"BAD OMENS TO BROADCAST SOLD-OUT EUROPEAN TOUR STOP ON VEEPS"

“Bad Omens: Live from Amsterdam” to Stream Globally on Dec. 12

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Following their sold-out Do You Feel Love European tour, Bad Omens will commemorate their landmark 2025 run with an exclusive global livestream, Bad Omens: Live from Amsterdam, broadcasting worldwide on Friday, December 12 via streaming platform VEEPS. Tickets for Bad Omens: Live from Amsterdam are available now for $19.99 or $24.99 (day of show), with free access for VEEPS All Access subscribers. Fans can also secure a limited-edition commemorative poster — only 1,212 will be produced — while supplies last.
 
The Amsterdam performance caps off a banner year for the chart-topping rock band, whose meteoric rise has been chronicled across major music outlets. 2025 has seen Bad Omens dominate festival stages worldwide - from Download UK and Graspop Belgium to Aftershock in the U.S. - while announcing their first-ever headline arena tours across Europe and North America, with tickets moving fast. Their latest singles “Specter,” “Impose,” and “Dying to Love” have drawn widespread critical acclaim for blending dark cinematic production with anthemic hooks, cementing the band as one of modern metal’s most inventive acts.
 
The tour’s meticulous live production and the emotional intensity of their performances have been widely praised. Earlier this year, Kerrang! described their headline shows as “arena-ready spectacles that blur the line between metal show and immersive art installation.” With Bad Omens: Live from Amsterdam, the band brings that experience to a worldwide audience for the first time, captured in full-scale production.
 
Event Details:

• Date: Friday, December 12, 2025

• Ticket Price: $19.99 (advance), $24.99 (day of show) or free for VEEPS All Access subscribers

• Watch at: https://veeps.events/badomens

About Bad Omens: Bad Omens are redefining modern rock with their cinematic sound, meticulous artistry, and undeniable presence. Following the explosive success of their breakthrough album The Death of Peace of Mind (2022) - now RIAA Gold-certified with over 2.7 billion global streams - the band has continued to dominate charts and stages worldwide. Their Platinum-certified hit “Just Pretend” reached #1 at both Alternative and Active Rock radio, while follow-ups “Like A Villain” and the album’s title track have gone Gold.
 
Their latest chapter showcases the band’s bold evolution, led by “Specter” - their fastest climb to #1 on the Billboard Mainstream Rock Airplay and Mediabase Active Rock charts, while also reaching #15 at Alternative Radio. Meanwhile, “Dying To Love” debuted at #1 on the Billboard Alternative Digital Song Sales chart and has climbed to #2 on the Hot Hard Rock Songs chart, further cementing their place at the forefront of modern rock.
 
Known for their immersive, visually striking performances, Bad Omens will headline their first arena tours across Europe and North America in 2025–2026, solidifying their place at the forefront of rock’s next wave.
 
About VEEPS: VEEPS is the world’s leading streaming platform for live music and entertainment, connecting fans with their favorite artists through live and on-demand concerts, comedy shows, and more. Launched in 2018 by Joel and Benji Madden, VEEPS has streamed performances to millions of viewers worldwide for thousands of artists including Billie Eilish, Bob Dylan, Brandi Carlile, Chris Stapleton, Foo Fighters, and Kings of Leon. VEEPS content is available via veeps.com and apps on Apple TV, Roku, iOS, Samsung, and Android. VEEPS is a part of Live Nation Entertainment (NYSE: LYV)

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ONE OR EIGHT Launches Official “GATHER” Limited Edition

(credit: Avex Music Creative Inc.)

For immediate release — Japanese global boy group ONE OR EIGHT proudly unveils their official “GATHER Limited Edition” merchandise, available now via their official online store, in celebration of the release of their upcoming first mini album GATHER and 1st LIVE TOUR - GATHER.

The collection features a curated lineup of items designed to commemorate the “GATHER” era, including postcards, button badge sets, member-designed keychains, bandanas, muffler towels, t-shirts, hoodies, photocard cases and carabiners. Fans who meet the minimum spend will unlock exclusive bonuses such as solo photocards, duo photocards, special collector’s boxes as well as special fan-meet opportunities with ONE OR EIGHT. These benefits are available for a limited time only, from 4 December 2025 to 3 February 2026 or while stocks last. Full details here.

The mini album GATHER marks a new creative chapter for ONE OR EIGHT, fusing their energetic global-pop sound with powerful visuals while embodying their core message of unity and empowerment. Fans (known as 1DERZ) eagerly await the group’s next phase as GATHER arrives worldwide on 28 January 2026.

As part of their growing presence, ONE OR EIGHT will embark on their first-ever live tour beginning March 2026 - details are available here.

1st LIVE TOUR - GATHER

Saturday, 7 March 2026  — Kobe Harbor Studio (KOBE)

Saturday, 14 March 2026 — Nagoya ReNY limited (NAGOYA)

Friday, 20 March 2026 — Yokohama Bay Hall (YOKOHAMA)

More dates to be announced.

