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Filipino-American singer-songwriter Rocco returns with new single "Girl Next Door" and announces forthcoming EP 'A Comedy Romantic (Act. 2)'

November 6, 2026

LISTEN HERE

ANNOUNCES FINAL CHAPTER OF NARRATIVE SERIES
WITH FORTHCOMING EP
'A COMEDY ROMANTIC (ACT. 2)'

PRE-SAVE HERE

November 6th, 2026 — Rising Filipino-American indie pop singer-songwriter Rocco returns with "Girl Next Door", an infectious, nostalgia-soaked pop-rock anthem that captures the butterflies of an almost-out-of-reach crush. The single builds toward the final chapter of his viral narrative series and forthcoming EP, 'A Comedy Romantic (Act. 2)', arriving February 26th, 2027. Fans can listen to the new single HERE and pre-save the EP HERE. 

On "Girl Next Door", Rocco captures the dizzying rush of young love with a nostalgic nod to the golden era of 2000s pop-rock. Driven by an irresistible singalong chorus and buzzer-beater energy, the track plays on the thrill of a last-minute shot at love, turning the familiar story of an unspoken crush into an anthem for anyone who's ever fallen hard for the person next door, complete with the butterflies, awkward confidence and all-consuming daydreams that come with it. It's the perfect track for putting on your headphones, tuning out the world and soundtracking your own coming-of-age montage.

Rocco – "Girl Next Door" (Official Video)

Four months fresh off the release of his EP 'A Comedy Romantic (Act.1)', Rocco announces 'A Comedy Romantic (Act. 2)', the next and final instalment in his ongoing narrative series. Expanding on the fictional world he has been building across his music and social platforms, the forthcoming EP brings the story to its closing act, trading the lighthearted anticipation of a budding romance for the messier, more angsty realities of love. "I'd coin it the official soundtrack if my year had a movie. It's anthemic, weird in some parts, and most importantly, fun," he shares.

Rooted in his deep love for the romantic comedies of the 1990s and 2000s, Rocco's 'A Comedy Romantic' universe exists far beyond the songs themselves. Blending original music, character-driven storytelling and performance, the project brings the relationships and emotional plotlines behind the songs to life, inviting fans to follow along as each new release reveals another piece of the story.

With 'A Comedy Romantic (Act. 2)' on the way, Rocco takes the story into its final stretch, leaning into the tension, emotional highs and growing pains that come with a love story that refuses to follow the script. Blurring the lines between music and storytelling, he transforms the universal chaos of falling in love into a world that feels equal parts cinematic, nostalgic and unmistakably his own.

'A Comedy Romantic (Act. 2)' Tracklisting:
1. Hard To Look
2. I Don't Know The Band
3. Girl Next Door
4. Someone I Never Had
5. Things I Do
6. Stay In Place
7. Suffocating

Stream "Girl Next Door" here
Watch the official visualizer here
Pre-save 'A Comedy Romantic (Act. 2)' here
 

About Rocco

Unapologetically himself, Rocco is a 23-year-old Filipino-American singer, songwriter, and producer known for his atmospheric bedroom pop sound, playful melodies, and a colourful personality. Raised in the suburbs of New Jersey, he dedicated himself to music early on before moving to Los Angeles. His academic path was short-lived when his breakout singles "Spin You Round" and "Baby Blue" exploded online, prompting him to pursue music full-time and embark on his first headline tour.

Seamlessly blending moody textures with soaring alternative melodies, his music explores the intricate dynamics of intimacy, heartbreak, and emotional vulnerability.

Rocco is steadily positioning himself as a compelling voice in the global indie landscape, having established a strong regional footprint across Asia, tracking heavily in markets including the Philippines, Indonesia, Malaysia, Taiwan, and Thailand, alongside major city centres like Hong Kong.

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George Michael: The Faith Tour Brand-new, restored concert film begins worldwide theatrical rollout today, with Philippine release on 11 November

November 6, 2026

WATCH TEASER

A TOUR DE FORCE IN ARCHIVAL FILMMAKING, UNVEILING NEVER-BEFORE-SEEN FOOTAGE, RESTORED AND REMASTERED FROM LONG LOST FILMINTRODUCED BY AN ORIGINAL SHORT FILM FROM MARY MCCARTNEY

THE FAITH TOUR, AN 18-TRACK LIVE ALBUM OF PREVIOUSLY UNHEARD PERFORMANCES IS OUT NOW, 6 NOVEMBER

CREDIT: GEORGE MICHAEL ENTERTAINMENT

George Michael Entertainment, in partnership with Mercury Studios, has announced the start of the worldwide theatrical release of a brand-new, never-before-seen film titled George Michael: The Faith Tour, with screenings beginning in select international markets today.

Shot at the iconicPalais Omnisports de Paris-Bercyduring the European leg of the Faith Tour in 1988, the film captures a turning point that transformed George Michael from a global superstar into a singular, era-defining artist, whose influence continues to reverberate across music, fashion and culture today. George Michael: The Faith Tourinvites audiences to experience the tour as it was meant to be seen and heard.

Directed by longtime collaborators Andy Morahan and David Austin, this once-lost film has been meticulously restored and remastered, revealing George’s original vision with breathtaking clarity and power. The result is an intimate yet explosive glimpse of an artist in complete command of his voice and stagecraft.

A triumph in archival filmmaking, the film transforms footage assembled from a 14-camera shoot captured on 35mm film over two nights into an extraordinary cinematic event. George Michael: The Faith Touris a celebration of ambition and fearless artistry at its peak, capturing a moment when the then 24-year-old George Michael changed the course of his career. This global theatrical event invites audiences to rediscover the power and joy of George Michael in full flight.

George Michael: The Faith Tourwill open with an original short film by Mary McCartney, titled Finding Faith, offering an intimate introduction that contextualises the tour’s cultural significance through a sensitive and cinematic lens. Featuring voiceover from an unheard interview with George himself, the film also includes unseen images captured by legendary American photographer Herb Ritts, alongside behind-the-scenes footage from the Faithmusic video.

Alongside the theatrical release, George Michael Entertainment and Sony Music Entertainment are releasingTHE FAITH TOUR, an 18-track live album of previously unreleased recordings featuring hits from George Michael’s Wham! and solo catalogues. Recorded during his groundbreaking world tour, the album showcases George’s extraordinary vocal talent and skill as a live performer.THE FAITH TOUR is available today, 6 November 2026.

Distributed by NBCUniversal, George Michael: The Faith Tour will open exclusively at SM Cinemas on 11 November 2026. Get your tickets to George Michael: The Faith Tour here.

About Faith

Written, arranged, produced, and performed almost entirely by George Michael, FAITH marked the emergence of a new kind of pop icon, one who could blend soul, R&B, and rock into a sleek, emotionally charged, and deeply personal sound. Earning him a GRAMMY® Award for Album of the Year, three American Music Awards, and a record-breaking run of four U.S. No. 1 singles, including “Faith”,“Father Figure”,“One More Try”, and “Monkey”, making George the only British male solo artist ever to achieve four U.S. number-one singles from a single album on the Billboard Hot 100, a record that has yet to be matched. Selling more than 25 million copies worldwide, topping charts in over 10 countries and cementing George Michael as one of the best-selling solo artists of all time, Faith became a cultural touchstone of the late ’80s, inspiring countless artists and defining the MTV generation, soundtracking lives and influencing artists for decades to come.

About George MichaelSinger, Songwriter, Producer, Philanthropist and Creative Icon, George Michael is considered one of the most influential recording artists of all time. He rose to fame in the 1980’s as a member of the duo Wham! selling over 30 million records. He later embarked on a solo career and sold over 125 million records worldwide and is one of the best-selling musicians of all time, topping the Billboard Hot 100 chart eight times in the US and hitting the No.1 spot on the UK singles charts seven times as a solo artist and redefining pop music in the process. He won six Ivor Novello Awards and remains the only individual songwriter ever to win their prestigious Songwriter of The Year Award three times. He won two Grammys, was nominated nine times, and won four American Music Awards as well as winning twelve Billboard awards and being nominated forty times. He also won three BRIT Awards. Both Billboard and Rolling Stone respectively rank him among the greatest artists and singers of all time, In 2004, George was named by the Radio Academy as the "Most Played Artist" on British radio over the previous 20 years, and in November 2023 he was inducted into the Rock and Roll Hall of Fame. During a career that spanned thirty-five years, he famously duetted with Aretha Franklin, Elton John, Mary J. Blige, Paul McCartney, Pavarotti, Queen, Tony Bennett and Whitney Houston amongst others, and his songs have been covered by Adele, Ariana Grande, Chris Martin, Christine and the Queens, Dua Lipa, H.E.R and Kae Tempest to name but a few. He is also considered one of the most significant cultural icons of his generation and was known as a leading creative force in music production, songwriting, vocal performance and visual and live presentation. His songs, many achieving Billions of Streams, remain a part of the fabric of our culture and include Careless Whisper, Wake Me Up Before You Go Go, Faith, Freedom 90’, Father Figure (recently interpolated by Taylor Swift into her song of the same name), Last Christmas, Fastlove, Club Tropicana, Jesus To A Child, Praying For Time and many more.

About Mercury Studios:

World Class Music Content. Working with a global network of creatives and artists, Mercury Studios develop, produce, distribute and invest in award-winning content. We are filmmakers in the world of music.

Headquartered in London, with offices in LA and New York, current and recent projects include ONE TO ONE: JOHN & YOKO directed by Academy Award-winning director Kevin Macdonald, Grammy-winning, Academy Award and BAFTA award-nominated AMERICAN SYMPHONY, directed by Matthew Heineman for the Obamas’ Higher Ground Productions/Netflix, REGGAETON: THE SOUND THAT CONQUERED THE WORLD / NBC Peacock, and IF THESE WALLS COULD SING, directed by Mary McCartney for Disney+.

Mercury Studios also produced and distributed performance capture films ANDREA BOCELLI 30: THE CELEBRATION, directed by Sam Wrench (Taylor Swift: The Eras Tour) for global Theatrical and TV, BACK TO THE BEGINNING: OZZY’S FINAL BOW, for global Livestream and Theatrical, and QUEEN: ROCK MONTREAL for IMAX and Disney+.

