(Photo credit: Olen Quinn)
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Today, Canadian artist bbno$ (pronounced "baby no money") releases his self-titled ninth studio album via Broke Records/CMG. LISTEN HERE.
The 21-track project is a testament to bbno$’s ability to work across different sounds, while delivering on his widely enjoyed, energetic rap style. The Canadian artist weaves through different pockets, from dance-heavy records like the Sammy Virji co-produced ‘yezzir’; to the soft, mellow serenade ‘main squeeze’. The focus track of the album, 'bing bong', features prominent social media creator Vanilla Mace first ever musical endeavouras VNLLA. The accompanying music video is pure entertainment gold, featuring Mace in a lavish role reversal where bbno$ transforms into her impeccably dressed, devoted butler within the opulent walls of a sprawling mansion. It's visual storytelling that perfectly captures the track's playful energy and bbno$ knack for turning expectations upside down.
WATCH “BING BONG” MUSIC VIDEO HERE
The album] also includes some of the internet’s most popular earworms of 2025, including ‘1-800’ with V-Tuber Ironmouse, ‘two’, and ‘it boy’. The project sees production credits from Diamond Pistols (DJ Snake, Rich Brian), Pink Slip (Katseye, Jason Derulo, Ty Dolla $ign, Lauv) and Y2K (Doja Cat, Young Gravy), plus assists on the pen from Jesse Saint John (Charli XCX, Brooke Candy, The Neighbourhood) and JBACH (LE SSERAFIM, Anitta, Ava Max).
This release is the culmination of a phenomenal year for bbno$, where he more than doubled his audience adding over 14 million new followers across his channels. It also comes on the heels of an ambitious 6-week album rollout campaign with 6 single releases, and a slew of content featuring cameos from the internet’s most recognizable faces, including jschlatt, Vanilla Mace, Jake Webber, Brandon Rogers, TheAnimeMen, Leeda Dong, Smosh, CG5, and The Content Machine. At this time, the campaign generated over 150M impressions on content across all platforms, not including user-generated content.
In the next few weeks, bbno$ will embark on his biggest global tour yet starting October 31st in Sydney, Australia. The tour will cover over 65 dates throughout Q2 of 2026, with venue capacities exceeding 7,000 in some of the major markets across North America, Europe, Asia and Oceania. The tour will be landing at iconic venues in North America and Europe, including the O2 Academy Brixton in London, and it’s guaranteed to be a real rager of a party.
ALBUM TRACK LIST
1. bag TF up
2. bing bong (feat. vnlla)
3. gigolo
4. eat slay love (feat. Käärijä)
5. it boy
6. estrella
7. come to brazil
8. check
9. hot topic
10. yezzir
11. rich sexy ugly
12. 1-800 (feat. Ironmouse)
13. pump it
14. NSFW
15. F.U.N.K.
16. main squeeze
17. ADD
18. like this like that
19. two
20. boom
21. finally up
TOUR DATES
10/31/2025
Australia
Sydney
Hordern
11/2/2025
Australia
Sydney
Hordern
11/3/2025
Australia
Melbourne
Festival Hall
11/4/2025
Australia
Melbourne
Festival Hall
11/5/2025
Australia
Brisbane
Fortitude Music Hall
11/6/2025
Australia
Adelaide
Hindley Street Music Hall
11/8/2025
New Zealand
Auckland
Power Station
11/9/2025
New Zealand
Wellington
Meow Nui
11/11/2025
Australia
Perth
Metro City
11/12/2025
Singapore
Singapore
SCAPE Theater
11/13/2025
Hong Kong
Hong Kong
TIDES
11/14/2025
Taiwan
Taipei
Clapper Studio
11/16/2025
South Korea
Seoul
Musinsa Garage
11/17/2025
Japan
Tokyo
WWWX
11/22/2025
Brazil
Sao Paulo
Cine Joia
11/29/2025
Mexico
CDMX
Pabellón Oeste
2/14/2026
US
San Francisco, CA
The Warfield
2/18/2026
US
Los Angeles, CA
Palladium
2/19/2026
US
Anaheim, CA
House of Blues
2/20/2026
US
Anaheim, CA
House of Blues
2/21/2026
US
Phoenix, AZ
Arizona Financial Theatre
2/23/2026
US
San Diego, CA
SOMA
2/25/2026
US
Albuquerque, NM
The Revel
2/27/2026
US
Dallas, TX
The Bomb Factory
2/28/2026
US
Austin, TX
Stubb's
3/1/2026
US
San Antonio, TX
The Aztec Theatre
3/4/2026
US
St. Petersburg, FL
Jannus Live
3/5/2026
US
Orlando, FL
House of Blues
3/7/2026
US
Atlanta, GA
Coca-Cola Roxy
3/8/2026
US
Charlotte, NC
The Fillmore
3/10/2026
US
Philadelphia, PA
Franklin Music Hall
3/11/2026
US
Boston, MA
MGM Music Hall at Fenway
3/12/2026
US
Washington D.C.