Most recently in October, the group released their live EP “SHŪKAI FINAL in TOKYO - Live Highlights”, held a global online concert, and were appointed ambassadors for the ADIDAS 3 STRIPES COLLECTION F/W 2025.

ABOUT ONE OR EIGHT

ONE OR EIGHT is an eight-member Japanese boy group - MIZUKI, NEO, REIA, RYOTA, SOUMA, TAKERU, TSUBASA and YUGA - whose name is derived from the Japanese idiom “ippuku ka yoka” (one or eight, meaning “all or nothing”). With the tagline “BET ON YOURSELF”, they embody a spirit of risk-taking and ambition, inviting fans to dream big and take bold chances alongside them.

They debuted on 16th August 2024, with “Don’t Tell Nobody”, produced by One Republic’s Ryan Tedder (Taylor Swift, Adele, Jonas Brothers) and David Stewart (BTS), debuting at No. 1 on the Billboard Japan HeatseekersSongs chart. Their 2024 collaboration with Big Sean, “KAWASAKI (with Big Sean)”, peaked at #5 on the U.S. iTunes Hip-Hop/Rap Song chart.

This year, ONE OR EIGHT were named one of Nikkei Entertainment!’s 100 New Leading Artists and won Upcoming Dance & Vocal Group at MTV VMAJ. In September they made history as the first Japanese boy group to walk the red carpet at the MTV Video Music Awards (VMA). They visited Singapore in the same month, performing to a capacity crowd at Yes933 Hits Fest and taking the stage at Music Matters Live, strengthening their growing connection with fans across Southeast Asia.

2025 marked a prolific year for ONE OR EIGHT, driven by a steady stream of releases exploring themes of ambition and challenge - “DSTM” (March), “365” (June), “Young & Reckless” (August) and “BET YOUR LIFE” (September). They also performed as part of the stellar lineup at a-nation, joining Ayumi Hamasaki, NCT Wish, TRF and NEXZ. The group continued expanding their global footprint with fan meetings across Japan, Thailand, the US, Mexico, Brazil and Argentina, making this year a defining period of momentum, growth and rising international presence.

Follow ONE OR EIGHT:

Official Fan Club | YouTube | Instagram | TikTok | X | Facebook

For enquiries please contact Blackstar Asia at mabuhay@blackstar.space

FINIX releases new track “HAND IN HAND”

An empowering anthem for the modern Filipino breakout P-pop group, the euphoric track serves as a collaboration with financial app, JuanHand

[DOWNLOAD THE PHOTOS HERE]

FINIX drops their new song “Hand in Hand,” a bold, new empowerment anthem created to uplift Filipinos navigating ambition, responsibility, and the pursuit of their dreams.

Blending Taglish rap, energetic pop production, and FINIX’s signature attitude, “Hand in Hand” captures the spirit of everyday Filipinos who choose courage over fear, hustle over doubt, and self-belief over external expectations.

The song is also a declaration of self-belief and an anthem for anyone working through storms, responsibilities, and societal expectations. Lines like “Busy umasenso di patatabla. One shot, one life.” and “Dreams too loud, can’t silence that” echo the resilience of everyday Filipinos who continue pushing forward despite challenges.

“Hand In Hand” is a collaboration with financial app JuanHand, which will also serve as the company’s official theme song moving forward. Produced under GKD Records, the track embodies both brands’ shared mission: giving people the confidence and tools to chart their path.

“Hand in Hand is our love letter to everyone who kept pushing, even when things got tough,” FINIX shares.  “We created this song to remind Filipinos that strength doesn’t always look loud, it’s about dusting your knees and keep pushing forward.”

About the Song

“Hand in Hand” delivers a mix of Tagalog and English bars, sharp swagger, and motivational punch. Themes include turning pressure into progress, staying focused on long-term dreams, moving with confidence even during hardship, supporting one another in moments of uncertainty, transforming small steps into massive wins, and choosing courage instead of fear.

The repeated mantra “Dreams don’t wait, we take that stand” summarizes both the song and the partnership at large.

About FINIX

FINIX is the flagship girl group of GKD Records, known for bold concepts, socially aware themes, and globally competitive performance and production. With strong fan engagement and identity-driven branding, FINIX is redefining what Filipino girl groups can achieve on the international stage.

About GKD Records

GKD Records is a global-minded, independent Filipino label shaping the next generation of Southeast Asian music. Built on artist autonomy, transparency, and disruptive innovation, GKD champions creators who break molds rather than follow them. From in-house production to global-standard training, GKD aims to help Filipino artists compete confidently on the international stage.

 Source: Nyou 

JOJI & YEAT JOIN FORCES FOR “PIXELATED KISSES” REMIX

PISS IN THE WIND
OUT FEBRUARY 6, 2026 

Today, Joji unveils “PIXELATED KISSES (with Yeat).” After originally releasing “PIXELATED KISSES” earlier this October, Joji turns the track on its head with a verse from Yeat.  