In 2025, Mercury Studios also hosted world premieres at the Tribeca Festival for METALLICA SAVED MY LIFE and JUST SING.

Mercury Studios represents the world’s leading catalogue of music-related content, consisting of thousands of hours of premium music-driven film and television programming.

About Sony Music Entertainment

At Sony Music Entertainment, we fuel the creative journey. We’ve played a pioneering role in music history, from the first-ever music label to the invention of the flat disc record. We’ve nurtured some of music’s most iconic artists and produced some of the most influential recordings of all time. Today, we work in more than 100 countries, supporting a diverse roster of international superstars, developing and independent artists, and visionary creators. From our position at the intersection of music, entertainment, and technology, we bring imagination and expertise to the newest products and platforms, embrace new business models, employ breakthrough tools, and provide powerful insights that help our artists push creative boundaries and reach new audiences. In everything we do, we’re committed to artistic integrity, transparency, and entrepreneurship. Sony Music Entertainment is a member of the Sony family of global companies.

Source: Nyou

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SLAYYYTER releases new song “hey boyyy”

November 6, 2026

SLAYYYTER releases new song and self-directed video, “hey boyyy” out everywhere now via RECORDS / Columbia Records. The track will appear on her upcoming album wor$t man in america, which is due out December 4. The release arrives following the announcement of SLAYYYTER’s largest headline show to date at Madison Square Garden on June 21, 2027, which sold out in just 15 minutes. 

LISTEN TO “hey boyyy” HERE

WATCH THE “hey boyyy” OFFICIAL MUSIC VIDEOHERE

Driven by lush pop production and an infectious hook, “hey boyyy” captures the nervous excitement of emerging chemistry between two people. Balancing playful infatuation with romantic vulnerability, the track’s intensity builds towards its climactic, standout outro. The accompanying music video, directed by SLAYYYTER, features the artist traipsing across contrasting city scapes of Hollywood and Paris - watch HERE. 

Earlier this month, SLAYYYTER announced wor$t man in america, the counterpart to this spring’s critically acclaimed WOR$T GIRL IN AMERICA. The new album introduces contrasting visuals and a fresh perspective on the themes and ideas explored in the project before it. Pre-save/pre-order the album HERE.

While wor$t man in america is comprised entirely of new songs, each track is connected to the world established by WOR$T GIRL IN AMERICA. Some songs act as direct inversions, while others revisit familiar ideas from an entirely new angle, creating a parallel narrative that both mirrors and challenges the original project. 

Singles “brand new chanel$”, “crank 2”, and “i think he’s got a girl”, are also out now, the first of which marked her debut on the Billboard Hot 100 at #98. SLAYYYTER performed “brand new chanel$” live for triple j’s Like A Version - watch HERE. 

Credit: Alexa Zeliger

Last month, SLAYYYTER sold out her largest headline show to date at the iconic Madison Square Garden in New York City on June 21, 2027 in just 15 minutes. HERE is the link to join the waitlist. 

SLAYYYTER was recently announced as a headliner for Kilby Block Party 2027 in Salt Lake City on May 15, 2027 at Utah State Fairpark. Earlier this year, she was also announced as part of the Laneway Festival and Lollapalooza South America 2027 lineups.

Source: Nyou

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Christmas Came Early at Guevarra’s! A Festive Christmas Party and the Launch of Its 2026 Holiday Menu

November 6, 2026

Why wait until December to celebrate Christmas when the festivities can begin in November?

 

SAN JUAN CITY, PHILIPPINES — Christmas comes early at Guevarra’s by Chef Laudico as the Filipino buffet restaurant gathers its media friends, influencers, and special guests for Guevarra’s Christmas Party 2026, an afternoon of festive food, holiday surprises, and Christmas cheer on November 5, 2026.

 

More than a Christmas get-together, the celebration marks the official launch of Guevarra’s 2026 Christmas menu, giving invited guests an exclusive first taste of the restaurant’s holiday offerings ahead of their public availability from November 16, 2026, to January 1, 2027.

 

Inspired by the Filipino tradition of salu-salo, Guevarra’s Christmas celebration brings together the flavors and familiar comforts that make the holiday season special. From festive main courses to beloved Filipino Christmas desserts, the menu is designed to bring families and friends together around a table filled with good food and happy memories.

 

Adding a special touch to the afternoon is a Christmas cooking demonstration featuring Chef Lau and Executive Pastry Chef Jac Laudico, who will share recipes and techniques that guests can recreate in their own kitchens.

 

Chef Lau will demonstrate how to prepare White Lasagna, a creamy, festive dish perfect for family gatherings and holiday celebrations. Meanwhile, Chef Jac will showcase Banana Q Pudding, a dessert inspired by the familiar Filipino banana cue, reimagined as a sweet treat for the Christmas table.

 

The demonstrations aim to inspire guests to bring the Guevarra’s experience home, showing that memorable holiday dishes can be part of celebrations with loved ones.

 

Of course, no Christmas party would be complete without gifts and surprises. Guests can also look forward to Christmas raffle activities, adding excitement and a little extra holiday magic to the gathering.

 

For Guevarra’s, Christmas is about more than a special menu. It is about the warmth of Filipino hospitality, the joy of sharing familiar flavors, and the simple happiness of gathering with the people who make every celebration meaningful.

 

With its Christmas party and early holiday menu launch, Guevarra’s invites everyone to start celebrating the season a little sooner.

 

Christmas came early at Guevarra’s—and everyone is invited to the feast starting November 16, 2026, through January 1, 2027.

For inquiries and reservations, guests may contact Guevarra’s through its official channels.

 

 

About Guevarra’s by Chef Laudico

Guevarra’s is a Filipino themed buffet restaurant that offers a unique dining experience with our classic and homey ambience. Having been built in the 1920s, the vintage interiors of this heritage house-turned-restaurant, along with the private function rooms and spacious garden area make Guevarra’s the perfect place for intimate gatherings, birthdays, baptisms, weddings, and corporate events.

The buffet features a feast of both classic and modern Filipino dishes created by Chefs Roland and Jackie Laudico. From their bestselling Angus Beef Tapa and Bellychon to the Grilled Pancit Bam-I and Party Spaghetti, there will surely be a dish for everyone to enjoy—not to mention the whole spread of intricately crafted desserts for the perfect ending to every meal.

Takeout and deliveries are available via http://www.guevarras.com

 

 Source: Nyou

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Multi-Platinum Singer-Songwriter & Multi-Instrumentalist Rex Orange County Releases New Album 'Dream Fatigue', His Most Self-Assured Yet

November 6, 2026

LISTEN HERE

FEATURING BRENDAN YATES, DANIEL CAESAR, DEV HYNES,
DEXTER IN THE NEWSAGENT, MUSTAFA & TAYLOR SKYE
OF JOCKSTRAP

"ELVIS" MUSIC VIDEO DIRECTED BY BRENDAN YATES
TO BE RELEASED ON MONDAY

Photo Credit: George Muncey

November 6th, 2026 - Philippines — Multi-platinum singer-songwriter Rex Orange County unveils his highly anticipated new album, 'Dream Fatigue', today. His most self-assured work to date, the record finds Rex arriving at a renewed sense of artistic conviction, fully embracing his identity while pushing into new creative territory, with an acclaimed circle of collaborators further expanding his sonic vision. Fans can stream the new album HERE.

'Dream Fatigue' is co-executive produced by Mustafa and Dylan Wiggins (Rosalía, Justin Bieber), and features contributions from Turnstile's Brendan Yates, Dev Hynes, Daniel Caesar, Mustafa, dexter in the newsagent and Taylor Skye of Jockstrap. As evidenced by its impressive list of collaborators, the album represents a shift away from the reclusive manner in which the artist has historically made his bodies of work and showcases the way in which his greatest strengths are highlighted through embracing community. "To let people in is to let them take the thing out of you as well," Rex says of how collaboration has only strengthened his sound.

Moving beyond autobiography, the album follows a protagonist who adopts different personas in an attempt to win over the girl he loves, an idea reflected in playful song titles including "Hannah Montana", "Iron Man", and "Elvis", ultimately giving it its name. "This guy is tired of dreaming and becoming all these people in the pursuit of that dream," explains Rex. Again and again across its melodically economical but harmonically rich 12 tracks, Rex proves on 'Dream Fatigue' that there's a path through a culture where, as he and many others lament, music has become secondary to aesthetics, social media presence, and packaging. Each sweetly sad moment is built on the kind of intimate simplicity – mostly born from Rex feeling each song out on the guitar – that lasts decades.

'Dream Fatigue' took shape on the move, born from spontaneous trips often with little more than a laptop and a pair of portable speakers in tow. Marking a radical departure from his previous process, the album saw many of its songs take root on guitar rather than being constructed in a studio. The result is a collection that brings together classic songwriting, gentle melodies and curious hooks, all shaped by distinctive and exploratory production.

At its heart, the record is the unmistakable sound of a creative circle pushing one another to new heights. Working alongside artists such as Dev Hynes, Daniel Caesar and Mustafa brought a renewed sense of ambition and creative possibility. "Suddenly your eyes open to everything, and you just want it. You want to raise the bar," Rex reflects. "When you're playing alongside someone like Dev [Hynes], a true 20-year legend with impeccable taste, or Daniel Caesar, who has incredible melodies spilling out of him, or Mustafa, a phenomenal storyteller through lyricism, you feel it. I think we all push each other that way, our whole circle of friends."

Turnstile's Brendan Yates plays drums and sings on "Elvis", before directing its music video, with the pair first performing the track together during Rex's intimate underplay show at London's Village Underground in August. Reimagining the classic love song through plucked guitars, cinematic strings and smooth duetting vocals, they deliver an earnest ode to devotion. Elsewhere, "Indecision" (feat. Daniel Caesar) unfolds through layered harmonies and soulful melodies, while "Boyfriend" pairs sweeping strings and delicate woodwinds with a heartfelt plea for redemption. The album's emotional range extends from the dreamlike indie pop of "Penelope", featuring ethereal backing vocals from rising UK artist dexter in the newsagent, to the echoing, folk-inflected balladry of the title track.

