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Samantha Gail B. Lucas

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Ben&Ben makes “Limasawa Street” tangible with new CD and vinyl editions

August 28, 2026

The acclaimed debut is now available in physical formats, offering listeners a tangible way to reconnect with the record that helped define the band’s early years

 

 

Manila, Philippines – Nearly a decade into their career, Ben&Ben revisits where much of their story began with the physical release of the band’s acclaimed 2019 debut studio album, Limasawa Street—now available on CD and vinyl.

Recorded when the band was still finding its footing, the record introduced Ben&Ben’s expansive, lush take on folk-pop while giving music fans a taste of their distinct songwriting style.

“Sabi nga nila: you never forget your first," shares the nine-piece collective. “The energy we had going into creating our very first album was one of the things we would never forget about that era of ours. It was the first time we collectively immortalized our music together in a body of work as ‘nine,’ especially since we weren't technically complete yet when the EP was recorded. Revisiting an album like that brings back so many memories of the entire creation process, especially our Limasawa Street tour. That album brought us to so many places; it introduced so many people to us and our music, and up to now all the songs remain near and dear to us.”

Their maiden release eventually became one of the most important Filipino records of its time, earning multi-platinum certification from the Philippine Association of the Record Industry (PARI). It produced modern classics such as “Pagtingin” and “Araw-Araw”-- songs that resonated then and continue to be relevant now. The critically acclaimed release also bagged major industry recognitions, including Album of the Year honors at the 33rd Awit Awards. The album’s success led to an extensive multi-city tour that brought the album and the band to audiences across the Philippines and Singapore.

“Limasawa Street was always meant to be a work of its time: an exploration of fresh ideals and a new heart, a new start,” Ben&Ben explains. “We have always been very open about how our albums serve as bookmarks in our lives, meant to encapsulate our beliefs, feelings, and outlook on love and life at that specific moment in time. We hear all of that and remember exactly the people who recorded those songs back in 2019. We still hear us; we still hear the beginnings of our current sound—and we are very grateful to those versions of ourselves who dared to dream and build a world of their own.”

Remastered for vinyl and CD by Grammy-award-winning sound engineer Jett Galindo, its arrival in physical formats gives fans a new way to experience a record that has long lived through streaming and live performances. 

For Ben&Ben, the physical release also meant preserving a game-changing phase in their journey: the beginning of an illustrious period that transformed them into bona fide artists. In an era shaped by digital consumption, owning a physical record offers something that lasts: a relic of time you can hold, revisit, and pass down.

The chart-topping band adds: “Many of us have always been massive fans of physical media, especially vinyl. To finally have our very own press feels surreal. We still can't quite believe it because we haven't seen them in person yet, so we're super excited—and even more so for our listeners who have been waiting for us to release our music in a format that they can really collect and have in their hands and homes.”

Pre-orders for Ben&Ben’s Limasawa Street CD and vinyl open this Saturday, August 29, at 12 noon via Backspacer Records. 

More details here: https://benandben.lnk.to/shop-limasawastreet

Source: Nyou

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JENNIE shares a more personal side on Fallen Angel

August 28, 2026

Watch “Fallen Angel” video here

JENNIE releases her new EP Fallen Angel, sharing a deeply personal collection of songs that reflects her truest form of self-expression. The three-track digital EP features the title track “FALLEN ANGEL”, alongside “HEAVEN”, and “Less than a Lover.” 

A gift from JENNIE, with love, Fallen Angel offers a more intimate look into her world, with each song capturing different sides of her creative perspective.  The EP is accompanied by the official music video for “FALLEN ANGEL,” offering a glimpse into the inner world of JENNIE’s glamorous exterior as she discovers, embraces and finds freedom in her true identity. Watch “FALLEN ANGEL” HERE. 

A physical CD edition of Fallen Angel will feature three additional exclusive tracks – “sweettooth”, “lockitdown”, and “Face”. Pre-order for the physical EP HERE.  

Fallen Angel arrives fresh off JENNIE’s summer festivals run, where she took the stage at Governors Ball, Lollapalooza, Mad Cool Festival, among other performances around the world. The run marked another milestone in JENNIE’s growing solo career, following the release of her first studio album Ruby last year and scoring a Billboard Hot 100 Top 10 hit alongside Tame Impala with “Dracula (with JENNIE)”. 

As one of the most influential global artists of her generation, JENNIE continues to redefine modern pop through her fearless artistry and creative vision. From record-breaking releases and sold-out performances to fashion partnerships, she has established herself as a singular force across music, fashion and culture, continuing to shape the entertainment landscape.

 

FOLLOW JENNIEWebsite | Instagram | TikTok | YouTube | X

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dwta and Arthur Miguel reunite for third collaboration in “At Kung Sakali”

August 28, 2026

The acclaimed singer-songwriters turn their friendship and shared creative wavelength into their first co-written single about choosing love amid uncertainty

After the breakthrough success of their previous collaborations, “Lihim (Nuarin Sasabihon)” and “Tahan Na,” singer-songwriters dwta and Arthur Miguel reunite for the third time in the velvety new single “At Kung Sakali”—out today via Sony Music Entertainment.

The latest release is monumental for both solo artists, as it’s their first time writing a song together in one room. Brimming with natural chemistry and mutual trust that seem to have stemmed from their first team-up in 2023, “At Kung Sakali” started as an unplanned creative exercise that eventually morphed into a fully realized output.

“Actually, our past collaborations were both written separately,” dwta clarifies. “Arthur wrote Lihim (Nuarin Sasabihon), while I wrote Tahan Na. We never really tried writing a song together before, so this time we thought, why not? At first, we were really doing it for fun. We didn’t even have any plans to release it or anything. We just wanted to see what we could come up with, and we were already happy just making something together. But then “At Kung Sakali” happened. I think one of the reasons we keep coming back to working with each other is because of the friendship we built since our first collaboration back in 2023.”

Written in just half a day, “At Kung Sakali” came together effortlessly, as if radiating their shared creative wavelength into a personal piece of work. With both artists known for their distinct artistic visions and songwriting styles, dwta and Arthur approached the writing with openness, letting their ideas meet in the middle and spark magic.

According to dwta, the song tackles the anxieties of imagining a future with someone and the inevitable doubts that come with thinking about what happens when life doesn’t go as expected. Framed through the playful imagery of a dollhouse or bahay-bahayan, “At Kung Sakali” ultimately becomes an affirmation of choosing love despite uncertainty.

The Bicol-born singer-songwriter explains, “At Kung Sakali is also our first collaboration that’s really about being in love. Our first collab was about confessing your feelings, while our second one was more about heartbreak and hope. This time, we’re in our “in-love” era even though we’re both happily single. We’re both actually known for making heartbreak songs, so it was fun to make something that’s warmer and purer this time.”

Produced by Luke April, the track retains the spontaneity of its songwriting process and lets each contributor’s input shape the final sound with the producer’s guidance.

“We did the production on a separate day from the songwriting, and Luke April joined us in producing the song,” shares dwta. “After we finished writing the song, our team really liked it, so we decided to release it. Luckily, everyone was available and was immediately game for it.”

dwta and Arthur Miguel’s “At Kung Sakali” is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

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EASY FREAK RELEASE « ONLY LIKE YOU DO » & ANNOUNCE THEIR UPCOMING ALBUM ‘THE TOUCH’, OUT DECEMBER 11th ON ULTRA RECORDS

August 28, 2026

PRE ORDER/SAVE HERE

Label: Ultra Records (WW)  

Fast-rising duo EASY FREAK, formed by Dom Hurd and Jude Kendrick Ganasen, kicked off on August 21st the next chapter of their career with "Only Like You Do," the first single from their highly anticipated sophomorealbum 'The Touch,' out December 11th — a record thatcandidly traces the full arc of love, from the euphoria of new beginnings to the quiet grace found on the otherside of heartbreak.

A masterclass in pop/funk/groove production, "Only Like You Do" sets the tone for a four-single rollout, eachpaired with a striking official music video steeped in 70's and 80's nostalgia that showcases the duo's singular, meticulously crafted aesthetic. 

As Jude puts its, « Dom had written most of this trackyears ago when we first started EASY FREAK in 2016. It was originally written for acoustic guitar as a very slow and melancholic song (post breakup hehe), but wechanged the time signature, added some groove and funk, and brought it back to life. We’ve grown so muchas songwriters and producers, and it’s always a fun time giving an older track a second chance. »

The album stands as a landmark step in the duo’s carreer: « We’ve been making music for almost 10 years, and it’s only in the last few years that we feel like we've really found our sound. This album feels like a culmination of all that time, all that searching, all thatgrowing and learning. The Touch is the first time thatwe’ve truly been able to express our songwriting and compositional ideas. Live instrumentation is a big themefor this project; with live string and horn sections, and live drums being new additions to our recording process. The music of the 70s and 80s have always been a big influence for us, and we’ve been able to lean more intothat with this project. You’ll hear the inspiration of artists/groups like Sade, Michael Jackson, CHIC, and Prince sparkling through the songs. The aesthetic of The Touch is something we put a lot of time into; inviting the listeners into this world that we’ve created. »

This release officially launches the album campaign  andopens pre-order/pre-save  — a can't-miss moment to getahead of one of the season's most stylish, emotionallyresonant and musically impactful rollouts.

