track carries the familiarity of childhood nostalgia while remaining distinctly tuesday trinkets.

Rather than embracing a rigid blueprint, tuesday trinkets introduced new sonic elements in “I know one day,” incorporating disc scratches and cyber-inspired arpeggiated synths. This process informs the band’s instinctive approach to songwriting and production while letting experimentation speak for the music.

The band’s latest release marks their first partnership with record label Sony Music Entertainment. After releasing music independently, the band sees the collaboration as an opportunity to reach new listeners, learn from industry professionals, and discover where their music can go on a broader platform.

At the same time, the band remains committed to preserving the curiosity, honesty, and sense of wonder that define its indie roots. For tuesday trinkets, growth does not require abandoning where it came from. Instead, it means learning how to occupy a bigger space while ensuring that every song still feels unmistakably its own.

tuesday trinkets’ “I know one day” is out now on all digital music platforms worldwide via Sony Music Entertainment.

 

Source: Nyou

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george Teams Up With PRIMARY For "AGAIN and AGAIN", The Ending Theme For 'REAWAKEN MAN: THE RED'

September 30, 2026

LISTEN HERE

September 30th, 2026 - Philippines – Korean singer-songwriter george and producer PRIMARY have joined forces for “AGAIN and AGAIN”, a new OST for the upcoming action film 'REAWAKEN MAN: THE RED'. Serving as the film’s ending theme, the track will be released on September 29 at 6 p.m. KST, one day ahead of the film’s theatrical release in Korea. Fans can listen to the song here.

PRIMARY, who serves as the film’s music director, also produced the track alongside george. Rooted in R&B and disco, “AGAIN and AGAIN” was co-written and co-composed by both artists, bringing PRIMARY’s distinctive production together with george’s captivating vocals to create a sound that reflects the musical identities of both artists.

The collaboration adds another layer to the film’s soundtrack, with the two artists moving seamlessly between film music and contemporary popular music. Their combined sound is set to accompany the film’s final moments, adding an emotional dimension to its closing scenes.

george has continued to build momentum this year with the release of his pre-release single “if i’m with you (feat. MINNIE)” and EP ‘solsol~ condo’. Through his latest collaboration with PRIMARY, he expands his musical repertoire with an OST that brings his signature sound into the cinematic world of 'REAWAKEN MAN: THE RED'.

Directed by Baek Jong-yul, 'REAWAKEN MAN: THE RED' stars Koo Kyo-hwan, Shin Seung-ho, Kang Ki-young, Kim Si-a, and Kim Sung-ryoung. The film is set to open in Korean theaters on September 30.
 

Listen to "AGAIN and AGAIN" here

DOWNLOAD MEDIA KIT

About george

Since making his debut in 2016, george has established himself as one of Korea's most distinctive voices in contemporary R&B. Blending lo-fi textures, understated production, and deeply personal songwriting, he has cultivated a signature sound defined by warmth, sincerity, and emotional nuance. Rather than relying on grand gestures, george's music resonates through its quiet intimacy, offering listeners a sense of familiarity and comfort.

Over the years, george has collaborated with some of Korea's most respected artists, including Loco, Heize, BIG Naughty, SUMIN, pH-1, Sam Kim, Yoon Jong Shin, and Kwon Jin Ah, showcasing his versatility as both a songwriter and collaborator. Breakout tracks such as "Boat" and "look at me"introduced his music to a wider audience, while his debut EP ‘cassette’ earned a nomination at the Korean Music Awards. His acclaimed first full-length album, ‘FRR’ (2023), further cemented his reputation as a compelling singer-songwriter with a distinct artistic voice.

With his latest EP, 'solsol~ condo', george continues to expand his understated approach to storytelling, capturing the beauty of everyday moments through gentle melodies, heartfelt lyricism, and an effortless sense of warmth. It is the latest chapter in an ever-evolving catalogue that invites listeners to slow down, find comfort in simplicity, and appreciate the people who make ordinary moments meaningful.

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Source: Nyou

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One Click Straight to perform at Vagabond Festival 2026 in Taiwan

September 30, 2026

The Filipino four-piece will make its Vagabond debut with a collaborative B2B set alongside Taiwanese band SADOG

ONE CLICK STRAIGHT (OCS) will perform at Vagabond Festival 2026, one of Taiwan's biggest music festivals.

The Filipino alternative-pop/rock band will be joining the festival’s Band Battle B2B stage for a special collaborative performance with Taiwanese indie blues-punk band SADOG.

The Band Battle B2B format will see the two bands perform in a face-to-face setup, trading musical ideas in an improvised set without a fixed setlist. According to ONE CLICK STRAIGHT, the format presents a new kind of performance challenge: one that puts spontaneity and musical interplay at the center of the show.

“First things first, we are beyond grateful and excited to be part of the artist lineup for Taiwan’s Vagabond Festival this 2026,” the four-piece band shares. “Preparing for this show will be exciting and strangely alien to us, as we are set to play the Parachute stage with Taiwanese band SADOG in a face-to-face, no-setlist setup—something that we’ve never done in our career before. Everything is a mix of excitement and gratitude.”

The upcoming Taiwan performance continues to strengthen the band’s foothold in the Asian music festival circuit, which previously started at AXEAN Festival in Bali, Indonesia, and Baybeats Festival in Singapore in 2025, then continued with stints at Music Lane Festival Okinawa in Japan, Bangkok Music City in Thailand, All Of The Noise and Sonik Philippines in Manila, and Playtime Festival in Mongolia in 2026.

At Vagabond Festival, OCS plans to embrace the format’s spontaneity, letting its live sound shine in real time alongside SADOG and the festival audience.

“We aim to ride our sound through the spur of the moment alongside all music lovers in Vagabond,” the band says. “Audiences can expect to see us in our purest form, jamming out our own sonic DNA live and improvised.”

—

Follow ONE CLICK STRAIGHT’s Official social media channels• Facebook:https://www.facebook.com/ONECLICKSTRAIGHT• Instagram: https://www.instagram.com/oneclickstraight/• YouTube:https://www.youtube.com/@ONECLICKSTRAIGHT• Twitter / X: https://x.com/ONECLKSTRAIGHT• Tiktok: https://www.tiktok.com/@oneclickstraight

About The Rest Is Noise PH

The Rest Is Noise PH (TRIN) is a music curator, export and exchange facilitator, events production, and online publication based in Manila, Philippines.

 

Founded in 2015, TRIN has curated and produced more than 40 shows: ranging from pocket venues to outdoor festival settings. It is home to the annual Summer Noise and All Of The Noise music showcase and culture platform event, which feature critically acclaimed homegrown and international music acts, primarily dedicated to showcasing Asian and Asian diaspora music artists, such as Japanese Breakfast, Phum Viphurit, Elephant Gym, Turnover, Deafheaven, Hitsujibungaku, Last Dinosaurs, Up Dharma Down, Sandwich, and more. These shows highlight the rich and diverse backgrounds, cultures, and styles of music artists from home and abroad, championing both emerging and established music-makers. 

 

In June 2026, TRIN formally launched its artist development and global management service consultancy, signing ONE CLICK STRAIGHT as its first artist partner for global management.

 

TRIN takes pride in fostering a thriving sense of community, culture, and inclusivity—providing a platform that champions the best of Asian music and strengthening regional and global connections, onstage or in the digital space. 

 

General inquiries: info@therestisnoiseph.com

Website: www.therestisnoiseph.com

Twitter: twitter.com/therestisnoise_

Facebook: facebook.com/therestisnoiseph

Instagram: instagram.com/therestisnoiseph

Source: Nyou

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George Optical marks 66 years of eye care with special anniversary treat

September 30, 2026

The homegrown eye-care brand celebrates its journey from a modest clinic to a modern vision-care institution with a special ₱66 anniversary offer

[MORE PHOTOS HERE]

Manila, Philippines – Sixty-six years after opening its first clinic in Binondo, George Optical is marking its anniversary with an offer that centers its long-standing commitment to Filipino customers.

As part of the George Optical 66th Anniversary Treat, customers who purchase any frame worth ₱6,990 and above can get a second selected designer frame for only ₱66. The offer runs until October 31, 2026, at George Optical branches nationwide.

The milestone promo coincides with the brand’s 66 years of strong ties with the Filipino people, growing from a single optical clinic into a broader eye-care institution while remaining anchored on the same principles that shaped its beginnings: quality, expertise, service, and genuine care.

At the helm of that evolution is a simple philosophy: George cares.

Looking ahead: A modern approach to eye care

Today, George Optical continues to expand beyond prescription eyewear, embracing technology, specialized eye care, and more personalized patient care.

Leading this evolution is Dr. Geoffrey Co, President and CEO of George Optical, representing the second generation of the Co family to carry the company forward.

Dr. Geoffrey graduated with First Class Honours from City University in London in 1993 and trained at Moorfields Eye Hospital, where he gained experience in Contact Lens, Low Vision, Glaucoma, and Corneal clinics. His contact lens training included complex cases involving keratoconus, high myopia, post-corneal graft patients, aphakia, and prosthetics.

He went on to top the Philippine Optometry Board Examinations in 1996 and is licensed to practice optometry in both the United Kingdom and the Philippines. He has also served as a resource speaker for optometry organizations and universities, particularly on primary eye care and contact lens fitting.