Alongside previously released tracks "Hannah Montana", "Grandma Song", "Indecision" (feat. Daniel Caesar), and "Iron Man" – the latter unveiled yesterday through a COLORS performance as the album's final preview –  'Dream Fatigue' will be followed this Monday by the arrival of the Yates-directed music video for "Elvis".

Over the summer, Rex started a series of intimate fan house shows across the UK, Ireland, and Southeast Asia, giving fans the rare opportunity to curate their own setlists from nearly a decade of music while offering an early glimpse into what's next. In Southeast Asia, the shows quickly went viral, sparking a wave of fan excitement and social buzz across the region, with stops in Kuala Lumpur, Singapore, Manila, and Jakarta, alongside headline performances at LaLaLa Festival in Manila and Jakarta. Those shows have continued through album release, bringing both the music of 'Dream Fatigue' and Rex's storied career directly to his fans.

Across a career spanning multiple acclaimed albums, global tours and a devoted international audience, Rex has built a reputation for making music that feels both deeply personal and immediately universal. That connection runs particularly deep in Southeast Asia, with #2 Indonesia, #3 Philippines, and #4 Malaysia ranking among his biggest global markets, while Singapore and Thailand also rank among his top streaming cities worldwide. On 'Dream Fatigue', Rex brings all of that experience into sharper focus, delivering a record that strips away the noise and leaves the songwriting front and centre.

'Dream Fatigue' Tracklisting:
1. Penelope
2. Elvis (feat. Brendan Yates)
3. Handsome
4. Grandma Song
5. Hannah Montana
6. Iron Man
7. The Colosseum (feat. Mustafa)
8. Boyfriend
9. Empty Stage
10. Indecision (feat. Daniel Caesar)
11. Roleplay
12. Dream Fatigue

Stream 'Dream Fatigue' here
 

About Rex Orange County

Back in 2015, when being aloof or cryptic still held cultural currency, Rex Orange County emerged as a sensitive teen willing to be emotionally honest in public. Over the past decade, he has discreetly become one of the most influential and emotionally resonant artists of his generation, amassing billions of streams. His five studio albums – including 2019's critically-acclaimed 'Pony' – live in a liminal space between soul, pop, and classic singer-songwriter storytelling. Since the release of his 2015 debut, 'Bcos U Will Never B Free', he has built a deep, lasting connection with his Gen Z audience, drawn early praise from Tyler, The Creator, and sold out iconic venues like the Hollywood Bowl (in a single day), Red Rocks and Radio City Music Hall. 

For years, Rex Orange County made music alone. A famously introverted artist with early associations to the bedroom-pop scene, he played and produced everything himself. "I was always isolating and making music so internally, covering as many roles as possible, probably to satisfy some kind of control freak vibe," he recalls from his home in London.

When that self-imposed solitary confinement started to chafe, Rex opened the door just a little: he stepped out of the proverbial bedroom to connect with friends and collaborators, jumping on the remix of Ravyn Lenae's track "Love Me Not" in 2024, providing music for the 2025 film, 'Lurker', and working on tracks with Grammy-winning artist Daniel Caesar, alongside Mustafa (formally known as Mustafa the Poet) and Devonté Hynes (Blood Orange). He even stepped inside the atelier of Louis Vuitton with one of his idols, Pharrell Williams, to create the minimalistic, funky, and infectious "Take a Drive".

Now in 2026, 'Dream Fatigue' seems to have genuinely cracked something open within Rex, arriving as his most self-assured album yet. He sounds more like himself than ever, with his songwriting and artistic identity further sharpened by an impressive circle of legendary artists involved in the project.

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We Are Imaginary pays tribute to 18 years of music-making in new “Are We There Yet?” video

November 6, 2026

The Jam Lasin-directed music video captures the band's renewed chemistry while acknowledging the people and experiences that have shaped its journey

MANILA, Philippines — Acclaimed Filipino indie-rock band We Are Imaginary has dropped the official music video for “Are We There Yet?,” the latest single from their 2026 self-titled album. Directed by Jam Lasin of Cream Flower, the music video captures the band in their jamming element, stitching together performances, candid moments, and visual references that pay tribute to their 18-year career as an underground force in the Filipino independent music scene.

The MV also traces the highs and lows of band life, while acknowledging the contributions of past members and collaborators whose influence remains integral to the music.

“Keeping the fire burning is another hard choice, especially in a fickle scene and as a band that doesn't really follow trends,” We Are Imaginary shares in a press statement. “We won't be here without our past members and labels, so hopefully the music video sends a message that all we feel is gratitude.”

The band also reunited with Lasin for their second music video collaboration, following “Object of My Affliction.” Longtime admirers of Cream Flower’s aesthetic, We Are Imaginary entrusted the director and his team to translate their vision into a compelling visual treatment.

“Are We There Yet?” is the latest single from the band’s acclaimed self-titled album, released in January 2026. As one of the earliest compositions guitarist Khalid Tanji wrote for the band’s pre-pandemic album project, the track retains the driving momentum and post-punk guitar sensibilities of its original demo.

The celebration of the music video release continues on November 8 at Saguijo, where the band will hold a vinyl and merchandise launch alongside an evening of live performances from fellow artists. The occasion also marks the debut of We Are Imaginary’s first-ever official tote bag and the vinyl release.

With the vinyl release made possible through Eikon Records PH’s Rick Olivares and the production expertise of Joey Santos of Floppy Disk, the band sees physical formats as a lasting expression of musical legacy. “We get giddy like schoolchildren having our music in tangible form,” Ahmad Tanji of We Are Imaginary reveals.

Following the album campaign, We Are Imaginary plans to return to the studio, with new material currently taking shape and hopes of releasing new music in 2027, alongside performances in more cities across the Philippines and abroad.

Watch the music video on We Are Imaginary’s official YouTube channel, dropping on November 6, 2026, at 12:00 a.m.

Source: Nyou

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LEYO reframes Filipino harana with modern OPM touches in 6-track EP, Akda sa Pag-alala

November 6, 2026

Blending the timeless sentiment of traditional Filipino love songs with acoustic pop, R&B, and understated jazz influences, the singer-songwriter offers an intimate collection inspired by the many ways love is experienced, remembered, and rediscovered

Filipino singer-songwriter LEYO reimagines Filipino haranawith modern sensibilities in Akda sa Pag-alala, a six-track EP released under Sony Music Entertainment.

Melding classic OPM, acoustic pop, and R&B, LEYO’s latest release is a personal collection shaped by affection, longing, vulnerability, and self-discovery. It traces love through intimate, universally familiar stories.

Buoyed by stripped-down arrangements and velvety vocals, the EP deftly balances catchy guitar riffs and warm bass lines with jazzy, bossa nova-lite inflections. Musically, he borrows elements from the music he grew up listening to, from The Beatles and Stevie Wonder to APO Hiking Society and the Manila Sound, creating a nostalgic pop vignette with a contemporary edge.

“Every song on this EP was written using just an acoustic guitar. I made the harana tradition my own by blending it with the music I grew up listening to, combining classic OPM influences with Western pop and R&B elements,” LEYO shares.

The new EP also explores romance in varying tones and hues. “Pritong Itlog” finds affection in the familiarity of preparing a meal for someone, while “Kapag Umuulan” deals with yearning from the perspective of a hopeless romantic. “Torpe” and “Pwede Ko Bang Itanong” confront the uncertainties of unspoken feelings. Other songs like “Kung Magugunaw ang Mundo” and “Kumusta Ka Sinta” convey devotion, nostalgia, and the process of coming to terms with the past.

“Ultimately, it captures my journey as a young man figuring out who I am and discovering what love truly means,” LEYO reveals.

The EP also benefits from the creative contributions of producers, including 2026 Awit Awards winner Brian Lotho, Rain Santana, and LEYO himself, whose complementary approaches helped define the collection’s overall sound.

LEYO adds, “Working with Rain Santana and Sir Brian Lotho really unlocked the full potential of these tracks. They brought two distinct approaches: Rain encouraged me to be more playful and think outside the box, while Sir Brian pushed me to be more intentional with every production choice.”

Acclaimed sound engineer Emil Dela Rosa mixed and mastered the first two tracks, while Hazel Pascua handled the remaining four.

At its best, Akda sa Pag-alala serves as a time capsule of youthful romance and personal growth. Through thoughtful storytelling and melodic sensibilities, LEYO offers a tender reminder that love is often best remembered through life's smallest moments.

LEYO’s 6-track EP, Akda sa Pag-alala is out now on all digital music platforms worldwide via Sony Music Entertainment.

 

Source: Nyou

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Filipina-Japanese artist ena mori takes Best Asian Creative Artist at Taiwan's 17th Golden Indie Music Awards

November 4, 2026

Jazz musician Yuhan Su swept three awards, while Japan's Tempalay delivered an electrifying finale and Balming Tiger's Wonjin joined forces with Taiwan's Elephant Gym for a cross-border performance

 

Taipei, Taiwan — The 17th Golden Indie Music Awards (GIMA) took place on October 31, 2026, at Taipei Music Center, celebrating outstanding independent and original music from Taiwan and across Asia.

This year's notable winners included Taiwanese indie band Sunset Rollercoaster, which claimed Best Album for 《QUIT QUIETLY》, and Japanese-Filipino artist ena mori, who won Best Asian Creative Artist for EP 《Ore》. Taiwanese jazz musician Yuhan Su emerged as the night's most-awarded artist, taking home three awards for her internationally acclaimed project 《Over The Moons》. Performance highlights included Japan's Tempalay and a special collaboration between Wonjinof South Korea's alternative musical collective Balming Tiger and Taiwanese math-rock trio Elephant Gym, adding to the ceremony's cross-border appeal.

Sunset Rollercoaster, known internationally for their dreamy blend of indie rock, soul and retro pop, received Best Album for《QUIT QUIETLY》.The band recently gained further global attention through 《AAA》, their collaborative album with South Korean indie group HYUKOH.

Born in Tokyo and raised in the Philippines, ena mori is a Japanese-Filipino singer-songwriter and producer whose music combines classical piano influences with experimental pop. Her 2022 album 《DON'T BLAME THE WILD ONE!》 topped NME Asia's list of the best Asian albums of the year, and she has performed at international events including SXSW and Japan’s Summer Sonic Festival. Her latest EP,《Ore》, earned her this year's Best Asian Creative Artist award, highlighting the growing visibility of cross-cultural voices in Asia's independent music scene.

