beabadoobee announces new album Pylon out 18 September on Dirty Hit/Interscope Records

new single & video ’Sun Has Set’ out now

details first ever arena tour starting 1 October across North America, UK & Europe

beabadoobee - 2026 - please credit Erika Kamano (download high res)

beabadoobee today announces her hugely anticipated new album Pylon, available to pre-order and pre-save now, and due for release on 18 September 2026 via Dirty Hit and Interscope Records.

Pre-order / pre-save Pylon

The follow up to her UK number 1 album This Is How Tomorrow Moves, the stark and striking fourth album by beabadoobee is named for the electricity towers that dot every major artery in the world—the strong, spindly structures that reminded Beatrice Laus of her connection to friends and family at home while she was staring down extreme disconnection and isolation on tour over the past few years.

The title can also be read as an allusion to Laus’ spiky, forceful new sound—the waves of distortion that crash and shatter across this record’s 14 songs mirroring the intense crackle you hear when walking under power lines. The pylon is also a fitting symbol for an album that reckons with the repetitive anxieties of your mid-twenties: What if I’m always going to be this way? What if life is just pylon after pylon on the road?

The album’s first single is available to stream and buy from today: “Sun Has Set” introduces Pylon as, in essence, a set of songs that began as diary entries, words that Laus thought she’d never be able to say out loud. “A lot of the songs on this record are things I wish I could have said to someone,” she says. “This song has this petty tunnel vision—it’s like, I hate you. You’re gonna stay here and listen to how much I hate you. Because I never got to say that.” The single comes accompanied by a striking first person video directed by Bea’s partner and longtime visual collaborator Jake Erland.

Watch/Listen “Sun Has Set”

Ever a devotee of pure rock music—both as something to be cherished and something to be played with—Laus casts these feelings in songs that touch on classic grunge, midwestemo and ‘90s radio rock, zeroing in on a sound that is both harsher and more direct than any of her previous records. She says the music she’s loved has “always been an influence” on her music, and so for B4 she went straight to the source. A fair few of Beabadoobee’s composite influences contributed to Pylon, a fact that speaks to the goodwill and respect Laus has amassed over the course of her relatively brief career.

Hayley Williams sings on “Nothing to Prove,” a deeply anthemic indie-rock song about getting your power back from fairweather friends who just want a bit of your success. The moody “Powerlines” features a verse from Turnstile singer Brendan Yates, a master of matching vocal force with emotional nuance. Elsewhere, you’ll find contributions from Pinegrove’s Evan Stephens Hall, Deftones’ Chino Moreno, and Title Fight’s Shane Moran, as well as, on “Write Me A Letter”, production work from Laus’ longtime friends and collaborators Matty Healy and George Daniel of The 1975.

Beabadoobee will debut songs from the record on the Powerlines Tour, her first ever arena shows and biggest tour to date, taking in shows across North America, the UK and Europe this autumn-winter. The Powerlines Tour kicks off 1 October and includes stops at Madison Square Garden, The Kia Forum, The O2 and more (full routing below). Support comes from Wisp in the US, Canada and UK and Violet Grohl in France, The Netherlands, Belgium and Germany.

TICKETS: Tickets will be available starting with an artist presale beginning on Monday, June 29 at 10 am local time. Additional presales will run throughout the week ahead of the general onsale beginning on Thursday, July 2 at 10 am local time atbeabadoobee.com/live.  

VERIZON: Verizon will offer customers an exclusive presale for the The Powerlines Tour in the U.S – no strings attached, simply for being a Verizon customer. The presale for select shows runs from Monday, June 29 at 10am local to Wed July 1 at 10pm local time. Visit myAccess in the My Verizon app for more details. Learn more about Verizon Access here.

SPOTIFY RESERVED: Introducing Reserved, brought to you by Spotify. For the first time, eligible Spotify Premium top fans will have tickets to their favorite artist’s show set aside for them to purchase during the presale. Reserved is a Spotify Premium benefit that turns real fandom into first access. VisitSpotify.com/Reserved to learn more.

Beabadoobees Reserved by Spotify tickets may be available to eligible US Spotify Premium subscribers through Ticketmaster.  These fans will be notified by Spotify via email and app notification, and will have the opportunity to purchase up to two tickets during the Reserved presale.

‘The Powerlines Tour’ Dates

October 1 – Uncasville, CT – Mohegan Sun Arena*

October 2 – Philadelphia, PA – Liacouras Center*

October 3 – Boston, MA – TD Garden*

October 5 – New York, NY – Madison Square Garden*

October 7 – Toronto, Canada – Scotiabank Arena*

October 8 – Laval, Québec Canada – Place Bell*

October 10 – Columbia, MD – Merriweather Post Pavilion*

October 11 – Raleigh, NC – Lenovo Center*

October 13 – Orlando, FL – Addition Financial Arena*

October 14 – Duluth, GA – Gas South Arena*

October 16 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion*

October 17 – Austin, TX – Germania Insurance Amphitheater*

October 19 – Phoenix, AZ – Talking Stick Resort Amphitheatre*

October 21 – Los Angeles, CA – The Kia Forum*

October 24 – San Diego, CA – Viejas Arena*

October 26 – Oakland, CA – Oakland Arena*

October 28 – Vancouver, BC – Rogers Arena*

October 29 – Seattle, WA – Climate Pledge Arena*

November 14 – Glasgow, UK – OVO Hydro*

November 16 – Cardiff, UK – Utilita Arena*

November 17 – Manchester, UK – AO Arena*

November 18 – London – The O2*

November 23 – Copenhagen, DK – K.B. Hallen

November 24 – Stockholm, SE – Fryshuset Arenan

November 27 – Oslo, NO – Spektrum

November 30 – Paris, FR – Zenith^

December 2 – Amsterdam, NL – AFAS Live^

December 4 – Brussels, BE – Forest National^

December 6 – Berlin, DE – Tempodrom^

December 7 – Düsseldorf, DE – Mitsubishi Electric Halle^

Previously Announced Summer Dates

July 30 – Saint Charles, IA – Hinterland Music Festival

July 31 – Chicago, IL – The Salt Shed (Official Lolla Aftershow)

August 2 – Chicago, IL – Lollapalooza

August 4 – Indianapolis, IN – Everwise Amphitheater*

August 7 – Morrison, CO – Red Rocks Amphitheatre*

support:

Wisp *

Violet Grohl ^

Download admat here

Born in the Philippines and raised in London, Beatrice Laus emerged as a British alternative music icon across three acclaimed albums and five EPs. She has garnered multiple BRIT Award and BBC Sound Of nominations, and won NME’s Radar award, whilst amassing over 10 billion streams worldwide and more than 12 million followers across her social channels.

This Is How Tomorrow Moves became her first record to reach number 1 on the UK Official Album Chart in 2024, following her Top 10 albums Fake It Flowers (which reached number 8) in 2020 and 2022’s Beatopia (#4). Earlier this year, beabadoobee released the one-off single ‘‘All I Did Was Dream Of You,” teaming up with Grammy-nominated best New Artist The Marías, the result of a longtime mutual creative admiration between María Zardoya and Bea.

Download artwork

Pylon Tracklist

Pylon

Sun Has Set

Estranged

Switchblade

Write Me A Letter

It’s Alright

In Motion

Memories

Nothing To Prove

Radio

Powerlines

Spark

Despite That

Satellite

Available on limited vinyl, CD and cassette

Instagram | TikTok | Spotify | YouTube | Apple Music

For more information, please contact mabuhay@blackstar.space.

Chart-topping global sensation ATEEZ returns with EP ‘GOLDEN HOUR : Part.5,’ unveiling addictive new anthem “BAD”f

PURCHASE HERE | LISTEN HERE | WATCH HERE

IMAGE CREDIT: KQ Entertainment

K-pop powerhouse ATEEZ returns with their highly anticipated new mini album, ‘GOLDEN HOUR : Part.5,’ marking the next chapter in the group’s ongoing GOLDEN HOUR series. Released on June 26, the album features five brand-new tracks that further showcase ATEEZ’s signature ability to blend powerful performance-driven music with genre-crossing artistry. The EP is out now via Sony Music Korea/RCA Records – click here to listen.

Led by title track “BAD,” ‘GOLDEN HOUR : Part.5’ delivers a catchy and addictive new sound filled with bold energy, confident attitude, and instantly memorable hooks. The album’s five tracks each bring distinct colors and genres to the project; from explosive hip-hop and sleek dance production to moody alternative pop and rhythmic Latin-inspired influences. Alongside “BAD,” the album includes “MAMACITA,” “TOXIN,” “Fallin’,” and “Body,” creating a dynamic listening experience that highlights the members’ versatility and evolving musical identity.

Members HONGJOONG and MINGI once again participated in writing lyrics for all five tracks on the EP, continuing their consistent creative involvement in ATEEZ’s music and storytelling.

Ahead of the album release, ATEEZ heightened anticipation globally through a cinematic trailer and teaser campaign that immediately sparked conversation among fans worldwide. The visually striking trailer introduced the mysterious atmosphere surrounding ‘GOLDEN HOUR : Part.5’ while hinting at the bold storytelling and larger-than-life visuals to come.

The official music video for “BAD” further expands that immersive world through intense choreography, cinematic visuals, and high-energy performance sequences. The video also features rising Hollywood actress Chase Infiniti, known for her breakout role in Apple TV+’s Presumed Innocent, as well as her outstanding performances in One Battle After Another and The Testaments. Her appearance adds another cinematic layer to the visually ambitious music video while highlighting ATEEZ’s growing global reach across entertainment and pop culture.

ATEEZ is also set to bring the new era directly to global audiences through a series of major international festival appearances this summer. The group will headline at BST Hyde Park in London on June 28, one of the UK’s most iconic music festivals, where they are set to unveil the first-ever live performance of “BAD.” Additional festival appearances include headlining performances in Poland, Istanbul, and Italy’s Rock in Roma, further cementing ATEEZ’s status as one of the leading global acts in K-pop today.

Continuing their global promotions, ATEEZ is also scheduled to appear on The Kelly Clarkson Show for a special performance on July 1. With ‘GOLDEN HOUR : Part.5,’ ATEEZ continues to push boundaries creatively while delivering the explosive performances and ambitious artistry that have defined their rise on the global stage. You can watch the music video here and stream the album here.

LISTEN TO [GOLDEN HOUR : Part.5] HERE

[GOLDEN HOUR : Part.5] TRACK LIST

01. BAD **title track**

02. MAMACITA

03. TOXIN

04. Fallin’

05. Body

The comeback arrives shortly after ATEEZ achieved another major career milestone by receiving the grand prize award at the Seoul Music Awards, reaffirming both their critical acclaim and worldwide popularity.