STREAM “PIXELATED KISSES (with Yeat) HERE

PRESAVE PISS IN THE WIND HERE

Written and produced by Joji, “PIXELATED KISSES” marks a sonic return to form. Joji’s quintessential pared-down vocals unite with a gritty trap beat. Yeat fits seamlessly into Joji’s lo-fi ecosystem with a complimentary hook that amplifies the song’s successes; the resulting track is some of the most haunting, moody, and indelible hip-hop of 2025. The remix is accompanied by a mind-melting, James Mao-directed music video with a candy-colored pixelated video treatment and appearance from Yeat.

This remix follows the announcement of Joji’s fourth studio album, Piss In The Wind, out February 6, 2026via Palace Creek.  Earlier this fall, he also shared singles “If It Only Gets Better” and “Past Won’t Leave My Bed.”  

Piss In The Wind bridges Joji’s sonic past and present balancing melancholic, brooding writing with gritty yet atmospheric production. “If It Only Gets Better,” recalls Joji’s lo-fi roots, weaving acoustic guitar with syncopated bass and soaring harmonies. It’s accompanied by a James Mao-directed video, that playfully nods to his BALLADS 1 breakthrough “YEAH RIGHT,” counterbalancing frenetic, clubby visuals with minimal but ruminative lyrics. While “Past Won’t Leave My Bed,” is a strong ballad that mirrors the sentiment of “Glimpse of Us.” Since their release, Joji’s past three releases have amassed 138M+ streams to date. 

Connect with Joji: 

Instagram | Facebook | Twitter | YouTube

Connect with Yeat: 

Instagram | Twitter | YouTube

About Yeat: 

Low-fi melodies, clever cutting lyrics, and a distinctly mysterious persona are all highlights that build up the enigma that is Yeat, one of the most interesting rises in music. The prolific rapper broke through in 2021 when his song “Gët Busy” began appearing in TikTok videos. The track became so ubiquitous that it caught the attention of heavyweight rappers, including Drake, Lil Uzi Vert, Gunna, and many more. As his fame skyrocketed, so did the mania surrounding the artist’s cult-like following which led to the shutdown of a show in Los Angeles at The Roxy. Now, with two headlining tours under his belt, four Billboard Top 10 Album Debuts, and over 8 billion global streams, the young talent is well on his way to superstardom. Yeat was born Noah Smith in 2000. He began releasing music around 2015, taking notes from Young Thug’s melodic strangeness and the inventive production styles of rappers who were rising to prominence as he grew up. He started out using the moniker Lil Yeat, but shortened it to Yeat in 2018. That year, he released his first mixtape, Deep Blue Strips. From then on, he was in hyperdrive. As his fame skyrocketed, Yeat released the mixtapes Alivë and 4L, and the Trëndi EP, before the release of his first proper studio album. Up 2 Më was issued in September 2021 followed by a second studio LP, 2 Alivë, in early 2022. Just last year, Yeat was tapped by superstar Drake to collaborate on record “IDGAF” which is featured on Drake’s album For All The Dogs. The song, which was an instant hit, debuted at #2 on the Billboard Hot 100, and #1 on the Billboard Global 200. Recently, Yeat's LYFESTYLEreached #1 on the Billboard 200 chart selling 89K equivalent album units –– LYFESTYLE marked Yeat’s fourth entry into the Top 10 in only two years: Lyfë (No. 10 in 2022), 2 Alivë (No. 6 in 2022), AftërLyfe (No. 4 in 2023), 2093 (No. 2 in 2024) and now LYFESTYLE (No. 1 in 2024).

For all PH media inquiries, please contact:

mabuhay@blackstar.space

https://blackstar.space/

JADE announces deluxe edition of debut album THAT'S SHOWBIZ BABY! THE ENCORE

Global music superstar JADE today releases the deluxe edition of her outstanding debut album, THAT'S SHOWBIZ BABY! THE ENCORE.

The deluxe album features 8 additional songs, 7 new tracks including the powerful 'Church' and the socially conscious anthem 'This Is What We Dance For', alongside JADE's highly praised cover of the Madonna classic 'Frozen'.

This is the grand finale of the THAT'S SHOWBIZ BABY! era!

The full track list is:

1. Angel Of My Dreams

2. IT girl

3. FUFN (Fuck You For Now)

4. Plastic Box

5. Midnight Cowboy

6. Fantasy

7. Unconditional

8. Self Saboteur

9. Lip Service

10. Headache

11. Natural At Disaster

12. Glitch

13. Before You Break My Heart

14. Silent Disco

15. Church

16. This Is What We Dance For

17. Dreamcheater

18. Best You Could

19. Use Me

20. Frozen

21. If My Heart Was A House

22. Tar

The deluxe album is available on cd and vinyl. The CD will be released on 19th December, with vinyl released on 27th February 2026. Pre-order here: https://jade.me/THEENCOREPR

Upon its release in September, the album 'THAT'S SHOWBIZ BABY!' had the biggest opening week for a debut album of 2025 on the Official UK Albums Chart and topped the Official Record Store Chart. The album sees JADE work with a variety of A-list collaborators on the project including Mike Sabath, Lostboy, Cirkut, RAYE and Pablo Bowman. It features the previously released singles 'Fantasy,' 'Midnight Cowboy,' 'IT girl,' 'FUFN', and 'Plastic Box', in addition to 'Angel Of My Dreams', the smash hit that catapulted JADE's solo career into the spotlight.