Yuhan Su received Best Jazz Album for 《Over The Moons》, Best Jazz Song for 〈Genius and Dumb〉(天才與笨蛋),and the Jury Award. Other winners included Outlet Drift, which won Best Band for 《Masonolay i Cepo’》; Panai, who received two folk music awards for her album《Minsumin》(來了) and the song〈A Bird Without Feathers〉(是誰); and Malpace, whose debut album《((No wool. No hump))》won Best R&B Album.

One of the ceremony's live highlights was ODD WAVES, a special collaboration between Wonjin, a member of South Korean alternative music collective Balming Tiger, and Taiwanese math-rock band Elephant Gym. Their set featured Elephant Gym's〈鏡子 Mirror〉and〈中途 Midway〉,Wonjin's〈겨울왕자 Ice King〉, and a collaborative performance of〈女巫 Witches〉、〈캔디가 생각나Candy〉, bringing together intricate instrumental rhythms and distinctive vocal arrangements.

Japanese psychedelic rock band Tempalay closed the ceremony with performances of 〈Kaminchi かみんち〉 and 〈Sonatineそなちね〉. Featuring Ryoto Ohara, Natsuki Fujimoto, and AAAMYYY, the trio brought their signature blend of psychedelic rock, electronic textures, and experimental pop to the Taipei stage. 

Other performance highlights included a collaboration between Paiwan singer-songwriter Sauljaljui(戴曉君), Yuhan Su, and the Taiwu Ballads Troupe(TBT 泰武古謠傳唱), blending Indigenous Taiwanese musical traditions with contemporary jazz. Best Live Performance winner That's My Shhhshowcased Taiwan's vibrant hip-hop scene with "LIVE A LIFE”.

For the complete list of winners and further updates, follow the Golden Indie Music Awards (GIMA) on its official social media channels.

 

 Source: Nyou

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Indie Pop Trailblazers PREP Return With New Single "Who Can I Turn To", A Fresh Twist On Their Signature Sound

November 4, 2026

LISTEN HERE

November 4th, 2026 - Philippines — Fresh off their headline run across Asia, English four-piece indie-pop band PREP return with their new single, "Who Can I Turn To", a smooth, soul-infused offering that pairs the band's signature city pop sensibilities with the organic warmth of acoustic and slide guitar. Fans can stream the song HERE.

Written in collaboration with Grammy-winning songwriter and producer Daniel Tashian, known for his work with Kacey Musgraves, "Who Can I Turn To" brings together PREP's polished, late-night pop aesthetic with Tashian's understated Americana influences. What began as a demo sketched out in London took on a new dimension during a writing trip to Nashville, where an unexpected ice storm set the scene for a session that would shape the track's final sound. "We knew we wanted to go to Nashville and write with Daniel Tashian. What we didn't know was that we'd end up getting there in the middle of the worst ice storm the city had seen in decades. But Daniel had a fire going, welcomed us in, and once we got playing, everything felt great. This song really encapsulates the whole trip," says PREP.

PREP - "Who Can I Turn To" (Official Visualizer)

"It's about looking around in difficult times when you've lost touch with the person you want to be leaning on."

— PREP

"We knew it needed something extra and as soon as we started mixing the PREP sound world with Daniel's acoustic and slide guitar, it gave us exactly the lift we'd been looking for," the band says. Balancing wistful melodies with an easy, groove-led rhythm, the result is a natural meeting of worlds, with PREP's effortless musicianship at the heart of it all.

Following two albums and five EPs, "Who Can I Turn To" marks another step forward for the band, whose sound continues to be shaped by the sun-dappled melodies and polished rhythms that have become their signature. The release arrives fresh off their 2026 Asia Tour, which saw the band bring their immersive live show to Taipei, Jiaxing, Shanghai, Beijing, Hong Kong, Kuala Lumpur, Manila and Bangkok in October, alongside a milestone race-day performance at the Formula 1 Singapore Grand Prix. Continuing their commitment to musical exchange across the region, select dates featured Thai band YONLAPA, while collaborator James Alyn joined the band for a surprise guest appearance in Bangkok.

Asia has long been central to PREP's international journey. They have previously completed sold-out tours across Southeast Asia, including a successful 2024 Asia run, during which they played shows in Bangkok, Taipei, Singapore, Kuala Lumpur, Jakarta, and Manila. In 2023, they performed at VERY Festival in Thailand, followed by a series of headline shows in China, before closing out the run at Clockenflap in Hong Kong. Earlier this year, the band also took to the stage at Seoul Jazz Festival. 

With more than 650 million streams across digital streaming platforms and a ranking among the world's Top 25 Pop Soul Artists (Chartmetric), PREP's global reach continues to grow. Southeast Asia remains a defining stronghold, with the band's leading global audiences spanning #1 Thailand, #3 Indonesia, #4 Philippines, #5 Malaysia, and #6 Taiwan. On the digital front, their viral cover of Harry Styles' "As It Was" has garnered over 5.8 billion views and 1.6 million TikTok creations.

With "Who Can I Turn To", PREP continue to refine their distinctive sound while leaving room for new influences to find their way in. As the band looks ahead to their third album, they're set to carry forward the more intimate, collaborative spirit they rediscovered while making their latest EP. "Making the EP, we did recapture some of that spirit of working not in a big studio, like we had on the second album," says keyboardist Llywelyn. "I think that we're going to carry on that approach with this third album."

Stream "Who Can I Turn To" here
Watch the official visualiser here
 

About PREP

PREP is the London-based band consisting of vocalist-lyricist Tom Havelock, keyboardist Llywelyn ap Myrddin, drummer Guillaume Jambel, and producer-guitarist Dan Radclyffe—all songwriters and producers in their own right. Formed in 2015, the band has since developed a signature sound: smooth, groove-based music with a slightly melancholy British perspective, as if LA-style soul and funk were filtered through English weather. Drawing inspiration from genres like Japanese City Pop—where 1980s musicians in Japan reimagined American music—PREP's work inevitably becomes something wholly their own.

Over two albums, five EPs, and an upcoming new album, PREP has refined a sound that sets them apart from their UK peers, making them arena-scale outliers across East and Southeast Asia. Their retro-future, sophisto-pop grooves are paired with rich world-building, story-driven graphic design, and an online presence that has cultivated a massive, devoted fanbase.

With an intuitive grasp of timeless, boundary-less songcraft, warm, intimate production, and global resonance, PREP's past works have established them as a singular voice in indie-pop. Collaborations with Eddie Chacon, Phum Viphurit, James Alyn, Vicky Farewell, and Anomalie highlight their versatility and love for melody and groove. Endorsed by hugely popular Korean R&B singer-songwriter, rapper, and producer Dean, their music bridges cultural and regional boundaries while remaining unmistakably their own.

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Beyond the Label of Solo Motherhood: TECNO and Angélica Dass Launch the Philippines Portrait Gallery for 100 Portraits of Becoming

November 3, 2026

The gallery brings together 20 Filipinos whose lives intersect with solo motherhood, revealing the diverse roles, relationships and ambitions that extend far beyond a single label.

MANILA, Oct. 26, 2026 – TECNO and internationally acclaimed artist Angélica Dass today unveiled the Philippines portrait gallery of 100 Portraits of Becoming. Featuring portraits of 20 compelling people and personal stories, the new collection is live on TECNO’s global story archive. 100 Portraits of Becoming is a two-year global documentaryportrait project, spanning five countries and powered by TECNO Universal Tone imaging technology. The Philippines marks its second chapter, following its successful launch in Kenya.

Philippines Portrait Gallery of “Seeing Beyond Labels”

For the Philippine chapter, themed “See Beyond Labels,” Angélica Dass photographed 20 individuals in Manila whose lives intersect with solo motherhood in diverse ways. The gallery honors a powerful truth:behind every societal label is a human life shaped by many roles, deep relationships and personal ambitions, reminding us that no one should be defined by a single societal label or a single title like “solo mom”.

This creative direction is rooted in the realities of Filipino family life. According to publicly available data, the country has an estimated 14 to 15 million solo parents, with women accounting for about 95% of them. An estimated 2.19 million Filipinos worked overseas in 2024, with women making up 57.2% of Overseas Filipino Workers (OFW). Behind these figures are individual lives that are far more layered. This is the space the Philippines chapter sets out to explore.

Captured on the CAMON Slim 5G with TECNO Universal Tone, the Philippines chapter of 100 Portraits of Becoming naturally connects with CAMON Slim 5G’s “Make It Lighter” philosophy, using technology to make expressive photography feel more accessible, intuitive and open to more people.

 

The Stories Behind the Portraits of 20 People

Through their portraits, that broader context becomes personal, revealing very different experiences of work, family, care and becoming.

Angélica Dass taking portrait photos in Manila

Some stories come from working solo mothers themselves. Others are told through the perspectives of adults raised by solo mothers, multi-generation families, Overseas Filipino Worker (OFW) caregivers, and media or community advocates who work closely with women and families. These diverse narratives highlight a pervasive challenge: the social tendency to let a single label define an individual's entire life and capability.

To challenge these stereotypes, their discussions addressed core questions surrounding work, family, and identity - How does motherhood intersect with professional ambition? How do grown children raised in solo-parent families reflect on their upbringing? And what structural support, choices and personal wisdom help families navigate everyday life?

Ultimately, these stories reveal a richer, more nuanced picture of modern family life of solo mothers and women in general: women building fulfilling careers while raising children, multi-generational networks sharing caregiving responsibilities, adults drawing strength from the mothers who raised them, and individuals continuously pursuing their own ambitions.

Portraits of 20 people connected to solo motherhood

Portraits of 20 people connected to solo motherhood from the Philippines chapter now are joining the global 100 Portraits of Becoming on TECNO’s official website, where their images and stories can be explored together.

Her Many Ways of Becoming

Among the 20 participants is Ely Haig, a solo working mother, breadwinner, advertising professional and competitive amateur padel player.

Ely became a mother just as her career was taking off. For a time, she stepped back from opportunities and focused on taking care of everyone around her. Later, she found a different kind of diskarte: knowing what matters to her, then finding ways to make room for her career, her daughter, side projects and padel.