 

FOLLOW EASY FREAK

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Multi-Award-Winning Indonesian artist Nadin Amizah unveils her third studio album, "Laika, Yang Ditinggalkan"

August 28, 2026

LISTEN HERE

Photo Credit: Vony Wong

“Laika’s story inspired me deeply. I imagined Laika being brought into this world longing for affection, nurtured, and given love she thought was forever, only to end up as a mere tool to satisfy human arrogance. That tragedy made me reflect—why do we have to sacrifice another creature for what we chase? Those exact feelings became the representation for this entire album”

— Nadin Amizah

August 28th, 2026 – Celebrated Indonesian singer-songwriter Nadin Amizah officially releases her highly anticipated third studio album, 'Laika, Yang Ditinggalkan' (Laika, The Abandoned). Released under her independent label Sorai, the 11-track record is now available across all major global digital streaming platforms. Fans can listen to the album here.

The record takes its title from Laika, the Soviet space dog sent on a tragic one-way mission in 1957—using her story as a central metaphor for grief, fatherlessness, and unattended yearning that turns into rage.

At the core of 'Laika, Yang Ditinggalkan' lies a subtle yet poignant sociological commentary. Set against the backdrop of Indonesia’s reality as one of the world’s most fatherless nations, the album serves as an emotional sanctuary for those navigating life without a paternal figure or a safe home to return to.

This raw vulnerability is most evident in tracks like “Reservasi Untuk Dua” (Reservation for Two), where Nadin employs unusually harsh, profanely honest language.

“When people hear bitter words like ‘hell’ or ‘defiance’ in these songs, what they are actually witnessing is an injured child underneath,” Nadin says. “It is not hatred—it is pure, unadulterated pain”.

The raw sensitivity continues in “Ditemukan Sebuah Bangkai”, inspired by a real news report Nadin read during the 2020 Jakarta floods, where an unidentified body floated down the East Flood Canal. “Imagine: no relatives, no family, no one looking for them. Insane, isn't it?” Nadin shares. Yet, she rejects the savior label: “I’m simply witnessing the brokenness around me. Simply said, I feel the pain that you feel”.

Marking an important evolutionary step in her artistry, this album features two full English-language tracks—including the lead single “Moonlight” and “Take Him To The Moon For Me”—as well as clever code-switching in “Laika, Kau Mudah Dicinta”.

In tandem, 'Laika, Yang Ditinggalkan' marks Nadin’s most ambitious production to date, featuring 10 different producers across 11 tracks—including notable collaborators Lafa Pratomo, Baskara Putra, Enrico Octaviano, Otta Tarega, and Feby Putri, among others.

“Even from the songwriting process, I already had a vision for its sonic layout, including the people who could bring out the best in it,” she adds.

'Laika, Yang Ditinggalkan' follows her first two acclaimed records, 'Selamat Ulang Tahun' (2020) and 'Untuk Dunia, Cinta, & Kotornya' (2023).
 

Listen to 'Laika, Yang Ditinggalkan' here

About Nadin Amizah

Nadin Amizah is an Indonesian singer-songwriter celebrated for her dense, deeply poetic lyricism and theatrical stage presence. Marking her solo debut with the single “Rumpang” (2018), she has steadily established herself as one of the leading soloists in Indonesia's music landscape.

From day one, Nadin carved an independent path by founding her self-owned label, Sorai, which serves as the home for all her releases. Under Sorai, she has delivered two critically acclaimed studio albums: her debut 'Selamat Ulang Tahun' (2020) and 'Untuk Dunia, Cinta, & Kotornya' (2023), alongside an EP '(kalah bertaruh)' and singles such as “Rumpang”, “Sorai”, and “Bertaut”, among others.

Her musical exploration broadened further when she was handpicked to re-interpret Guruh Sukarnoputra’s timeless masterpiece, “Kala Sang Surya Tenggelam”, as the official soundtrack for the hit series 'Gadis Kretek (Cigarette Girl)'. She also notably collaborated with Dipha Barus on the single “All Good” (which won Best Dance/Electronic Production at the 2017 AMI Awards) and teamed up with fellow musician Sal Priadi for the highly acclaimed duet, “Amin Paling Serius”.

Her artistic accolades as a soloist include four AMI Awards—notably for Best Folk/Country/Ballad Production (2019, 2020, 2024) and Best Newcomer (2019)—alongside being named the most-streamed local female artist on Spotify Indonesia in 2025.

In August 2026, Nadin enters her most daring musical evolution yet with the release of her third studio album, 'Laika, Yang Ditinggalkan (Laika, The Abandoned)'.

FOR MORE INFORMATION
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Ben&Ben’s “Leaves (Reimagined)” finds new meaning in second chances and forgiveness

August 27, 2026

The award-winning band revisits its enduring classic with a grander sound and a deeper reflection on healing, forgiveness, and human vulnerability

 

 

Manila, Philippines – Nearly a decade after “Leaves” made a dent in pop culture consciousness with its unassuming tenderness, Ben&Ben reinterprets the heartwarming ballad with “Leaves (Reimagined),” a new rendition that transforms the original into a more mature reflection on forgiveness, second chances, and the complexities of growing together.

Instead of recreating the original, “Leaves (Reimagined)” approaches the track from a different emotional vantage point, mirroring the profound depths and tensions of life in sonic form. The orchestral elements do not make the track bigger or more ambitious; instead, they give the emotional peaks and quiet moments greater dimension and more room to sink in.

The multi-awarded band explains, "We wanted to highlight how much more dynamic life is emotionally when you grow up and grow older, and for this project, we wanted to explore the use of orchestral sounds playing alongside the band. This is because we wanted to make the quiet parts more nuanced and the grand parts more emotional, but in a ‘lived-in’ way.”

The new version continues the story not from the perspective of who they were when they first recorded it, but from where they are now: as musicians who have matured alongside a community that has experienced its seasons of love, loss, uncertainty, and change.

“Since we have grown up—and so have our Liwanag—in the past nine years, we wanted to encapsulate what that experience is like through the lyrics of this song,” Ben&Ben shares. “We think that if we are to live a life with someone constant with us, whether it be family, a best friend, or a romantic partner, the concept of giving someone another chance will always be a given.”

Following the success of “Lifetime (Reimagined),” the band considers the reimagined version of “Leaves” as a distinctly different creative process: one that allows the song to reveal new possibilities rather than recreate what came before it.

“Leaves definitely demanded a different creative process,” Ben&Ben says. “One cool discovery we had was that even in the process of breathing new air into each song, continuing their respective stories leads into very different trajectories in many layers: melodically, lyrically, and musically. Each song really has a life of its own.”

In June, Ben&Ben were named Duo/Group Artist of the Year at the 17th PMPC Star Awards for Music, with the recognition citing their stellar work on their latest album, The Traveler Across Dimensions.

The band has also earned multiple nominations at the 39th Awit Awards, including Record of the Year, Best Performance by a Group, and Best Pop Recording for “Saranggola.” The nominations further solidify Ben&Ben’s consistent presence at the forefront of OPM, leading up to the grand celebration of music, friendship, and memories via their upcoming major show, Saranggola: The Concert, happening on October 2 at the Smart Araneta Coliseum. 

Ben&Ben’s “Leaves (Reimagined)” is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

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James Reid embraces a new kind of freedom in “Sunny Side”

August 27, 2026

The feel-good collaboration with Luke April previews the more assured musical direction of his upcoming album, honey, i’m home

James Reid embraces the freedom of simply being in the moment with “Sunny Side,” his new single featuring producer and artist Luke April, out August 27, 2026, via Sony Music Entertainment.

Driven by vibrant production, an easygoing rap section, and an experimental blend of filtered drums and guitars, the alternative pop track carries an infectious sense of movement without ever feeling rushed. Bright and effortlessly laid-back, “Sunny Side” also captures the feeling of having nowhere to be and being completely at ease with wherever the day might lead.

There’s more to “Sunny Side” than its carefree disposition. For Reid, the song explores a more assured understanding of personal freedom: choosing who he wants to be rather than being defined by outside perceptions.

“Yes, it’s about freedom, but it’s also about feeling untouchable,” the award-winning multi-hyphenate shares in a press statement. “Who I am is not defined by what people think; it’s who I choose to be despite what people think. Say what you want, I’ll be here on the sunny side.”

“Sunny Side” was conceived in an unusually relaxed, spontaneous recording environment. The song, along with several other songs from Reid’s forthcoming album, was produced by Luke April during a week-long creative session in a makeshift outdoor studio in the back garden of an Airbnb. With instruments scattered around, artists and producers coming in and out, and no fixed expectations for what the sessions needed to produce, the collaborators allowed the music to take shape organically.

Reid describes the atmosphere as instrumental to the record's laid-back outcome, with the lack of pressure creating room for instinct and experimentation. The track itself was largely developed through improvisation rather than an overly structured approach.

Luke April, meanwhile, brought an alternative pop-rock sensibility to the production, inspired by artists such as Dominic Fike. “Each section of the song sounds a tiny bit different from each other, which makes the listening experience more fun and journey-like,” April points out. “For every project that I do, whether it’s for someone else or my own, I turn off my smarty-pants brain and just let the ‘source’ do its thing. No overthinking, keep mistakes, be patient for happy accidents, and make sure everyone’s having fun during the session.”