Released last summer, 'Angel Of My Dreams' immediately turned heads on a global scale with its attention-grabbing sound and larger-than-life, hyper-stylized visual directed by Aube Perrie (Megan Thee Stallion, Harry Styles). The song to date has amassed over 107 million streams, debuted in the Top 10 of the UK Official Singles Chart and has just gone Gold in the UK. The overwhelming success of 'Angel Of My Dreams' helped lead to JADE's triumphant night at the 2025 BRIT Awards, where she took home the award for 'Pop Act' - making her the first former girl group member to win a solo award - and delivered the stand-out performance of the night with a live rendition of the track.

'Angel Of My Dreams' was named the No.1 song of 2024 by DIY Magazine and a Top 10 song by The Guardian, DORK, Clash and NME. JADE was nominated for a Ivor Novello Award for 'Best Contemporary Song’ for the track and Dazed named it video of the year.

This Summer she performed showstopping sets at major festivals including Glastonbury, Radio 1's Big Weekend, All Points East, Mighty Hoopla, TRNSMT and the Montreux Jazz festival in Switzerland.  She also played a special full orchestral concert at the BBC Proms in Newcastle, alongside supporting Chappell Roan at her shows in Edinburgh.

In October JADE hit the road for her first solo UK and Ireland tour 'THAT’S SHOWBIZ BABY! – THE TOUR' visiting Dublin, Belfast, Brighton, Manchester, Glasgow, Leeds, Bournemouth, Birmingham, Newcastle and London's prestigious Roundhouse. Next year the tour hits Europe and the USA.

JADE has won numerous awards in the last year including The Trailblazer Award at The Rolling Stone UK Awards, the 2025 Popjustice Twenty Quid Prize for 'Plastic Box' and Artist of the Year at the Artist & Manager Awards. She finished this year by picking up the Musician Award at Harper's Bazaar's prestigious Women Of The Year ceremony earlier this month.

To date, JADE has achieved over 300 million streams of her solo work.

Source: Nyou

Filipino alt hip-hop artist Young Cocoa reclaims his narrative with bold new EP, STILL COCOA

In his six-track release, the acclaimed rapper expands his sonic palette and tackles themes of maturity, identity, and creative freedom

Rising Filipino artist Young Cocoa asserts his place at the forefront of the alternative hip-hop scene with the release of his highly anticipated EP, STILL COCOA, under Sony Music Entertainment. The six-track project is a boldpiece of work that embraces new influences while honoring the distinct sound that first put him on the map.

Known for incorporating chill, hypnotic grooves with inescapable rhythms and off-kilter production choices, Young Cocoa sharpens his signature sound with renewed clarity and purpose. Produced by Brido, Jayson Franz, Joseph Gregory, Luke April, and up-and-comer chocolateman, the EP weaves together fan favorites such as “inboxxx,” “Cheap Thrills,” and “Raspberry” alongside surefire bops and rarities designed to push the boundaries of alternative music, rap, hip-hop, and bedroom indie.

The young hip-hop act explains, “Outside of the message I’m trying to share in this era, STILL COCOA is really my way of planting a flag and cementing my lane as a pioneering alt hip-hop artist. This marks an evolution of my previous project, liv, luvv, cocoa, with clearer messaging and topics that hit closer to home. This time, I’m more focused on experimenting and being more intentional with my sonic and production choices.”

Thematically speaking, STILL COCOA serves as a self-reflection piece on holding onto youth while confronting the realities of growing older. Young Cocoa describes the new record as the start of a new chapter in sound, writing, and storytelling.

“The project explores the in-between of youthfulness and maturity, something that people rarely talk about,” shares the multi-talented rapper. “Some people just fall into adulthood, and some people take time. I’m part of the latter. Each song reflects what growing up has taught me.”

The lead single “STILL COCOA (fly)” represents a pivotal personal and artistic shift, ultimately choosing liberation over limitation. The song addresses the expectations and pressures that have shadowed his early success while reinforcing the EP’s central themes of self-belief and reclaiming one’s narrative.

“I’ve held myself back for so long because many people associated me with one song,” he admits. “It kept me from exploring my full potential. Writing this song made me realize it was time to let go of any inhibitions and fully embrace my sound, whether people understand it or not. STILL COCOA is really an invitation to follow me on the rest of my journey as an artist and serves as a reminder to people that although I’ve changed look-wise, sound-wise, and personality-wise, I’m STILL Cocoa.”

The EP also features new tracks such as “WHEN DO I GET OLD?,” a candid confrontation with ageism in the music industry, and “flew2bali4ahug,” a personal musing on growing distant from brothers.

“Both tracks really spoke to deep feelings I had that were only shared with my girlfriend and anyone in my tight-knit group of friends,” he says. “Sharing these feelings with the world is both scary and exciting. Who knows? Someone out there might be able to relate. That’s a thought that comforts me.”

Young Cocoa’s new EP, STILL COCOA, is out now on all digital music platforms worldwide via Sony Music Entertainment.