“Being a good mother shouldn’t mean leaving yourself behind,” said Ely. “I want people to see more than a solo mom. A mother, yes, but also a creative, a career woman, an athlete, still becoming.”

The Portrait of Ely Haig

Twinkle Dimayuga Zamora raised two children as a solo mother before turning her own experience into community support. She later founded MAMA, Mothers Advocating through Ministry and Action, an initiative supporting solo mothers and their children. Her diskarte is simple: ask for help, communicate openly and build a village. “Sometimes the strongest thing a mother can do is say, ‘I need help,’” she said.

The Portrait of Twinkle Dimayuga Zamora

Eunice N. Angeles, a fourth-year nursing student, was raised by a solo mother who later became an OFW in Qatar. Growing up, she watched her mother keep finding opportunities and making difficult choices to create a better future for them both. That confidence became something Eunice feels she inherited. “I want people to see what I grew up with: confidence, determination and the courage to find my own way.”

The Portrait of Eunice N. Angeles

These stories reflect different expressions of their own diskarte: the wisdom, resourcefulness and choices women draw on to navigate life in their own way. More stories from the 20 portraits can be explored in the Philippines gallery of 100 Portraits of Becoming, part of TECNO’s global story archive.

 

An Opportunity to See Behind the Portraits

For Angélica Dass, the Philippines chapter is an opportunity to move from a shared social context to the individual lives within it. Across the 20 portraits, she encountered different ambitions, relationships, personalities and ways of navigating everyday life.

Renowned photographer Angélica Dass captures portraits using the TECNO CAMON Slim 5G in Manila, Philippines.

 

“What stayed with me was the realization that ‘solo motherhood’ is only one part of a person's identity. Through the stories shared with me and the moments we created during the portrait sessions, I was reminded that behind every label there is a person with their own ambitions, relationships, choices, and dreams. No single label can tell us everything about who someone is.”

To ground these stories in authenticity, the portraits were photographed on location across Manila in environments directly tied to each participant’s daily life—whether a workplace, a family home, or a familiar community space.

The creative approach echoes the campaign’s core philosophy: leavingspace to portray work, ambition, relationships, humour and daily routines — the rich parts of everyday life that extend far beyond a single role or a single label.

From Kenya to the Philippines, and Beyond

All portraits in the Philippines were photographed by Angélica Dass using the TECNO CAMON Slim 5G, supported by TECNO Universal Tone technology.

TECNO Universal Tone was developed to more accurately represent a broad spectrum of human skin tones in mobile photography. Within 100 Portraits of Becoming, that capability supports a wider idea at the heart of the project: seeing people as they are, with greater accuracy and attention to individuality.

“What moved us about the Philippines chapter was seeing how naturally motherhood, work, ambition and personal identity can coexist in the same life,” said Jack Guo, General Manager of TECNO. “We hope technology can play a small part in helping people be seen more fully, and their stories better understood.”

The Philippines marks the second stop of 100 Portraits of Becoming, following the project’s launch in Kenya in July 2026. Over two years, the initiative will bring together 100 portraits across multiple countries, building a story archive of people, stories and possibilities.

In Kenya, the project explored how people move beyond inherited narratives about place and the future. In the Philippines, the lens turns to family, identity and the roles people carry, looking beyond the first label to the person, the people around her, and who she is still becoming.

And with the Philippines now joining the archive, more portraits, more stories and more ways of becoming are still to be unveiled in more countries.

 

 

For any related media queries, please contact pr.tecno@tecno-mobile.com.

 

## END ##

About TECNO

As a global innovative technology brand with operations in over 70 markets, TECNO has been committed to revolutionizing the digital experience in global emerging markets, relentlessly pushing for the perfect integration of contemporary, aesthetic design with the latest technologies and AI. TECNO offers a wide range of smartphones, smart wearables, laptops and tablets, smart gaming, HiOS operating systems and smart home products. Guided by its brand essence of “Stop At Nothing,” TECNO is committed to unlocking the newest technologies and AI-powered new experiences for forward-looking individuals, inspiring them to never stop pursuing their best selves and their best futures. For more information, please visit TECNO’s official site: www.tecno-mobile.com.

 

About “100 Portraits of Becoming” by TECNO and Angélica Dass

“100 Portraits of Becoming” is a global portrait project created by TECNO together with internationally recognized artist Angélica Dass. Over two years, it will produce one hundred portraits across five countries — Kenya, the Philippines, Saudi Arabia, Türkiye and Brazil — pairing Dass’s portrait methodology with TECNO’s Universal Tone inclusive imaging technology. Each portrait moves beyond a face to the person behind it: to lives unfolding across different cultures, generations and moments of social change. One hundred portraits become one hundred ways of seeing humanity — and one growing archive of who we are, told by the people living it. To learn more, please visit: https://www.tecno-mobile.com/100portraitsofbecoming/.

 

Source: TECNO Philippines

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Sufjan Stevens shares new single and video, “On This Christmas (It Only Gets Better”

November 3, 2026

Holiday LP, Worst Christmas Ever!, out this Friday via Asthmatic Kitty

Watch video for ‘On This Christmas (It Only Gets Better)’ here: https://youtu.be/R8MBM_wDZVo

Watch Worst Christmas Ever! product video here: https://www.youtube.com/watch?v=wDYRTJQbni0

Photo Credit: Emmanuel Afolabi

Facebook | Instagram | Website

 

MANILA, Philippines — Sufjan Stevens has today shared his new track, ‘On This Christmas (It Only Gets Better)’ taken from his upcoming holiday album, Worst Christmas Ever!. This album is set to be released this Friday (6 November) via Asthmatic Kitty.

The track is built around apology, self-assessment, and asking for forgiveness. It’s the first new Christmas song Sufjan has written, produced, and performed in nearly 15 years. “On this Christmas, I ask forgiveness for all the funny things I've said and done,” he sings. The album will also feature 15 essentials of Sufjan’s indie-Christmas staples, drawn from more than 100 Christmas recordings across the box sets Songs for Christmas and Silver & Gold, plus the previously unheard track ‘On This Christmas (It Only Gets Better)’.

Reflecting on the song, Sufjan says: 

“I love the idea of a Christmas apology. A holiday characterized by giving and receiving gifts might be even better with giving and receiving forgiveness. “I’m sorry” is the ultimate ice-breaker in a moment of conflict, contention, and misunderstanding. Let’s try to be better this year: more loving, forgiving, welcoming, and reckoning. This song is a prayer—that we can all find a way to yield to the wisdom and understanding of forgiveness. I believe the world will find its way.”

‘On This Christmas (It Only Gets Better)’ arrives alongside a new video, created by Sufjan, Michael O’Neal, and Cubby Graham. Six thousand stills were hand-painted by Sufjan, Michael, Cubby, and Hannah Cohen for the video.

Sufjan first started making Christmas music in 2001. At the time, he didn’t plan for those early songs to start a snowball that would lead to nearly five hours of Christmas songs that now make up his holiday catalog. The intention was simple—make a few Christmas gifts for friends and family. And the process was the same each time: one week in December, usually at home, he’d pull in whoever was around, usually friends, roommates, or musical peers. In 2006, Asthmatic Kitty collected the first five volumes as Songs for Christmas, Vols. 1-5, and in 2012 the label released Silver & Gold: Songs for Christmas, Vols. 6-10, compiling five more EPs recorded between 2006 and 2010.

Worst Christmas Ever! pulls from across both. The perennial fan favorites are all here: ‘Sister Winter’, ‘Put The Lights On The Tree’, ‘Only At Christmas Time’, and the title track, ‘That Was The Worst Christmas Ever!’. As is ‘Justice Delivers Its Gift’, Sufjan's ecclesiastical take on the Burl Ives classic, ‘Silver & Gold’, ‘Christmas In The Room’, ‘Silent Night’ and more.

The volumes these songs come from were made with a long-running cast of collaborators, including Aaron andBryce Dessner of The National, Richard Reed Parry of Arcade Fire, Cat Martino, Gabriel Kahane, Casey Foubert, James McAlister, Rosie Thomas, Marla Hansen, Olivier Manchon, Sebastian Krueger, and Daniel, Elin, Lilly, and Ida Smith of Danielson.

Speaking to Vulture about his holiday catalog in 2022, Sufjan put it plainly: “There are no rules and regulations when it comes to Christmas culture.” His unguarded enthusiasm for the genre itself, the freedom he takes in celebrating with both reverence and rebellion, and his belief that Christmas music holds a multiplicity of sacred and secular significance that is ultimately ours for the taking make his Christmas catalog a standout.

Pre-order Worst Christmas Ever! here: https://sufjanstevens.lnk.to/worstchristmasever

 

Pre-order limited Dinked edition here: https://ffm.bio/sufjanstevens

 

Pre-order Rough Trade exclusive here: https://www.roughtrade.com/product/worst-christmas-ever

 

Worst Christmas Ever! tracklist:1. Silent Night2. Put The Lights On The Tree3. Holly Jolly Christmas4. Christmas In The Room5. It Came Upon A Midnight Clear (Christmas Infinity Voyage Version)6. Sister Winter7. Joy To The World8. On This Christmas (It Only Gets Better)9. Angels We Have Heard On High (Christmas Infinity Voyage Version)10. Only At Christmas Time11. It Came Upon A Midnight Clear (Christmas Unicorn Version)12. That Was The Worst Christmas Ever!13. Sleigh Ride14. Justice Delivers Its Gift15. Auld Lang Syne16. Maoz Tzur (Rock of Ages)

 Source: Nyou

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Dominic Fike’s new album HOW TO QUIT SMOKING out today

November 3, 2026

Listen to HOW TO QUIT SMOKING HERE and order on vinyl HERE.