His contributions to the profession earned national recognition. In 2012, the Professional Regulation Commission named him Most Outstanding Professional in Optometry, while in 2023, he received the Distinction Award from the Philippine Federation of Professional Associations for his private and specialized practice.

Yet for Dr. Geoffrey, carrying the family name forward is about more than professional distinction. It is about preserving a standard of care while ensuring that the brand continues to respond to the changing needs of its patients.

Under his leadership, George Optical has continued to build capabilities in primary eye care, specialized services, technology, and professional practice, building on the foundation his father established more than six decades ago.

As Dr. Geoffrey puts it, “One thing remains constant—George cares.”

Where it all began

That commitment traces back to the remarkable journey of Dr. George Co Sr., the company’s founder.

Born Co Kian Kong in Fujian, China, on September 2, 1930, he came to the Philippines with his father at age seven in search of better opportunities. He worked while studying and took on various jobs, including selling cigarettes on the sidewalk, to support himself.

After World War II, he began working at his uncle’s optical shop. Starting as an all-around houseboy, he cleaned, ran errands, bought food, cooked, and did laundry. Among these responsibilities was the skill that would shape his future: grinding glass lenses and fitting them into spectacle frames.

Rather than remain content with his circumstances, Dr. Co Sr. chose to pursue Optometry. His guiding belief was straightforward: “To attain something of greater value, one must give up something of lesser value.”

The decision proved transformative. He graduated with honors in Optometry and placed among the Top 10 in the Philippine Optometry Board Examinations.

On October 10, 1960, Dr. George Co Sr. and his wife, Mrs. Belen Co, took a decisive step toward building their future by opening the first George Optometric Clinic on Ongpin Street in Binondo.

They did not begin with substantial financial resources. They carried their belongings in a “kariton,” and Dr. Co Sr.’s reputation and the trust he had built with others made the capital needed to establish the clinic possible. He honored that trust by steadily paying his debts as the practice grew.

One patient at a time, the small clinic built a reputation for quality, service, and expertise.

Six decades of seeing what comes next

The company continued to grow alongside the Philippine optical industry.

In 1975, Dr. Co Sr. began producing hard contact lenses, eventually leading to what is now G&B Vision Care Inc. The company established its headquarters in Pasay in 1980, and George Optical continued to evolve beyond traditional prescription eyewear toward a more comprehensive approach to primary eye care.

Much has changed since that first clinic opened on Ongpin Street. Optical technology has advanced, patient needs have evolved, and eye care itself has expanded.

What has remained is the belief that caring for people’s vision requires more than providing a product. It requires expertise, responsibility, and trust.

That philosophy has allowed George Optical to become part of the lives of generations of Filipino families, and it remains at the center of how the brand looks toward its next chapter.

After 66 years, George Optical continues to move forward with the same principle that guided its founder from the beginning: a good name is built through the trust you earn and the care you give, and that remains its closing promise.

66 years later, George still cares—and always will.

About George Optical

Founded in 1960, George Optical is a Filipino eye-care brand dedicated to providing professional, personalized, and comprehensive vision care. From quality eyewear and contact lenses to primary eye-care services and specialized solutions, George Optical continues to evolve with the needs of Filipino patients while remaining grounded in its enduring commitment to quality, expertise, service, and care.

For more information, visit www.george.ph or follow George Optical on Facebook, Instagram, TikTok, and YouTube at @georgeph.official.

Facebook: https://www.facebook.com/georgeph.official

Instagram: https://www.instagram.com/georgeph.official

TikTok: https://www.tiktok.com/@georgeph.official

Source: Nyou

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NICKELBACK RELEASE NEW SINGLE “MAKE ME LOVE YOU”

September 30, 2026

Emotionally Charged New Track Explores the Fragile Space Between Possibility and Heartbreak

 

New Studio Album Everything Under The Sun Arrives October 30 Via Virgin Music Group

 

 

(September 24, 2026) - Following the explosive arrival of “Rattle The Cage” (feat. John 5) and the emotionally charged “Leave Me Behind,” Diamond-certified rock band Nickelback today release their new single “Make Me Love You,” the latest offering from their highly anticipated new studio album, Everything Under The Sun, arriving October 30, via Virgin Music Group.

 

STREAM OR DOWNLOAD “MAKE ME LOVE YOU” HERE.

 

PRE-ORDER EVERYTHING UNDER THE SUN HERE.

 

With “Make Me Love You,” Nickelback deliver some of their most personal songwriting to date, turning inward to explore the uncertainty, vulnerability and emotional risk that come with opening yourself up to someone or something else.

 

The song captures the fragile space between possibility and heartbreak - that moment when the promise of something real can feel just as exhilarating as it is frightening. Opening your heart can feel every bit as dangerous as closing it, and “Make Me Love You” lives squarely in that tension.

 

Where “Rattle The Cage” (feat. John 5) introduced Everything Under The Sun with blistering guitars, pounding riffs and arena-sized energy, and “Leave Me Behind” revealed a deeply vulnerable story of loyalty, resilience and letting go, “Make Me Love You” explores another side of the album: romance, uncertainty and the complicated emotions that come with wanting to be loved while knowing what it means to risk getting hurt.

 

“Make Me Love You” reflects the emotional breadth that runs throughout Everything Under The Sun. The album embraces romance with the same honesty it brings to heartbreak, resilience and reflection, allowing Nickelback to explore the full spectrum of human experience without sacrificing the massive melodies and unmistakable rock sound that have defined the band for more than three decades.

 

The new single follows “Leave Me Behind,” which offered a powerful counterpoint to the explosive chart-topping lead single “Rattle The Cage” (feat. John 5), as well as the No. 1 single “Bones For The Crows,” which marked Nickelback’s first new music since 2022’s Get Rollin’ and introduced the world to Everything Under The Sun.

 

Collectively, the songs offer an increasingly revealing look at the album’s range. True to its title, Everything Under The Sun embraces the complete spectrum of what has made Nickelback one of the biggest rock bands in the world - from towering arena anthems and massive guitars to intimate moments, undeniable melodies and deeply personal songwriting.

 

Photo credit: Lindsay Siu

 

From humble beginnings in Hanna, Alberta, Nickelback have grown into one of the most successful rock bands of the 21st century. Since emerging onto the global stage with Silver Side Up and the era-defining hit “How You Remind Me,” the band has built an unparalleled catalog of rock staples, earning multiple Grammy Award nominations, American Music Awards, Billboard Music Awards, JUNO Awards and international acclaim along the way.

 

With nearly 60 million albums sold worldwide, billions of streams across digital platforms and more than 50 million monthly listeners across digital platforms, Nickelback remain one of the most streamed and commercially successful rock bands in the world. Their music continues to resonate across generations, finding new audiences through streaming while maintaining a devoted global fanbase that has filled arenas for more than two decades.

 

That enduring appeal reached new heights over the past several years. The Netflix documentary Hate to Love: Nickelback became a global sensation, spending weeks in the platform’s Global Top 10 while offering fans an unprecedented look inside the band’s remarkable journey. At the same time, the Get Rollin’ World Tour shattered attendance records and became the fastest-selling and highest-attended tour of the band’s career.

 

Everything Under The Sun builds on that momentum while looking firmly ahead. It is both a celebration of everything Nickelback have accomplished and a statement that their creative fire burns as brightly as ever.

 

###

 

CONNECT WITH NICKELBACK

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Watch the music video of Josh Cullen new single “Like Me,” featuring Jay Park

September 30, 2026

Produced by Josh himself, the bold new single examines identity, adaptation, and what it means to remain one of one

Josh Cullen returns to his solo era with “Like Me,” his collab single with multi-awarded Korean-American rapper Jay Parkunder Sony Music Entertainment.

Produced by Josh Cullen himself and co-written with Mathew Auditor and Jay Park, “Like Me” reflects on a world increasingly shaped by imitation, adaptation, and algorithmic influence, where originality can easily be diluted by the pressure to follow familiar formulas. 

Its accompanying music video expands on this concept through a striking sci-fi-inspired visual world, anchored by intricate choreography and a cast of backup dancers. The music video is helmed by Josh Cullen, alongside Iana Forbes and Louis Duran, extending the song’s conceptual exploration into its visual language.

“LIKE ME” ultimately challenges the notions of identity from Josh Cullen’s lens. Instead of simply resisting change, the song embraces transformation while drawing a line between adapting and becoming someone else.  Without these inevitable compromises, “adaptation risks becoming indistinguishable from imitation,” as Josh puts it.

The prominent Filipino singer, songwriter, rapper, and dancer from SB19 recently debuted “LIKE ME” on stage at his solo live showcase last Saturday, September 26, at Samsung Hall in SM Aura, Taguig City.

On October 2, selected lucky fans will get the chance to learn the choreography for Josh Cullen’s “LIKE ME” at an exclusive dance workshop at SPAC3 Studios in Quezon City. More detailshere.

Josh Cullen’s “Like Me” is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch the music video here.

Source: Nyou

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Unicharm, Shopee Philippines unite to bring Japanese-quality care closer to Filipino families

September 30, 2026

Unicharm and Shopee Philippines showcase Sofy, MamyPoko, and Certainty in a celebration of life care across generations

MANILA, Philippines — Unicharm Philippines and Shopee Philippines team up for Unicharm Fiesta, bringing Japanese hygiene solutions closer to Filipino families through e-commerce while celebrating everyday care.