ATEEZ 2026 UPCOMING PERFORMANCE Dates:

June 28 - London, UK - BST Hyde Park

July 8 - Rome, Italy - Rock In Roma

August 14 - Istanbul, Turkey - İstanbul Festivali

August 15-16 - Silesia, Poland - SOUND IN COLORS

###

About ATEEZ:

ATEEZ is an eight-member South Korean group that has taken the world by storm immediately after their debut in October 2018. Known for standout performances that combine runway aesthetics with darker tones lined by hip-hop and electronic trap mixes, the octet has turned storytelling into a full musical experience. The eight members of ATEEZ are HONGJOONG, SEONGHWA, YUNHO, YEOSANG, SAN, MINGI, WOOYOUNG, and JONGHO. Establishing themselves as top artists early on in their career with a sold out global tour only four months after their debut, they continue to break their own records. In a unique narrative that starts from the very first release in the ‘TREASURE’ album series and continues through the ‘FEVER’, ‘THE WORLD’ and now ‘GOLDEN HOUR’ masterpieces, the group combines bestseller narratives with personalized music that speaks to their generation. The pirates of the high K-pop seas ATEEZ have made their mark as a million-seller group, collecting nominations for the American Music Awards, wins at the iHeartradio Awards, and charting on the Billboard 200 and Billboard Hot 100 with multiple releases.

About KQ Entertainment:

KQ Entertainment is a fast-growing global entertainment and content company based in South Korea that continuously evolves with the expanding domestic and overseas markets. Using a system that considers the characteristics and needs of musicians to better nurture artist development, the label aims to create a positive impact on the music industry. The system in practice creates a virtuous cycle that establishes a new paradigm of artist discovery, support, and production between idol groups and musicians for a mutually beneficial relationship growth in innovating music. KQ Entertainment currently houses the global phenomenon ATEEZ, rising superstars xikers, legendary vocalist Sohyang, as well as top producers and artists EDEN and Maddox.

For more about ATEEZ, visit: https://ateez.kqent.com/

ATEEZ SOCIALS:

INSTAGRAM (11M+) | TIKTOK (9.5M+) | X/TWITTER(4.6M+) | SPOTIFY (4.5M) | YOUTUBE (4.9M+)

INDIVIDUAL INSTAGRAM:

HONGJOONG | SEONGHWA | YUNHO | YEOSANG | SAN | MINGI | WOOYOUNG | JONGHO

 Source: Nyou

Barbie's Cradle turns existential crisis into indie pop brilliance on new single “Emergency”

Penned by Kakoy Legaspi and produced by the pop-rock quartet, the new single marks a confident return to form

After retreating from the spotlight for more than two decades, Barbie’s Cradle returns with creative confidence and renewal in “Emergency,” their first single since 2003.

Released under Sony Music Entertainment, the harmony-laden indie pop track was penned by guitarist Kakoy Legaspi and produced by Barbie Almalbis together with the band. It finds the pop-rock quartet confronting existential anxiety through an unexpected lens: humor. Rather than offering compelling answers to life’s deepest questions, the song suggests that perhaps the healthiest response is to acknowledge its inherent absurdity and learn to live with it.

“It’s a sarcastic take on existential crisis,” Legaspi explains. “It’s about trying to make sense of life’s absurdity by simply becoming more ‘zen’ about it—and about ourselves.”

“Emergency” mirrors the adventurous spirit that has long defined the band’s late ‘90s to early 2000s work, while also presenting the band at their most collaborative yet. The song begins with an unconventional verse riff written in 7/8 time, a rhythmic idea that became the foundation of the composition.

Legaspi recalls, “I came up with the idea of the lyrics when I found myself staring at a piece of paper on the wall that had ‘emergency numbers’ written on it. At first, it was very hard for me to sing and present the song to the band, but Barbie came up with the ingenious idea of cutting up the verses in a very fast, jarring way, like a duet but with no spaces in between. It made the song flow way better and gave it a unique twist.”

Although the track was originally written during the mid-2000s, it remained shelved for decades before being rediscovered during the pandemic. Working remotely through email between 2021 and 2022, the band revisited and refined the arrangement before finally recording the song live in Almalbis’ home studio after restrictions eased. The sessions captured the chemistry of the band performing together, with vocals and additional overdubs completed in subsequent recordings before acclaimed engineer Angee Rozul delivered the final mix.

“Emergency” also serves as the first glimpse into the musical comeback of Barbir’s Cradle. The band, composed of Barbie Almalbis (vocals and guitar), Kakoy Legaspi (guitar), Rommel dela Cruz (bass), and Wendell Garcia (drums), will release a few more songs throughout the following weeks, leading to an EP release.

As Barbie Almalbis mentioned in the previous press release, “We’re excited to revisit the greatest hits and misses while also sharing new songs that reflect where we are now in our lives, both as musicians and human beings. This new body of work is more collaborative and intentional than ever. We’ve poured months of hard work into these songs, and we can’t wait for everyone to hear what we’ve created.”

Widely regarded as one of the most important Filipino alternative bands of their time, Barbie’s Cradle has built a lasting legacy through their acclaimed albums, such as Barbie’s Cradle, Music from the Buffet Table, and Playing in the Fields.

The band’s return will culminate in a special one-night-only concert, happening on August 1, 2026, at the Music Museum. Balcony and orchestra seats are almost sold out, with fewer than a hundred left for ticket buyers.

Few tickets are still available via:

https://www.ticketmelon.com/gnn-entertainment-productions/barbiescradlereunion

Music Museum: 0917-513-0909

VIP – PHP 2,900

Includes photo op (6pax/batch), soundcheck access, signed poster

Orchestra – PHP 1,900

Balcony – PHP 1,300 (free seating)

Barbie’s Cradle’s new single “Emergency” is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

Gab Cabangon revisits his band roots in angst-fueled track “Ikot Ulit”

The “paasa anthem” explores the frustration and exhaustion that come from life’s repeated curveballs

Filipino singer-songwriter Gab Cabangon channels frustration and unresolved anger in “Ikot Ulit,” the third official single off his highly anticipated debut EP to be released this year. Described as his 'paasa' anthem and 'galitcore' track, the pop-rock tune comes from a place of personal uncertainty and professional setbacks, confronting the experience of repeatedly facing broken promises with both grit and emotional exhaustion.

“I think the emotion that really drove the song was mainly frustration,” Gab admits. “I was getting sudden postponements for work-related projects and pitches, and it was a period wherein I had bar gigs that were cancelling at the last minute. I also felt like I couldn’t trust anybody outside of my family and circle of close friends because I felt like people were going to throw me under the bus at any moment.”

Gab reveals that he had always intended to release “Ikot Ulit” a couple of months after “Kama” but later realized how the timing made so much sense in today’s socio-political landscape. “There are so many broken promises happening right now, and the consequences are very real and very frustrating. While I did not write Ikot Ulit with the initial intention of relating it to the political climate right now, I do realize that it’s important to express that frustration through this song.”

While based on Cabangon’s real-life experience, the song intentionally leaves room for listeners to project their stories onto its themes. Its lyrics avoid specificity, allowing the frustrations explored in the track to appeal across different circumstances and walks of life.

“I kept the lyrics quite general so that people can associate the song with their own respective experiences,” he adds. “Just like most of my songwriting, I often start with my experience, then I incorporate the stories of other people to try and make the song more relatable to my listeners. By the time I finished Ikot Ulit, I wanted to make sure that the feelings of ‘frustration’ and ‘anger’ were felt throughout the whole song.”

Sonically speaking, “Ikot Ulit” revisits elements of the artist’s earlier band-driven roots while integrating the singer-songwriter sensibilities he has long established with his solo material. Produced and arranged in collaboration with David Lina, the track embraces a grittier indie pop-rock aesthetic, brimming with dirtier guitar tones, a less strained arrangement, and a heightened sense of urgency that mirrors its thematic vibe.

A notable addition to the final recording is an instrumental bridge that was absent from the original demo, which somehow elevates the level of intensity to the overall sound. The track was mixed and mastered by Shadiel Chan and Jan Fuertez with vocal engineering by John Crupero, further refining the song’s raw yet deliberable sonic identity with just a subtle amount of grace.

Beyond its cathartic energy, “Ikot Ulit” occupies an important place within the broader narrative of Cabangon’s upcoming debut EP. Following “Pieces,” which explored the acceptance of vulnerability, and “Kama,” which finds beauty in peace amidst the cosmopolitan noise, “Ikot Ulit” serves as the next vital phase in a larger road toward healing.

Gab summarizes it all by saying, “I think it’s really about going through the process of healing and learning to love again. That in order to be whole and be passionate about the things we love, we have to allow ourselves to feel, to rest, and, in some cases, to express our frustrations and our anger. I’d like to think of Ikot Ulit as the third chapter that kind of opens a space for everyone to just let it all out.”

Gab Cabangon’s “Ikot Ulit” is out now on all digital music platforms worldwide.

About Gab Cabangon

Gab Cabangon is a Filipino singer-songwriter based in Metro Manila. He describes his music as a “nonchalant millennial sadboi” style of indie pop music that blends chill guitar melodies with soulful singing. As an introspective artist, Gab loves writing songs and stories about going through different phases of life and heartaches that are both romantic and non-romantic.

Today, Gab Cabangon is also a solo recording artist and he continues to showcase his music and share his stories while championing Filipino music in every stage and space he performs. Apart from gracing intimate shows and music festivals, he has performed abroad in small concerts and shows, particularly in the US and Australia. He has also performed and worked alongside some of the icons and legends of the Philippine music industry, including Nyoy Volante, Ebe Dancel, Johnoy, Rivermaya, and Noel Cabangon among others.

 Source: Nyou

Filipino music goes global: ALYSON, PLAYERTWO, and Novocrane land spots at AXEAN Festival 2026

June 24, 2026 / 4:00 P.M. – Fast-rising Filipino artists ALYSON, PLAYERTWO, and Novocrane are set to represent the country at AXEAN Festival 2026, Southeast Asia’s premier music showcase and conference platform, happening on August 29-30, 2026, at Jimbaran Hub in Bali, Indonesia.

Handpicked by AXEAN Festival and its co-founder and official Philippine partner, The Rest Is Noise PH, the exciting emerging acts join the phase one lineup from across the Asian region and beyond, performing in front of international music industry delegates, festival programmers, and music fans from around the world.

AXEAN Festival and The Rest Is Noise PH co-founder MC Galangemphasizes that beyond the roster’s individual achievements, their inclusion reflects the depth, diversity, and global potential of the Filipino music community today. “As co-founders of both AXEAN Festival and The Rest Is Noise PH, it’s especially meaningful for us to continue creating opportunities that connect Filipino artists with international audiences, industry professionals, and new markets. Over the years, our work has been centered on building bridges between Southeast Asia and the rest of the world, and seeing more Filipino artists take their place on global stages is a reminder of why that work matters.”

