• Sam's Diary
  • Work with Sam
  • Sam Who?
  • Email Sam
Menu

speakoutsam

  • Sam's Diary
  • Work with Sam
  • Sam Who?
  • Email Sam

Buy my books on AMAZON

No results found
275369921_2615417995255763_5503852830536182268_n.jpg

Buy my books on Amazon!

594D9DA9-B19D-4E85-9498-653DB46A4C0D.jpeg

Samantha Gail B. Lucas

Published Author

AXEAN Festival 2026 draws record crowd, strengthens Southeast Asia’s music connections

September 16, 2026

The Bali-based conference and showcase powerhouse pulls in over 4,000 attendees across three days of music, discovery, and exchange.

 

Ndarboy Genk commanding the crowd with their dangdut-infused bops

 

 

September 10, 2026 / Bali, Indonesia – AXEAN Festival 2026 wrapped up its latest edition with a strong finish, serving consistency and growth for Southeast Asia’s first intra-regional music showcase and conference festival. Taking place at Jimbaran Hub in Bali for the third time in a row, the Bali-based annual festival brought together a formidable mix of artists, music professionals, delegates, and audiences in a setting designed to foster exchange beyond the traditional conference. More than 4,000 attendees came over the three-day run (including private events), nearly double last year's attendance.

 

The positive response from audiences and international delegates reflected the festival’s astoundingly diverse reach. According to Piyapong Muenprasertdee (also known as Py), co-founder and co-teamleader of AXEAN Festival, one of the most vital measures of AXEAN’s success was seeing audiences move freely among genres and cultures.

 

“I love seeing people enjoy music regardless of genre, style, or language,” Py says. “At AXEAN someone might be moshing in a pit one minute and joining a dangdut ring dance the next, which is exactly what happened this year.”

 

He also emphasized that the festival’s continued presence in Bali has been instrumental to its identity and growth. “Firstly, we had more popular Indonesian artists grace the stage, which attracted a bigger local audience compared to last year,” Py shares. “Secondly, the creative communities here. Through our Bali-based correspondent, Chika, we partnered with Craft Hotel, a new hotel and art gallery in Ubud, and Amplitude, a skate park in Seminyak, to organize pre-event activities, including panel discussions with people from the scene and live music from Balinese artists.”

 

This year’s edition took pride in its solidified relevance as a platform for discovering, connecting, and championing music from Southeast Asia and beyond. The community-driven spirit in the AXEAN Festival was evident during the performance of Indonesian headliner Ndarboy Genk, whose dangdut, koplo, and Javanese pop repertoire brought audiences together in a communal dance. “That is what we built AXEAN for,” Py adds.

 

AXEAN’s conference and networking initiatives also proved to be vital in this year’s offerings, upholding its vision to amplify global and synergistic connections through speed meetings, pitching sessions, and panel discussions. The festival enabled participation from industry folks who might otherwise never find themselves in the same conversation. Partner activities included brunches hosted by Sounds Australia, programming by Korea Spotlight by the Korea Creative Content Agency (KOCCA), and initiatives involving France’s Center national de la musique (CNM).

 

At the core of its mission, the festival recognized the importance of building spaces for organic, in-person connections. A VIP loungesupported by The Orchard and the closing after-party gave artists and delegates opportunities to connect outside formal meetings.

 

Beyond the artist- and industry-centered programming, one of the festival’s foremost highlights is the partnership with KEXP, which marked the Seattle-based music platform’s first-ever presence in Asia. AXEAN became KEXP’s first Asian festival partner for its Live at KEXPprogram, with twelve performances by Southeast Asian artists filmed and recorded in two Bali locations: Locca Sea House and Puri Bhagawan.

 

“Both sit on the Jimbaran cliffs above the sea, and both are run by Jimbaran Hijau, who also run Jimbaran Hub — the grounds where the festival and conference are held,” Py explains in a press statement. “KEXP reaches an international audience that Southeast Asian artists rarely get in front of. This time, twelve of them are now in it.”

 

While the program structure remained consistent with previous editions, AXEAN Festival enhanced the overall experience for attendees with a Southeast Asian street food hawker center and an arts and crafts area to engage younger attendees and families. Thanks to festival partners Tunecore and Empire, AXEAN Festival mounted a seamless three-stage setup ideal for attendees looking for music across different backgrounds and disciplines.

 

Next year’s edition intends to build on these gains while gearing towards AXEAN’s bigger purpose: promoting Southeast Asian music and bolstering its presence within the wider Asian music ecosystem. By keeping its place on the regional calendar and collaborating with complementary events across Asia, including a songwriting camp post-festival, AXEAN promises to make music discovery and export a top priority, just like in previous years, but more purposeful and intentional than ever.

 

“Our long-term vision is to raise the Southeast Asian music ecosystem and strengthen its place within the wider Asian one,” Py says, summarizing the goal.

 

 

About AXEAN Festival 

 

The AXEAN Festival is a prominent Southeast Asian music export platform, combining a music conference and showcase festival.

 

Launched in 2020 during the pandemic by music professionals across Southeast Asia, AXEAN Festival has successfully hosted both virtual (2020-2021) and in-person (2022-2026) events. Over seven editions, it has featured over 290 artists from 23 countries, attracted over 530 delegates from 36 countries/territories, and reached over 46,000 virtual viewers, along with close to 22,000 live attendees.

 

With its growing international reputation, AXEAN has firmly established itself as Southeast Asia’s leading music export platform. Its first venture into a new market beyond its original home base in Singapore and Bali garnered widespread acclaim among attendees, music industry professionals, and participating artists.

 

 Source: Nyou

← Nadine Lustre drops “Donut” MV teaser FKJ Unveils Highly Anticipated New Album 'Tyber'; World Tour to Hit Southeast Asia →

15 days

Featured
IMG_1979.JPG
May 19, 2017
Day 15: I'm Home
May 19, 2017
Read more →
May 19, 2017
IMG_8821.JPG
May 18, 2017
Day 14: Painting, Writing, Being
May 18, 2017
Read more →
May 18, 2017
FullSizeRender.jpg
May 17, 2017
Day 13: Speakoutsam Serves
May 17, 2017
Read more →
May 17, 2017
FullSizeRender.jpg
May 16, 2017
Day 12: Searching Through Sam
May 16, 2017
Read more →
May 16, 2017
FullSizeRender.jpg
May 15, 2017
Day 11: Just Keep Writing
May 15, 2017
Read more →
May 15, 2017
FullSizeRender.jpg
May 12, 2017
Day 10: Intersecting Ironies Intercepted
May 12, 2017
Read more →
May 12, 2017
IMG_1932.JPG
May 11, 2017
Day 9: Letter on Brush Strokes
May 11, 2017
Read more →
May 11, 2017
FullSizeRender.jpg
May 10, 2017
Day 8: Lay Day
May 10, 2017
Read more →
May 10, 2017
FullSizeRender.jpg
May 9, 2017
Day 7: Word Yearn
May 9, 2017
Read more →
May 9, 2017
IMG_8594.JPG
May 8, 2017
Day 6: Chutzpah
May 8, 2017
Read more →
May 8, 2017