Created with a shared goal of improving quality of life, Unicharm Fiesta brings together the complementary strengths of both iconic global brands, rendering them more accessible for Filipino consumers. Unicharm contributes its expertise in Japanese innovation, hygiene, and absorbent technology, while Shopee provides its convenient, engaging online shopping platform.

The showcase highlights three of Unicharm’s key brands—Sofy,MamyPoko, and Certainty—each developed to address targeted needs across varying life stages.

For young, active, and working Filipinas, Sofy offers menstrual care designed to keep pace with the demands of everyday life, combining Japanese-quality hygiene technology with features that promote freshness, comfort, and confidence. Its Instant Cooling Feeling, powered by natural mint extract, provides a refreshing, kulob-free breeziness, while its dermatologically tested materials offer added reassurance against irritation. With advanced absorbency that provides reliable protection throughout the day, Sofy helps women stay confident whether they are in school, at work, commuting, or enjoying time with friends. Breathable materials and leak-protection technology further enhance comfort and protection, making Sofy a thoughtful menstrual care solution for Filipinas navigating busy, active lifestyles. Their premium products include Sofy Cool Fresh Instant Cool Sanitary  Napkin and Sofy Color Fit Mood Pants Menstrual Shorts.

MamyPoko, on the other hand, combines comfort, protection, and Japan-quality technology to give Filipino parents dependable care for their babies at every stage. Its diapers offer 10–14 hours of leakage protection, helping keep babies comfortable and dry from day to night, while the Soft Sheet provides a gentle touch designed to help protect delicate skin from itching and chafing. Recognizing that every family has different needs and budgets, MamyPoko offers not only premium diaper options but also economy products that remain committed to quality, comfort, and reliable protection. Among its specialized offerings is MamyPoko Bye Bye Lamok, an innovative diaper designed with mosquito-repellent protection, giving parents an added layer of care and peace of mind as their little ones play, rest, and go about their day, and Mamypoko Marshmallow Skin Comfort, a premium, Japan-made disposable baby diaper designed with ultra-soft materials and plant-based oils to prevent skin irritation.

For older adults, Certainty delivers discreet, comfortable solutions at an affordable price. Its main product, Certainty Adult Diaper supports seniors’ mobility and dignity while helping caregivers approach elderly care with utmost confidence.

Guided by its Japanese roots, Unicharm remains firm in developing products grounded in innovation and comfort. Its product line spans life phases while taking into account the needs and realities of Filipino consumers. As Unicharm continues to expand its presence in the Philippine market, consumers can look forward to further innovations across its three major brands, as well as its convenient partnership with e-commerce giant Shopee.

Source: Nyou

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Over October to take the stage one last time with its original five-piece lineup

September 28, 2026

The band prepares for a defining concert celebrating its journey from bar gigs to sold-out venues

Visual Credits: Photo by Andrea Beldua; Creative Director: Karen dela Fuente; and Art Director: Elliesha Angeles

 

With just a week to go before their highly anticipated headline concert, Over October Live at the New Frontier Theater is less than a few tickets away from selling out.

Happening on October 4, 2026, at the New Frontier Theater, the concert is their biggest offering to date, following a string of milestones in the live music scene, including two sold-out shows at the Music Museum and their successful 2025 anniversary concert at the MOA Sky.

Over October Live at the New Frontier Theater also marks a special moment for the band as it will be their last show featuring its original five-member lineup, making the upcoming performance both a celebration of their journey and a pivotal moment in their story.

Expect a meticulously curated setlist featuring fan favorites, rarities, and special numbers with room for big surprises. “It's going to be a trip down memory lane, especially if you’ve been a fan since the beginning,” the band shares, teasing a show designed to maintain momentum from beginning to end.

While the band remains tight-lipped about possible special guests and collaborations, fans can expect a concert experience that goes beyond the music.

The alternative pop band explains, “We also want this show to be a celebration of our journey together. We would also want joy to be one of the emotions our audience will experience. We can all look back on the journey so far and remind ourselves how far we’ve come, not just as a band but as a community.”

The overwhelming ticket response has also given the band a chance to reflect on how far they've come since their early days. “It’s surreal, honestly. Filling up these venues was only just a dream of ours a few years back. We’d struggle even to fill up bar gigs, and now we’re filling up concert venues.”

With the concert now nearly sold out, only a limited number of tickets remain, making this a last chance for fans to secure seats through TicketNet Online and participating TicketNet outlet stores.

Over October Live at the New Frontier Theater is presented by Over October, with GNN, Move It, and Swee Lee Philippines as partners.

The Over October Concert Press Conference is made possible with the support of press conference sponsors El Calle Food and Music Hall, Maruca, and Fiery Style.

Source: Nyou

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Fern.’s “Kahit Na Umulan” enjoys renewed virality with humorous TikTok trends and music video release

September 28, 2026

The Filipino R&B artist-producer’s late-’90s-inspired track is enjoying a fresh wave of attention as nostalgic sounds make their way back into pop culture conversations

Check out the rainy, soul-stirring music video here

MANILA, PHILIPPINES — Nostalgia is finding its way back into the Filipino music conversation, with the sounds and sensibilities of late-’90s and early-2000s R&B now reimagined for the modern audience.

Among the songs benefiting from this renewed interest is Fern.’s “Kahit Na Umulan,” which has recently found new life on TikTok through the unexpected Dinorobong Tubo dance trend, Dante Gulapa’s Flying Eagle take on the track, and the platform’s humor-driven remix culture.

Online traction

Its newfound virality reflects TikTok’s unpredictable role in music discovery, where songs can shift between sincerity and humor and reach audiences far beyond their original release cycle.

According to the Filipino artist-producer, the renewed attention came unexpectedly. While traveling home from Canada, he noticed the trend taking off during his connecting flights and later saw its impact in the song’s streaming numbers.

“All of a sudden it became a trend, but none of those are controlled by us,” Fern. says. “We put the song out there, and I think people have just gotten accustomed to my vibe, sound, and brand.”

The timing of “Kahit Na Umulan” also coincides with a broader appetite for warmer, more emotionally driven music. Fern. attributes the renewed appeal of romantic R&B to the cyclical nature of musical taste.

“People are getting tired of fast, upbeat stuff,” he points out. “The heartfelt ones are making a huge comeback. It’s a cycle.”

The song’s pairing with the humorous Dinorobong Tubo trend further shows how contemporary audiences engage with music, letting a single track function as a romantic throwback, a source of humor, and an entry point into another era. “It’s funny and unexpected, but I rode with it,” admits the MANILA SOUL adventurist.

 

Music video release

With the song gaining traction online, Fern. and his team released the music video for “Kahit Na Umulan,” shot in Canada a few months ago. Developed with Fern.’s close creative direction, the video translates the song’s romantic atmosphere into rainy, sensual imagery and reinforces his interest in millennial R&B visual storytelling, cinema, pop culture, and humor.

For Fern., the resurgence aligns with his decision to pursue greater creative independence and develop music from a more personal perspective. “I’m planning to take what I have now and do what feels original on my end,” he says. “I’ve finally figured out where I’m coming from.”

Watch the music video of “Kahit Na Umulan” here.

Source: Nyou

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Rising Filipino-American Singer-Songwriter Rocco Kicks Off The Final Chapter Of 'A Comedy Romantic' With Angsty Pop-Rock Anthem "Someone I Never Had"

September 25, 2026

LISTEN HERE

September 25th, 2026 - Philippines — Three months fresh off the release of his EP 'A Comedy Romantic (Act.1)', rising Filipino-American indie pop singer-songwriter Rocco returns with "Someone I Never Had", an angsty, emotionally charged pop-rock anthem that opens the final chapter of his viral narrative series and sets the stage for the highly anticipated 'A Comedy Romantic (Act. 2)'. Fans can listen to the new single HERE.

Built around the ache of an almost-relationship, "Someone I Never Had" captures a uniquely modern kind of heartbreak: grieving someone who was never truly yours. What begins as a story of blurred boundaries and undefined feelings quickly becomes an explosive self-confession, with Rocco confronting the question at the heart of the song: "Why do you miss someone that was never really yours?"

Rocco – "Someone I Never Had" (Official Visualizer)

The track serves as the emotional anchor of Rocco's 'A Comedy Romantic' universe, bringing the story of two friends trapped in the limbo of a situationship into sharper focus. Across vulnerable verses and anthemic pop-rock production, Rocco turns the uncertainty of an undefined relationship into a cathartic soundtrack for anyone who has ever been left mourning what could have been.

Produced by Jason Suwito and written alongside Micah Premnath, the track follows Rocco's first successful collaboration with "Palm", continuing a creative relationship that has helped shape the sonic world of 'A Comedy Romantic'.

Inspired by Rocco's deep-rooted love for the romantic comedies of the 1990s and 2000s, 'A Comedy Romantic' exists far beyond the songs themselves. The project unfolds as an episodic short-form narrative series across Rocco's social platforms, blending music, storytelling, and performance as he brings the characters and relationships behind the songs to life.

The series has generated significant traction online, transforming individual releases into chapters of a growing visual and sonic universe. With each episode and song revealing another piece of the story, Rocco invites listeners to experience 'A Comedy Romantic' as a story unfolding in real time.

Now, "Someone I Never Had" takes that story into its final act.