HOW TO QUIT SMOKING TRACKLIST

“WALLFLOWER”

“SMALL TOWN (feat. Emma Ogier & Gabriel Jacoby)”

“PANGEA”

“CASTING CALL”

“DOOMSDAY (feat. reggie)”

“HONEYLOVE (feat. Grace Ives)”

“WHITE KEYS”

“SQUEEZE”

“RENO (feat. Hether)”

“LILY WAS A CAVALIER”

“CABBY (feat. Emma Ogier & Love Spells)”

“CITY OF STEEL (feat. Jorjiana)”

“NOT THE SPIRIT (feat. Danny Brown)”

“WAR MACHINE”

“SPOTLIGHT / INNER CHILD (feat. Tay-K)”


In August, Fike put up a 15-track album on DSP’s with a release date in just two months. He announced he would be making his third album on the road in real time. In an age where technology is moving closer and closer to showing us what “perfection” could look or sound like, Fike decided to head in the opposite direction. Dubbing the project “HOW TO QUIT SMOKING”, he challenged himself to leave behind the parts of himself that would interfere with this process.


For eight weeks, Dominic made the album while traveling across North America on his Comedy Tragedy Parody tour. He wrote and recorded these songs on the road, working wherever he could. The album and accompanying visuals took place in a hotel room in Virginia Beach, a tour bus driving from Albuquerque to Las Vegas, a seaplane flying over Vancouver, and the diner from Twin Peaks outside Seattle. These places, and countless others around the country, served as postcards for songs like “Wallflower,” “Small Town,” and “Pangea,” all encapsulating the journey of finding art in the moments along the way.


Perhaps more important than where the music was made were the people who joined Fike along the way to make it. From jumping on last-minute flights to leave their mark as the hours counted down, to spending hours, days, and for some weeks on the road to help create the album’s sound. The sprawling list of artists includes Love Spells, Emma Ogier, Grace Ives, Gabriel Jacoby, Kevin Abstract, Reggie, Jorjiana, Danny Brown, Hether and a phone call with Tay-K.


Originally set to be released in early October, Fike pushed the release by 3 weeks, telling the audience at his LA show that the album had become “bigger than I had ever imagined.” He then bunkered down at Sonic Ranch in Tornillo, Texas, to narrow down the songs. The ranch served as a creative hub for the final days of the project before heading to New York City to complete the recording, mixing and mastering process. The record was completed at Electric Lady Studios earlier this week and now, only a few days later, is being released into the world. 


Watch “CASTING CALL” here - https://www.youtube.com/watch?v=C5L5k_n44jY

Coming full circle, John Cunningham who unknowingly brought the first song of this album, “WHITE KEYS”, to life five years ago, joined Fike in the Sonic Ranch studio during the final hours of recording in Texas. He helped round out the album’s overall sound and brought collaborators from his world, including artists Jorjiana and Tay-K.

The album concludes with a phone call to John Cunningham from Prison, that came in during the camp's last days in Texas. On this call, Fike met the rapper Tay-K and explained the complications of the reality he has designed for himself. "Stay connected to your inner child,” Tay-K reminds him. “Everything is a learning experience. Everything is wonderful.”

Last week, Fike launched the Separate Street Network, a 24/7 streaming channel from his website. Through his time on the road, he has captured the disorienting and fast-paced journey of touring and found fun in the multitude of stories happening all at once. Through this experience, Fike and company have found and developed TV shows, concert films, and organic versions of their favorite junk, introducing viewers to new characters and all the places and the spaces in between.


There’s only more to come from Fike, as he’s set to hit the road once again with Comedy Tragedy Parody - Dominic Fike in Europe, a series of intentionally intimate headline shows taking place in February and March of next year. Kicking off on February 9th in Düsseldorf,  the tour will take Fike across Europe & the UK, performing to his fans at packed venues in Belgium, France, Switzerland, Italy, Denmark, the Netherlands and more before wrapping up in Manchester, UK at  CO-Op Live on March 6th. Buy tickets HERE.


Watch “WALLFLOWER” - https://www.youtube.com/watch?v=b1jjURWPLy4 

Watch “SMALL TOWN” - https://www.youtube.com/watch?v=3CHgKR1OzlU 

Watch “WHITE KEYS”- https://www.youtube.com/watch?v=Cz200209hOs

Watch “PANGEA” - https://youtu.be/q6bZfFQH-OI?si=zvdk_ss3V1AIRo_3 

Dominic Fike Press Photo, credit: Nathan Nguyen  

Source: Nyou

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CHVRCHES NEW SINGLE ‘OVERTHINKER’ OUT NOW

November 2, 2026

ALL THE KING’S MEN

NEW ALBUM DUE 22 JANUARY VIA FUTURES ✦

 

TOURING NORTH AMERICA, UK & IRELAND

FEBRUARY THROUGH APRIL 2027

 

Photo credit: Jody Evans

 

CHVRCHES release ‘Overthinker,’ the second single to be lifted from their eagerly anticipated new album All The King’s Men. The forthcoming album’s standout ballad, ‘Overthinker’ is BBC Radio 1’s Hottest Record and arrives the night after a special intimate charity show for 100 lucky fans at Assumption Studios in Glasgow, the converted church where the album was recorded.

 

The song blends euphoria and emotional ache over driving, pulsing synths and shimmering hooks. Turning inward, ‘Overthinker’ shifts the album's focus from societal pressures to the things much closer to home. In a song about complicated family dynamics, Mayberry describes a relationship with "someone who is your shelter and your storm" and the difficulty of that contradiction and living in the ‘winter’ of someone’s depression or discontent. “Should I lie to you, keep my thoughts from you?”, she sings. “You ask after my friends, if I’m getting thinner, not sure how you raised such a chronic overthinker.”

 

Watch / listen to ‘Overthinker’

 

All The King’s Men, the band’s first album in almost six years, is due for release on 22 January 2027 in LP, CD, cassette and digital formats via Futures ✦. The band - Lauren Mayberry, Iain Cook and Martin Doherty - took their pause in 2023 after touring their fourth UK Top 10 album Screen Violence, with all agreed that when they returned, their next chapter had to challenge and excite them. The result is All The King’s Men, a self-consciously British freewheeling collection of 11 tracks of vividly emotional indie rock that fans won’t expect, and neither did they. 

 

In the intervening years all three members were consciously and unconsciously absorbing material for their return. On his frequent trips back to Scotland to spend time with his mother, Doherty had reconnected with gritty British cinema by auteurs like Shane Meadows and Ken Loach - not incidentally the ones who stare down the barrel of the UK’s worst social issues - and UK artists like Massive Attack, Souxsie & The Banshees, and PJ Harvey. Meanwhile, Mayberry had done her 10,000 hours of sessions and leveled up as a lyricist, and came looking to make music that showcases a fresh storytelling quality and vocal range, and Cook - still living in the band’s Scotland home base - had started to reject electronics in favour of writing with acoustic instruments, and was listening to Nick Drake, Bert Jansch and Incredible String Band. 

 

With none of them approaching creation in the same way, they eschewed the remote working of Screen Violence to meet for multiple, intense three-week stints in Glasgow. They knew recording in-person and in Scotland was exactly the environment necessary for experimentation on this record.

 

A first taste came last month in the form of ‘Roses’ - a scathing piece of contemporary social commentary, a confrontation with the darker undercurrents of Britain, with Mayberry snarling, “raise a glass to delusions of the good days of blood and wine; of pearls for swine.” The song’s Orwellian closing announcement, “If I may command your undivided attention, now we can start,” set the stage for what is to come with All The King’s Men.

 

Through one lens All The King’s Men is a compulsive exploration of British and Scottish culture through the unique viewpoint of this specific band. After years now spent in America, with all its large newness as a country, Doherty and Mayberry connected with a sense of the UK’s history as “old and real” even when it’s ugly. Whether it’s smashing through expectations with playful 90s pop-rock (‘Adore You’) or injecting bleak, expansive loneliness into indie ballads (‘Comedown Tomorrow’), there’s an unapologetic dynamism and risk-taking to its state-of-the-nation songs that demands total attention.

 

For Mayberry, Doherty and Cook this was about discovering their own strength between them, saying that it’s forever changed how they’ll work as individuals and together. In finding the album, CHVRCHES seem to have found something else too, for a second time in their career: a poignant creative language that belongs entirely to the three of them.

 

Pre-order / pre-save All The King’s Men

 

 

CHVRCHES

All The King’s Men tracklisting

 

1. Roses

2. Evil

3. Adore You

4. Overthinker

5. Royal Blue

6. Comedown Tomorrow

7. Friend Of A Friend

8. Three Out Of Five

9. Conman

10. Jamie’s Prayer

11. Faith In Flying

 

CHVRCHES have announced a full tour of the UK and Ireland preceded by an extensive run of shows in North America, starting on 13 February 2027. Tickets for the shows went on sale to fans via presale at 10am local time October 27th (N.America) and 10am October 28th (UK / Ireland), with general sale beginning 10am local October 30th. See chvrch.es for ticket information and details of how to sign up for presale access.

 

CHVRCHES - North America, UK & Ireland shows

13 February - Philadelphia, Franklin Music Hall

17 February - Brooklyn, Steel

19 February - Washington, Anthem

20 February - Pittsburgh, Roxian Theatre

22 February - Buffalo,  Asbury Hall

23 February - Toronto, History

25 February - Chicago, Salt Shed (Indoor)

26 February - Milwaukee, Riverside Theater

27 February - Madison, The Sylvee

2 March - Boise, Knitting Factory

3 March - Spokane, Knitting Factory

5 March - Vancouver, Vogue Theatre

6 March - Seattle, Paramount Theater

8 March - Portland, Revolution Hall

10 March - Oakland, Fox Theater

12 March - San Diego, The Observatory North Park

13 March - Phoenix, The Van Buren

14 March - Los Angeles, Hollywood Palladium

23 April - Glasgow, o2 Academy

26 April - Aberdeen, Music Hall

27 April - Dundee, LiveHouse

29 April - Dublin, 3Olympia

1 May - Manchester, Victoria Warehouse

2 May - Birmingham, o2 Academy 1

4 May - Bristol, o2 Academy 1

5 May - Norwich, The LCR UEA

6 May - London, o2 Shepherd's Bush Empire

 

 

FOLLOW CHVRCHES

WEBSITE | INSTAGRAM | X | FACEBOOK | YOUTUBE | TIKTOK

 

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Metal Rock Band Sleep Theory Returns With New Single "Giving In"

October 30, 2026

LISTEN HERE

Photo Credit: Nick Fancher

October 29th, 2026 – Sleep Theory returns with “Giving In”, their first original music since their acclaimed 2025 debut, 'Afterglow'. Fans can stream the song here and watch the music video here. 