Galang explains that the global push for homegrown artists builds upon The Rest Is Noise PH’s longstanding commitment to music export and international development. “Earlier this year, The Rest Is Noise PH expanded this mission through the launch of our music consultancy and management arm, beginning with AXEAN Festival 2025 alumni ONE CLICK STRAIGHT for global management representation and bookings. For us, these efforts all stem from the same belief: that Filipino artists deserve sustained support, meaningful opportunities, and a place in conversations happening far beyond our borders. We’re excited for what lies ahead—not just for these artists, but also for the next generation of Filipino musicians ready to connect with the world.”

Regional and international artists join the celebration

Also leading the first wave announcement is an esteemed pool of Indonesian artists that reflects the country’s vibrant and eclectic music scene. Among the names confirmed for the maiden batch are top-streamed singer-songwriter Ndarboy Genk, experimental music quartet Basajan, Yogyakarta-based band LOR, Tropical Dessert trio Babon, Jakarta alt-rock band Satu Per Empat, rising singer-songwriter Jo Soegono, jazz rock trio Emptyyy, and R&B/soul star Noni.

This year’s lineup also gets an extra boost from emerging and seasoned acts in Southeast Asia, including Malaysia’s very own indie pop outfit Masdo, alt-rock veterans Pitahati, and genre-defying artists Lil Asian Thiccie x dj magn3sium. Singapore contributes a strong contingent with acclaimed indie rock band Subsonic Eye and experimental collective sub:shaman. Thailand’s thriving independent scene arrives in force through Yellow Fang, INSPIRATIVE, SLOWWVES, and Cupnoodle, while Macau’s Scamper and France’s Treaks heighten the festival’s increasingly global outlook.

Explaining the festival’s curation philosophy, AXEAN Festival co-founder Piyapong Muenprasertdee shares, “Professionalism, live performance excellence, and a clear artistic vision genuinely drive most of our selections—those are the qualities we're looking for first. However, not every artist meets all the criteria, and this approach is intentional: we also prioritize representing less-heard music scenes. Alongside the most polished, export-ready acts, we make room for artists from locales the wider industry rarely hears from. And the value there is long-term—when those artists showcase at AXEAN, they take the experience and the learnings home, where they help nurture the next generation from their scene, who may go on to reach the global stage further than the artists who came before them.”

AXEAN Festival co-founder David Siow echoes Py’s statements but emphasizes that this year’s edition promises a stronger lineup with global potential. “For audiences, our curation of artists has been geared towards artists with great live sets and who are ripe for export. You can see artists who are about to blow up, artists who will blow your minds, and artists whose future moves will blow you away.”

New program elements

Standing up for its commitment to community-building and innovation, AXEAN Festival 2026 will introduce several new elements in the program designed to strengthen its engagement among artists, delegates, partners, and audiences.

The conference and festival platform will also continue its highly regarded Songwriting Camp, which has become a cornerstone of AXEAN’s artist development initiative since its introduction in 2024.

Siow explains, “The songwriting camp introduced in 2024 (and optimized in 2025) was also born out of our drive to do things right for artists; hence, when we designed the camp, it was something that was only meant for collaborations. We take pride in creating a relaxed and casual environment that fosters creativity and friendships, as we believe the atmosphere contributes to the high quality of the final song outputs. Of course, being in Bali helps, because we can conduct the camp in villas with pools and great vibes.”

Further improving the festival experience is a brand-new food and beverage concept inspired by Southeast Asia’s iconic hawker centersand food courts. The initiative will bring together dishes and culinary traditions from across Southeast Asia, giving attendees the opportunity to explore the region’s rich cultural diversity through food.

Py adds, “Few things represent Southeast Asian culture better than its food, so we're curating regional vendors into the festival canteen. There's a saying that the way to someone's heart is through their stomach. Also, I personally think, and have seen, that people connect more genuinely over food and drinks, so we'd rather create the conditions for that than over-program things.”

Apart from the carefully curated lineup of performances and new offerings, this year’s AXEAN Festival will continue its focus on industry development programming through panel discussions, business matchmaking, and structured networking sessions.

Early bird tickets

Early bird tickets are now available via www.loket.com/o/axeanfestival. Additional artist announcements, conference speakers, and program details will be revealed soon.

AXEAN Festival 2026 is co-presented by Jimbaran Hub (venue partner) and Tunecore (main stage sponsor), in partnership with EMPIRE (stage sponsor), Embassy of France in Indonesia & Institut Francais Indonesia, Embassy of France in Singapour, and Centre National de la Musique, Institut Français (festival partner), The Orchard (VIP partner), MADVERSE (songwriting camp primary sponsor), KSR (songwriting camp secondary sponsor), Musicway (songwriting camp secondary sponsor), Sounds Australia (music exchange partner), DEBEAT Sunset Road and Millers Records (equipment partners).

About AXEAN Festival

The AXEAN Festival is a prominent Southeast Asian music export platform, combining a music conference and showcase festival.

Launched in 2020 during the pandemic by music professionals across Southeast Asia, AXEAN Festival has successfully hosted both virtual (2020-2021) and in-person (2022-2025) events. Over six editions, it has featured 200 artists from 20 countries, attracted 420 delegates from 32 countries, and reached over 46,000 virtual viewers, along with close to 18,000 live attendees.

With its growing international reputation, AXEAN has firmly established itself as Southeast Asia’s leading music export platform. Its first venture into a new market beyond its original home base in Singapore and Bali garnered widespread acclaim among attendees, music industry professionals, and participating artists.

Source: Nyou

SB19’s justin expands his creative horizons with “dahon”

The tender pop ballad arrives alongside a music video introducing new characters in Justin’s growing fictional universe

Manila, Philippines – SB19’s justin continues to diversify his artistic expression with the release of his new single, “dahon,”out now via Sony Music Entertainment.

Penned by acclaimed singer-songwriter Maki, the track explores the idea of romance as a steadfast force through life’s inevitable transformations. Metaphorically speaking, the rising P-Pop star likens the lasting power of love to a tree: bending rather than breaking during a storm, but holding still and firmly rooted in its given space despite the changing seasons.

“The tree imagery reflects my understanding of love and commitment as something that remains strong even through change,” shares the ‘surreal’ singer-songwriter. “One of the things that struck me the most is the idea that commitment is not about everything staying the same, but about choosing to remain grounded and steadfast through life's ups and downs. I also find hope in the idea that after a leaf falls, another one eventually grows. It reminds me that genuine love can continue to renew itself over time, which beautifully reflects the song’s message of a timeless vow in an ever-changing world.”

The song’s visual counterpart expands the theme even further. The official music video introduces audiences to three original characters: Treesha, JahJah, and Brodie. Expanding the immersive creative world that Justin has carefully built throughout his solo career phase, the MV also gives fans another way to connect with his creative endeavors.

“[These characters] are part of that larger world, and they help bring the themes and emotions of the music to life in a more visual and engaging way,” justin admits. “As someone who has always loved cute and memorable characters from franchises like Pokémon and other games, I wanted to create characters that could serve as alternative visual representations of my music and storytelling.”

Moving forward, justin hopes to develop their stories and personalities even further. “Fans can look forward to learning more about them through future releases and, hopefully, through merchandise, comics, or visual storybooks that explore their world in greater detail.”

The release of “dahon” also arrives alongside Justin’s ambitious multidisciplinary art initiative, which bridges music and visual expression. For SB19’s creative director, the project represents a convergence of two creative passions that have long informed one another.

“I hope people will see the beauty and inspiration that can come from combining music and visual art into one experience,” justin adds. “More than just enjoying the song, I want them to feel how different art forms can work together to tell a deeper story and create a stronger emotional connection. If the project inspires someone to appreciate art in a new way, reflect on their own experiences, or even pursue their own creative ideas, then I would consider that a meaningful takeaway from the world of dahon.”

justin’s “dahon” is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch the music video, out now.  

Source: Nyou

Gawad Manileño 2026 Honors the People and Institutions Helping Build a Better Manila

The best thing about Manila has always been its people.

That message took center stage during the Gawad Manileño 2026 awarding ceremony held on June 18 at The Metropolitan Theater, one of the highlights of Manila's 455th Founding Anniversary celebration carrying the theme, "Matatag sa Hamon, Pinagtibay ng Panahon."

Manila Officials and Award Recipient Universidad de Manila-Bahaghari

[More PR Photos]

During the ceremony, the Manila City Government honored individuals, institutions, businesses and community organizations whose contributions continue to help shape a stronger, more vibrant and resilient capital.

While this year's awardees come from diverse sectors, they share a common mission: improving the lives of fellow Manileños and contributing to the city's continuing progress.

Among those being honored are education advocate Dr. Rhodora Angela Fernandez Ferrer, Manila Health Department official Dr. Grace H. Padilla, veteran broadcaster DJ Chacha, renowned fashion designer Patis Tesoro, and Gilas Women's Basketball standout Quinn Kacey Dela Rosa. The awards also recognize advocacies that strengthen communities, including Universidad de Manila-Bahaghari for promoting inclusivity and youth empowerment, and Barangay 412 in District IV for advancing environmental stewardship and community participation.

For Manila Mayor Francisco "Isko Moreno" Domagoso, Gawad Manileño is more than an awards ceremony—it is a celebration of the people and institutions helping move the city forward.

Domagoso said the recognition honors outstanding Manileños whose talent, dedication and service contribute to the city's growth, emphasizing that the award carries a tradition of recognizing excellence and reminding others that "ang kabutihan ay may bunga" and "ang serbisyo ay may saysay."

"Ang Gawad Manileño ay hindi lamang tropeyo o pagkilala. Ito ay pagpapahalaga sa mga indibidwal at grupong nag-aambag sa pag-unlad ng ating lungsod," he said.

He added that the city's success ultimately depends not only on the government but also on citizens who choose to serve and make a difference. "A great city is not built by the government alone, but by citizens who care," Domagoso said, drawing laughter from the audience after joking, "Dinugo ang ilong.

The awards likewise highlight the role of the private sector in Manila's continued growth. Among this year's honorees are some of the city's largest taxpayers and investors, including International Container Terminal Services Inc., Asian Terminals Inc., Manila North Harbour Port Inc., SM Prime Holdings, and Megaworld Corporation.

The recognition was not limited to large corporations. The city also honored individual business taxpayers, including members of the Yuchengco and Tiongson families, as well as enterprises such as Mintex Industrial Supply, U2 Electrical Contractor, and Meedpharma Medical Supplies & Equipment Distributor.