Stream "Someone I Never Had" here
Watch the official visualizer here
 

About Rocco

Unapologetically himself, Rocco is a 23-year-old Filipino-American singer, songwriter, and producer known for his atmospheric bedroom pop sound, playful melodies, and a colourful personality. Raised in the suburbs of New Jersey, he dedicated himself to music early on before moving to Los Angeles. His academic path was short-lived when his breakout singles "Spin You Round" and "Baby Blue" exploded online, prompting him to pursue music full-time and embark on his first headline tour.

Seamlessly blending moody textures with soaring alternative melodies, his music explores the intricate dynamics of intimacy, heartbreak, and emotional vulnerability.

Rocco is steadily positioning himself as a compelling voice in the global indie landscape, having established a strong regional footprint across Asia, tracking heavily in markets including the Philippines, Indonesia, Malaysia, Taiwan, and Thailand, alongside major city centres like Hong Kong.

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Iman Fandi enters her bold era with new EP "Afterglow"

September 25, 2026

25th September 2026 – Singaporean artist Iman Fandi releases her debut EP "Afterglow" on 25 September 2026 across all major streaming platforms, the culmination of a breakout year and her most significant work yet as an independent artist.

“Afterglow” is a story of finding yourself again, discovering confidence, embracing ambition and learning to put yourself first. Across the EP, Iman steps into her own light, leaves behind what no longer serves her and embraces a bolder, more unapologetic version of herself. The EP explores the tension between the heart’s desire for connection and the mind’s instinct to walk away, creating a sound that is emotionally honest, self-assured and full of clarity.

LISTEN TO IMAN FANDI'S "AFTERGLOW" HERE

“But it’s also about having fun along the way,” Iman shares. “Dancing around with your girls, celebrating how far you’ve come, and romanticising your own life.” Through its sleek, edgy pop and R&B sound, “Afterglow” becomes a feel-good soundtrack for choosing yourself, embracing your ambition and letting your glow shine.

Where earlier singles "Tip Toes," "Out Of My Mind" and "IT IS" traced that journey one chapter at a time, "Afterglow" brings the full arc together - the clearest statement yet of who Iman is as an independent artist.

The EP arrives on the back of a defining year, from her Singapore National Day Parade debut before a 42,000-strong crowd at the National Stadium to her first US stage at Broadus Together: Superstar Among Friends in Los Angeles.

 

Iman Fandi

Iman Fandi is a Singapore-born singer working at the intersection of music, fashion and contemporary culture. The daughter of football legend Fandi Ahmad, she is building an independent career on her own terms. Managed by Gushcloud International, her music draws from modern pop and R&B, exploring themes of growth, resilience, and self-possession.

2026 has been her defining year. She performed "Giants," co-written with Weish, at Singapore's National Day Parade before a 42,000-strong crowd at the National Stadium, made a historic half-time debut at the AFC Asian Cup, and took her first international stage in Los Angeles at Broadus Together: Superstar Among Friends, produced by Death Row Games and co-produced by CMC Shine SEA and Gushcloud International, with Snoop Dogg performing as DJ. Following her 2026 singles "Tip Toes," "Out Of My Mind" and "IT IS," her debut EP "Afterglow" marks her most significant statement yet.

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Source: Nyou

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DAELUX steps into the spotlight with pre-debut single “Like That”

September 25, 2026

The newly signed Sony Music Philippines act embraces youthful energy, sisterhood, and the exhilarating uncertainty of catching feelings

Davao-based girl group DAELUX makes its P-Pop pre-debutwith “Like That,” released under Sony Music Entertainment.

The seven-member group’s latest offering centers on the excitement and uncertainty of falling in love and whether those feelings could be reciprocated. With playful lyrics and bouncy, upbeat energy, the feel-good pop anthem captures mixed emotions and frustration over reading signals and wondering where a relationship might lead.

“We were drawn to this theme because the feeling of liking someone and trying to figure out where you stand is something a lot of people can relate to,” DAELUX admits. “There’s excitement, but there’s also that uncertainty when you start overthinking little actions. For us, Like That captures that stage in a fun and lighthearted way. We may all have different experiences and perspectives on love, but the song reflects that real feeling of wanting clarity while still hoping the other person feels the same way.”

Instead of moping on the track’s complicated sentiments, “Like That” approaches the experience with optimism and youthful candor. Beneath its bright exterior, the song encourages confidence in expressing genuine emotions, especially when fear of rejection makes silence tempting.

The track also reflects the Filipino pop group’s sonic identity, with familiar storytelling and a clear sense of duality. The group embraces its free-spirited side while making room for a softer, more emotional dimension, allowing the music to reflect how young people navigate relationships, self-expression, and growing into themselves.

“We think one of the biggest messages of the song is not to be afraid of truly expressing what you feel toward another person,” DAELUX explains. “It’s okay to be vulnerable, as long as you also know your worth and what you truly deserve.”

“Like That” is produced by Pao Lofranco with AndreaH as a co-writer, while the members contribute their own creative ideas to the songwriting process. Throughout its development, the group made several revisions, working closely with the production team and label to ensure the final arrangement felt authentic to DAELUX.

The song’s harmonies were arranged with the help of their vocal coach, Ma’am Shelley, who also worked on distributing the vocal parts to highlight the individual qualities of each member’s voice.

“While recording, we tried to bring ourselves back to a younger and more innocent feeling—when you’re still a little unsure and inexperienced when it comes to love,” DAELUX says. “We think that helped give the song its bright, playful, and youthful feel.”

“Like That” is DAELUX’s first release since partnering with Sony Music Philippines, bringing its distinct P-Pop brand to a wider audience.

“Being part of Sony Music is a huge opportunity for us. It gives us the chance to learn, grow, and take our music more seriously as artists. Working with them has also encouraged us to think bigger while still staying true to who DAELUX is,” shares the seven-piece group.

With all seven members hailing from Davao (CK, Alice, Ara, Rhya, Slane, Zyra, and Riri), DAELUX represents a homegrown P-Pop story that extends beyond the group itself. The team behind its music and performance  video also comes from the city, creating a shared creative ecosystem that has helped shape the group’s sound, visuals, and identity from the ground up.

DAELUX’s “Like That” is out now on all digital platforms worldwide via Sony Music Entertainment.

Source: Nyou

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CHVRCHES RETURN WITH NEW SINGLE “ROSES”

September 24, 2026

FIRST NEW MUSIC IN THREE YEARS OUT TODAY ON FUTURES ✦

 

Announce Two Very Special Shows In Glasgow and London

 

Photo credit: Jody Evans, hi-res download HERE

 

Five years after the release of their last album, acclaimed synth-pop trio CHVRCHES - Lauren Mayberry, Martin Doherty and Iain Cook - have announced their return with a new single, the bold, caustic rock anthem "Roses". Premiering as BBC Radio 1's Hottest Record, the song serves as a mission statement for the band’s sonic shift, letting us in on the opening chapter of an entirely new era. “Roses” is out today via Futures Music Group (Lykke Li, Phantogram, Mt. Joy, et. al). 

 

LISTEN TO “ROSES” HERE

[https://youtu.be/3x2BXn0cPM8] 

 

“Roses” is a scathing piece of contemporary social commentary, a confrontation with the darker undercurrents of Britain, with Mayberry snarling, “raise a glass to delusions of the good days of blood and wine; of pearls for swine.” The song’s Orwellian closing announcement, “If I may command your undivided attention, now we can start,” sets the stage for what’s to come from new material that will be unlike anything the band has released before. "This is the longest break we had ever taken between albums and when we got together to write new music, we wanted to really push ourselves and not be retreading ground we'd walked before," says Mayberry. "I really think we achieved that. It feels like the most coherent vision we've had as a band. We're excited to be back..."

 

The band has also announced two very special intimate shows this Autumn with proceeds going to charity. They will perform in their hometown of Glasgow on October 26th and in London on October 29th. Fans can enter the ballot to purchase tickets athttps://laylo.com/chvrches/intimate_26

 

 

 

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PRESS CONTACT:

Mark Bonifacio | blackstar PH

Email: mabuhay@blackstar.space

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Ben&Ben honors nearly a decade of music, memory, and becoming with anthology album “Nine”

September 24, 2026

The new anthology brings together a collection of reimagined favorites and new song “Harinawa,” offering a reflective look at the band’s evolution and the road ahead

 

 

Manila, Philippines – For nine years, Ben&Ben has grown from a promising Filipino folk-pop collective into one of the Philippines’ most accomplished OPM acts. With billions of streams, major awards, sold-out concerts, and acclaimed performances on international stages, the nine-piece band has built a catalog of heartfelt anthems that resonate deeply with audiences at home and abroad. This year, the band adds another feather to their cap with the release of Nine, an anthology album that looks back on the music, memories, and experiences that defined Ben&Ben and shaped them into what they are today while opening doors to what comes next.

Rather than a straight retrospective, Nine serves as a musical time capsule of Ben&Ben’s first nine years: a collection that captures where the band has been, who they have become, and what they are still becoming. Gathering nine tracks that convey key moments in their story, the 9-track record lives at the intersection of nostalgia and discovery, comforting enough for longtime Liwanag (the group’s fanbase) to recognize the impact of every reworked note, yet fresh enough to offer new listeners an entry point into the band’s expansive sonic world. Apart from simply looking back, Nine honors the longevity of a friendship and creative partnership, reflecting a shared musical life that continues to unfold with brighter results ahead.