Catch him at the STILL COCOA EP and Music Video Launch on December 5, 2025, from 6 pm to 10 pm at Shutterspace Studios in Quezon City. Entrance is FREE!

Register here: https://YoungCocoa.lnk.to/stillcocoalaunch

Source: Nyou

Acclaimed author Segundo Matias Jr. to release sequel to Batang Poz

Stigma: Batang Poz 2 builds on the success of its first novel and iWant adaptation, delivering a gripping look into the lives of poz teens in ultra-conservative Philippines

Manila, Philippines – Palanca Award-winning and best-selling author Segundo Matias Jr. has released his newest work, Stigma: Batang Poz 2, the highly anticipated sequel to his groundbreaking 2018 novel, Mga Batang Poz. His latest release deepens the conversation about HIV awareness and the stigma still faced by young Filipinos living with the virus.

In Stigma: Batang Poz 2, fifteen-year-old Melody joins a group chat called “Pete’s Corner,” a digital refuge for young people like her, teenagers living with HIV. As her pregnancy becomes more visible, she must face the weight of stigma while finding strength in the stories of other poz youth, including the familiar characters from the first book. The follow-up explores survival, solidarity, connection, and the search for hope in the midst of the HIV-AIDS crisis in the Philippines.

Matias adds, “Melody, the new character, is especially important to me. If her story reaches video, there is so much within her journey that viewers can learn from. Through Melody’s experiences, the novel discusses both teenage pregnancy and living with HIV.”

A sequel that challenges as it confronts

As the first young adult novel about HIV-AIDS in the Philippines, Stigma: Batang Poz 2 has been hailed as a landmark contribution to both literature and public health, one that challenges prejudice and calls for compassion in the age of social media and digital connection. The first Batang Poz novel received critical acclaim for its courageous and truthful portrayal of living with HIV, later inspiring a powerful 2019 iWant miniseries starring Paolo Gumabao, Mark Neumann, and Awra Briguela. The sequel seeks not only to shed light on the lived experiences of People Living with HIV-AIDS (PLHIV) but also to remind us of the importance of empathy, understanding, and solidarity in combating discrimination.

Stigma: Batang Poz 2 also delivers engaging and practical information on sexual health and empowerment. “The discussions in this book are deeper and more technical,” shares Matias. “In Stigma, I made it a point to provide clear guidance on staying safe. I want to highlight the importance of PrEP and consistently advocating condom use for protection. While the first book conveyed the horrors surrounding HIV, the second installment focuses on empowerment and dismantling stigma.”

Early praise for Stigma: Batang Poz 2

The novel has garnered advanced praise from notable critics, writers, and advocates in the Philippines.

Internationally acclaimed essayist and winner of the Curt Johnson Prose Award for Nonfiction, Wifredo Pascualcommends Matias’ masterful craftmanship, noting his skill in crafting “solid and meaningful” scenes. “His sharp eye in choosing the most telling detail is critical in bringing this to light. It’s urgent. And it’s a question worth asking ourselves as readers. How far are we willing to go to get to the source of our discomfort and denial?”

Multi-awarded poet, scholar, and teacher Charlie Samuya-Veric, celebrates Matias’ commitment to making “courageous writing contagious.” He explains, “With Stigma: Batang Poz 2, Segundo Matias, Jr. departs completely from the fantastical concerns of Moymoy Lulumboy and takes his readers close to what they would otherwise deny: their deepest fears and most unacknowledged prejudices. Matias’s courage is enabling. He provides his audience with a different experience and creates a new horizon for YA writers who may not yet have the will, or wherewithal, to explode social taboos.”

Mark Angeles, award-winning author of Gagambeks, also praises the book for widening the conversations around subjects often deemed controversial and taboo. "Binuksan sa atin ng Mga Batang Poz ang makulay na mundo ng mga alter—isang produkto ng immersion ng awtor sa internet subculture na ito.”

Matias hopes the sequel will empower readers, especially young adults, to face the world’s challenges with courage and clarity. “Health hubs have told me that more people are getting tested because they read Mga Batang Poz,” shares Matias. “That alone makes me happy. For a writer like me, being able to convey a meaningful message through one’s work is already a victory.”

Segundo Matias, Jr.’s Stigma: Batang Poz will be available soon.

About the Author

Segundo Matias, Jr., is an award-winning writer, storyteller, and publisher. He holds a master’s degree in Creative Writing from the University of the Philippines and has received multiple literary awards, including three honors from the Carlos Palanca Memorial Awards for Literature: Paper Dolls (2016, Third Prize – Essay), Alamat ng Duhat (2011, First Prize – Short Story for Children), and Loida: Taxi Driver (1991, Honorable Mention – Teleplay).