The result is a track that feels deliberately loose and lived-in while maintaining the energy and polish of a contemporary alt-pop release. The musical references behind “Sunny Side” reinforce its sun-soaked, carefree character. April cites Dominic Fike’s “Sunburn” and Jean Dawson’s “Bruiseboy” as inspirations during the making of the track, while the finished record naturally lends itself to spontaneous drives, sunny afternoons, casual get-togethers, and days without a fixed itinerary.

“Sunny Side” will be part of the actor-musician’s forthcoming album, honey, i’m home, which will drop on September 10, 2026. The new release marks a confident leap, both lyrically and sonically, positioning Reid as a reliable hitmaker with a good ear for globally ready music.

According to James Reid, the album represents an arrival of sorts, one defined by acceptance and a more assured relationship with himself. As James puts it, “Honey, I’m home comes from a place of quiet confidence: a self-assuring kind of love, from freedom as acceptance, not rebellion. Home is where I’m most myself.”

“Sunny Side,” by James Reid featuring Luke April, is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

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Eila turns heartbreak into a new chapter with “Loving Me Wrong”

August 26, 2026

After 12 years, the Chinese-Filipino American singer-songwriter comes home with a deeply personal pop/R&B release about love, heartbreak, and knowing your worth

MANILA, Philippines — Chinese-Filipino American singer-songwriter Eila returns to the Philippines for the first time in 12 years with a new single that reveals an important chapter in her personal life. Based in New Jersey, USA, the fast-rising artist is set to release “Loving Me Wrong,” a vulnerable exploration of love, heartbreak, and self-worth.

Blending alternative R&B with contemporary pop, Eila has steadily carved out a distinct musical identity through atmospheric, soulful productions that showcase her emotional range and vocal versatility. Alongside her original music, she has built a growing audience on TikTok and Instagram through vocal performances, music and lifestyle content, and playful vocal impressions—an unconventional path that has ultimately helped lead listeners toward her original work.

“Loving Me Wrong” follows her recent single “Living Proof,” a heartfelt, feel-good anthem about the excitement of genuine love that also offered an early glimpse into the sonic direction of her forthcoming EP. While “Living Proof” leans into the warmth and exhilaration of love, her new single turns inward, confronting the complicated emotions that come with remaining in a relationship that no longer serves you.

“Loving Me Wrong takes me right back to being young and naively in love, when I was caught in that volatile cycle of constant highs and lows,” Eila shares. “You convince yourself that you’re just one argument away from turning it all around.”

Rather than reducing the experience to simple heartbreak, the song recognizes the emotional contradictions that can exist within an unhealthy relationship. Eila hopes the track can offer listeners a sense of validation while also encouraging them to recognize their worth.

“I hope that anyone who’s been there can listen to the track and feel validated without any judgment,” she says. “It is completely possible to feel genuine happiness and devastating heartbreak at the exact same time. I also hope that ‘Loving Me Wrong’ can serve as a turning point and a reminder to never settle for less than you deserve.”

The song also represents a significant step forward in Eila’s development as a songwriter and performer. She describes her growth as an artist as a less linear journey than her personal development, with much of her progress coming from learning to embrace experimentation, collaboration, and vulnerability.

That evolution became particularly clear during a songwriting camp where “Loving Me Wrong” was born. Early in her songwriting journey, Eila often found herself too self-conscious to experiment freely around other writers, sometimes leaving the room simply to test melodies or lyrics on her own. Over time, however, that same collaborative environment became one of the most rewarding aspects of her creative process.

“Being in that collaborative space was a beautiful reminder that music is ultimately about connection,” she says. “That writing camp was actually where ‘Loving Me Wrong’ was born, and it really represents my evolution toward embracing vulnerability in both my music and myself.”

Eila’s return to the Philippines adds another meaningful dimension to the release. The singer was last seen in the country in 2014, when she performed a cover on the television program Walang Tulugan. At the time, she says, she did not yet have the confidence to perform her material. Twelve years and 18 releases later, she returns with a clearer sense of identity and a newfound confidence in the artist she has become.

“Looking back, I definitely lacked the confidence to sing my music,” Eila recalls. “Twelve years and 18 song releases later, I’m back and finally ready to show everyone a much more confident Eila.”

Her Philippine visit is also a personal homecoming. Both of Eila’s parents grew up in the Philippines before immigrating to the United States, and her Chinese-Filipino heritage has played an important part in shaping her relationship with music. From family karaoke sessions to her parents’ unwavering support for her aspirations as a performer, Eila credits her upbringing with nurturing her passion for music and showing her how music can bring people together.

“I owe so much of my passion for music to my Chinese-Filipino roots,” she says. “More than anything, it’s the way music naturally brings our community together.”

That connection is already reflected in her growing Filipino audience. The Philippines is currently Eila’s second-largest listening market on Spotify, making her return particularly significant as she introduces “Loving Me Wrong” to Filipino listeners.

“Having that kind of support from my community gives me the energy to keep pursuing my dreams, and I’m excited to connect with even more listeners,” Eila says. She also plans to continue sharing covers of Filipino songs as a way of honoring artists who paved the way for greater Asian representation while celebrating her roots.

Eila’s new single “Loving Me Wrong” will be released on August 26, 2026, via Symphonic Distribution.

Source: Nyou

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Gab Cabangon makes a case for forever in “ngayon at kailanman”

August 25, 2026

The Awit Awards Best New Artist nominee turns an intimate wedding vow into a tender anthem for enduring love

Gab Cabangon continues to build momentum as one of the country’s most promising solo acts, recently earning a nomination for Best New Artist at the Awit Awards—the Philippines’ version of the Grammys. The nod comes as Cabangon expands his growing body of soulful, earnest guitar-pop music, using his platform to create anthems that capture the complexities, grey areas, and frustrations of being human.

 

Now, the Filipino singer-songwriter finds his groove back to love with his new single, “ngayon at kailanman,” which is his gift for his wife. The track was eventually performed as the surprise bridal march to his wedding, turning a private promise into a powerful musical statement that transcends its limits and becomes a romantic serenade every listener can call their own.

 

Serving both as a wedding vow and a love song, “ngayon at kailanman” speaks to the hope of finding a romantic relationship that endures amidst life’s uncertainties. Inspired by the serene simplicity of songs like Johnoy Danao’s “Ikaw at Ako,” Ebe Dancel’s “Cuida,” and TJ Monterde’s “Palagi,” the tune is dedicated to those yearning for a love that feels equally reassuring and enduring.

 

Through the release of the song, the folk-pop newcomer hopes that people can find a love that also helps them grow. “I want my listeners to feel like they are in a warm, tight embrace whenever they hear the song. I also hope my listeners learn through the song that love and relationships are never perfect. We are all people, and we all go through our own stumbles and challenges. But we try to choose each other even when things are difficult. Because I think we also become better individuals when we find love that is assuring and earnest.”

 

True to its core, the stripped-down tune is about the conscious choice to stay. Veering away from presenting the concept of romance as a perfect, absolute feeling, “ngayon at kailanman” recognizes the flaws and uncertainties that inevitably come with relationships and the value of choosing each other through them. It’s a warm embrace in song form.

 

The song’s intimacy played a pivotal role in the production process and overall sound. Cabangon and producer David Lina embraced a deliberate “less is more” approach, inspired by the vulnerable, soul-baring musicality of Joseph Solomon. The arrangement keeps the instrumentation understated, allowing the words to soar and speak for the material.

 

“I always imagined ngayon at kailanman as a wedding vow being done in a very private, intimate space, so I wanted to preserve that vision by keeping the production very simple with more emphasis on the lyrics,” he adds.

 

Originally not intended for a public release, much like his earlier song “Pieces,” the track eventually found its place within Cabangon’s highly anticipated EP. Its inclusion completes another piece of a larger narrative about learning to love again, whether after experiencing heartbreak, personal distance, indifference, or loss of something once deeply cherished.

 

Cabangon reveals, “The upcoming EP is really going to be about going through the process of falling out of love and finding our way back to the things that we were once passionate about. Based on the first couple of songs that my listeners have experienced, I think my audience can expect that introspective singer-songwriter feel that’s very common with a lot of the tracks.”

 

Following “Pieces,” “Kama,” and “Ikot Ulit,” the forthcoming EP continues Cabangon’s singer-songwriter journey, moving from falling out of love toward rediscovering passion, hope, and the courage to love once more, whether it’s about love, life, and everything in between. With “ngayon at kailanman,” he offers perhaps his most tender song yet: a simple promise that, amidst an uncertain world, choosing one another can still be an act of faith.

 

 

About Gab Cabangon

 

Gab Cabangon is a Filipino singer-songwriter and an Awit Award nominated artist based in Metro Manila. He describes his music as a “nonchalant millennial sadboi” style of indie pop music that blends chill guitar melodies with soulful singing. As an introspective artist, Gab loves writing songs and stories about different phases of life and heartaches, both romantic and non-romantic.