Confronting the relentless cycle of addiction, “Giving In” is accompanied by a haunting music video that traps vocalist Cullen Moore in an endless loop of digging his own grave. Throughout, Moore attacks and buries a version of himself he can’t face, only to claw his way out of the dirt again. Dark figures close in, dragging him back toward his vice, as a sea of dug-up graves reveals he’s ready to start again.

Sleep Theory - "Giving In" (Official Music Video)

Their growing popularity has also translated into major live opportunities, with appearances at festivals including Sick New World, Sonic Temple, Download UK and Pinkpop. Promoters worldwide have responded to demand by upgrading venues and adding shows, while their tours alongside Three Days Grace, Shinedown, Falling In Reverse, Papa Roach and Beartooth have introduced their explosive, cinematic performances to audiences around the world.

Sleep Theory will be on tour across the UK, Europe, Australia and Japan, with more dates to be added. For more information, visit: https://sleeptheoryofficial.com/tour.

Listen to "Giving In" here
Watch the music video here

About Sleep Theory

Hailing from Memphis, Sleep Theory fuse passionate R&B with urgent hard rock, pairing driving guitars and an unstoppable rhythm section with the powerhouse vocals and massive hooks of Moore. The lineup comprises Cullen Moore (vocals), Paolo Vergara (bass), Daniel Pruitt (guitar) and Benjamin Pruitt (drums), whose dynamic sound has helped propel the band to the forefront of the modern heavy music scene.

With their debut, 'Afterglow', and preceding 'Paper Hearts' EP passing 1 billion streams, a 2026 iHeartRadio Music Award for Best New Artist, and five songs reaching Billboard’s Mainstream Rock Top 10, with “Stuck in My Head”, “Static”, and “Words Are Worthless” each hitting No. 1, the band is one of heavy music’s biggest breakouts, commanding a grassroots movement built upon raw talent, authenticity, and connectivity.

FOR MORE INFORMATION
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FOLLOW SLEEP THEORY

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Jay R teams up with international hitmaker Lil’ Eddie for “Bakit Pa Ba” Taglish Version

October 30, 2026

Featuring the acclaimed songwriter behind releases by Kylie Minogue, Usher, Jennifer Lopez, and other international artists, the reimagined ballad pairs Filipino R&B heritage with global songwriting experience

MORE PHOTOS HERE

Photo credits: Mica Javier

 

MANILA, Philippines — Filipino R&B star Jay R reimagines one of his iconic recordings with “Bakit Pa Ba” (Empty) Taglish Version, featuring multi-awarded Filipino-Puerto Rican singer-songwriter and producer Lil’ Eddie.

The new version retains the emotional, suave feel that made “Bakit Pa Ba” a defining entry in Jay R’s repertoire while adding English lyrics that complement its Tagalog passages. Rather than leaning on elaborate production, the track stays intimate and less ornate, letting the fragility and nuanced delivery take center stage.

Jay R adds, “We actually worked with three different producers before finding the sound we loved. Rather than overproducing the track, we kept the background vocals minimal and let our raw voices, emotions, and signature vocal runs do the heavy lifting. Lil Eddie also suggested keeping the opening acoustic and drum-free to preserve the soul of the original.”

The collaboration took shape while the two artists were touring the Philippines to promote their duet “Statue (Taglish Version).”

“I’ve wanted to create a Taglish version of ‘Bakit Pa Ba’ for years, and fans have been asking for it too,” Jay R shares. “Lil’ Eddie’s talent and musicality made him the perfect collaborator to bring this vision to life.”

The pair spent nearly seven hours writing and recording the track. They worked on the finer details of the English lyrics until each line felt effortlessly authentic, ensuring the new version stayed faithful to the original composition's sentiment.

Lil’ Eddie brings considerable international songwriting experience to the project, with credits on releases by prominent artists including Kylie Minogue, Robbie Williams, Usher, Jennifer Lopez, Paula Abdul, Jessie J, JoJo, and Fifth Harmony. His vocal versatility and collaborative instincts complement Jay R’s established R&B sensibilities, resulting in a performance shaped by mutual artistic exchange.

Meanwhile, Jay R has produced some of the biggest OPM hits of the last three decades, including “Bakit Pa Ba?”, which helped him earn the title “Prince of R&B” early in his career.

Jay R’s “Bakit Pa Ba” (Empty) Taglish Version, featuring Lil’ Eddie, is out now on all digital music platforms worldwide.

Source: Nyou

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From SUMMER SONIC to the World: SB19 and Kento Nakajima release “GENTO” collaboration

October 30, 2026

Born from a viral TikTok project and unveiled onstage in Tokyo, the cross-cultural collaboration unites two dynamic forces in Philippine and Japanese music

 

 

 

Manila, Philippines – A miracle collaboration born at SUMMER SONIC is finally here.

“SB19 has released “GENTO feat. Kento Nakajima,” their long-awaited collaboration with the Japanese singer-actor, out on Friday, October 30, 2026.

The song premiered on stage at SUMMER SONIC 2026 Tokyo on August 15, 2026, when the two acts performed it together and sent the crowd into a frenzy. “GENTO” is SB19’s signature song and their most-streamed solo track in Japan. With Kento Nakajima joining, the collaboration drew a huge response as a historic moment when the Philippine and Japanese music scenes intersected.

The collaboration grew out of the “GENTO with Kento Nakajima” TikTok project, filmed during SB19’s visit to Japan last year, which became a major talking point on social media and led to the production of an official collaboration track. The song features special lyrics partly written by Kento Nakajima himself. It carries on the themes of “GENTO” (“success,” “hard work,” and “proving your worth”) while adding a fresh side of Kento Nakajima.

“We’re truly happy to have collaborated with Kento,” shares SB19. “This collaboration has also reminded us of the power of music. It has been a while since we released ‘GENTO,’ but its message, its musicality, and its goal of changing people’s lives through the beat have not faded at all, and they continue to reach many hearts.”

SB19 says Kento was the perfect fit for the collaboration, not only because of the wordplay between his name and the song, but also because of who he is as an artist. The P-Pop powerhouse adds, “We met him last year and reunited at SUMMER SONIC. Through those experiences, we saw how naturally he connects with people and embodies the energy and message that “GENTO” stands for.”

Kento, meanwhile, has nothing but praise for their collaborator, SB19. “Since the SUMMER SONIC performance, music fans in general, not just fans of the two acts, have been eagerly waiting for the release. With today’s launch, this historic collaboration goes beyond the excitement of the venue and reaches fans around the world.”

About SB19

SB19, the kings of P-Pop, have sold out headline shows across Asia, North America, and other regions around the world, and in April they successfully staged their large-scale concert “Wakas at Simula: The Trilogy Concert Finale.” They also delivered a stunning performance at SUMMER SONIC 2026 (Osaka and Tokyo) on August 14 and 15, and their momentum shows no sign of slowing.

About Kento Nakajima

Born March 13, 1994. Affectionately known as “Kenty.” Since leaving his group, he has been active across idol work and acting. After the unit “GEMN” with Tatsuya Kitani and the theme-song project “HITOGOTO” for a drama he starred in, he made his long-awaited solo debut on December 25, 2024 with his first album N/bias. In Japan, he has held solo arena concerts and a nationwide tour, drawing about 100,000 people in total, and he has expanded his reach across Asia with a solo concert in Taipei and an appearance at the large-scale Hong Kong festival Clockenflap. He is currently on his nationwide tour “IDOL1ST Kento Nakajima LIVE TOUR 2026” in support of the album. On August 19, he released his third single, which includes “Oni-gokko” (the opening theme for season 2 of the TV anime Nige Jozu no Wakagimi) and “Fiction Love” (the theme song for the film Love ≠ Comedy, in which he stars). From August, he is scheduled to hold the Asia tour “IDOL1ST KENTY LIVE TOUR 2026,” visiting Taipei, Bangkok, and Seoul.

SB19’s “GENTO feat. Kento Nakajima” is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

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SB19 opens pre-orders for the first-ever ‘Wakas at Simula’ vinyl release

October 29, 2026

The limited-edition Smokey Midnight Blue pressing arrives November 15 and features exclusive collectibles, never-before-seen photos, and a special fan-signing opportunity.

 

 

 

Manila, Philippines – Pre-orders for Wakas at Simula on Vinyl open today, October 29, at 12:00 PM Philippine time, giving fans exclusive dibs on another physical format of SB19’s second studio album. The limited-edition release will be available through Backspacer Records' online store, pressed on Smokey Midnight Blue vinyl with individually numbered copies and exclusive keepsakes.

Officially announced on October 25 during Day 2 of ONE ZONE FEST, the vinyl edition will drop on November 15, 2026. Its arrival expands the group’s growing physical music catalog, following the sold-out release of the Wakas at Simula Global Version CD.

For SB19 leader PABLO, the release represents a long-awaited opportunity to give the album a more permanent physical presence. “Honestly, we’re really happy to finally have Wakas at Simula in a tangible form because we know how much A’TIN, and even we ourselves, love having something we can see and touch,” he shares. “Having this vinyl edition as something we can physically hold and listen to means so much to us, especially now that more and more people are getting into analog formats. This release will forever hold a special place in our hearts, and it’s something we’ll continue to carry with us as we move forward.”

The album was a natural choice for the group’s vinyl debut, conveying a defining moment in its evolution through Filipino-language releases, international collaborations, and reimagined versions of earlier material. JUSTIN hopes the format will also open doors for new listeners. “Through this edition, we also hope that new fans, whether local or international, can discover SB19 and have Wakas at Simula as their entry point into our music, while experiencing the album in a more personal and meaningful way,” he says.

The release has been thoughtfully assembled with collectors and longtime supporters in mind. Its premium tri-fold sleeve houses a 24-page, full-color lyric photobook featuring never-before-seen photographs, an exclusive 11-by-11-inch art print, a special-edition sticker pack, and one random member photocard selected from five new photographs created exclusively for the vinyl edition.

STELL emphasizes the group’s hands-on approach to the creative process, from the visual presentation to the smallest packaging details. “We want every detail to feel intentional, and hopefully, this release reminds everyone that at least one SB19 member had a suggestion along the way.”