He is a writing fellow of the UP Institute of Creative Writing and a member of Ricky Lee’s Writers Studio. Segundo has written more than fifty children’s stories. Among his most notable works are Moymoy Lulumboy: Ang Batang Aswang (Best Young Adult Book, The Severino Reyes Medal 2024; Top 10 Books of 2014 by the Philippine Daily Inquirer), Moñito, Ang Mabait na Demonyo (Shortlist, 6th National Children’s Book Awards), Angelica, Ang Multo sa Balete Drive (Shortlist, 6th National Children’s Book Awards), Uncle Sam (Finalist, 4th National Children’s Book Awards; Kids’ Choice Awards Winner), Ang Papag ni Tatang (Honorable Mention, PBBY Salanga 2012), Kuwentong Nanay (a series of books about mothers, also translated into Spanish), and Mga Batang Poz (a novel about four adolescents living with HIV, later adapted into an iWant miniseries).

His work in children’s literature eventually led him to become a storyteller for the Knowledge Channel’s television program, Kuwento ni Kuya Jun. Before entering the world of book writing and publishing, Segundo was already recognized for his contributions as a writer for both television and film.

Source: Nyou

The All-American Rejects Reignite Their Signature Energy In Vibrant New Single "Get This"

LISTEN HERE

HIGHLY-ANTICIPATED NEW ALBUM
ARRIVING SPRING OF 2026

Photo Credit: Andy Knight

November 28th, 2025 – Fresh from an arena tour with the Jonas Brothers, pop-rock icons The All-American Rejects unveil a sunlit, hook-filled new single, "Get This", setting the stage for their upcoming highly anticipated album 'Sandbox', arriving Spring 2026.

The All-American Rejects bring their signature spark back in "Get This", an indie-pop track reminiscent of their earlier hits like “Gives You Hell” and “Move Along”. Its accompanying music video cleverly nods to classic holiday films, featuring the band on five playful, cheeky sets.

Tyson Ritter shares about the track: “Little hooks will sit in your pockets like a lead weight that won’t shake out in the dryer. ‘Get This’ was a song born on a drive. It was made in the sunshine on the back porch of our family home. Pure fun like the company it was written around.”

2025 has proved to be the biggest year of the band’s career, with highlights including a viral House Party run that goes global next year. After teasing new music since spring, they’ve re-emerged with force – pulling in a new generation of fans and driving a true resurgence. Their breakout single “Easy Come, Easy Go” powered the viral House Party Tour, which quickly became a cultural event with coverage on Nightline, CNN, FADER, New York Magazine, NPR, and more. The track alone generated hundreds of millions of views across three music videos and was performed live on Jimmy Kimmel earlier this year.

“Get This” follows their recent singles “Eggshell Tap-Dancer” and “Search Party”, the latter’s music video premiering with MTV and showcased in NYC’s Times Square. With the album garnering 10 million streams already pre-release, the band will close the year strong, headlining KROQ’s Almost Acoustic Christmas and performing live on Dick Clark’s Rockin’ New Year’s Eve.

Stream "Get This" here: too.fm/arn46q1
 

About The All-American Rejects

Formed in 1999 in Stillwater, Oklahoma, The All-American Rejects quickly became one of the most iconic pop-rock bands of the early 2000s. The group’s core members—Tyson Ritter (vocals and bass) and Nick Wheeler (guitar and drums)—first started making music together as teenagers, blending Ritter’s hook-fueled lyrics with Wheeler’s line-and-sinker guitar style. Their self-titled debut album in 2002 introduced the world to their sound, with the standout hit “Swing, Swing” catapulting them into the mainstream and showcasing their knack for writing deeply personal yet universally relatable songs.

The band's 2005 follow-up album, 'Move Along', cemented their place in modern rock history with hits like "Dirty Little Secret", "Move Along", and "It Ends Tonight". Their 2008 album, 'When the World Comes Down', continued their momentum, with "Gives You Hell" becoming one of their biggest hits.

Throughout the years, The All-American Rejects have continued to evolve while staying true to the emotional core that has always defined their music. Albums like 'Kids in the Street' (2012) highlighted their willingness to explore new themes and production styles. Known for their loyal fanbase and iconic music videos, the band has maintained their place in pop-rock history while adapting to a constantly changing musical landscape.

For longtime listeners and new fans alike, their songs remain a staple—whether it’s “Swing, Swing” or “Gives You Hell”—their journey is far from over, and their commitment to writing songs that resonate with fans continues to define The All-American Rejects.

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MINH Unveils Debut EP 'THANK GOD! IT DIDN'T WORK OUT'

LISTEN HERE

LED BY VULNERABLE NEW SINGLE
"DAMAGED"

“I really pushed myself with this project. It’s everything I’ve always wanted to make. I had a bunch of songs ready to be released, but something told me they weren’t me. This EP is me. I’ve never felt prouder of a project” — MINH

November 28th, 2025 – Following a breakout year of performances across Asia, pop singer-songwriter MINH returns with his debut EP, ‘THANK GOD! IT DIDN’T WORK OUT’. The five-track project traces the stages of heartbreak and healing through a deeply personal lens, shaped by experiences that transformed him as both an artist and a person. Fans can stream the EP here.

Arriving alongside the project is MINH’s new single, “Damaged”, a song about realizing that no matter how much healing you think you’ve done, some wounds still ache when touched. MINH wrote the track after experiencing his first heartbreak, when his two-year relationship ended in January 2025. “It completely shattered me,” he recalls. “Losing the person who once made me feel loved and seen destroyed my confidence and left me grieving not just the relationship, but who I was in it”.