 

Today, Gab Cabangon is also a solo recording artist, and he continues to showcase his music and share his stories while championing Filipino music in every stage and space he performs. Beyond intimate shows and music festivals, he has performed abroad in small concerts and shows, particularly in the US and Australia. He has also performed and worked alongside some of the icons and legends of the Philippine music industry, including Nyoy Volante, Ebe Dancel, Johnoy, Rivermaya, and Noel Cabangon, among others.

 

Source: Nyou

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George Optical makes eye health a priority with “Don’t Lose Sight” campaign

August 25, 2026

From weekly eye health lectures to free keratoconus screenings and affordable eyewear packages, the brand puts prevention and accessibility at the forefront this August

Manila, Philippines – With eye health concerns often overlooked until they begin to interfere with everyday life, George Optical launches the “Don’t Lose Sight” campaign in time for Sight Saving Month this August 2026. The leading eye care provider is calling on Filipino communities to take precautionary steps to protect their vision through education, early detection, and timely intervention during its month-long campaign.Don’t Lose Sight is built on an important message: vision should not be taken for granted. The campaign recognizes that concerns like childhood myopia, prolonged screen-related eye strain, dryness, blurred vision, and other conditions can develop gradually, making awareness and early assessment particularly important.Making eye health a priorityGeorge Optical aims to promote awareness of responsible eye care while reinforcing its commitment to making professional, reliable, and affordable eye care and treatment accessible to more Filipinos. By supporting regular eye checks and greater awareness of possible warning signs, the campaign instills the value of identifying issues early on and pursuing professional guidance when needed. Combining public education with customer-focused programs and offers, the Don’t Lose Sight campaign has rolled out across George Optical’s channels and stores this month.A key part of the campaign is the “Thank Your Eyes” Digital Campaign, inviting customers to share what they are most grateful to see through their vision. Turning personal experiences into a collective reminder about the significance of healthy eyesight, George Optical will feature select stories on its social media channels.George Optical will also prioritize its free basic eye checkups available at its stores, alongside Eyecare 360, a more extensive service for customers seeking assessment of their overall eye health.Bringing eye health education closer to communitiesGeorge Optical will host an Eye Health Lecture Series, featuring weekly YouTube educational sessions with Dr. Eileen Caubalejo, George Optical Professional Services Manager.

The sessions meticulously provide practical, accessible information about eye health. It also encourages viewers to pay closer attention to changes in their vision. By incorporating professional lectures and discussions into an accessible digital format, George Optical hopes to make conversations about eye care part of everyday health awareness.The campaign also spotlights keratoconus, a progressive eye condition in which the cornea gradually becomes thinner and bulges outward. The condition may cause distorted or blurred vision that can worsen over time if left undetected.Possible signs include frequent prescription changes, increased sensitivity to light, halos or glare, double or distorted vision, and difficulty seeing clearly even while wearing glasses. While these symptoms may have other causes, they point out the importance of professional eye examinations as vision changes occur.

To support greater awareness and early detection, George Optical practices at SM Megamall and SM Lanang Premier will conduct free Keratoconus Awareness Screenings every Wednesday from 6 p.m. onwards, by appointment.George Optical recognizes the importance of accessible eye care and consistently includes affordable, quality eye checkups as part of its commitment to helping Filipinos take better care of their vision. Through its campaign, the brand continues to emphasize the value of regular professional eye examinations and offers packages this month to promote their advocacy on a community level.

The Perfect Pair Packages allow customers to experience stylish yet affordable eyewear equipped with lenses from ZEISS, one of the world’s most reliable names in optical technology.The Perfect Pair Powered by ZEISS package starts at PHP 2,490 and includes frames, ZEISS lenses, and an eye checkup.George Optical is also offering variable payment options through participating credit cards (BDO, Metrobank, Chinabank, Citibank, HSBC, UnionBank, and EastWest). Customers may avail of installment terms of 3, 6, 9, or 12 months, subject to minimum purchase requirements and applicable bank terms and conditions.Senior citizens and persons with disabilities (PWD) may also enjoy a 20% discount, further expanding access to quality eye care and eyewear.Together with its ongoing promotional offers, these projects are part of George Optical’s wider effort to make responsible eye care easy to access without undermining quality, expertise, or style.A legacy built on careGeorge Optical delivers a complete eye care experience with stylish, affordable eyewear and reliable expert service, tailored for middle- and upper-income families, OFWs, and young professionals.Every product and recommendation is grounded in genuine care, honesty, and expertise.Unlike other optical retailers, George Optical follows a customer-first policy, offering only what truly benefits your vision and ensuring the best care and real value for every peso spent.Don’t wait until you lose sight. Get your eyes checked, because George cares.

Book your eye checkup at George Optical.

Follow George Optical on socials:

Facebook: https://www.facebook.com/georgeph.official

Instagram: https://www.instagram.com/georgeph.official

TikTok: https://www.tiktok.com/@georgeph.official

 

Source: Nyou

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NICKELBACK RELEASE NEW SINGLE “LEAVE ME BEHIND”

August 25, 2026

Emotional New Track Offers a Powerful Counterpoint to Explosive Lead Single “Rattle TheCage” Climbing the Charts

 

New Studio Album Everything Under The Sun Arrives October 30 Via Virgin Music Group

 

Following the explosive arrival of “Rattle The Cage” (feat. John 5), Diamond-certified rock band Nickelback release their new single “Leave Me Behind,” the third offering from their highly anticipated new studio album, Everything Under The Sun, arriving October 30, 2026, via Virgin Music Group.

 

STREAM OR DOWNLOAD “LEAVE ME BEHIND” HERE.

PRE-ORDER EVERYTHING UNDER THE SUN HERE.

 

Where “Rattle The Cage” (feat. John 5) kicked open the door to Nickelback’s next chapter with a blistering rush of guitars, pounding riffs and arena-sized energy, “Leave Me Behind” reveals another side of the album - one rooted in vulnerability, loyalty and the instinct to stand beside someone when they need it most.

 

Built around an emotional promise of unwavering support, “Leave Me Behind” finds Nickelback transforming heartbreak into resilience. The song speaks to carrying someone through their darkest moments, finding the pieces when everything feels shattered, and ultimately letting go of the pain that has been holding them back.

 

At the heart of the track is a simple but powerful message: “Spit out the poison and leave it behind.” Yet beneath that call to move forward is an equally personal plea - “Just don’t leave me behind.”

 

Together, those sentiments capture the emotional tension at the centre of the song: helping someone overcome what has hurt them while asking them to stay connected through the journey.

 

“There’s a lot of weight in this song, but there’s also a lot of hope,” says Chad Kroeger. “It’s about being there for someone when they’re dealing with the things that have broken them down - picking up the pieces, taking some of that weight off their shoulders, and reminding them they don’t have to go through it alone. At the same time, there’s that feeling of not wanting to be left behind. We liked that tension. It makes the song feel really personal.”

 

“Leave Me Behind” follows “Rattle The Cage” (feat. John 5), and the chart-topping song “Bones For The Crows,” which marked Nickelback’s first new music since 2022’s Get Rollin' and introduced the world to Everything Under The Sun. The album arrives at a moment of renewed momentum for one of rock’s most enduring acts, following the global success of the acclaimed documentary Hate to Love: Nickelback and the record-breaking Get Rollin' World Tour - the fastest-selling and highest-attended tour of the band’s career.

 

Collectively, the three singles offer an early glimpse into the breadth of Everything Under The Sun. True to its title, the album explores the complete spectrum of what has made Nickelback one of the biggest rock bands in the world: towering arena anthems, massive guitars, undeniable melodies, reflective songwriting and the unmistakable chemistry that has defined the band for more than three decades.

 

 

 

Photo credit: Lindsay Siu

 

From humble beginnings in Hanna, Alberta, Nickelback have grown into one of the most successful rock bands of the 21st century. Since emerging onto the global stage with Silver Side Up and the era-defining hit “How You Remind Me,” the band has built an unparalleled catalog of rock staples, earning multiple Grammy Award nominations, American Music Awards, Billboard Music Awards, JUNO Awards and international acclaim along the way.

 

With nearly 60 million albums sold worldwide, billions of streams across digital platforms and more than 50 million monthly listeners across digital platforms, Nickelback remain one of the most streamed and commercially successful rock bands in the world. Their music continues to resonate across generations, finding new audiences through streaming while maintaining a devoted global fanbase that has filled arenas for more than two decades.

 

That enduring appeal reached new heights over the past several years. The Netflix documentary Hate to Love: Nickelback became a global sensation, spending weeks in the platform’s Global Top 10 while offering fans an unprecedented look inside the band’s remarkable journey. At the same time, the Get Rollin' World Tour shattered attendance records and reaffirmed Nickelback’s reputation as one of rock’s premier live acts.

 

Everything Under The Sun builds on that momentum while looking firmly ahead. It is both a celebration of everything Nickelback have accomplished and a statement that their creative fire burns as brightly as ever.

 

The album also marks Nickelback’s first release with Virgin Music Group, the world’s leading partner to independent labels, artists and entrepreneurs.

 

As Nickelback enter this new chapter, “Leave Me Behind” demonstrates that the band’s ability to connect with listeners goes far beyond the volume of their guitars. At its core, the song is about showing up - finding every piece when someone feels broken, offering a hand when they need it, and reminding them that they are not alone.