“We celebrate the love we have for one another and the bond we have built through the years,” says violinist Keifer Cabugao. “We’re just deeply grateful, not only for everything the past has taught us, but also for the gift of being present with one another today.”

Also worth mentioning is how Nine doubles as an act of revisiting—or, for simpler context, reimagining. The anthology features some of Ben&Ben’s most important songs through the perspective of musicians who have lived with them for years. The band returned to the original recordings, revisiting the instruments, arrangements, performances, and even the people they were when the songs first came to life. In doing so, the members discovered not only how much their music had changed but also how much they themselves had changed alongside it. The resulting songs retain the emotional DNA that first connected them with listeners while reflecting the experience and maturity of a band that has now spent nine years creating together.

“Reimagined, for us, is letting the songs grow up with us,” explains lead vocalist and acoustic guitar player Paolo Benjamin. “Our Liwanag, and we the band too, were molded by life a lot in the past nine years. Hindi biro ang mga karanasang humubog sa aming pagkatao nitong halos isang dekada na ang lumipas, parehong yung mga maaliwalas at yung mga madilim na yugto. And from all these combined, there was a burning desire to update the songs with our deeper, more nuanced perspective in the present.”

The evolution is evident in the album’s production and musical direction. Instead of radically reinventing the songs for reinvention’s sake, Ben&Ben reimagined each track from the vantage point of who they are as musicians in 2026. The arrangements reflect a band that has spent years performing together, while the instrumentation and production let familiar melodies move in new ways. Integral to the process was the intention to bring the chemistry and immediacy of their live performances into the studio, balancing stage energy with the precision and detail of a recorded work. The result is an album that feels both lived-in and renewed: recognizably Ben&Ben, but shaped by nearly a decade together.

“The influences and inspiration we truly channeled in producing ‘Nine’ were literally our nine years of experience in doing what we do—from our live show moments on stage and with Liwanag, to the close relationships we’ve built with each other in the band,” shares lead guitarist and backing vocalist Poch Barretto. “We really wanted to bring our live music experience and musical chemistry into the studio. It was a fun challenge for us to balance the energy of what we play live with the refinements of a studio recording.”

The album also highlights the collaborative relationships that have shaped Ben&Ben’s music over the years. JP Verona, who has worked with the band since its first album and across much of its recorded catalog, brought an understanding of the group’s core musical identity. At the same time, producer Ziv contributed a newer perspective that pushed the band toward fresher sonic possibilities. Poch led the album’s full production, balancing the different creative directions and ensuring that the recordings captured the band as it exists today. The project also features the contributions of Luke and Eoon drums for songs recorded during Jam Villanueva’s recovery from injury. Photographer and visual artist Sara Erasmo translated the album’s themes of memory and journey into its artwork and accompanying imagery.

Among the collection’s pivotal moments is its focus track, “Maybe the Night (Reimagined).” The song played an important role in the band’s history, as it was the first song the members worked on from beginning to end as a nine-piece, arranged collectively in Jam’s attic in 2017. Reimagined nearly a decade later, “Maybe the Night” becomes both a return to the beginning and a reflection of how far the nine musicians have traveled since then.

“Maybe the Night was the first song we collaborated on from start to finish as nine,” shares bassist Agnes Reoma. “Binigay namin lahat ng puso namin sa kanta na ‘to and it opened a lot of opportunities for us, from our first ever Paskuhan, first official movie soundtrack, to our first band trip abroad. This new album is a testament to our journey, and ‘Maybe The Night (Reimagined)’ reflects how we have grown as individual musicians and as a collective since that attic session.”

Alongside the reimagined songs, “Nine” introduces a brand-new track, “Harinawa,” giving the anthology a forward-looking conclusion. Written and completed in 2026, the band's ninth year, it holds a specific place in the album’s chronological sequence. If the reworked songs serve as vignettes of Ben&Ben’s past nine years, “Harinawa” serves as the link to whatever lies beyond them. Carrying a spirit of positivity and good energy, the song closes the anthology not with finality, but with anticipation for the band’s next chapter.

“We hope for these nine songs to accompany [Liwanag and our listeners] wherever they’re at in their lives right now,” says percussionist and backing vocalist Toni Muñoz. “Hope comes in many forms, and we wish for our music to be even just a glimpse of one of them.”

 

About Sony Music Entertainment

At Sony Music Entertainment, we honor the creative journey. Our creators shape movements, culture, communities, even history. And we’ve played a pioneering role in music history, from establishing the first-ever music label to inventing the flat disc record. We’ve nurtured some of music’s most iconic artists and produced some of the most influential recordings of all time. Today, we work in more than 100 countries, supporting a diverse and distinctive roster of talented creators at every level and on every stage. Situated at the intersection of music, entertainment, and technology, we bring imagination and expertise to emerging products and platforms, embrace new business models, and employ breakthrough tools—all to support the creative community’s experimentation, risk-taking, and growth. And we form deep, trusted, cause-based partnerships to uplift and empower communities around the world. Sony Music Entertainment is part of the global Sony family. Learn more about our creators and labels here. 

Ben&Ben’s new anthology album, Nine is out now on all digital platforms worldwide via Sony Music Entertainment. 

Source: Nyou

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TOVE LO RELEASES SIXTH STUDIO ALBUM ESTRUS

September 23, 2026

OUT NOW[PRETTY SWEDE RECORDS / VIRGIN MUSIC GROUP]

FOCUS TRACK “source of life” OUT TODAY WITH OFFICIAL VISUALIZER - WATCH

ESTRUS WORLD TOUR UNDERWAY —

TO PLAY UNDER THE K BRIDGE IN BROOKLYN TOMORROW NIGHT

WITH SPECIAL GUEST COBRAH

 

 

TRACKLISTa lot of feelings, no solutionsI’m your girl right?if I could I woulddes fleurs x stromaeDNHF.A.M.TI’m the cakethe bad onedie for my art with a lonely heartare we on a breakidiotroomiesource of life

 

LISTEN

ESTRUS

 

WATCH

“source of life”

Today, Tove Lo releases her highly anticipated sixth studio album, ESTRUS, out now via Pretty Swede Records/Virgin Music Group. Primal, restless and emotionally unfiltered, ESTRUS pushes the contradictions that have always lived at the center of Tove Lo’s music into sharper focus: euphoria and melancholy, desire and doubt, intimacy and independence, the body and the mind. Across 13 tracks of propulsive, emotionally charged electro-pop, she embraces those opposing impulses without trying to resolve them, capturing what it feels like to want everything at once.

Listen to ESTRUS HERE.

Arriving alongside the album is focus track “source of life,” a visceral final statement that distills the push and pull at the heart of ESTRUS. Moving breathlessly through opposing states — “feral,” “fragile,” “numb,” “ecstatic,” “sad,” “euphoric”— the track finds Tove confronting one of the album’s most intimate tensions: the part of her that still wants to stay out all night against the part wondering whether it’s time to stay home and have kids. Desire, fear, love and questions about the future collide as her body and mind pull in different directions, bringing the album’s central tension full circle.

Watch the official visualizer for “source of life” HERE.

Speaking about ESTRUS, Tove Lo shares: “I think this album is fucking perfect. I wrote what I needed to write, not how I wanted to be perceived, and it feels like such an honest reflection of me — sexy, twisted, dark and full of contradictions. I’m so grateful to everyone who helped me bring it to life, and I feel incredibly lucky that I get to keep making music independently and on my own terms. I hope everyone who listens vibes deeply and sparkly with it — and I’ll keep making music and touring until my tits are in my shoes.”

Following 2022’s Dirt Femme, a period in which she went independent, got married and continued pushing into new creative territory — Tove found herself with more questions than answers. Eventually, she realized that not having the answer was the answer itself.

That unresolved tension became the foundation of ESTRUS. As Tove puts it on “the bad one,” “two things can be true.” Across the album, seemingly opposing impulses are allowed to coexist: happiness and sadness, pleasure and pain, freedom and commitment. ESTRUS charts the full experience — getting drunk, insecure and starting a fight; walking home at 6am with mascara running, coming down and wondering whether any of it was worth it, then doing it all again. Rather than stepping outside of the mess to offer perspective, Tove stays firmly inside it.

The process of making ESTRUS proved just as volatile as the emotions within it. Early on, Tove and longtime collaborator Ludvig Söderberg got drunk and began yelling at each other about everything they were going through. Somewhere in that frenzy, the shape of the album emerged: all of the contradictions, the constant fight.

Inspired by The Knife, Robyn and the Swedish indie dance music she grew up on, Tove Lo recorded the propulsive electro-pop of ESTRUS with Söderberg, alongside Elvira Anderfjärd and Luka Kloser (Addison Rae). The album was recorded across Los Angeles, Stockholm and a small fishing village in Sweden where Tove spent summers as a child and previously created parts of Dirt Femme. Returning there brought her back to where she was first formed, reconnecting her with memories of growing up, relationships, family, loss and the messier younger version of herself. The record also features internationally acclaimed Belgian artist Stromae on “des fleurs,” its sole collaboration.

On the meaning behind ESTRUS, Tove Lo explains: "Estrus is an animal in heat. It's primal. It's my mind and my body wanting different things, wanting everything. There's no good advice on this album... just a lot of feelings, no solutions."