Bridging analog and digital listening, the 12-inch single LP also features a built-in near-field communication (NFC) tag for convenient online access to the album. “Integrating an NFC tag into the vinyl is one way we’re doing that, allowing fans to enjoy the physical album while also having convenient access to its digital counterpart,” JOSH explains.

KEN also sees the release as another legacy-building effort to raise the bar for Filipino music. “We want to stay true to who we are as SB19 while continuing to challenge ourselves and explore new ways to express our artistry,” he says. “This vinyl edition is one step in that direction, and we hope there will be more opportunities for us to bring our music to life in different physical formats, creating meaningful experiences that A’TIN can treasure for years to come.”

SB19’s Wakas at Simula on Vinyl Launch and Fan Signing Event will happen on November 15 at SPACE at One Ayala. Fans who purchase the vinyl through the Backspacer Records online store using the designated promo code will have a chance to secure an invitation to the event. Limited slots are available for the fan-signing session. See the full mechanics here.

 

Pre-order Wakas at Simula on Vinyl here:https://sb19.lnk.to/buy-WaSVinyl

Tracklist:

1. Visa

2. Memories

3. Toyfriend (with Be:First)

4. Everblack

5. Emoji (with Jolin Tsai)

6. Wakas

7. What?

8. Mapa

9. Mana

10. Bazinga

11. Ikako

12. SLMT

 

 

About Sony Music Entertainment

At Sony Music Entertainment, we honor the creative journey. Our creators shape movements, culture, communities, even history. And we’ve played a pioneering role in music history, from establishing the first-ever music label to inventing the flat disc record. We’ve nurtured some of music’s most iconic artists and produced some of the most influential recordings of all time. Today, we work in more than 100 countries, supporting a diverse and distinctive roster of talented creators at every level and on every stage. Situated at the intersection of music, entertainment, and technology, we bring imagination and expertise to emerging products and platforms, embrace new business models, and employ breakthrough tools—all to support the creative community’s experimentation, risk-taking, and growth. And we form deep, trusted, cause-based partnerships to uplift and empower communities around the world. Sony Music Entertainment is part of the global Sony family. Learn more about our creators and labels here. 

 

Source: Nyou

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neytan serenades listeners in the bathroom for “ikaw lang ang bossing ko” MV, features ‘OPM’s ultimate bossing’ Ely Buendia

October 29, 2026

Still from ikaw lang ang bossing ko Music Video

 

[LINK TO PHOTOS]

 

MANILA, PHILIPPINES—Laguna-born and Quezon City-based solo artist neytan drops the official music video for his new single “ikaw lang ang bossing ko”, to be posted on Offshore Music’s YouTube page on October 30. With the continuous rise of his release, “ano lasa ng pag-ibig? edi tipaklong” which garnered over a million streams on Spotify alone and 150K spins on TikTok, the Laguna lover boy shared his follow-up single “ikaw lang ang bossing ko” on June 19th as a way to further promote his “quirky song titles with deep meaning “ agenda. As of the moment, “ikaw lang ang bossing ko” has been getting similar traction from his previous release, with the song being an anthem for adoration and uplifting your favorite person. To celebrate this new feat, neytan worked with label Offshore Music to produce the official music video for “ikaw lang ang bossing ko”, which was heavily inspired by his equally successful lyric video of the track which was posted on his own YouTube channel last June. The video features the Quezon City-based singer alone in a bathroom of Room 5, Chapterhouseplaying the song with his guitar as the official lyrics pops on screen.In the concept of bathrooms being the main setting of these musical projects, the artist vehemently believes that these locations are a necessity for everyone so doing these songs in these places is just fitting, but mostly because it is fun and undeniably comical—which suits neytan’s artistic identity very well; meaningful yet amusing. 

 

The official music video, set to drop on October 30, is more intentional with its narrative with neytan playing the song again in a bathroom (specifically at Sari Kitchen), but with a certain recognizable figure awaiting behind the stall and it is none other than “ultimate OPM bossing” Ely Buendia, rock icon and CEO of Offshore Music.  “1. It was a very exciting concept and it feels like a weird dream doing it with Sir Ely [Buendia],” shares neytan. The young hitmaker has been with Buendia’s label since 2023 with “Microbangs” as his first ever release, and since then, both neytan and the label have been working hand-in-hand to further push his music to eyes and ears everywhere. Moreover, the “ikaw lang ang bossing ko” music video is edited by himself, and he cites his eagerness and excitement due to him currently being a multimedia arts student. “I generally love being creative in any area,” neytan adds, noting that his talent transcends beyond sonic projects but also visual arts. 

 

Watch the music video with neytan on his TikTok channel at @neytanmusicstuff  before the music video drops at midnight, exclusively at the Offshore Music YouTube Channel on October 30.

 

About neytan

neytan’s goofy and scatterbrained exterior can be amusing, yet fascinating at the same time as he incorporates it into his music. His pop sound is highly influenced by the 60s to the 80s only if a nerdy Paul Dano created it with the confidence of Alex Turner wearing tight leather pants and the easygoing vibe of the famous cartoon cat, Garfield. However lax his tunes are, they still seem to radiate with a great variety of people, ranging from those who would listen to that mellow, nonchalant, sound to those who primarily listen to hypnagogic pop and post-punk. This emanates from his belief that the simplest forms of entertainment could have the biggest impact on people’s lives–similar to how cartoons and daily internet memes are. Taking this in mind, neytan aims to further maximize and explore the impact of simplicity as he thrives in today's music scene.neytan’s Socials:

 

Spotify: https://open.spotify.com/artist/2SiPvwfKYm1TANEo8F0zyT?si=eZiAdr1eTVCHTwTVSreE6g

Facebook:  https://www.facebook.com/share/17AehdYRNc/

Instagram: https://www.instagram.com/coco_manoloto?igsh=cWVmN3Y1MWtwZGUz

Tiktok: https://www.tiktok.com/@neytanmusicstuff?_r=1&_t=ZS-95MI2q6msM9

YouTube: https://youtube.com/@neytanmusicph?si=7-ttNWwFZ-OO0BGQ

 

Source: Nyou

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For Those Grieving, Joleah Tulagan’s New Song “A Time For Everything” Offers Comfort in Every Season

October 29, 2026

There are seasons we welcome and seasons we wish we could skip. For those navigating loss, pain, uncertainty, or change, Joleah Tulagan’s new song, “A Time For Everything,” produced by Reverb Worship, offers a gentle reminder: it’s okay to take your time to feel and to heal.

Inspired by Ecclesiastes 3:1–11, the song reflects on life’s changing seasons and the assurance that God remains present through them all. Joleah first encountered the passage through a friend who was grieving the loss of a family member. When she heard it again at a funeral service, surrounded by mourners crying silently, its words took on a deeper meaning. She found herself thinking about how the passage could comfort those around her. “It was like a reminder that even though there are different times, different seasons, and different situations, we have the same God who stays with us through it all,” she shares.

She wrote the song the night after the funeral, turning that moment into comfort for people experiencing loss and other difficult times. “A Time For Everything” makes room for grief, reminding listeners they don't have to rush through it or carry it alone.

At its core, the song is about trusting God's timing. The closing lyric, “Yet He has made everything beautiful in its time,” points to a hope that doesn't depend on getting exactly what we prayed for. “‘Beautiful in its time’ doesn't necessarily mean that we will have the exact prayers or expectations we are asking God for,” she explains. “But we know that God will reveal His purpose and the beauty of each season in His own time.”

While grief is central to the song, Joleah hopes it also speaks to those anxious about the future, facing failure, navigating transitions, or simply finding themselves in a season they didn't expect.

“You're not alone. The Lord sees you, and the Lord knows what you're going through,” she encourages.

“A Time For Everything” invites listeners to stop rushing through the season they're in and rest in the assurance that the same God who is present in the joyful seasons is present in the painful ones, too.

Listen to “A Time For Everything” by Joleah Tulagan now on Spotify, Apple Music, and all major digital streaming platforms. Follow @ReverbWorshipPH on social media for more inspiring, faith-based music.

Source: CBN Asia

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James Reid and Kathryn Bernardo bare their hearts in new single “Aaminin”

October 28, 2026

The romantic pop ballad serves as the new theme song of Someone, Someday, capturing the vulnerability and uncertainty of falling for a closest friend

Photo Credit: Dreamscape Entertainment

 

James Reid and Kathryn Bernardo explore unspoken confessions in “Aaminin,” a romantic pop ballad that serves as the new official theme song of the hit teleserye Someone, Someday.

Lyrically inspired by the familiar yet complicated territory of falling for a close friend, “Aaminin” captures the longing, vulnerability, and uncertainty that can change a relationship forever. Opening with James’ intimate line, “Nung una pa lang, pansin ko naman na ’di pang-magkaibigan lang,” the song immediately draws listeners into the realization that friendship may have become something more.

The track grew out of James’ intention to create an original song inspired by the series, particularly Jordan's perspective as he deals with his feelings for Billy, portrayed by Kathryn. After a discussion with director Chad Vidanes, James worked on the lyrical concept as a confession shaped by the character’s evolving romantic relationship.

“I thought writing a song from Jordan’s perspective could be interesting,” James shares. “I teamed up with Jason Marvin to make this song, and we had finished it in hopes that we could get Kathryn to sing on the track, and I’m very grateful that she did. The process didn’t require much thought because we have been close to these characters for almost a year. It’s a simple yet beautiful song, and our vocals blended really well.”

Having spent nearly a year immersed in their characters, James and Kathryn brought an intimate understanding of Jordan and Billy’s emotional journey to the recording process. Their voices blend and soar effortlessly, giving the song the authenticity it needs.

Honesty has become the guiding principle behind the songwriting, according to James. Working with Jason, who also produced the track, he drew on the series’ script and character breakdowns, along with personal emotions, to create a song that feels unfiltered and sincere. Its stripped-down arrangement evokes the vulnerability of a bedroom confession, allowing the lyrics and performances to carry the weight of everything left unsaid.

“Aaminin is a song about hope and trusting your feelings, wherever they may lead,” James says.

James Reid and Kathryn Bernardo’s “Aaminin” is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

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