In the months that followed, MINH slowly opened himself up to new love and new experiences, only to discover that moving forward was more complicated than he expected. One morning, he woke up next to someone new to the sound of an old alarm labeled “Wake [Ex’s name] up!!!” — a moment that sent a flood of emotions rushing back. “That’s when I realized I wasn’t fully healed yet,” he says. “I felt more guarded, more self-protective, and maybe a little less naive about love”.

Written between Vietnam and Australia, the EP features production from Maribelle (Vetta Borne), Glenn Hopper (Len20), and Michael Choi, with co-writing credits from Cody Jon and Benjamin James. Together, they helped MINH craft the pop sound he had long been searching for — emotional, cinematic, and full of honesty.

“‘THANK GOD! IT DIDN’T WORK OUT’ captures my first heartbreak perfectly in five songs — the darkness, the light, and the healing. They almost resemble the stages of grief,” MINH explains. “This project is a reintroduction for me as an artist. The music feels more confident now that I’ve really lived life. I think people are going to see a more honest, wiser side of me in this project”.

The EP includes “Damaged”, “Out With Grace”, “Thank God!”, “What I Never Had”, and “I Don’t Know” each representing a distinct emotional chapter. “Damaged”, first performed at Zandari Festa in Seoul, moved audiences with its raw vulnerability. “Out With Grace” which MINH has performed to thousands across Taiwan, Singapore, and Korea, became a fan favourite for its euphoric yet bittersweet tone. “Thank God!” marks a creative milestone, written in Vietnam with Australian artist Glenn Hopper; “What I Never Had” emerged during MINH’s writing camp with Concord Australia, co-written with Maribelle. Finally, “I Don’t Know”, a staple in his live shows, continues to stun listeners with its explosive emotion and introspection.

“Writing this project helped me heal from heartbreak,” MINH shares. “I thought I knew what heartbreak felt like, but it’s so much deeper. It’s surprisingly the most painful when it’s calmest — it sneaks up on you in the silence. Going to Australia for my Concord writing camp really changed a lot for me. Meeting Glenn, Maribelle, and Cody allowed me to create the music I’ve always wanted to make”.

Drawing inspiration from pop storytellers like Julia Michaels, Ryan Tedder, Max Martin, and Troye Sivan, MINH shaped ‘THANK GOD! IT DIDN’T WORK OUT’ into a body of work that reflects both his emotional evolution and the electricity of his live performances. Each song carries his signature lyrical candor and melodic confidence, revealing an artist stepping fully into his own.

'THANK GOD! IT DIDN'T WORK OUT' Tracklisting

1. Damaged
2. Out With Grace
3. Thank God!
4. What I Never Had
5. I Don’t Know

Listen to 'THANK GOD! IT DIDN'T WORK OUT' here

About MINH

MINH is truly a unicorn in the Vietnamese music industry. Born and raised in Vietnam, he stands out as an artist who sings exclusively in English, carving a unique path in the local and international music scene.

MINH is an exceptional singer-songwriter whose talent shines through his smart, thought-provoking lyrics and irresistibly catchy melodies. His music effortlessly connects with audiences, showcasing both his creativity and emotional depth. On stage, MINH is a powerhouse of energy, captivating fans with amazing live performances that leave a lasting impression.

2024 served as a pivotal setup year for MINH’s international expansion, laying the groundwork for his global presence. In 2025, he had the opportunity to showcase his talent at Bangkok Music City (Bangkok, Thailand), Carnival Fever (Taichung, Taiwan), Taoyuan Pearl Coast (Taoyuan, Taiwan), Music Matters (Singapore) and Zandari Festa (Seoul, Korea), while also preparing collaborations with artists from Japan and Malaysia — further establishing his footprint in the Asian music scene.

Most recently, MINH made his comeback with the single “Gossip”, and the latest Single “Out With Grace” marking an exciting new chapter in his career. The track quickly gained attention, being featured by international media outlets such as Bandwagon Asia, EARMILK, Bingkai Karya, The Noize Magazine, Manila Republic, and IGGY Magazine. MINH was also invited to share his story and music on notable podcasts and radio shows, including 3CR Melbourne, ICRT FM 100 Radio, and 105 Kiss FM Medan. Furthermore, “Gossip” was added to Spotify’s V-Sound Ngay Lúc Này playlist, amplifying its reach to a wider Vietnamese and global audience. This successful comeback sets the stage for MINH’s highly anticipated debut EP, slated for release at the end of this year.

With over 11 million career streams, MINH has built a strong presence across the region, with Indonesia, Thailand, Taiwan, the Philippines, Singapore, and Malaysia ranking among his Top 10 streaming markets worldwide!

FOR MORE INFORMATION
 SECRET SIGNALS |  INQ INTERNATIONAL

FOLLOW MINH

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DEY SAY ANNOUNCE THEIR ORIGINAL HOLIDAY PROJECT CHRISTMAS WISH - THE EP

https://onerpm.link/christmaswish

Africa’s breakthrough A-Pop boyband brings festive nostalgia with a fresh global sound out Friday, 28 November

Spearheading their signature sound A-Pop, South Africa’s trailblazing boyband Dey Say unveil their debut festive project, the fully original Christmas Wish EP, landing worldwide on Friday, 28 November.