ESTRUS arrives following a run of releases that have gradually unveiled the album’s emotional and sonic landscape, including lead single “I’m your girl right?,” the Stromae collaboration “des fleurs,” and the biting, cathartic “DNH.” Together, the tracks offered an early glimpse at the album’s range — visceral, body-moving pop paired with some of Tove Lo’s most observant and emotionally exposed songwriting to date.

Tomorrow night, Tove Lo brings her ESTRUS World Tour to Brooklyn for a September 19 performance at Under The K Bridge with special guest Cobrah. The show follows stops in Nashville and Chicago earlier this week, where Tove kicked off the tour and brought her new album to the stage as part of a special run of North American release shows. The tour continues with performances in Toronto, Los Angeles and Mexico City, with Mallrat supporting across the North American dates. In November, Tove heads to the UK and Europe for her largest headline shows in the region to date, joined by Rose Gray, before bringing the ESTRUS World Tour to Australia in March 2027 for newly announced headline shows in Brisbane, Melbourne, Sydney and Perth, supported by Salty.

For tickets and more information, visit tove-lo.com/#tour.

ESTRUS is available worldwide now via Pretty Swede Records/Virgin Music Group.

Photo Credit: Charlie Denis

High-Res Available HERE

 

WORLD TOUR DATES9/19 – Under The K Bridge – Brooklyn, NY Ψ Ω9/23 – Coca-Cola Coliseum – Toronto, ON Ω9/27 – The Greek Theatre – Los Angeles, CA Ω10/01 – Pepsi Center WTC – Mexico City, MX Ω

11/05 – O2 Victoria Warehouse – Manchester, UK ≈

11/07 – O2 Academy Brixton – London, UK ≈

11/09 – De Roma – Antwerp, BE ≈

11/10 – L’Olympia – Paris, FR ≈

11/12 – AFAS Live – Amsterdam, NL ≈

11/14 – Columbiahalle – Berlin, DE ≈

11/16 – K.B. Hallen – Copenhagen, DK ≈

11/17 – Spektrum – Oslo, NO ≈

11/19 – Avicii Arena – Stockholm, SE ≈

3/01 – Fortitude Music Hall – Brisbane, AU ✦

3/03 – Margaret Court Arena – Melbourne, AU ✦

3/05 – Hordern Pavilion – Sydney, AU ✦

3/07 – Ice Cream Factory – Perth, AU ✦

Ω - Mallrat Supporting

≈ - Rose Gray Supporting

Ψ - With Special Guest Cobrah

✦ - Salty SupportingAbout Tove LoTove Lo first broke through with her platinum-certified 2014 debut Queen of the Clouds, powered by the triple-platinum “Habits (Stay High)” and double-platinum “Talking Body”,immediately establishing her raw edge on a global scale. She has since balanced chart success with cult credibility, collaborating across genres with artists like Nick Jonas on “Close,” Flume on “Say It,” and Charli XCX, Alesso, Coldplay, and Major Lazer, while also emerging as a sought-after songwriter for Lorde, Zara Larsson, and co-writing Ellie Goulding’s “Love Me Like You Do.” Her subsequent albums — Lady Wood (2016), Blue Lips (Lady Wood Phase II) (2017), and Sunshine Kitty (2019) — expanded her emotional and sonic palette, the latter earning year-end acclaim and a GRAMMY® nomination for “Glad He’s Gone.” More recently, she sharpened her perspective on femininity and independence with Dirt Femme, while continuing to explore club-driven intimacy on the collaborative HEAT EP with SG Lewis, reaffirming her place as a pop provocateur and restless creative force. ESTRUS, her sixth album and emo chic moment, pushes that emotional candor even further, leaning into the contradictions that have long defined her work — euphoria and melancholy, desire and doubt — without trying to resolve them. Balancing visceral, body-moving production with sharply observed writing, it captures the full spectrum of feeling in real time. Rather than offering answers, Lo stays inside the mess, continuing her core mission: making people feel everything all at once.

 

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From Bali to Cebu: ALYSON is Back Home, Teases Upcoming Regional Tour

September 22, 2026

Photo by Lorenz Torres, September Fever Cebu PH

 

MANILA, PHILIPPINES—PH City pop band and Manila sound fusion ALYSON is back home in the metro after their debut performances at AXEAN FESTIVAL in Bali, Indonesia and September Fever in Cebu, Philippines. Teases possible region-wide bar tour to bring the music closer to more ALYSTANS in Luzon. 

ALYSON has been carving out a distinct place in the local music scene over the years, becoming a go-to name in the indie scene for their signature take on both Japanese City Pop and the ever-so classic Manila Sound, and their dynamic, genre-spanning sonic library. Hailing from Quezon City, the jazz-pop, sharp-suited sensations made their mark with their debut album, DEFINITELY LOVE!, earning recognition from major music media outlets including Billboard Philippines and Billboard Georgia’s NEXT GEN campaign. With a sound and style distinctly their own, ALYSON continues to make waves both onstage and beyond the local scene—and their recent trip to Indonesia and Cebu is just the beginning of their global takeover. 

The blue-suited players of ALYSON are Pio Ligot on vocals and rhythm guitar, Luis Uy on lead guitar, Marcus Mababangloob on drums, Miguel Erfe on bass and Easel Manes on keyboard. 

 

 

Photo by Aldhy (@aldy_pranata), AXEAN Music Festival 

AXEAN Music Festival in Bali, Indonesia was their first stop right after the release of their sophomore album “AFTER OURS”, where the band explored and incorporated the Manila Sound genre more and refined their music to be more conceptual and streamlined with a narrative akin to a “teleserye” or a “KDrama”. Before the international stage in Bali, the band showcased “AFTER HOURS” in the metro by mounting an album release party last July of this year. Right after all the frills and celebrations amongst the usual haunts, off the band flew to Indonesia and Cebu to bring the ALYSON experience to new eyes and ears. 

“It was a dream to be able to play outside the Philippines,” shared by Marcus when asked about what the band felt performing abroad. “We’ve said it time and again how we draw from Japanese and even Indonesian music and the parallels we have with our own musical history, so being able to play on a stage that reflects that is a huge thing for us.” In line with this, Mababangloob shared a lot of his discoveries while mingling with fellow ASEAN music lovers, artists and delegates at the AXEAN Music Festival. He states his surprise on how the PH scene and its neighboring islands have a lot in common on how the country values music, may it be local and international, coining this epiphany as a “spider-verse” of some sort. He also cites the reaction of the audiences in Bali as one of the most memorable experiences from the band as they also felt a warmth similar to their usual PH audience, which in turn allowed them to groove throughout their set. 

 

As for the September Fever stage in Cebu, the drummer notices a significant difference yet a comfortability in the vibe as well. A “homecourt we never knew”, Mababangloob mentions. “I felt like a lot of the crowd knew our music and were fans despite us never playing there before.” Cementing the power of music to transcend beyond borders. The Cebu crowd enjoyed the ALYSON so much, there was even a fan that electrified the Cebuano audiences more by acting as an “unofficial” dance instructor for their set. “He got everyone dancing in a way that got us even more hype. A real treat,” he notes. “We really felt the love from everyone.”From performing in two stages, both different in varying degrees yet both just as huge, in such a short amount of time, these milestones from the band have helped them re-affirm their musical identities and how their music creates a relationship with people, with Marcus stating the band’s desire to be a Filipino band not just contained to their own contexts as carriers of the OPM sound, but a Filipino band that is capable to connect to the greater South East Asian sphere, and beyond! In line with pushing the envelope in terms of performances, an ALYSON Luzon-wide tour is currently in the works, to be made possible by the band’s record label Offshore Music. 

 

The band will also be performing live at The Cozy Cove in Baguio on September 25. Tickets available here.

Support ALYSON everywhere and every time by streaming “AFTER OURS”, the sophomore album of ALYSON is out now on all digital streaming platforms. About ALYSON

ALYSON is a Filipino band redefining city pop with timeless sound and unforgettable live performances. From Quezon City to global playlists, their debut album DEFINITELY LOVE! earned over 3 million streams, with top listeners in the Philippines, US, and Canada. Known for sharp suits, a fantastic brass section, and the musicality of every member, ALYSON’s shows are more than concerts, they are experiences. Praised by Billboard Philippines and spotlighted by Billboard Georgia’s NEXT GEN campaign in 2025, the band was included in a global list of 24 rising artists alongside acts from Japan, UK, France, and China—recognized for prioritizing album artistry over quick hits, backed by the million-stream success of “Feels So Good”. Their latest single “IKAW LAGI” closes the chapter on DEFINITELY LOVE! and ushers in their sophomore album AFTER OURS; a twilight soundtrack exploring what happens after love’s brightest moments fade. Coming in 2026, AFTER OURS promises to take audiences deeper into ALYSON’s evolving sound.

ALYSON Socials

FB: https://www.facebook.com/AlysonPinas

IG: https://www.instagram.com/alysonpinas

YT: https://youtube.com/@alysonpinas

TT: https://www.tiktok.com/@alysonpinas

 

Source: Nyou

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ATLANTIC RECORDS AND ROCKSTAR GAMES ANNOUNCE GRAND THEFT AUTO VI: THE ALBUM

September 22, 2026

FEATURING 34 EXCLUSIVE NEW TRACKS, INCLUDING SIX SINGLES AVAILABLE TODAY FROM YUNG LEAN; TRAVIS SCOTT; CA7RIEL & PACO AMOROSO, PINKPANTHERESS, FRED AGAIN.., AND ETIENNE DE CRÉCY; MORGAN WALLEN; RAUW ALEJANDRO; KEITH RICHARDS

Pre-order Grand Theft Auto VI: The AlbumHERE

LOS ANGELES, CA (September 17, 2026) – Atlantic Records and Rockstar Games announce Grand Theft Auto VI: The Album, the upcoming official soundtrack album from the biggest, most immersive evolution of the groundbreaking Grand Theft Auto series yet: Grand Theft Auto VI.