 

Everything Under The Sun arrives October 30, 2026, via Virgin Music Group.

 

About Nickelback

One of the most commercially successful and influential rock bands of the 21st century, Nickelback have sold nearly 60 million albums worldwide, amassed billions of streams, and continue to attract more than 50 million monthly listeners across digital platforms. Formed in Hanna, Alberta, the multi-platinum quartet - Chad Kroeger, Ryan Peake, Mike Kroeger and Daniel Adair, rose to international prominence with their breakthrough album Silver Side Up, featuring the era-defining global hit “How You Remind Me,” before cementing their status as rock mainstays with a catalog of enduring anthems including “Photograph,” “Rockstar,” “Far Away,” “Someday” and “Burn It to the Ground.”

 

Their impact on Canadian music history was formally recognized in 2024 with their induction into the Canadian Music Hall of Fame, underscoring their status as one of the country’s most successful musical exports. In addition, Nickelback are among a select group of artists to have achieved Diamond certification in both Canada and the U.S., further reflecting their exceptional commercial reach and cultural impact both domestically and around the world.

 

Over the course of a career spanning more than three decades, Nickelback have earned multiple Grammy Award nominations, American Music Awards, Billboard Music Awards, JUNO Awards and more while consistently ranking among the world’s biggest touring rock acts. Their 2023 documentary, Hate to Love: Nickelback, introduced the band’s story to a new generation of fans, while the Get Rollin' World Tour became the fastest-selling and highest-attended tour of their career.

 

Now entering a bold new chapter with Virgin Music Group, Nickelback continue to push forward with the same unmistakable sound, arena-sized ambition and enduring connection with fans that have made them one of modern rock’s defining bands.

 

###

 

CONNECT WITH NICKELBACK

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SEA MEDIA CONTACTS:

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Wolf Alice Release The Clearing: B Sides Featuring ‘Gospel Oak’, ‘Hammond Song’ & new track ‘Hit The Sky’

August 24, 2026

LISTEN HERE

 

 

Following their recent releases ‘Gospel Oak’ and cover of The Roches’ ‘Hammond Song’ with Julia Cumming (Sunflower Bean) and Bria Salmena, Wolf Alice complete their run of B-sides with ‘Hit The Sky’ – the third and final track from The Clearing: B Sides is out now via Columbia Records - landing alongside a Zane Lowe interview for Apple Music Daily.

Starting out as a demo recorded in Seven Sisters during sessions for the band’s Number 1 fourth albumThe Clearing, the track was revisited over a year after the album's critically-acclaimed release last August.

Speaking on it, Ellie shared: “Hit the sky is a demo we made in Seven Sisters that we revamped a bit with James Gavin on fiddle and Julia Cumming on BV's a year or so later. It’s about encouraging someone you love to be themselves, because you can see how fabulous they are!”

 

Previously speaking on the B Sides release, Ellie shared: “These are a few songs we made during The Clearing that didn’t make it on the final record, but are ones we love very much - we’re happy to have found a home for them for you to hear. Enjoy”

 

The Clearing: B Sides closely follows the band’s huge homecoming show at Finsbury Park this summer, their biggest headline show to date. Now embarking on a whirlwind summer of festival slots, the band stopped in NYC last month for their largest show in the city at Pier 17, where Julia and Bria joined them for a live rendition of ‘Hammond Song’, the second single of the B Sides package which was taken from recording sessions of their 2025 number 1 album. Over the August bank holiday weekend they will headline Green Man Festival, before embarking on a US support tour forOlivia Rodrigo from September.

 

The release of their fourth studio album The Clearingin August 2025 cemented their place in global music culture. An album bursting with ambition, ideas and emotion, it was received with huge critical acclaim, reached Number 1 on the UK album charts and was shortlisted for The coveted Mercury Music Prize for the fourth time - that’s four for four across their 10-year career, making Wolf Alice the only band in Mercury Prize history to achieve a 100% nomination rate across their discography. Wolf Alice also won Group of the Year at the 2026 BRIT Awards as well as being nominated for best Alternative/Rock Act andMastercard Album of the Year.

 

Hit The Sky and The Clearing: B Sides digital package is available now on all digital platforms. Physical copies are available to purchase from HERE.

 

Praise for their Finsbury Park show:

 

“The definitive band of the era” - ***** The Times 

“Britain’s finest come home in style” ***** NME

“A triumphant homecoming” - **** The Standard 

“... a fitting ode to the place you grew up – that thing we’ve been saying for quite a while: that one day soon they’ll headline Glastonbury, feels just over the horizon.” - ***** The Forty Five

“Wolf Alice’s epic Finsbury Park headline show is the celebration & victory lap the quartet deserve” - DIY 

“Wolf Alice can execute vulnerability just as fiercely as rebellion” - Clash

“Wolf Alice turn Finsbury Park into a celebration of friendship and ambition” - DORK

 

 

7” Vinyl Track-listing (Physical - D2C ONLY)

A1 - Gospel Oak

A2 - Hit The Sky

B1 - Hammond Song

Source: Sony Music

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GLOBAL BREAKOUT JAPANESE HIP-HOP DUO CREEPY NUTS TURN UP THE SPEED WITH NEW SINGLE & MV “RUNNING WHEEL” A PHONK-INFUSED TRACK CREATED FOR HONDA’S N-BOX

August 24, 2026

NEW SINGLE & MV 

Tokyo, Japan (August 21, 2026) – Japanese hip-hop powerhouse CREEPY NUTS — the duo of three-time national rap battle champion R-Shitei and world-champion DJ, DJ Matsunaga — released their latest single,  "Running Wheel," marking the next chapter in a year that has taken the pair from Coachella to their first North American tour and toward an upcoming run of stadium dates as special guests for The Weeknd across Asia.

 

Written specifically for Honda’s N-BOX CUSTOM,"Running Wheel" powered the automaker’s new “NEW IMPACT” campaign and represented the first time an artist had written an original song specifically for an N-BOX commercial watch HERE. The campaign arrived as the N-BOX continued its remarkable run as Japan’s best-selling new vehicle for five consecutive years and the country’s top-selling compact vehicle for 11 consecutive years.

 

Rather than revisiting the formula behind their biggest hits, Creepy Nuts pushed into new territory. Built around DJ Matsunaga’s aggressive production incorporating elements of phonk, "Running Wheel"  paired distorted, high-impact rhythms with R-Shitei’s rapid-fire flow and dense lyricism. The track reflected the momentum of the duo’s recent international run, with lyrics referencing their current trajectory and experiences on stages far beyond Japan.

 

The song was accompanied by a new music video, placing R-Shitei and DJ Matsunaga inside an underground, high-pressure environment surrounded by a crowd dressed entirely in black. Shot with an analog-video aesthetic, the visual continued the duo’s collaboration with director Daiki Kamoshita, following previous videos including “doppelgänger,” “Chxxai” and “Fright” watch HERE.

 

"Running Wheel"  also showcased another side of the duo’s catalog through the Honda campaign. Alongside the new song, their 2021 track “Nobishiro” was featured in a separate N-BOX commercial watch HERE. The song has grown into one of Creepy Nuts’ signature catalog tracks, surpassing 300 million streams.

 

The release followed a landmark international run for Creepy Nuts. In April, the duo made their Coachella debut, taking the final slot on the festival’s Gobi Stage on both weekends. Their opening-night performance was later highlighted by Billboard among the notable moments of Coachella’s first day, with the outlet describing the duo as artists who “rap really f—king good.”

 

The Coachella performances launched Creepy Nuts’ first-ever North American tour, which took the duo from California to New York, Chicago and Mexico City, bringing their Japanese-language hip-hop to audiences across the continent.

 

That momentum will continue this fall when Creepy Nuts join The Weeknd as special guests for 11 stadium shows across Japan, Singapore, South Korea, Thailand and Malaysia as part of the final Asian leg of the After Hours Til Dawn Tour. The Weeknd’s initial Tokyo date sold out immediately, prompting the addition of a second show.

 

The tour represents another significant stage for a duo whose international breakthrough has unfolded without abandoning the Japanese language or reshaping their identity for overseas audiences. Their 2024 global breakout “Bling-Bang-Bang-Born” surpassed 900 million streams worldwide, while “Bling-Bang-Bang-Born” and “Otonoke” went on to make Creepy Nuts the first Japanese artists to receive RIAA Gold certifications for two separate Japanese-language songs.

 

With “Running Wheel,” Creepy Nuts are once again choosing expansion over repetition. From anime hits and Japanese hip-hop to Coachella, North America, phonk-inspired production and now stadium audiences across Asia, the duo’s latest release captures a group continuing to accelerate while refusing to stay in a single lane.

 

"Running Wheel" is available now on all digital platforms. The official music video is also available on YouTube, alongside the newly launched Creepy Nuts Station, a 24-hour live destination where fans can watch the duo’s video content and interact with other viewers in real time.

 

Creepy Nuts will also return to Japan for their 2027 arena tour, scheduled to visit eight cities across 12 dates and expected to draw approximately 120,000 fans.