Major employers such as Golden Arches Development Corporation, Jollibee Foods Corporation, and Concentrix Philippines are also being recognized for creating jobs and expanding economic opportunities for residents.

Vice Mayor Chi Atienza credited Manila's continued progress to the partnership between government and its stakeholders, particularly taxpayers whose contributions help fund programs and services that benefit residents across the city.

Thanking taxpayers for their continued trust, she assured them that the city remains committed to responsible stewardship of public funds.

"Sa administrasyong ito, nakikita ko kung paano masinop na pinamamahalaan ang bawat pisong ibinabayad ninyo upang mas mapabuti ang buhay ng bawat Manileño," she said.

Taken together, this year's awardees tell a larger story about Manila itself. They reflect a city that continues to invest in education, healthcare, culture, sports, environmental awareness, and economic opportunity—and one where progress is driven by collaboration among government, businesses, and communities.

This year's honorees now join a distinguished roster of past recipients that includes media executive Charo Santos-Concio, Manila Bulletin President Dr. Emilio C. Yap III, and San Miguel Corporation Chairman and CEO Ramon S. Ang. Their inclusion underscores what Gawad Manileño has long celebrated: individuals and institutions whose contributions create lasting impact.

In the end, the award serves as a reminder that Manila's greatest strength has always been its people.

About Gawad Manileno Award

City of Manila’s premier recognition program that honors outstanding individuals, organizations, and institutions for their excellence, dedication, and meaningful contributions to the development and welfare of Manila. Held as part of the city’s 455th founding anniversary celebration, the awards recognize exemplary achievements in fields such as public service, education, health, culture and the arts, media, sports, environmental stewardship, and community development. The 2026 edition carries the theme “Pagpupugay sa Kahusayan at Paglilingkod,” celebrating those who embody the spirit of service and inspire positive change in the community.

Source: Nyou

Myles Smith shares long-awaited debut album My Mess, My Heart, My Life.

LISTEN HERE / ARTWORK HERE / PRESS SHOTS HERE

Myles Smith releases his debut album ‘My Mess, My Heart, My Life.’, the most personal and ambitious project of his career to date.

The release arrives at a remarkable moment in Myles’ rise. Earlier this month he kicked off his biggest world tour to date, spanning North America, Europe and the UK, and this November will headline a sold-out show at London’s The O2 - a milestone that sees him sell out one of the UK’s most iconic venues before the release of his debut album.

Speaking about the album, Myles says:

“This album is the most personal thing I’ve ever made. It came from looking back at old therapy notes, memories and experiences that shaped who I am, and trying to make sense of them through music. Every song reflects a different part of that journey - family, love, loss, mental health and self-discovery. More than anything, ‘My Mess, My Heart, My Life.’ is about learning to accept your past, understanding yourself a little better, and finding hope in the fact that we’re all a work in progress.”

Over the past two years, Myles has established himself as one of the UK’s most exciting new artists, amassing more than 4.7 billion streams worldwide, attracting more than 23.5 million monthly Spotify listeners, winning the 2025 BRIT Rising Star Award, earning an Ivor Novello Award for Most Performed Work for ‘Stargazing’ and seeing ‘Nice To Meet You’ become the most played song across UK radio, television and public spaces throughout 2025, while building a global fanbase through his emotionally direct songwriting and powerful live performances. His breakthrough single ‘Stargazing’ is now certified 3x Platinum in the UK, while subsequent releases including ‘Nice To Meet You’ have continued to cement his position as one of Britain’s defining new voices.

His breakthrough single ‘Stargazing’ has now accumulated more than 2.09 billion streams globally, while releases including ‘Nice To Meet You’, ‘Gold’, ‘Stay (If You Wanna Dance)’ and ‘Drive Safe’ featuring Niall Horan have introduced Myles to audiences around the world. ‘My Mess, My Heart, My Life.’ builds on that momentum, bringing together the themes, stories and experiences that have shaped his journey so far.

Built around three interconnected themes - Mess, Heart and Life - the album explores family, grief, identity, mental health, love and self-acceptance, forming Myles’ most honest and revealing body of work to date.

The album’s title serves as both its emotional framework and guiding principle. Across fifteen tracks, Myles revisits formative moments from throughout his life, examining childhood experiences, family relationships, personal struggles and the people who helped shape him.

Opening with the striking title track ‘My Mess’, Myles reflects on the impact of a fractured upbringing and the complexities of growing up. Elsewhere, ‘Grandma’s Place’offers a moving reflection on family, memory and missed opportunities, while ‘Sertraline’ sees him speak candidly about anxiety, depression and the importance of emotional openness.

Throughout the album, Myles continues to expand the scope of his songwriting. ‘Mary’s Song’ shines a light on the experiences of women affected by abuse and hardship, while songs such as ‘Lifetime’, ‘Dying Days’ and ‘Heaven’ explore love, devotion and the passage of time.

Speaking on ‘Heaven’, Myles says: “‘Heaven’ was inspired by watching some of my closest friends get married and start families of their own. Seeing that kind of love up close made me think about the people who bring peace, stability and joy into our lives. It’s a song about finding someone who makes the world feel a little lighter and realising that, sometimes, heaven isn’t a place - it’s a person”.

Among the album’s standout moments is current single ‘Hold Me In The Dark’, a song centred around connection, reassurance and finding light during uncertain times. Since its release, the track has continued to gather momentum, earning A List support at both BBC Radio 1 and BBC Radio 2 while soundtracking a run of major moments including performances at BBC Radio 1’s Big Weekend alongside Niall Horan, The One Show and Capital’s Summertime Ball.

Earlier this year, Myles was named the recipient of the BRIT Rising Star Award and collected the Ivor Novello Award for Most Performed Work for ‘Stargazing’, while PPL recently confirmed that ‘Nice To Meet You’ was the most played song across UK radio, television and public spaces throughout 2025.

The album arrives as Myles enters the biggest chapter of his live career so far. The 2026 world tour spans headline dates across North America, Europe and the UK alongside a series of stadium appearances supporting Ed Sheeran, before culminating in arena dates across the UK and Ireland this November, including the sold-out headline show at London’s The O2.

With ‘My Mess, My Heart, My Life.’, Myles Smith delivers a debut album that captures not only where he is today, but everything that brought him here.

Alongside the success of ‘Stargazing’, Myles’ catalogue continues to resonate globally, with ‘Nice To Meet You’now certified Platinum in the UK, while ‘A Minute’ is certified Gold and ‘Gold’, ‘My Home’, ‘Solo’, ‘Stay (If You Wanna Dance)’ and ‘Wait For You’ have all achieved Silver certification.

‘My Mess, My Heart, My Life.’ Tracklist:

1. My Mess

2. Hold Me In The Dark

3. Hate You

4. Grandma’s Place

5. Mary’s Song

6. Sertraline

7. Drive Safe (with Niall Horan)

8. Heaven

9. Dying Days

10. Lifetime

11. Dublin Lights

12. Stargazing

13. Nice To Meet You

14. Stay (If You Wanna Dance)

15. Gold

‘My Mess, My Heart, My Life.’ is out now.

LISTEN HERE / ARTWORK HERE / PRESS SHOTS HERE

Myles Smith Online:

Instagram // TikTok // Facebook

Source: Nyou 

2x GRAMMY-WINNING GLOBAL SUPERSTAR TYLA RELEASES NEW SINGLE + MUSIC VIDEO “IS IT LOVE”

AVAILABLE NOW

A*POP

THE SOPHMORE ALBUM FROM TYLA

COMING FRIDAY, JULY 24

PERFORMING AT MAWAZINE FESTIVAL IN MOROCCO

SUNDAY, JUNE 21

TAKES THE STAGE LIVE FOR ‘THE TODAY SHOW’S

CITI CONCERT SERIES

ON FRIDAY, JULY 24

(Los Angeles, CA — June 18)

2x-GRAMMY® winner and global superstar, TYLA, continues her dominant march towards her forthcoming sophomore studio album, A*POP, today with the release of her new single, “IS IT LOVE” The song, which follows the bombshell releases of TYLA’s previous singles “She Did It Again” with Zara Larsson and the smash hit “Chanel,” champions TYLA’s genre-blending approach for a summery blend that is heavy on both vocal prowess and narrative.

To punctuate another ascendant TYLA summer, she will also perform at the massive Mawazine Festival in Morocco on Sunday, following her involvement in the launch of the FIFA World Cup festivities — where she performed the national anthem for her native South Africa at the opening ceremony in CDMX, and performed the official 2026 World Cup single "Game Time" alongside rap superstar Future at the Los Angeles opening World Cup ceremony.

[LISTEN: “IS IT LOVE” HERE]

[WATCH: TYLA, “IS IT LOVE” HERE]

[PRE-ORDER: TYLA, A*POP]

TYLA's records hit the dance floor and the heart at the same time. She's built a catalog that moves bodies while saying something deeply personal underneath, and 'IS IT LOVE' is the latest example. On the new single, TYLA asks with total sincerity, 'Is it love, if you don't cry?' then doubles down: 'It don't mean sh*t if I don't see tears in those eyes.' That emotional weight, carried by a club-ready rhythm, is exactly the juxtaposition that's kept TYLA's larger-than-life rise feeling intimate.

The official music video matches the song’s tangible intensity. Directed by Aerin Moreno, TYLA creates an atmosphere filled with despair and longing, completely immersing herself into the energy of the song. At the onset of the video, the young superstar is engaged in enthralling choreography, prancing around an apartment adored with blue-tinted hues. However, as the video progresses, so does TYLA’s despondency, and her surroundings begin to deteriorate. Glass is shattered and flooding begins as she continues her choreo, punctuated by the appearance of a love interest observing the scene from outside the window. They’re close together physically, but their souls are far apart.

“IS IT LOVE,” A*POP’s third official single, was first teased by TYLA last week on Instagram and TikTok, where excited fans ran up the views of a brief 15-second teaser to the tune of over a quarter-million in just the first hour. TYLA has become an expert in generating widespread excitement for her impending releases, and almost instantaneously her fan base began clamoring for the full record.

TYLA first teased the arrival of her A*POP album in the official video for the hit single, “Chanel,” with a subtle ode to the title that was interpolated into the video’s set design. Since then, she’s dropped measured hints that have sent anticipation through the proverbial roof, especially on the red carpet of this year’s GRAMMY® Awards, where TYLA took home her second “Best African Music Performance” trophy for “PUSH 2 START.” Donning a flag representing her native South Africa, TYLA was brimming with confidence in her new album. “I just knew that as I lived through the making of the album, it was going to fall into place, which it did,” TYLA dished to Rolling Stone. “I feel like I just did something really fresh and so… TYLA.” A couple months later in New York City, hype skyrocketed when TYLA brought her A*POP energy to the streets of SoHo with a pop-up event - celebrating the achievement of being i-D magazine’s first cover subject for their Beauty Zine.