Anthem
3/13/2026
US
New York, NY
Terminal 5
3/16/2026
US
Detroit, MI
The Fillmore Detroit
3/17/2026
US
Chicago, IL
Salt Shed
3/19/2026
US
Cleveland, OH
Agora Theatre
3/21/2026
CA
Montreal, QC
Place Bell (Laval)
3/22/2026
US
Milwaukee, WI
The Eagles Ballroom
3/24/2026
US
St. Louis, MO
The Pageant
3/25/2026
US
Omaha, NE
Steelhouse Omaha
3/27/2026
US
Kansas City, MO
Uptown Theater
3/28/2026
US
Minneapolis, MN
Armory
3/29/2026
US
Des Moines, IA
Val Air Ballroom
4/2/2026
US
Salt Lake City
The Union
4/4/2026
US
Seattle, WA
WAMU
5/4/2026
Ireland
Dublin
National Stadium
5/5/2026
Ireland
Dublin
National Stadium
5/7/2026
United Kingdom
Manchester
O2 Victoria Warehouse
5/8/2026
United Kingdom
Manchester
O2 Victoria Warehouse
5/10/2026
United Kingdom
Glasgow
O2 Academy Glasgow
5/11/2026
United Kingdom
Glasgow
O2 Academy Glasgow
5/13/2026
United Kingdom
London
O2 Academy Brixton
5/15/2025
Switzerland
Zurich
Halle 622
5/16/2026
Germany
Cologne
E-Werk
5/17/2026
Germany
Cologne
Palladium
5/19/2026
Netherlands
Amsterdam
AFAS Live
5/20/2026
France
Paris
Le Bataclan
5/22/2026
Italy
Milan
Fabrique
5/24/2026
Czech Republic
Prague
SaSaZu
5/26/2026
Germany
Berlin
Columbiahalle
5/28/2026
Slovakia
Bratislava
Majestic Music Club
6/5/2026
CA
Toronto
Budweiser Stage
ABOUT BBNO$:
bbno$ (pronounced “baby no money”) has quietly become one of the most astute observers and architects of digital music culture, operating at the intersection where viral moments evolve into lasting artistic statements. Beneath the irreverent surface lies a sharp understanding of how modern pop culture actually moves, an instinct that has made him one of the most consistently relevant independent artists of the last five years.
That instinct powered his latest breakout, “1-800” featuring VTuber sensation Ironmouse. Released in June 2025, the track quickly became his most daily streamed song to date and one of the year’s biggest independent hits. What could have been a novelty elsewhere became something forward-thinking, cementing bbno$’s role as a cultural translator between internet subcultures and global pop. The momentum now leads into his highly anticipated self-titled album, released on October 17, following a six-week internet-breaking marketing campaign.
bbno$’s career jumpstarted with “Lalala”, a record that didn’t just go viral but rewired TikTok’s musical DNA and ushered in a new era of digital-first pop. He followed with “Edamame” featuring Rich Brian, another multi-Platinum smash that proved his staying power. Since then, bbno$ has built an extensive body of work, from the collaborative “Baby Gravy” albums with Yung Gravy to a relentless stream of singles that, in just the past year, have generated 750 million video views, 1.4 million fan-made creations, 140 million DSP streams, and more than 2.5 million new followers.
His live presence has grown just as rapidly. What began with digital discovery now commands sold-out headline tours across North America, Europe, Australia, and New Zealand. The upcoming world tour supporting his self-titled album will include career-defining performances at London’s O2 Brixton Academy and other legendary North American venues.
What distinguishes bbno$ from his contemporaries is not just his fluency in viral culture, but his ability to bend it toward his own creative vision. Unapologetically independent and irreverently inventive, he continues to redefine how artists build, engage, and entertain in the digital age. Above all, he proves that authentic connection with fans remains the ultimate currency in modern pop culture.
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For more information, contact mabuhay@blackstar.space