 

The Weeknd: After Hours Til Dawn Tour – Live in Asia (Special Guest: Creepy Nuts)

September 19 – Tokyo, Japan (Belluna Dome)

September 20 – Tokyo, Japan (Belluna Dome)

 

October 2 – Singapore (National Stadium)

October 3 – Singapore (National Stadium)

 

October 7 – Seoul, South Korea (Goyang Stadium)

October 8 – Seoul, South Korea (Goyang Stadium)

 

October 11 – Bangkok, Thailand (Rajamangala Stadium)

October 12 – Bangkok, Thailand (Rajamangala Stadium)

October 13 – Bangkok, Thailand (Rajamangala Stadium)

 

November 4 – Kuala Lumpur, Malaysia (TM Stadium Nasional)

November 5 – Kuala Lumpur, Malaysia (TM Stadium Nasional)

 

Official Tour Site: https://www.theweeknd.com/tour/

 

About Creepy Nuts

Creepy Nuts is a hip-hop unit consisting of rapper R-Shitei, a three-time consecutive champion of Japan’s premier rap battle competition, and DJ Matsunaga, winner of the DMC World DJ Championship 2019. Their 2024 release “Bling-Bang-Bang-Born” became a global hit, surpassing 900 million streams worldwide. Along with subsequent releases “Otonoke” and “Mirage,” they made history by becoming the first act to occupy the entire Top 3 of the Billboard Global Japan Songs Excl. Japan chart. In July 2024, they released “Illusion (Creepy Nuts Remix)” in collaboration with Dua Lipa, marking a major international collaboration.

 

At the core of Creepy Nuts is live performance. In February 2025, they headlined Tokyo Dome for the first time, drawing approximately 50,000 fans, followed by their first Asia tour across five cities. In 2026, they made their Coachella debut, closing the Gobi Stage on their first appearance, before embarking on their first North American tour. They will also join The Weeknd as a special guest across his Asia stadium tour.

 

Creepy Nuts do not present Japanese hip-hop as novelty or export — they present it as complete. In an era where global rap often bends toward linguistic familiarity, they move in the opposite direction, proving that cultural specificity can travel further than compromise.

 

 

FOLLOW CREEPY NUTS

WEBSITE | INSTAGRAM | TIKTOK | X | YOUTUBE

 Source: Sony Music

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Young descendant explores the legacy of Marcelo H. Del Pilar in Ayala Museum pop-up exhibit

August 24, 2026

LOLO MARCELO: THE MAN BEHIND THE HERO, curated by Pax Pineda, offers a personal look at the sacrifices and humanity behind one of the Philippines’ foremost propagandists

Manila, Philippines – Manila, Philippines – At 17, Pax Pinedaturns his personal connection to Philippine history into a public exploration of one of the country’s most influential propagandists.

Running from September 4 to October 17, 2026 at the 2F Lobby of Ayala Museum's Diorama Experience Gallery, LOLO MARCELO: THE MAN BEHIND THE HERO (Reflections on the Legacy of Marcelo H. Del Pilar) bridges the gap between history and personal heritage, transforming Del Pilar from a mere historical icon into a relatable figure whose spirit continues to inspire.

Pax Pineda, the great-great-great-grandson of Marcelo H. Del Pilar collaborates with Ayala Museum and the National Historical Commission of the Philippines to present a collection of artifacts, letters, and artworks that examines not only Del Pilar’s contributions to the Propaganda Movement, but also the lesser-known truths behind his legacy.

Pineda frames the exhibit as an opportunity to see Del Pilar from a relatable lens: equally as a hero, a journalist, a lawyer, and a husband, a father, and a Filipino who made profound sacrifices for a cause larger than himself.

“I am very grateful to have this opportunity to tell, show, and share my Lolo Marcelo's story the same week as what would have been his 176th birth anniversary. Last month at NHCP’s HistoEx, Lolo Marcelo’s journey was also shown and discussed in an exhibit there and I’m so happy it was well attended. But I also want to share the other side felt by his family, and how their lives were marked by profound sacrifice. He left his family and his homeland in 1888 to escape persecution and continue his fight for justice in Madrid. He not only edited it, wrote for it, but also ended up financing La Solidaridad when funds dried up leaving him penniless. Yet, his legacy endures. His dedication to the cause of freedom, coupled with his roles as a devoted father and husband, humanizes his storied life.” Ayala Museum curator, Tenten Mina adds that MH Del Pilar is particularly interesting and relevant as we celebrate the Year of Diplomatic History and Diaspora during history month 2026. Mina adds, “he endured physical separation from family and loved ones for the sake of the greater good—a sacrifice many Filipinos still make today.”

Known by his pen name Plaridel, Marcelo H. Del Pilar was one of the leaders of the Propaganda Movement that fought for reform and equal rights for Filipinos during the twilight years of the Spanish Colonial Era. While his written works, Dasalan at Tocsohan and La Solidaridad are widely remembered by the public as his major contributions to our independence, the personal sacrifices of the propagandist to launch and sustain these efforts are less-known.

The exhibit also aims to shine a light on the more intimate dimension of Del Pilar’s life. Born in Bulacan, Del Pilar trained as a lawyer before becoming a journalist, writer, and reform advocate. He left the Philippines in 1888 amid persecution and continued his campaign for reforms in Spain. His commitment came at considerable personal cost, including prolonged separation from his family and financial hardship from personally supporting La Solidaridad. He died of tuberculosis in Barcelona in 1896, far from the country he sought to serve.

“Ayala Museum is more than happy to collaborate with young individuals who would want to share these important stories of Filipino heritage with their peers. Projects such as this illustrate our deeply held belief at the museum that history and culture carry values relevant to each generation and that it is our job to provide a space for these conversations to happen,” shares Jorell Legaspi, Senior Director for Arts and Culture at Ayala Foundation.

The artifacts featured in the exhibition are on loan from the National Historical Commission of the Philippines and transported from the Marcelo H. Del Pilar Shrine in Bulakan, Bulacan — a national shrine and museum dedicated to the Filipino propagandist, journalist, and lawyer. Ayala Museum and the NHCP have been long-time collaborators and partners in the promotion of a deeper understanding of the story of the Filipino nation. Aprille Tijam, Associate Director at Ayala Museum adds “we envision that this pocket exhibition will be the first of many more curatorial projects that seek to explore significant events and figures in Philippine history not featured within the Ayala Museum’s 60 Dioramas of Philippine history.”

About the curator

Pax Pineda is a 17-year-old Filipino high school senior at the ESF South Island School in Hong Kong. He has been deeply interested in History, particularly American History, from an early age. His interest first came when he and his family travelled to the U.S. for a vacation and spent 24 hours in Washington D.C. Over the last few years, he has increasingly become more interested in Philippine History, especially in the life and work of Marcelo H. Del Pilar, who is his direct great, great, great grandfather.

Pax has been nurturing his love for History for more than a decade, whether it be through writing about it in his free time; reading numerous history books, or currently, through a passion project with Ayala Museum — a pop-up exhibit on Marcelo H. Del Pilar. College plans include majoring in History at a university in the US. In his free time, he is an avid footballer, having played for years in the highest division of youth football in Hong Kong. He also enjoys running, watching sports, videogames, and spending time with friends and family.

Source: Nyou

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Ace Banzuelo releases debut album, Supernatural

August 21, 2026

His debut album brings together years of experimentation, personal experiences, and a cinematic sonic vision shaped by dance, R&B, and dream pop

 

 

Manila, Philippines – Filipino singer-songwriter and producer Ace Banzuelo steps into his own artistic universe with Supernatural, his debut full-length album out today, August 21, 2026, via Sony Music Entertainment. Across nine tracks, the hitmaker delivers an intimate, cinematic body of work that traces stories of love, betrayal, longing, healing, and transcendence through a dreamy, otherworldly sonic palette.

 

True to its core, Supernatural explores love and life at the edge of fleeting innocence. Its title draws from the uncanny familiarity of meeting someone who feels entirely new yet somehow instantly recognizable: an experience Ace likens to a supernatural encounter. The album’s concept took years to develop, beginning eight years ago before its broader creative vision crystallized in 2024.

 

“I was going through a lot during that phase of my life,” Banzuelo explains. “I dealt with fame and personal things at the same time, which inspired the album’s emotional arc.”

 

Moving fluidly between dance, R&B, and dream pop, Supernatural reflects Ace’s instinct to experiment while remaining grounded in the sonic sensibilities that have defined his work. Rather than confining itself to a single genre, the album treats sound as a space for discovery.

 

“As a music producer, I get to explore, experiment, and play with anything I want,” he says. “I approached the album with what I know and what I am keen to explore sonically. I want my listeners to enter a high-definition, dreamlike state. I placed my personality, experiences, and taste throughout Supernatural, from the music to its visuals.”

 

The nine-track album opens with the title track and unfolds through “Girl, You’re On My Mind,” “Bighani,” “minsan,” “Kilala,” “hindi mo alam,” “hagkan,” “Mawala,” and the focus track “Sakin.” An R&B-leaning slow jam, “Sakin” reveals a more vulnerable side of Ace, framing itself as a confession to someone he never got the chance to see again.

 

The Muli act reveals, “Sakin remains one of my few love songs. Honestly, I want to put out more stuff like this in the future. I love R&B, and I have been experimenting with my sound ever since, and ‘Sakin’ became a raw entry point for this new sound I have developed.