Awards season has already been kind to TYLA in the lead-up to her album release. In addition to this year's GRAMMY® victory, TYLA was victorious at The American Music Awards, taking home prizes for 'Best Afrobeats Artist' and 'Social Song of the Year' for 'Chanel.' She's also up for two 2026 BET Awards — Video of the Year and Viewers' Choice, both for 'Chanel' — with the ceremony airing June 28. She was also regarded once again as an indisputable highlight from this year’s famed MET Gala, where the singer donned a custom Valentino dress that was written and raved about across the global fashion scene, drawing "suitably bold” compliments from VOGUE.

Festival season has been similarly kind. TYLA is set to perform a handful of high-profile and international stages this year following Sunday’s appearance in Morocco, including Portugal’s Afronation, Romania’s Beach Please!, Switzerland’s Montreux Jazz Festival and Hellwatt Festival in Italy. Stateside, she will celebrate the release of A*POP on its release day with what is sure to be a scintillating performance on The TODAY Show’s famed Citi® Concert Series stage.

TYLA is becoming synonymous with summer, and A*POP is about to create core memories across the world. Stream and watch “IS IT LOVE,” and pre-order A*POP here.

image003.jpg

Photo credit: Michael Drummond

Follow Tyla

Instagram | TikTok | X | YouTube

Source: Sony Music

Batang Lampara, Batang Kuwentista 2026 returns to inspire a new generation of Filipino storytellers

The nationwide storytelling competition opens its doors to Grades 1–6 students, championing reading, creativity, and Filipino children's literature

More photos here 

The spotlight is once again on young Filipino voices as Batang Lampara, Batang Kuwentista 2026 launches its nationwide search for the country’s next outstanding young storytellers.

Presented and organized by Lampara Books, the annual competition continues the tradition of promoting a love for reading, as well as encouraging the new generation of youth to discover the joy of storytelling through Filipino books. The contest is open to Filipino students in Grades 1 to 6 nationwide.

This year’s edition promises to be bigger and more inclusive than ever. According to Segundo D. Matias Jr., Founder and CEO of Lampara Books and Precious Pages Corporation, the student competition aims to reach aspiring storytellers from every corner of the Philippines through a virtual presentation format.

“We made sure that Batang Lampara, Batang Kuwentista 2026 would be accessible nationwide through virtual presentations, allowing interested children to participate regardless of location,” Matias shares. “This edition is particularly special because we have published many new titles over the past two years. At a time when the country is facing a reading crisis, we remain committed to ensuring that our advocacy reaches more children. Through creative storytelling, we want to make sure we provide a more enjoyable experience for everyone.”

Batang Lampara, Batang Kuwentista 2026 serves as a platform for nurturing literacy, imagination, and self-expression among Filipino children. Matias emphasized that storytelling is a vital skill that helps young readers develop a lasting appreciation for books, especially in an increasingly digital world reliant on algorithmic trends. “We want children to see reading not as a requirement but as an enjoyable and life-changing experience. Aside from showcasing talent, we want participants to discover that reading can be empowering.”

The program reflects Lampara Book’s long-standing commitment to promoting Filipino children’s literature and encouraging deeper engagement with stories. By inviting children to interpret and retell narratives in their voice, the competition helps them cultivate critical thinking, empathy, and confidence.

Matias adds, “Every human life is a story. Through books, children learn to see themselves, understand their experiences, and discover solutions to challenges they may face.”

Participation in Batang Lampara, Batang Kuwentista 2026 is free of charge, making it accessible to young storytellers across the Philippines who are eager to share their talent and passion for stories. Interested participants may register through: bit.ly/batangkuwentista2026

For inquiries and general information, interested students may send a message through Lampara Books’ official Facebook page or email: lamparabooks21@gmail.com.

Source: Nyou

justin’s lunan exhibit officially sold out; fans still have a chance to attend through Sony Music Philippines giveaway

The immersive showcase will feature original artworks anda blind auction for charity

Manila, Philippines –justin’s highly anticipated arts and music showcase, lunan, is officially sold out!

For those who missed it, don’t worry! Sony Music Philippines is currently running a promo giveaway for the fans who wish to experience the exhibit curated by SB19’s very own creative director. Interested participants may sign up through the following link: http://justin.lnk.to/lunangiveaway.

The promotional period runs until June 18, 2026 at 12 NN.

The event, which will take place at the Sari-Sari Space in Quezon City, on June 19, 2026, will bring together “justin’s visual journey, artworks from the creative minds behind dahon, and pieces from the fans who continue to inspire him.”

One of the event highlights include a blind auction, where attendees and fans can submit sealed, one-time bids for exclusive items. A portion of the revenue will be donated to select non-government organizations (NGOs) supporting environmental conservation and sustainability.

Other activities include a special performance art, plus more surprises.

On the same day, justin will drop his new single, “dahon,” which he describes as a “vow of timeless love amid an ever-changing world.” The pop ballad marks another collaboration with acclaimed OPM artist Maki, who penned the track.

[PRE-SAVE LINK]

As a solo artist, justin has proven himself as a visionary creative across multiple disciplines, driven by his commitment to an advocacy of meaningful existence. He is one of the most-streamed P-Pop soloists, racking up more than 45 million streams on Spotify alone with only four official songs released to date. Beyond his individual pursuits, the charismatic multi-hyphenate is also part of the iconic P-Pop powerhouse SB19, where he takes on multiple key roles, including serving as the creative director.

justin’s “dahon” will be available on all digital music platforms worldwide beginning June 19, 2026, via Sony Music Entertainment. Pre-save link: https://justin.sng.to/dahon

Source: Nyou 

Lola Amour, Shirebound, and Over October headline the first edition of Alt.chestra: the concert

Three of the biggest names in modern OPM reimagine their biggest songs through sweeping orchestral arrangements and special collaborative numbers

Good things come in threes!

Lola Amour, Over October, and Shirebound are headlining the inaugural edition of Alt.chestra—a concert series that reimagines select songs with lush orchestral arrangements.

Taking place at the Music Museum on August 8, 2026, Alt.chestra Vol. 1 serves as the first installment of an intimate performance showcase that merges contemporary band performance with the grandeur and intimacy of an orchestra, led by renowned musical director Ronald Tomas.

The event is presented by GNN, the production team behind celebrated, sold-out concerts DAMA (Johnoy Danao, Ebe Dancel, and Bullet Dumas), and Secrets (Aia de Leon, Barbie Almalbis, and Kitchie Nadal).

[MORE PHOTOS HERE]

Outside of their individual sets, Lola Amour, Over October, and Shirebound will also share the stage for a special collaborative number, offering a rare and exclusive moment that promises to be one of the evening’s highlights.

The three biggest bands of this generation have built loyal fan communities through years of live performances, balancing independent credibility with commercial success. Together, they represent a generation of artists whose music continues to appeal simultaneously across audiences and platforms.

Cumulatively, the three supergroups have amassed more than a billion streams on Spotify alone while earning critical acclaim, multiple awards, and top billing at major music festivals nationwide.

Tickets are now available via bit.ly/altchestravol1 with the following packages:

VIP: PHP 2,400 (includes soundcheck access, poster, and post card)

Orchestra: PHP 1,500 (reserved seating)

Balcony: PHP 999 (free seating)

Source: Nyou

MBNEL RELEASES HIS ALBUM FOREVER II

THE TRANSCENDENT BODY OF WORK CHRONICLES MBNEL’S

EVOLUTION AS A MAN, FATHER AND ARTIST

LISTEN HERE

South Stockton star, MBNel released his highly-anticipated album Forever II via Muddy Boyz and EMPIRE.

The album pays homage to the first project MBNel ever released at the beginning of his career “Forever I” (2018) and focuses on Nel’s evolution as a man, father and artist. The project will feature his hit single “Internet” and follows his hit single “Ashtray” with O Side Mafia, which charted #15 on Spotify PH, #25 on YouTube trending, and has over 10M streams to date.

MBNel came up in the streets of Stockton, California; a city that shaped every bar, every melody, and every honest line he's ever written. A first-generation Filipino-American, MBNel defied the odds stacked against him. Surrounded by poverty, gang life, and violence from an early age, he turned lived experience into art; and art into a career.

The “MB” stands for Muddy Boyz—a name rooted in Stockton’s “Mudville” nickname—and Mattie Boys, named after Mattie Harrell Park where his crew came up. It’s more than a rap name; it’s a lifestyle and representation of where he’s from. Through raw storytelling, melodic pain, and street honesty, MBNel built one of the strongest independent fanbases to come out of Northern California.

Signed to EMPIRE, he has accumulated millions of streams across Spotify and YouTube while collaborating with artists including BLXST, Mozzy, $tupid Young, and O Side Mafia. His hit collaboration “Ashtray” with O Side Mafia expanded his reach internationally, charting on Spotify Philippines and YouTube trending charts. MBNel’s music has also crossed into sports culture with his song “Born To Win” being used by the San Francisco 49ers; further solidifying his growing impact beyond music and into mainstream culture. From the streets of Stockton to stages in the Philippines, MBNel continues to represent his city while evolving as an artist, father, and man; turning pain, loyalty, and real-life experiences into music that resonates worldwide.

Forever II Tracklist

1. Perfect

2. Internet

3. Blame On Me

4. Hardbody

5. 1 of 1

6. Fine By Me

7. Remind You

8. Prayer

9. Lost Time

10. Proud of You

11. Feels Different

12. Bottled Emotions

Media Contact:

Mark Bonifacio, mark.bonifacio25@gmail.com

RIAA PLATINUM ARTIST KENSHI YONEZU RELEASES WORLD CUP ANTHEM “KARASU - RAVEN”

SHARES AWARD-WINNING

“IRIS OUT” PERFORMACE HERE

APPROVED IMAGE (FOR MEDIA USE): DOWNLOAD

TOKYO, JAPAN (June 15, 2026) – Following a historic year that saw KENSHI YONEZU become the first artist ever to earn an RIAA Platinum certification for a Japanese-language song and break multiple global streaming records, Japanese superstar KENSHI YONEZU has released his new single “Karasu – Raven,” the 2026 NHK Soccer Theme now available HERE.

Written by KENSHI YONEZU for the FIFA World Cup 2026 season, “Karasu – Raven” arrives digitally on June 15, coinciding with Japan’s opening World Cup match against the Netherlands. The newly unveiled cover artwork was illustrated by Yonezu himself, continuing the multidisciplinary creative approach that has defined his career as both a musician and visual artist.