Launching November 19 alongside the hotly anticipated game, Grand Theft Auto VI: The Albumfeatures 34 original tracks that capture the electric energy of Grand Theft Auto VI’s world of Vice City and Leonida, with a genre-defying roster of the most exciting and preeminent artists in the world.

Six debut singles are available for streaming today:

  • Yung Lean - That's It (feat. Future & Metro Boomin)

  • Travis Scott - RHYNO (prod. by Guy-Manuel de Homem-Christo)

  • CA7RIEL & Paco Amoroso, PinkPantheress, Fred again.., & Etienne de Crécy - Sexy Magic

  • Morgan Wallen - Last Thing You Need

  • Rauw Alejandro - Macacoa 2000

  • Keith Richards - Bright Lights, Big City

This historic partnership will continue the Grand Theft Auto series’ unique ability to introduce the world to new music and subcultures, with each iteration defining the atmosphere of the era and culture for decades to follow. With an established history of producing landmark soundtracks, Atlantic Records has assembled a global roster of today's most meaningful artists, curating wide-ranging original music that deepens the next chapter of the Grand Theft Auto universe.

Grand Theft Auto VI: The Album will arrive alongside the next evolution of the pioneering in-game radio stations, dynamic score, and musical touchpoints that anchor the series.

Available for pre-order today, Grand Theft Auto VI: The Albumwill launch with multiple vinyl and CD offerings, including three Atlantic Records exclusives: a limited-edition liquid-filled vinyl, a splatter edition vinyl, and a CD jewel case – each featuring exclusive new artwork and packaging designs that echo the iconic style of Grand Theft Auto VI, plus various retail exclusives for Blood Records, Best Buy, Walmart, Amazon, Barnes & Noble, Target, Urban Outfitters, and Indie record stores — each with a distinct vinyl pressing design and poster.

About Atlantic Records

Founded in New York City by Ahmet Ertegün and Herb Abramson in 1947, Atlantic Records has been one of the defining labels in contemporary music for more than 75 years. Built on its legacy as a pioneering independent home for R&B, jazz, and soul, Atlantic has evolved into a global powerhouse representing multi-platinum artists, global superstars, and groundbreaking talent across every genre. As part of Warner Music Group, Atlantic continues to set the standard for artist development, musical innovation, and shaping popular culture through transformative artists and their music. Follow Atlantic Records on Instagram, TikTok, X, and Facebook.

About Rockstar Games

Founded by Sam Houser in 1998, Rockstar Games pioneered the open-world genre of video games with the launch of Grand Theft Auto III in 2001. The series’ most recent iteration, Grand Theft Auto V, has sold-in over 230 million units alone. Alongside the other blockbuster entries in the series including Grand Theft Auto: Vice City, Grand Theft Auto: San Andreas, and Grand Theft Auto IV, Grand Theft Auto has become one of the biggest-selling and most critically acclaimed and influential properties in modern entertainment, selling nearly475 million units. Rockstar Games’ blockbuster Western series, Red Dead Redemption has sold-in nearly 116 million units worldwide to date, with its most recent release, Red Dead Redemption 2, breaking new ground in fidelity and immersion. The next Rockstar Games release is Grand Theft Auto VI. Follow Rockstar Games onX,Instagram,YouTube, Facebook, Twitch, Discord,WhatsApp,TikTok, andBiliBili.

About Grand Theft Auto VI

Vice City, USA. Jason and Lucia have always known the deck is stacked against them. But when an easy score goes wrong, they find themselves on the darkest side of the sunniest place in America, in the middle of a criminal conspiracy stretching across the state of Leonida — forced to rely on each other more than ever if they want to make it out alive.

Grand Theft Auto VI arrives November 19 for PlayStation 5 and Xbox Series X|S. Pre-orders are availablenow.

For more information, please contact:

Janine Fenequito

Warner Music ANZSEA

janine.fenequito@warnermusic.com

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beabadoobee acclaimed new album Pylon out now

September 22, 2026

listen to new single ‘Write Me A Letter’

 

North America, UK & Europe arena tour this autumn

 

beabadoobee - 2026 - please credit Erika Kamano  (download high res assets)

 

beabadoobee has released her hugely anticipated and already-acclaimed new album Pylon, available to stream and buy in digital, CD and vinyl formats via Dirty Hit / InterscopeRecords. Pylon, the follow up to beabadoobee’s UK number 1 record This Is How Tomorrow Moves, is an album that is more wide-ranging and complex than anything that she has ever put out - a tannic rock record that is, at various points, angry, lonesome, ecstatic, depressed and deeply, pathologically in love. 

 

Listen / buy  Pylon

 

The album is heralded by new single ‘Write Me A Letter,’ a thrumming indie-rock track featuring production work from Beatrice Laus’ longtime collaborators and labelmates Matty Healy and George Daniel of The 1975. The song is about, says Laus: “seeing my fault in situations, but also admitting things that I would be too embarrassed to say out loud.” ‘Write Me A Letter’ is the kind of song she needed, not wanted, to get out and this album proved the perfect vessel. 

 

Listen / buy ‘Write Me A Letter’

 

“I had to write these songs on tour or between tours because I had to understand what was going on in my head,” she says. “It’s this idea of letting go and accepting change. When I was on tour, I was yearning for something, and it made me think: How do I make myself feel comfortable? What does it mean to grow up? I was just missing how things were.” 

 

The songs here, including the singles ‘Memories’, ‘Switchblade’ and ‘Sun Has Set’, are raw and sometimes uncomfortably real, recalling the Laus who poured her life into songs as a teenager for the world to hear. She says it’s the result of writing alone in hotel rooms, which “reminded me a lot of how I wrote songs at 17, alone in my bedroom, feeling sad as fuck.” 

 

The album features contributions from a host of artists that teenage Bea could then only dream of collaborating with but now finds as peers, including Hayley Williams, Turnstile singer Brendan Yates, Pinegrove’s Evan Stephens Hall, Deftones’ Chino Moreno and Title Fight’s Shane Moran.

 

But there are no clear answers, and that’s the point—Laus is, emphatically, past the time in which she thought she could ever have everything figured out. Pylon, for all its turbulent emotions, kind of celebrates that not knowing; its brilliance suggests that sitting with uncertainty can create something immense.

 

 

Pylon tracklist

Pylon

Sun Has Set

Estranged

Switchblade

Write Me A Letter

It’s Alright

In Motion

Memories

Nothing To Prove

Radio

Powerlines

Spark

Despite That

Satellite

 

Listen / buy  Pylon

 

beabadoobee this week celebrates the release of Pylon with a string of intimate release shows in London, she then returns to North America in October to kick off the Powerlines Tour, her first ever arena run, taking in shows across the continent, before coming to the UK and Europe this autumn-winter. The Powerlines Tour promoted by Live Nation kicks off 1 October and includes stops at Madison Square Garden, The Kia Forum, The O2 Arena and more (full routing below). Tickets are on sale now; visit beabadoobee.com for tickets and tour information.

‘The Powerlines Tour’ Dates

October 1 – Uncasville, CT – Mohegan Sun Arena*

October 2 – Philadelphia, PA – Liacouras Center*

October 3 – Boston, MA – TD Garden*

October 5 – New York, NY – Madison Square Garden*

October 7 – Toronto, ON, Canada – Scotiabank Arena*

October 8 – Laval, Québec, Canada – Place Bell*

October 10 – Columbia, MD – Merriweather Post Pavilion*

October 11 – Raleigh, NC – Lenovo Center*

October 13 – Orlando, FL – Addition Financial Arena*

October 14 – Duluth, GA – Gas South Arena*

October 16 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion*

October 17 – Austin, TX – Germania Insurance Amphitheater*

October 19 – Phoenix, AZ – Talking Stick Resort Amphitheatre*

October 21 – Los Angeles, CA – The Kia Forum*

October 24 – San Diego, CA – Viejas Arena*

October 26 – Oakland, CA – Oakland Arena*

October 28 – Vancouver, BC – Rogers Arena*

October 29 – Seattle, WA – Climate Pledge Arena*

November 14 – Glasgow, UK – OVO Hydro

November 16 – Cardiff, UK – Utilita Arena

November 17 – Manchester, UK – AO Arena

November 18 – London, UK – The O2

November 23 – Copenhagen, DK – K.B. Hallen

November 24 – Stockholm, SE – Fryshuset Arenan

November 27 – Oslo, NO – Spektrum

November 30 – Paris, FR – Zenith ~

December 2 – Amsterdam, NL – AFAS Live ~

December 3 – Amsterdam, NL – AFAS Live ~

December 4 – Brussels, BE – Forest National ~

December 6 – Berlin, DE – Tempodrom ~

December 7 – Düsseldorf, DE – Mitsubishi Electric Halle ~

March 15 - Brisbane, AUS - Brisbane Entertainment Centre

March 18 - Melbourne, AUS - Rod Laver Arena

March 20 - Sydney, AUS - Afterpay Arena

support: 

* Wisp

~ Violet Grohl

 

Born in the Philippines and raised in London, Beatrice Laus emerged as a British alternative music icon across three acclaimed albums and five EPs. She has garnered multiple BRIT Award and BBC Sound Of nominations, and won NME’s Radar award, whilst amassing over 10 billion streams worldwide and more than 12 million followers across her social channels.