 

Beyond being a highly anticipated debut, Supernatural offers a compelling look at Ace Banzuelo’s artistic journey by bringing together his past, present, and future self. As a songwriter, producer, and performer, he embraces complete creative authorship, from building sounds from scratch to helming the album's arrangements, performances, and visual language.

 

In an era defined by short-form consumption, Supernatural makes a case for the concept record as an experience worth entering from beginning to end. More than an introduction, it is a glimpse into Ace Banzuelo’s inner world: deeply personal, deliberately constructed, and suggestive of a larger story still waiting to unfold.

 

Tracklist:1 Supernatural2 Girl, You're On My Mind3 Bighani4 minsan5 Kilala6 hindi mo alam7 hagkan8 Mawala9 Sakin

 

Ace Banzuelo’s new album, Supernatural, is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

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beabadoobee new song ‘Memories’ out now

August 21, 2026

new album Pylon out 18 September on Dirty Hit/Interscope Records

 

North America, UK & Europe arena tour this autumn

 

beabadoobee - 2026 - please credit Erika Kamano  (download high res assets)

 

beabadoobee today releases ‘Memories,’ the latest song to be lifted from her hugely anticipated forthcoming album Pylon, due for release on 18 September 2026 via Dirty Hit / Interscope Records. 

 

Bea describes ‘Memories’ as “one of the happiest songs on the album,” but one where she falls deep into a spiral of romanticizing bygone moments, “clinging onto ideas that should make me happy but actually make me feel sad, because I wish they were just moments I lived in forever.”

 

The song is indicative of the raw and sometimes uncomfortably real songwriting on Pylon, a record that’s more wide-ranging and complex than anything that she has ever put out—a tannic rock record that is, at various points, angry, lonesome, ecstatic, depressed and deeply, pathologically in love. Laus, who poured her life into songs as a teenager for the world to hear, says the album is the result of writing alone in hotel rooms, which “reminded me a lot of how I wrote songs at 17, alone in my bedroom, feeling sad as fuck.” 

 

Listen / buy ‘Memories’

 

beabadoobee recently gave ‘Memories’ its live debut during a short run of US shows that included talked-about performances at Lollapalooza and Hinterland festivals, as well as a headline show at the legendary Red Rocks Amphitheatre. 

 

She returns to North America in October to kick off the Powerlines Tour, her first ever arena shows and biggest tour to date, taking in shows across the continent, as well as the UK and Europe this autumn-winter. The Powerlines Tour promoted by Live Nation kicks off 1 October and includes stops at Madison Square Garden, The Kia Forum, The O2 Arena and more (full routing below). Tickets are on sale now; visit beabadoobee.com for tickets and tour information.

‘The Powerlines Tour’ Dates

October 1 – Uncasville, CT – Mohegan Sun Arena*

October 2 – Philadelphia, PA – Liacouras Center*

October 3 – Boston, MA – TD Garden*

October 5 – New York, NY – Madison Square Garden*

October 7 – Toronto, ON, Canada – Scotiabank Arena*

October 8 – Laval, Québec, Canada – Place Bell*

October 10 – Columbia, MD – Merriweather Post Pavilion*

October 11 – Raleigh, NC – Lenovo Center*

October 13 – Orlando, FL – Addition Financial Arena*

October 14 – Duluth, GA – Gas South Arena*

October 16 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion*

October 17 – Austin, TX – Germania Insurance Amphitheater*

October 19 – Phoenix, AZ – Talking Stick Resort Amphitheatre*

October 21 – Los Angeles, CA – The Kia Forum*

October 24 – San Diego, CA – Viejas Arena*

October 26 – Oakland, CA – Oakland Arena*

October 28 – Vancouver, BC – Rogers Arena*

October 29 – Seattle, WA – Climate Pledge Arena*

November 14 – Glasgow, UK – OVO Hydro

November 16 – Cardiff, UK – Utilita Arena

November 17 – Manchester, UK – AO Arena

November 18 – London, UK – The O2

November 23 – Copenhagen, DK – K.B. Hallen

November 24 – Stockholm, SE – Fryshuset Arenan

November 27 – Oslo, NO – Spektrum

November 30 – Paris, FR – Zenith ~

December 2 – Amsterdam, NL – AFAS Live ~

December 3 – Amsterdam, NL – AFAS Live ~

December 4 – Brussels, BE – Forest National ~

December 6 – Berlin, DE – Tempodrom ~

December 7 – Düsseldorf, DE – Mitsubishi Electric Halle ~

 

support: 

* Wisp

~ Violet Grohl

 

The follow up to her UK number 1 album This Is How Tomorrow Moves, Pylon is available to pre-order and pre-save now. “Memories" follows “Switchblade” and the album’s first single “Sun Has Set,” released to universal acclaim last month alongside a striking first-person video directed by Bea’s partner and longtime visual collaborator, Jake Erland.

 

Pre-order / pre-save Pylon

Pylon tracklist

Pylon

Sun Has Set

Estranged

Switchblade

Write Me A Letter

It’s Alright

In Motion

Memories

Nothing To Prove

Radio

Powerlines

Spark

Despite That

Satellite

 

Born in the Philippines and raised in London, Beatrice Laus emerged as a British alternative music icon across three acclaimed albums and five EPs. She has garnered multiple BRIT Award and BBC Sound Of nominations, and won NME’s Radar award, whilst amassing over 10 billion streams worldwide and more than 12 million followers across her social channels.

 

This Is How Tomorrow Moves became her first record to reach number 1 on the UK Official Album Chart in 2024, following her Top 10 albums Fake It Flowers (which reached number 8) in 2020 and 2022’s Beatopia (#4). Earlier this year, beabadoobee released the one-off single ‘‘All I Did Was Dream Of You,” teaming up with Grammy-nominated best New Artist The Marías, the result of a longtime mutual creative admiration between María Zardoya and Bea. 

 

Instagram | TikTok | Spotify | YouTube | Apple Music

For more information, please mabuhay@blackstar.space

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Naga City-based band IDLEPITCH casts a spell with new single “Salamangkera”

August 21, 2026

Drawing from Pinoy funk, Manila Sound, and yacht rock, the Filipino band pushes its sound in a fresh new direction

Photo by Alliece Shazney

IDLEPITCH, one of the most prominent bands in Naga City, aims for a crossover breakthrough with the release of their new single “Salamangkera,” a funky, city pop-infused rock track that reveals an exciting new direction for the band.

Inspired by MOR and ‘80s groove, “Salamangkera” turns the familiar experience of being romantically smitten into a playful, metaphor-rich tune about attraction and losing oneself in the process.

“This is actually inspired by the ’80s band America,” guitarist and composer Herbert Belbes shares. “They have this song called ‘You Can Do Magic’ that sparked the idea. There's a saying, ‘good artists copy, great artists steal,’ and that applies to this song. Well, not directly, since it only has the same theme: a love interest, or a salamangkera, suddenly vanishing after she charmed you out of your mind.”

What started as a phone-recorded demo eventually evolved into a more polished arrangement. The band worked with producer and co-writer Ahmad Tanji, whose collaborative approach pushed the group to rethink both the arrangement and the lyrics.

Jeremy Pronto’s arrival as keyboardist also proved essential to the song’s shift in sound and form. Originally conceived with a guitar riff, the track’s distinctive horn-like opening was recalibrated for keyboards, giving it an ‘80s pop sheen.

According to the band, “Salamangkera” draws from a wide range of influences, including Pinoy funk, Manila Sound, yacht rock, and the band’s early exposure to acts such as Kala and P.O.T. The result is a song that balances funk-driven grooves, melodic sophistication, Filipino lyricism, and a touch of nostalgia.

IDLEPITCH’s “Salamangkera” is out now on all digital music platforms worldwide.

About IDLEPITCH

Formed in 2005 as a high school garage project, IDLEPITCH initially built its identity around ‘90s Pinoy rock and early 2000s nu metal before evolving through years of independent releases and live performances. The Naga-based band released its self-produced debut album, One Way Trip, in 2019, along with singles such as “Cutout,” “Iisang Dugo,” “Febbie,” “Parusa,” and “Hari.”

Through their collaboration with Wonder Collab Studios and distributor Underdog Music, IDLEPITCH is embracing a funk-inflected sound with Manila Sound sensibilities and modern pop-rock flair.

Now, through its collaboration with Wonder Collab Studios and distributor Underdog Music, IDLEPITCH is embracing a funk-driven sound infused with classic Manila Sound sensibilities and modern alternapop flair.

Source: Nyou

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Iman Fandi Turns Confidence Into a Statement With “IT IS”

August 21, 2026

Mixing modern pop and R&B with a mischievous edge, her latest release is a fearless declaration of self-worth

Singaporean singer Iman Fandi steps forward with a renewed vision on “IT IS,” out today on all digital music platforms worldwide.

Bold, playful, and self-assured, "IT IS" distills a clear, unapologetic message of feminine confidence and self-worth. The song rests on the belief that real value is demonstrated rather than promised and on the certainty that comes with knowing your worth, refusing to justify it, and insisting on action instead of words. It embodies a woman fully grounded in her own strength, who will not make herself smaller, explain away her value, or wait quietly to be picked.