The release follows the extraordinary success of “IRIS OUT,”Yonezu’s theme song for CHAINSAW MAN – THE MOVIE: REZE ARC. The track became one of the biggest Japanese-language releases in recent history, setting records for the highest weekly streaming total and the fastest song ever to reach 100 million streams in Japan, while also becoming the highest-charting Japanese-language song in global chart history.

To celebrate the release of “Karasu – Raven,” Yonezu has also shared a live performance video of “IRIS OUT” from MUSIC AWARDS JAPAN 2026, the country's largest international music awards ceremony watch here. At the event, Yonezu emerged as one of the night's biggest winners, taking home six awards including Best J-Pop Song, Best Digital Culture Artist, and regional honors across Asia, Europe, North America, and Latin America.

The performance captures a landmark moment in Yonezu’s career as his influence continues to expand beyond Japan. Over the past several years, he has become one of the defining figures in contemporary Japanese music, with a catalog spanning blockbuster anime, film, television, and global cultural franchises.

His 2018 breakthrough hit “Lemon” became one of the most successful songs in Japanese music history, while “KICK BACK” made history as the first Japanese-language song ever certified Platinum by the Recording Industry Association of America (RIAA). In 2025, Yonezu completed his largest-ever world tour, KENSHI YONEZU 2025 TOUR / JUNK, performing across Asia, Europe, and North America to more than 440,000 fans.

With “Karasu – Raven” now turns his attention to the world's biggest sporting stage, soundtracking Japan’s World Cup campaign while continuing a run of achievements that have helped redefine the global potential of Japanese-language music.

ABOUT KENSHI YONEZU

After gaining success with Vocaloid music under the stage name HACHI, Kenshi Yonezu began producing under his real name in 2012. In addition to music, he has attracted attention for his album cover illustrations and video productions. The video for his hit single “Lemon”, the long-running theme song for the TV series Unnatural, is the most-viewed music video in Japan, and topped Billboard Japan’s year-end charts for two consecutive years, leaving a mark on music history both in Japan and abroad.

His 2020 album STRAY SHEEP set a record of 1.9 million copies sold with the highest-placing Japanese artist ever to appear on the IFPI year-end global ranking chart. He continued to work tirelessly during the COVID-19 pandemic, including performing as the first Asian in a virtual concert hosted by the online game Fortnite. Collaborated globally with UNIQLO on their UT collection with the storefront collaboration displays in NY and other 8 UNIQLO stores worldwide. He was awarded an AAC Award, listed in Forbes’ 100 Asian Digital Stars, and received the Minister of NEWS RELEASE Education, Culture, Sports, Science and Technology’s Art Encouragement Prize for New Artists.

In 2022, he released “M87” as the theme song for the filmShin Ultraman, and “POP SONG” as the theme song for a PlayStation commercial. His single “KICK BACK,” the opening theme for the TV anime CHAINSAW MAN, made Spotify’s Global Top 50, and became the first Japanese-language song certified Gold by RIAA®. He was also selected as the first and only Japanese artist to be a part of the “RIAA Class of 2023”, with which the association summarized the artists who had flourished in the year.

In 2023, Yonezu released “Tsuki Wo Miteita - Moongazing” as the theme song for the RPG game Final Fantasy XVI, and “Chikyugi - Spinning Globe” – the theme song Studio Ghibli’s animated film The Boy and the Heron (Academy Award Winner for Best Animated Feature, 2024), directed by Hayao Miyazaki.

In August 2024, Yonezu wrote “Garakuta – JUNK”, the theme song of the movie LAST MILE, and released his sixth studio album, LOST CORNER. In September, Yonezu released an exclusive line of graphic tees in collaboration with Uniqlo, as part of their ongoing UT series celebrating pop culture from around the world. After 11 years, Hachi (Kenshi Yonezu) himself created a new illustration for the VOCALOID song “Donut Hole”, and a fully animated music video based on the illustration. Original chocolate was also released from Godiva Japan as the “GODIVA x HACHI Donut Hole Collection” from October as the first time for Godiva worldwide to create a chocolate collection lineup in collaboration with an artist. In November Yonezu released “Azalea”, a song written as the theme song for the global Netflix series Beyond Goodbye. For the first time in 6 years, appeared at Kohaku Uta Gassen.

In 2025, Yonezu released “Plazma”, a theme to the filmMobile Suit Gundam GQuuuuuuX -Beginning- and also the theme to its anime series Mobile Suit Gundam GQuuuuuuX. He then released the theme to the anime series Medalist with a collaboration music video between Kenshi Yonezu and the Winter Olympics gold medalist Yuzuru Hanyu. Yonezu kicked off his largest-scaled world tour, KENSHI YONEZU 2025 WORLD TOUR / JUNK after performing domes in Japan, toured Asia, Europe, and the U.S., drew a total of 440,000 people. In September, his global hit “KICK BACK” received Platinum certification from the RIAA, marking the first time a Japanese-language song has achieved the milestone in the U.S. He recently released “IRIS OUT” as the theme song for the theatrical feature CHAINSAW MAN – THE MOVIE: REZE ARC, alongside the ending theme “JANE DOE,” a collaboration with Hikaru Utada. “IRIS OUT” set multiple all-time records, including the highest weekly streaming total and fastest song to reach 100 million streams in Japanese chart history, the highest weekly point total on Billboard JAPAN, and a peak at No. 5 on the Billboard Global 200 chart, the highest placement ever for a Japanese-language song. In October, Yonezu released “1991” as the theme song for the film 5 Centimeters per Second, and on December 31, he appeared on the 76th NHK Kouhaku Uta Gassen, delivering the first-ever live performance of “IRIS OUT.”

In May 2026, “Peace Sign” also achieved RIAA Gold certification, giving Yonezu three separate RIAA-certified Japanese-language hits — an unprecedented achievement for a Japanese solo artist. Kenshi Yonezu has just recently announced his new tour, KENSHI YONEZU 2026 TOUR / GHOST— a 6-city, 14-show arena headliner across Japan. The tour will kick off in Nagano on November 6, 2026, and will travel through Osaka, Aichi, Fukuoka, Miyagi, and Kanagawa, concluding on December 17.

As for Yonezu’s music videos, “Lemon” has surpassed 970 million views, continuing to break the records of Japanese artists.  It is one of the 18 music videos of his songs that garnered him a commanding record of surpassing 100 million views each (“Lemon,” “Eine Kleine,” “LOSER,” “Peace Sign,” “Haiirotoao (+Masaki Suda),” “orion,” “Flamingo,” “Kanden,” “Fireworks,” “Paprika,” “Shunrai,” “Uma to Shika,” “Spirits of the Sea,” “KICK BACK,” “IRIS OUT,” Foorin’s “Paprika” and Masaki Suda’s “Machigaisagashi,” “Sayonara, Mata Itsuka! – Sayonara”). He has over 8.65 million subscribers on his official YouTube channel.

KENSHI YONEZU IMAGE: DOWNLOAD

CONNECT WITH KENSHI YONEZU: WEBSITE |INSTAGRAM | X | TIKTOK | YOUTUBE

 Source: Sony Music

MULTI-PLATINUM RECORDING ARTIST, SONGWRITER AND HITMAKER BEBE REXHA UNVEILS HER MOST PERSONAL PROJECT AND FIRST ALBUM AS AN INDEPENDENT ARTIST: 'DIRTY BLONDE'

LISTEN HERE

Multi-platinum artist Bebe Rexha unveils her new album ‘DIRTY BLONDE’ - last June 12, 2026. As her first release as a fully independent artist, the project represents a bold new chapter—one that sees Bebe embracing complete creative freedom and crafting music entirely on her own terms without the constraints of a major label. Fans can stream the album here. 

Spanning thirteen tracks that cover her full artistic range, from dancefloor anthems to intimate, unfiltered honesty, ‘DIRTY BLONDE’ marks a new chapter in Bebe Rexha’s career. 

“‘DIRTY BLONDE’ became so much more monumental to me than I ever expected. Making this album independently reminded me why I fell in love with music in the first place. I had the freedom to trust my instincts, take risks and create something that feels completely mine. ‘DIRTY BLONDE’ is me in my truest form: honest, unapologetic and free,” Bebe shares. 

Some artists make albums because it’s expected; others make them because they can’t not make them. ‘DIRTY BLONDE’ is unmistakably the latter. Bebe Rexha has always followed her own path: writing for other artists, collaborating on major dance hits, and becoming a successful pop star in her own right. But with ‘DIRTY BLONDE’, she opens up in a way she never has before. She tells her own story in her own words, without a filter. Since early 2026, she has partnered with EMPIRE, a collaboration that has fully restored her creative and artistic autonomy. As a singer-songwriter, that’s something she deeply values—and you can hear it in every track on the album.

The album opens with “Hysteria”, released on April 3 and one of the first previews of what ‘DIRTY BLONDE’ would become. Where many openers ease you in, Bebe Rexha throws the doors wide open here: intense energy, vocals that fill the room, and a techno production that makes the feeling of emotional overwhelm truly audible. With “Tokyo”, the album shifts into something unexpected. The track breathes UK garage influences and carries a quirky energy that resists easy genre labels, revealing a side of Rexha that rarely sounds this free. It makes clear how effortlessly she blends styles—and why that’s exactly her strength.

One of the lead singles is “New Religion”, her collaboration with the iconic British dance group Faithless. Inspired by the timeless 1995 club classic “Insomnia”, the track is fully reimagined for a new era. Bebe Rexha’s vocals transform a dancefloor icon into a modern club track that honors the original while being entirely her own. The song has received worldwide acclaim, climbed to nearly 20 million streams on Spotify, and was performed live on major TV shows and stages. 

Bebe Rexha on “New Religion”: “"New Religion" is basically my salvation on the dance floor. It’s about letting go and completely surrendering to the music. I was in a dark place when I wrote it, and I realized music had always been the one thing that never let me down. When the bass hits, you feel it in your body, and suddenly you feel alive again. I hope that when people hear it, they want to get up and dance, but even more, I hope it makes them feel alive”.

In the middle of the album, Bebe Rexha becomes even more spontaneous. “S.H.I.T.” is direct and completely unfiltered—the kind of track you can only make when you have nothing left to prove. “Çike Çike” adds a funky house dimension that feels surprising yet never forced. It’s one of the moments on Dirty Blonde where Rexha’s willingness to push boundaries is most palpable.

The album also reveals her most vulnerable side. “I Like You Better Than Me” is brutally honest—a song about liking someone so much that you set yourself aside for a moment. “Drink and a Little Love” pairs that sentiment with a warm, instantly resonant atmosphere. With “One Day”, Bebe captures a quiet, unpolished hope—the kind of emotion you don’t so much write as stumble upon.