 

This Is How Tomorrow Moves became her first record to reach number 1 on the UK Official Album Chart in 2024, following her Top 10 albums Fake It Flowers (which reached number 8) in 2020 and 2022’s Beatopia (#4). Earlier this year, beabadoobee released the one-off single ‘All I Did Was Dream Of You,’ teaming up with Grammy-nominated Best New Artist The Marías, the result of a longtime mutual creative admiration between María Zardoya and Bea. 

 

Instagram | TikTok | Spotify | YouTube | Apple Music

 

PH MEDIA CONTACTS 

blackstar

mabuhay@blackstar.space

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RIOT GAMES’ VIRTUAL GROUP HEARTSTEEL RETURNS

September 21, 2026

NEW SINGLE “LIVE MY LIFE” OUT SEPTEMBER 18

 

Featuring Anderson .Paak, BAE KHYUN, Connor Price and Nic D, With Songwriting & Production by Jon Bellion

 

 

LOS ANGELES -  Riot Games has announced the return of League of Legends’ virtual group HEARTSTEEL with their new single “Live My Life” (Riot Games/Virgin Music Group), out now. The track marks the group's first release since their 2023 breakout debut single, “PARANOIA,” which has amassed over 200M streams across all  platforms.  

 

HEARTSTEEL is the all-male pop collective in the growing roster of groundbreaking virtual artists within the iconic League of Legends IP. This group of dynamic daredevils reimagines beloved in-game champions as pop-stars: Ezreal (vocalist), Kayn (rapper), Aphelios (instrumentalist, songwriter), Yone(producer), K’Sante (co-leader, vocalist), and Sett (co-leader, rapper). Despite their wildly different personalities and creative styles, the six are close friends united by a shared passion for making music together. 

 

When HEARTSTEEL debuted with “PARANOIA,” the group was still figuring out where they belonged. The track captured a band full of raw talent held together by ambition, anxiety, and close friendships. 

 

Three years later, HEARTSTEEL returns ready to leave their self-doubt behind. They’re back brighter, bolder, and more assured than ever. “Live My Life,” written and produced by acclaimed alternative pop artist Jon Bellion, celebrates the freedom that comes from embracing who you are and living life loudly without apology. Blending genre bending, musical experimentation with raw emotion, the track captures the energy of a group stepping confidently into their next chapter on their own terms.

 

HEARTSTEEL returns with a lineup of acclaimed returning and new artists spanning genres and cultures, Anderson .Paakas K’Sante, BAEKHYUN returning as Ezreal, Connor Price as Sett and Nic D as Kayn. 

 

“We’re so excited for the new collaborations we have in this next chapter of HEARTSTEEL,” said Maria Egan, Global Head of Music & Events, Riot Games. “Our virtual artists give players a completely different way to experience the champions they love, reimagining them in this alt fantasy being pop stars, alongside some of their favorite artists. HEARTSTEEL drew a lot of inspiration from the fandom surrounding K/DA, so we can’t wait to see what players create and how they respond to this next chapter.”

 

“I’m really excited to be collaborating with League of Legends again,” shares BAEKHYUN, a dedicated League player who returns as the voice of Ezreal. “It’s great to step back into this role. During my ‘Reverie tour’ last year, I had the chance to visit the Riot campus, where I connected with the Riot team, exchanged ideas, and we found a lot of inspiration in each other. It feels especially meaningful to see that inspiration turn into something we can now share with fans and players around the world. I honestly can’t wait for everyone to see what we’ve created together. It’s going to be incredible.”

 

The artists collaborating on HEARTSTEEL's 2026 return include:

 

● Anderson .Paak - Multi-hyphenate global superstar, 9x GRAMMY Award-winning artist, producer, songwriter, drummer, and director. Anderson is currently on tour with Bruno Mars as DJ Pee .Wee and Silk Sonic. 

● BAEKHYUN - One of Korea's most accomplished solo artists, building on his foundation as a core member of the global K-pop group EXO. “Live My Life” marks his return to HEARTSTEEL following the group’s debut.  

● Connor Price - Canadian actor and one of the world’s leading independent artists, building a global fanbase without traditional label support. Best known for his viral “Spin the Globe” series, Connor recently released his debut album About Time, featuring Big Sean and Idris Elba, and sold out his latest North American tour alongside frequent collaborator Nic D.

● Nic D - Independent artist, author, and multi-hyphenate creator. Beyond music, he co-hosts the massively popular FRDi Show, a viral comedy podcast and digital brand with a devoted global audience.

● Jon Bellion - Grammy Award-winning singer, songwriter, and producer known for co-writing and producing hit songs for major global artists across pop, hip-hop, and K-pop. 

 

Fans can watch the “Live My Life” music video on the official League of Legends YouTube and stream the track across all major listening platforms now.

 

—

 

ABOUT RIOT GAMES

Riot Games was founded in 2006 to develop, publish, and support the most player-focused games in the world. In 2009, Riot released its debut title, League of Legends, which has gone on to be one of the most-played PC games in the world. In the years since, Riot has released VALORANT, Teamfight Tactics, Legends of Runeterra, League of Legends: Wild Rift, Riftboundand 2XKO. Riot’s titles have led to the creation of some of the most-watched and widely recognized esports in the world, culminating in events like the League of Legends World Championship, VALORANT Champions Tour (VCT) and the TFT Open, which are watched by millions of fans each year. Riot has also expanded its IP through multimedia projects across music, comic books, board games, and Arcane, its Emmy-winning animated series.

 

ABOUT RIOT GAMES MUSIC

Riot Games Music (RGM) builds on Riot Games’ global fandom at the intersection of gaming and music, creating original music, artist partnerships, and experiences that deepen the connection between players and Riot’s IP. Its catalog of over 1,500 songs has generated over 16 billion lifetime streams and reaches more than 50 million monthly listeners across streaming platforms.

 

RGM is behind some of gaming’s most recognizable moments, including twelve original League of Legends World Championships anthems featuring superstars Linkin Park, New Jeans, Lil Nas X, Imagine Dragons, Zedd and many more. RGM is also a leader in virtual artistry including artists like record breaking K-Pop inspired girl-group K/DA, heavy metal band Pentakill, hip-hop collective True Damage, DJ Sona and Seraphine. 

 

Beyond League of Legends, RGM continues to expand the music footprint of other Riot Games titles, including VALORANT, through original music and live experiences, working with artists such as KATSEYE, Audrey Nuna, Oli Sykes (Bring Me The Horizon), Courtney LaPlante (Spiritbox), Grabbitz, bbno$, and more. Music partnerships also extend into film and television through Emmy-award winning series Arcane, whose Season 2 soundtrack has generated more than 6.5 billion global streams and featured collaborations with Twenty OnePilots, Stromae, Stray Kids, Young Miko, and more. 

 

ABOUT LEAGUE OF LEGENDS

Released in 2009, League of Legends is Riot Games' debut title and one of the most-played competitive games in the world, engaging millions of players daily in 20+ officially-supported languages. A mainstay of the MOBA genre, in League, two teams of five powerful champions face off to destroy each other's base in a game that blends the speed, strategy, and intensity of an RTS with immersive RPG elements. 

 

League continues to evolve year over year in gameplay and storytelling, delivering fresh new experiences like K/DA, immersive stories like Star Guardian and Spirit Blossom, and technical balance changes to ensure competitive integrity. As the basis for the Runeterra universe, League champions have been featured in music, comic books, spinoff games, collectible figurines, board games, TV series, and more. The annual League of Legends World Championship is the most widely viewed esport tournament, and is among the largest and most popular sporting events in the world. 

 

Visit leagueoflegends.com for more information and follow @leagueoflegends on social media. 

 

PH MEDIA CONTACTS 

blackstar

mabuhay@blackstar.space  

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The Kid LAROI releases new single "GET EVEN" with GIVĒON

September 21, 2026

Photo credit: Adam Kargenian 

“GET EVEN (feat. GIVĒON)”

LISTEN/WATCH: https://thekidlaroi.lnk.to/geteven

 

Hot on the heels of releasing his new single “SLEEP,” The Kid LAROI is back to share new single “GET EVEN” featuring GIVĒON. The first collaboration between LAROI and GIVĒON arrives with an Ayodeji-directed music video – the second visual collaboration between the fast-rising director and LAROI in a matter of weeks following the release of “SLEEP” at the end of August. Like “SLEEP,” the conception of “GET EVEN” dates back to an album that The Kid LAROI created prior to BEFORE I FORGETthat was ultimately scrapped, though both “SLEEP” and “GET EVEN” were both identified as songs that did need to see the light of day upon LAROI revisiting them.

 

The song's release comes ahead of LAROI launching the UK and European dates for his A PERFECT WORLD tour, which kicks off October 27th in Birmingham and wraps November 17th in the Czech Republic.

 

Listen to and watch "GET EVEN" now.

 

 

Connect with The Kid LAROI:

Instagram | X | TikTok | YouTube

Source: Nyou

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