"This is something I have personally learned throughout my life," Iman shares. "While the song's message is rooted in confidence and self-possession, it also carries a playful nod to the people who always ask, 'Is this song about me?' The answer is part mystery, part mischief: if you think it is about you, maybe it is."

That spirited edge gives the track its sting. It says exactly what it needs to say and nothing more, standing as both a declaration and an early glimpse of the fearless artist Iman is becoming.

The single caps a year of pivotal milestones. After parting ways with Universal Music, Iman opened 2026 as an independent artist, winning over crowds at Light to Night and the Kallang Countdown, before a historic half-time show debut at the AFC Asian Cup between Singapore and Bangladesh—a stadium performance carrying deep personal meaning as the daughter of Singapore football icon Fandi Ahmad, honoring her family's sporting and cultural legacy on the national pitch.

Ahead of the release, Iman linked up with P-pop group KAIA and RAMONA—the musical alter ego of screen star Andrea Brillantes, who turned singer-songwriter this year—after meeting in Singapore at the NBA Rising Stars Invitational. The collaborations roll out across TikTok through August, following the same route the single has taken at home, where it has been building through content with fellow National Day Parade performers Jasmine Sokko and Gareth Fernandez.

She first teased "IT IS" at the reopening of Zouk, Singapore's landmark nightclub, in July, ahead of her performance of "Giants" at this year's National Day Parade, the country's largest annual celebration before a 42,000-strong crowd at the National Stadium and a nationwide live broadcast. That momentum carries into the release window, with her first Singapore Indoor Stadium performance at the end of August and a school tour bringing "IT IS" to students islandwide.

Now fully independent, Iman is shaping the next chapter on her own terms. "IT IS" follows her 2026 singles "Tip Toes" and "Out Of My Mind" and marks the next step toward her debut independent EP, Afterglow.

Iman Fandi

Iman Fandi is a Singaporean singer whose work sits at the intersection of music, fashion, and contemporary culture. Entering a confident independent phase, her artistry is rooted in themes of growth and resilience that underpin her anticipated 2026 EP, "Afterglow." With a sound shaped by modern pop and R&B and a presence spanning major stages and luxury brand collaborations, she is building one of Southeast Asian pop's most closely watched independent careers. "IT IS" follows her 2026 singles "Tip Toes" and "Out Of My Mind" and signals the next step into the Afterglow era.

Source: Nyou

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MULTI-PLATINUM SINGER-SONGWRITER & MULTI-INSTRUMENTALIST Rex Orange County REUNITES WITH GRAMMY-WINNING ARTIST DANIEL CAESAR FOR NEW SINGLE "INDECISION"

August 20, 2026

LISTEN HERE

AMID VIRAL SHOWS IN FANS HOUSES &
HEADLINE FESTIVAL DATES IN SOUTHEAST ASIA

Photo Credit: Rhys Scarabosio

August 20th, 2026 - Philippines — After spending the past few weeks bringing his music closer to fans through an intimate series of surprise pop-up performances in their own homes, multi-platinum artist Rex Orange County returns today with "Indecision", a soulful new single that finds him reuniting with GRAMMY award-winning artist Daniel Caesar. Fans can stream the new single HERE.

A ballad featuring each artist's distinctly soulful voices, "Indecision" captures the push and pull of uncertainty that comes with second-guessing yourself, between what you feel and what you know. 

Rex Orange County feat. Daniel Caesar – "Indecision" (Official Video)

The single, which has been named BBC Radio 1's Hottest Record, arrives alongside a music video shot in Montana by Rhys Scarabosio. Sonically, "Indecision" deepens the chemistry Rex and Daniel first established on their collaborative 2025 double single, "Rearrange My World / There's a Field (That's Only Yours)", while extending a creative partnership that has continued to grow. Rex later co-write and co-produced several tracks from Daniel's 2025 album, 'Son of Spergy', making their latest collaboration a natural evolution of an already fruitful musical connection.

The original sound from last week's teaser has already generated more than 900 creations and 20 million views across Instagram and TikTok, underscoring the growing anticipation around the track. Over the past few weeks, Rex has taken his music directly to fans, staging intimate living-room performances while teasing unreleased material, including "Indecision". He is now bringing that same spontaneous spirit to Southeast Asia, where his intimate living-room shows have quickly gone viral, generating a wave of fan excitement and social buzz across the region. The run spans Kuala Lumpur, Singapore, Manila, and Jakarta, before he takes the stage as a headliner at LaLaLa Festival in Manila and Jakarta. Meanwhile, Rex has announced a special warm-up underplay in London, setting the stage for his highly anticipated appearance at Tyler, The Creator's All Points East takeover next week.

Rex Orange County – Upcoming Asia Live Dates

August 20th, 2026, Thursday — LaLaLa Presents: Rex Orange County Exclusive Asia Show @ SM Mall Of Asia Arena, Manila, Philippines | Tickets here

August 22nd, 2026, Saturday — LaLaLa Festival @ Jakarta International Expo (JIExpo Kemayoran), Jakarta, Indonesia | Tickets here

Across a career spanning multiple acclaimed albums, global tours and a devoted international audience, Rex Orange County has built a reputation for making music that feels both deeply personal and immediately universal. That connection runs particularly deep in Southeast Asia, with #2 Indonesia, #3 Philippines, and #4 Malaysia ranking among his biggest global markets, while Singapore and Thailand also rank among his top streaming cities worldwide. Against this backdrop of growing regional momentum, "Indecision" marks the start of an exciting new chapter for an artist whose music has always effortlessly existed at the intersection of alternative pop, soul, jazz and R&B. 

Stream "Indecision" here
Watch the music video here
 

FOR MORE INFORMATION
SECRET SIGNALS

FOLLOW REX ORANGE COUNTY

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Website

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A new chapter: Ligaya Escueta is now a full band

August 20, 2026

From left to right: Kristo Mercado (guitar and bass), Diego Cerrudo (guitar) Ligaya Escueta (vocals, guitar, bass), and Ninja Nicolas (drums), Artist & Repertoire Manager Dani Mendoza, General Manager of Offshore Music Audry Dionisio, CEO of Offshore Ely Buendia

 

MANILA, PHILIPPINES—Indie rock artist Ligaya Escuetahas officially evolved into a full-fledged band. During the record label signing with Offshore Music, the alternative quartet was introduced with Kristo Mercado on bass and guitar, Diego Cerrudo on guitar, Ninja Nicolas on drums, and Ligaya Escueta on vocals, bass, and guitar.

“It was a natural process,” opens Ligaya Escueta. “Because we are all good friends outside of the band. I think that translates into the music… It is really something collaborative, and we all have a big part in it.”

 

Organic—that is how Escueta initially describes the formation of the band. The transition from solo artist to band is entirely expected, given the current course of the “Ligaya Escueta”artist identity.“It didn't feel much of a change because that's already how it felt like. We already felt like a band before,” Cerrudo shares, noting how easily each member fell into place in terms of dynamics, influences, and sound synchronicities. “We were complete from the start,” he adds. 

 

 

Following the shift to a more collaborative setting, the band says there will be inevitable changes in the creative process of music-making.

 

“We have to split responsibilities more, especially when it comes to songwriting,” Mercado admits. “In the off-going future, there will be a big 'change,' now that we are all hands on with future projects.” 

 

On the other side of things, Artist & Repertoire (A&R) Manager, Dani Mendoza shared how natural this “debut” was for Ligaya Escueta and the label. “Honestly, the paper [contract] was for formality, but they have already been operating as a unit. We are happy to welcome them to the Offshore Music roster.”

About Ligaya Escueta

Ligaya Escueta is a singer-songwriter from Manila, Philippines. She released her first song in 2020, then put out her debut album “Laughing In Milk” two years after. 

 

In 2023, she was signed under Offshore Music Philippines and wrote and released the singles “Novelty”, “12 Steps”, and “Blue General, Come Home” under the label. Ligaya then put out her second album, Dollweb, on all streaming platforms in January 2025. 

 

Moreover in the same year she released her sophomore album, the punk rock prodigy was invited amongst other Filipino musicians at the coveted South by South West (SXSW) Sydney where she performed her songs along with her bandmates on the global stage. Right after, Ligaya was featured on Youngstar PH, PhilStar’s youth-focused print section, describing her approach to punk as “deliberate” and “graceful”—adjectives one may not even think to associate with the genre, but those are what makes her definition of the style uniquely hers.

 

Ligaya has been performing at small gigs since she was 15, and has opened for many artists including Ely Buendia, The Itchyworms, and Grrrl Gang. Inspired by artists like Mitski, Radiohead, and Weezer, she writes catchy rock songs, exploring earsplitting sonic landscapes with diary-like lyricism.Ligaya Escueta Socials

Spotify: https://open.spotify.com/artist/32GPsNDIVdDvE2EX2GcVyT

Facebook:  https://www.facebook.com/people/Ligaya-Escueta/100083005895770/

Instagram: https://www.instagram.com/dollshoesnicesocks/

Tiktok: https://www.tiktok.com/@dollshoesnicesocks?_t=8ipMR5kjvMn&_r=1

YouTube: https://www.youtube.com/@ligayaescueta

 Source: Nyou

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