In the second half of ‘DIRTY BLONDE’, a new layer emerges. “Time” carries an urgency that recalls her earlier crossover work while living fully in the present. “The Way I Want You” is one of the most direct songs of love and longing on the record, while “Nobody’s There” shows the album at its darkest and most introspective. These are the songs that make ‘DIRTY BLONDE’ more than a collection of singles—they form the album’s emotional backbone.

“Night Falls” feels like the natural bridge to the finale: a track that balances stillness and tension, setting up the album’s most powerful closing statement. ‘DIRTY BLONDE’ ends with “Sad Girls”, her collaboration with David Guetta. The track has already become an anthem for anyone turning sorrow into strength on the dance floor. Emotional depth wrapped in an energetic production that perfectly fits today’s international dance scene. Bebe Rexha’s powerful vocals, combined with David Guetta’s unmistakable progressive house signature, deliver a closer that feels both personal and explosive. Ending here is no accident. “Sad Girls” sums up what ‘DIRTY BLONDE’ is at its core: acknowledging pain, and choosing to dance anyway.

‘DIRTY BLONDE’ proves that creative freedom isn’t a luxury—it’s a necessity. On this project, Rexha holds complete control over her sound, her story, and her image. The result is her most personal and daring work to date: a project that doesn’t try to please everyone, but hits exactly the right people in exactly the right way. Thirteen tracks, zero compromises.

‘DIRTY BLONDE’ Tracklisting
1. Hysteria
2. Tokyo
3. New Religion (met Faithless)
4. S.H.I.T.
5. Çike Çike 
6. I Like You Better Than Me
7. Drink and a Little Love
8. One Day
9. Time
10. The Way I Want You
11, Nobody’s There
12. Night Falls
13. Sad Girls (met David Guetta)
 

Stream 'DIRTY BLONDE' here

About Bebe Rexha

Multi-Platinum global superstar Bebe Rexha is an award-winning singer, songwriter, and creative force whose powerhouse vocals and genre-blending sound have made her one of the most impactful artists of her generation. With billions of global streams and a catalog of chart-dominating hits, Rexha has earned acclaim for both her solo work and her collaborations across pop, dance, hip-hop, and country. Known for her fearless honesty, undeniable hooks, and bold creative vision, Rexha has written and recorded some of the most recognizable songs of the last decade, cementing her reputation as both a hitmaker and a boundary-pushing artist. From sold-out tours to major festival stages, she continues to captivate audiences worldwide with her dynamic performances and unapologetic artistry. For more information, visit: https://areudirty.com.

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EMEI SHARES HER BOLD & DRAMATIC EP 'NIGHT AT THE OPERA' OUT NOW VIA ATLANTIC/NICE LIFE RECORDS

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A little drama never hurt anybody — and Chinese-American singer-songwriter Emei proves exactly that on her new EP, ‘Night at the Opera’, out now via Atlantic Records and Nice Life. Fans can listen to the EP here. 

‘Night at the Opera’ is a bold and vibrant showcase of Emei’s signature blend of sincerity, emotion, and theatrical flair. Marking a return to her musical theatre roots, the EP embraces the highs, lows, and larger-than-life feelings that have become central to her artistry. As Emei explains, “I wanted to lean into being a theater kid again... you’re going to get all of the pain, emotion, and drama from me!”.

The result is a project that is unapologetically expressive, emotionally honest, and irresistibly fun, further cementing Emei as one of pop’s most exciting emerging voices.

Alongside the EP release, Emei has shared the official visualizer for the single “Noah”,  the EP’s self-proclaimed diss track. “If you know me, you know I always slip in a diss track,” she shares. “It’s a letter to my past self and to any girl who comes across an LA performative man who I’m just going to name ‘Noah’. No offense to any nice Noahs out there, but it’s dangerous! There are men out there memorizing dialogue from The Notebook. I had this realization: the character of Noah isn’t actually this awesome, good dude—he’s kind of bad”.

Emei - "Noah" (Official Visualizer)

Created alongside GRAMMY Award-winning songwriter Justin Tranter (Chappell Roan, Justin Bieber, Selena Gomez) and GRAMMY Award-winning producer Ricky Reed (Lizzo, Leon Bridges, Phantogram), ‘Night at the Opera’ finds Emei at her most theatrical across five buoyant tracks full of drama, flair, and fun. Candy-coated hooks, honest lyrics, and punchy production lay the groundwork as Emei reconnects with a part of herself she had lost. “Right now, I’m the most truthful version of myself,” she explains. “The music is fun, ridiculous, and honest. I’m doing exactly what I want to do”.

Emei first burst onto the scene with her 2022 single “Late to the Party”, which surged on TikTok and put her on the map. This was followed by 2023’s “Scatterbrain”, which landed on Spotify’s Best Pop Songs of 2023 list (and was recently featured in the hit series ‘Off Campus’), cementing Emei as an indie-pop artist to watch.

'Night at the Opera' Tracklisting

1.Night at the Opera
2. What's The Point!
3. Noah
4. Bloom
5. Simple Request

Listen to 'Night at the Opera' here
Watch the visualizer for "Noah" here

About Emei

Growing up in New Jersey, Emei and her grandmother formed an unbreakable bond. The two shared a room and spent their summers traveling to China together. She primarily spoke Chinese at home and actually studied under her vocal coach, Sally Gu, from the Chinese school she attended on weekends. Chinese culture had a massive influence on Emei - from listening to  Chinese pop to actually placing 3rd on Chinese Idol at 15-years-old (and later appearing on China’s Dancing with the Stars). But it was when she found her love for musicals, spinning her parents West Side Story CD on repeat, where she really discovered her love for music and performing. 

Emei went on to earn her degree in cognitive science from Yale University and in 2022 she started uploading her original music online. Emei made major waves with 2022’s “Late to the Party”, surging on TikTok and igniting her 'End of an Era' EP. However, she reached critical mass with the release of her single, "Scatterbrain". Touted as one of Spotify’s “Best Pop Songs of 2023”, the title track eclipsed 71 million Spotify streams followed by “Irresponsible” with 31 million Spotify streams. She sold out a series of dates across Australia and throughout 2025, headlined her biggest tour to date, performing to sold-out crowds coast-to-coast in the US and in the EU. 

But in 2024 her beloved grandma passed and her world changed. Emei threw herself into what would become 'Night at the Opera'. Collaborating with Reed, Justin Tranter, and more, she held nothing back, processing this particular loss, various friendship breakups, a loss of herself amidst it all, and a “massive quarter-life crisis.”

“It was one of the toughest years of my life,” she admits. “The project was born from grief. It’s a big elevation from my past music, because it was written during a season of intense and extreme emotions”.

She’s center stage, she’s unapologetically in her feelings, and she’s sharing them aloud with no fucks given—and it’s glorious.

“I grew up doing theater, but the vibe changed when my pop music career started,” she states. “I wanted to lean into being a theater kid again. This project is definitely a homecoming. My subconscious bullied teenage brain is always like, ‘You don’t want to try so hard. Just be cool’. But fuck that! I like trying hard. It’s part of who I am. I care about every little detail. So, you’re going to get all of the pain, emotion, and drama from me!”

'Night at the Opera' is unlike anything you’ve ever heard. Allow Emei to personally welcome you to the show.

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Barbie’s Cradle reunites for a comeback concert, announces new music

The influential Filipino alternative rock outfit marks its comeback with original music and an intimate one-night-only concert this August 2026

Barbie’s Cradle, one of the Philippines’ most iconic alternative bands of the late 1990s and early 2000s, are set to stage their highly anticipated comeback this year.

Fronted by lead vocalist and guitarist Barbie Almalbis and composed of members Wendell Garcia on drums, Rommel dela Cruz on bass, and Kakoy Legaspi on guitars, the multi-awarded supergroup will return with the release of three new songs, culminating in a special one-night-only concert on August 1, 2026, at the Music Museum.

“We’re excited to revisit the greatest hits and misses while also sharing new songs that reflect where we are now in our lives both as musicians and human beings,” shares Barbie Almalbis. “We’ve reached a point where we approach music-making with greater confidence and purpose. This new body of work is more collaborative and intentional than ever. We’ve poured months of hard work into these songs, and we can’t wait for everyone to hear what we’ve created.”

Known for award-winning albums such as Barbie’s Cradle, Music from the Buffet Table, and Playing in the Fields, the band has remained deeply influential in the local music scene, particularly for woman-fronted bands and singer-songwriters. Their evolving sound, introspective and inspirational songwriting and lyrical depth, shaped by the personal journey of vocalist Barbie Almalbis, continue to appeal to audiences across generations. Over the years, the group has earned multiple recognitions, including NU Rock Awards, Awit Awards, and KATHA Awards.

Barbie Almalbis: One Night Only is presented by GNN, a Manila-based concert and events promoter. According to Milley Habito, one of the heads behind the production company, the comeback concert represents not only a nostalgic dream for longtime fans but also an important cultural moment for today’s music audience.

“It’s an honor to work with Barbie’s Cradle for this special project,” explains Habito. “We first teased the iteration of the show during Barbie Almalbis’ 25^th anniversary show three years ago, but this time, we’re taking the concert experience to an entirely new level. Staged in a theater setting, the concert is built around a meticulously crafted concept and theme, with elevated production values designed to create a memorable experience for fans and new listeners alike.”

Tickets are now available via:

https://www.ticketmelon.com/gnn-entertainment-productions/barbiescradlereunion

VIP – PHP 2,900

Includes photo op (6pax/batch), soundcheck access, signed poster

Orchestra – PHP 1,900

Balcony – PHP 1,300 (free seating)

Source: Nyou

ONE CLICK STRAIGHT signs global management with The Rest Is Noise, announces mini-Asian tour

The partnership marks a major step in the Filipino indie rock band's international expansion, with festival appearances in Mongolia and Vietnam

Acclaimed Filipino indie rock quartet ONE CLICK STRAIGHT has officially signed to The Rest Is Noise (TRIN) for global management.

Under the agreement, TRIN will oversee the band’s international bookings and management activities outside the Philippines, including artist development, touring, brand partnerships, synchronization and licensing opportunities, and other commercial and professional ventures aimed at expanding ONE CLICK STRAIGHT’s presence in global markets. The partnership will be undertaken in collaboration with the band’s manager, Eezh Arcangel.

The official announcement arrives alongside a slate of major international festival appearances for the band, including performances at Playtime Festival in Mongolia and a forthcoming festival in Vietnam this July 2026.

The signing represents a progression for both parties, following a year of collaboration through regional showcase festivals, music export initiatives, and international industry networking programs spearheaded by TRIN, OCS, and their manager, Eezh.

“After facilitating numerous export initiatives for Filipino music artists to connect with not just audiences but also music industry professionals abroad since 2018, we have decided to take it one step further with working on artist development and management for global markets,” said MC Galang, co-founder of The Rest Is Noise PH. “We felt there’s still a huge gap between what we consider ‘export-ready’ artists—those who are ready for and have elicited interest from international markets—and these new audiences, which require a lot of investment, strategy, planning, and meaningful connections. Since the Philippines is still considered an ‘emerging’ market, we have to actively pursue, if not create, these opportunities.”

MC emphasized that ONE CLICK STRAIGHT meets all the criteria for being an export-ready artist—thanks to “their strong catalog, incredible stage presence, their ability to deliver a curated experience that can be translated not just for Filipino audiences but across various audiences, and an expansive creative and sonic arsenal.”

She explains, “It was clear during their massively well-received performance at our annual showcase festival, AXEAN Festival, held in Bali last year, that they have impressed our delegates—important players in key international markets—which brought them to more festival appearances at Music Lane Festival in Japan and Bangkok Music City in Thailand; at All of the Noise here in Manila; in Singapore before that, through our partnership with Baybeats Festival; and two more festivals in July: Playtime Festival in Mongolia and a yet-to-be-announced appearance in Vietnam later next month. We look forward to helping ONE CLICK STRAIGHT reach these new opportunities as we continue our work platforming Filipino music artists around the world.”

With international shows on the horizon, ONE CLICK STRAIGHT’s Tim Marquez shared his excitement in bringing the band’s music to new audiences and connecting with diverse cultures around the world. He hopes their songs, stories, and live performances will continue to inspire listeners across borders. “I think it’s a humbling feeling to know the music you’ve created in such a small and personal space is resonating in different places. I firmly believe that Filipino music deserves to be heard, and I’m just grateful to the people who listen.”

Echoing Tim’s sentiments, ONE CLICK STRAIGHT’s Sam Marquez  expressed enthusiasm for the opportunities that lie ahead through the band’s growing international presence and partnership with The Rest Is Noise. “The Rest is Noise has been so helpful guiding and supporting us through our international journey. We’re always looking forward to learning new things with them. Their passion mirrors ours, and that’s the kind of collaboration we want with us on this journey.”

Over the past decade, ONE CLICK STRAIGHT has emerged as one of the country’s most respected independent acts. Composed of brothers Sam Marquez (vocals, guitar, songwriter), Toffer Marquez (vocals, guitar, songwriter), Toffer Marquez (vocals, bass), and Tim Marquez (drums, vocals, songwriter), alongside longtime collaborator and friend Joel Cartera (Jpapi) on guitar, the band has independently released two full-length albums and two EPs, collectively amassing more than 20 million streams on Spotify alone.

Their music and live performances have taken them across the Philippines and onto international stages, earning recognition from leading music publications and tastemakers from the Asian region.

ONE CLICK STRAIGHT’s Official social media channels
• Facebook:https://www.facebook.com/ONECLICKSTRAIGHT
• Instagram: https://www.instagram.com/oneclickstraight/
• YouTube:https://www.youtube.com/@ONECLICKSTRAIGHT
• Twitter / X: https://x.com/ONECLKSTRAIGHT
• Tiktok: https://www.tiktok.com/@oneclickstraight

About The Rest Is Noise PH

The Rest Is Noise PH (TRIN) is a music curator, export and exchange facilitator, events production, and online publication based in Manila, Philippines.

Founded in 2015, TRIN has curated and produced more than 40 shows: ranging from pocket venues to outdoor festival settings. It is home to the annual Summer Noise and All Of The Noise music showcase and culture platform event, which feature critically acclaimed homegrown and international music acts, primarily dedicated to showcasing Asian and Asian diaspora music artists, such as Japanese Breakfast, Phum Viphurit, Elephant Gym, Turnover, Deafheaven, Hitsujibungaku, Last Dinosaurs, Up Dharma Down, Sandwich, and more. These shows highlight the rich and diverse backgrounds, cultures, and styles of music artists from home and abroad, championing both emerging and established music-makers.

In 2020, TRIN co-founded AXEAN Festival (formerly ASEAN Music Showcase Festival), a first-of-its-kind traveling regional showcase festival that aims to put the spotlight on music artists and communities from Southeast Asia—rooted in music discovery, community-based networking, and music industry education—by incorporating structured, artist- and community-centric initiatives including music conference, industry matchmaking/speed meetings, and songwriting camp, resulting to meaningful career opportunities (such as music export) and creative, cultural exchanges.

In 2025, TRIN celebrated its 10th anniversary with All Of The Noise 2025, a diverse, music culture-centric event, including live music performances, music discussions, music documentary screenings, and a music photography exhibit, which was hailed by leading Filipino news site Rappler for its “commitment to addressing social struggles through different lenses in the music industry. Beyond just a celebration, All Of The Noise 2025 served as a space for reflection and advocacy, encouraging its audience to see and use the art of music as a tool for change.”

All Of The Noise returned for a 3-day global music community event that took place on April 17-19, 2026, which featured over 30+ music artists from across the Philippines, Indonesia, Singapore, Taiwan, and New Zealand; a Spotify for Artists Masterclass; and for its conference program, platformed six discussions and three music documentary screenings; and collaborative studio sessions between Filipino and international music artists.

In June 2026, TRIN formally launched its artist development and global management service consultancy, signing ONE CLICK STRAIGHT as its first artist partner for global management.

TRIN’s co-founders have worked with global music partners, including Warner Music Asia, Sony Music Philippines, SXSW, HipHopDX Asia, and programmed, collaborated with, and/or participated at numerous music showcase festivals in the United States of America (SXSW), Spain (Primavera Pro), France (Les Escales), Finland (WOMEX), Mexico, New Zealand, Japan, South Korea, Taiwan, Hong Kong, Singapore, Thailand, Indonesia, Vietnam, and India.

TRIN takes pride in fostering a thriving sense of community, culture, and inclusivity—providing a platform that champions the best of Asian music and strengthening regional and global connections, onstage or in the digital space.

General inquiries: info@therestisnoiseph.com

Website: www.therestisnoiseph.com

Twitter: twitter.com/therestisnoise_

Facebook: facebook.com/therestisnoiseph

Instagram: instagram.com/therestisnoiseph

Source: Nyou 

Tradition Turned Up: Raja Rani Drops 'Sexy Tamil’

Out now via Organic Tunes

Stream here  |   Press Kit: Download here

Artisan fashion label and electronic music duo Raja Ranireleased their new single “Sexy Tamil” on 5 June 2026, featured on Organic Tunes’ Organic Collection Vol. 2 alongside KITA, DeNaTa and Let’s Rave. The track marks Raja Rani’s boldest sonic statement yet: a seamless fusion of driving electronic production and contemporary Tamil vocals that celebrates the energy, confidence and cultural richness of modern Tamil identity.

“Sexy Tamil” brings together Raja Rani’s signature electronic sound with the voice of Nadisha Thomas, a celebrated playback singer from Tamil Nadu, India, whose work spans South Indian film and independent music and reaches close to half a million monthly listeners. Her first recording was at the age of 6, and she’s one of the most versatile singers in Chennai. From rock to opera, she does it all. Be it in a studio or on stage, her mellifluous and versatile voice, marked by emotion, power, and precision, continues to captivate audiences. The result is a track built equally for attentive listening and the dance floor – Tamil vocals given contemporary urgency, rooted in tradition yet entirely of the moment.

“Sexy Tamil” has been a live staple for Raja Rani over the past year. The duo debuted and refined the track at festivals including Wonderfruit Festival and Bali Spirit Festival, as well as in clubs across Singapore, where it has consistently drawn some of the strongest crowd responses of their sets. The single’s release now opens that experience to a global audience.

“We’ve been playing ‘Sexy Tamil’ live for over a year and the reaction is always one of the highlights of our sets. It feels right to finally share it with the world. The track is a celebration of Tamil culture, of confidence, of what happens when tradition meets the dance floor,” say Raja Rani founders Beatrice and Naveen.

About Raja Rani

Born from a love story between an Italian girl and an Indian boy, raised on separate continents with distinct musical influences and diverse cultural soundscapes, they found their musical paths crossing in Singapore. The fusion of diverse cultures and musical styles, from tribal rhythms to house and techno, defines RAJA RANI and their ever-evolving journey.

Raja Rani is also a designer duo, transforms preloved Indian sarees into bold, colourful kimonos and garments. Each piece is one-of-a-kind, blending tradition with modernity and sustainability with style.

The Indian-Italian powerhouse couple have built a label that is celebrated as the Silver Winner in the Slow Fashion Label category at the Honeycombers Sustainability Awards 2025and a Finalist for the Singapore Fashion Council’s IMPACT Award 2025. Website | IG

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For more information or interview opportunities, please contact mabuhay@blackstar.space.

SB19’s justin enlists Maki’s songwriting magic for upcoming new single “dahon”

The song marks another creative partnership between the two artists, following justin’s appearance in the “habangbuhay pansamantala” music video

Manila, Philippines – P-Pop star justin teams up with acclaimed singer-songwriter Maki on his upcoming new single “dahon,” which he describes as a “vow of timeless love amid an ever-changing world.” The track is penned by Maki, a gifted singer-songwriter whose knack for heartwarming melodies and relatable sentimentality is prevalent in the material.

[PRE-SAVE LINK]

The collaboration marks another creative partnership between the two artists, following justin’s appearance in the sci-fi-inspired music video of Maki’s “habangbuhaypansamantala."

According to justin, the upcoming new single captures romance in its purest form. “It’s a song about love that blossoms, thrives, and grows through time.”

Lyrically, “dahon” expresses the enduring power of real love, and as Justin puts it, “It stands like a firm tree thatsurvives the biggest adversity and the only things that are constant in life: change and time.”

A multi-faceted performer known for his work as a performer, creative director, visual artist, and member of SB19, justin reveals that working with Maki has long been a personal aspiration, being a longtime fan of his work in music.

“His creativity and branding align closely with my vision and preferences. Working with him is not only a great opportunity for my career but also an incredible experience.”

As a solo artist, justin has proven himself as a visionary creative across multiple disciplines, driven by his commitment to an advocacy of meaningful existence. He is one of the most-streamed P-Pop soloists, racking up more than 45 million streams on Spotify alone with only four official songs released to date. Beyond his individual pursuits, the charismatic multi-hyphenate is also part of the iconic P-Pop powerhouse SB19, where he takes on multiple key roles, including serving as the creative director.

justin’s “dahon” will be available on all digital music platforms worldwide beginning June 19, 2026, via Sony Music Entertainment. Pre-save link: https://justin.sng.to/dahon

Source: Nyou