As the first South African pop boyband in nearly two decades to emerge outside of a reality-TV format, Dey Say are rapidly defining a new lane on the global pop map. Their fusion of global pop, R&B, and Afro influences continues to resonate with fans across continents, positioning them as one of the most exciting new acts to watch internationally.

Christmas Wish EP features four original holiday songs — “Sweetest Gift,” “Mistletoe,” “Let The Snow Fall,” and “Hold Me Close” — delivering classic boyband harmonies wrapped in fresh, feel-good festive energy. Lead track “Sweetest Gift” stands out as a holiday playlist contender, capturing the warmth and nostalgia of the season with a contemporary pop edge.

The EP follows a milestone season for Dey Say. Their first-ever music video “Calling For You (Ringback)” surpassed 250K views in its first week, with the original version of track debuted at #1 on the 5FM Pop Chart and peaking at #12 on the Heart FM Top 40. unprecedented achievements for a newly launched independent pop group from South Africa. In the Philippines, the music video premiered on popular music TV network MYX on release.

Now stepping confidently onto the international stage, Christmas Wish EP marks Dey Say’s next chapter as they expand their A-Pop movement to global and Pan African audiences.

Christmas Wish EP is out worldwide Friday, 28 November.

For international media enquiries, interviews, and press assets:

Mark Bonifacio – mark.bonifacio25@gmail.com

Experience the Hope of Christmas with Reverb Worship’s Holiday Single, “Liwanag”

Reverb Worship PH, CBN Asia’s music arm, invites listeners to experience God’s light

and hope in their 2025 Christmas anthem, “Liwanag.” Stream it on all major digital

music platforms worldwide starting November 28.

In a year marked by uncertainty, natural calamities, and societal challenges, many

Filipinos have felt weighed down by confusion and darkness. Liwanag, performed by Hazel Faith and Caleb Santos, shines as a timely reminder that true hope is found in Jesus—the light of the world, and the real reason for this season.

Inspired by Isaiah 9:2 which foretells Jesus as the great light for people walking in darkness, the music label’s songwriters penned the single with that message in mind—and to encourage listeners to welcome His light into their lives.

“I felt overwhelmed and doubted I could find joy or celebrate Christmas amid so much darkness,” songwriter Ivy Catucod recalled. “I realized I was focusing too much on negatives and forgetting that Jesus, magnified above all, is the true light, our hope.”

Co-writers Joselle Feliciano and Shekinah Gram echo the same reflections, and highlight the creative touches that listeners will enjoy, including the use of a choir in the bridge—a first for a Reverb Worship song.

“Hearing 52 tracks of voices praising Jesus brings a smile to my face, and I hope to His as well. The beat drop in the chorus is something new. I am excited to see how peoplewill dance or react to it!” Shekinah shared.

Joselle added, “I am pleased by how the choir exultation came together—layering worship declarations with musical references to Shekinah Gram’s Hesus Aming Hari and the classic Christmas hymn, Come All Ye Faithful. To me, it feels like a small glimpse of what worship in Heaven might sound like.”

Return to the heart of Christmas. Stream Liwanag now on Spotify, Apple Music, YouTube, and other digital streaming platforms. Don’t miss Reverb Worship’s upcoming music releases next year. For more updates, follow on Facebook, YouTube, TikTok, and Instagram.

Source: CBN Asia

Jonathan Manalo, Reverb Worship Win Best Inspirational Song at 47th CMMA

OPM hitmaker Jonathan Manalo bagged the Best Inspirational Song award at this year’s

Catholic Mass Media Awards (CMMA) for his song Bahaghari, released under Reverb Worship PH, CBN Asia’s music arm.

Manalo, together with Reverb Worship’s Project Head, Ivy Catucod, accepted the award at the Citystate Tower Hotel in Ermita, Manila, and later performed a live rendition of the song.

“Thank you, 47th CMMA, for recognizing Bahaghari as Best Inspirational Secular Song. It is an honor to have written, composed, produced, and interpreted this piece, and an even greater privilege to minister through this song and share its message at the awards night,” Manalo

shared.

Bahaghari, a lively pop-funk anthem that highlights God’s enduring promise, serves as the carrier single of Reverb Worship’s Bahaghari EP—the group’s first extended play released in October 2024. Other tracks on the EP include Bahagi by EJ De Perio, Palagi by Vee Jay Dela Calzada, Tahanan by Diwa, and God Is Good by Hazel Faith and Caleb Santos.

Since then, Bahaghari has received warm reception from listeners, and now, recognition from prestigious award-giving bodies such as the CMMA. Behind the award-winning single are arranger Tommy Katigbak, mixing and mastering engineer Dante Tañedo, and Reverb Worship artists on backing vocals.

“I am grateful to everyone who received the heart of this song and allowed its message to speak to them. Above all, I give back all the glory and honor to my Lord and Savior, Jesus Christ,” he added.

Reverb Worship has consistently earned awards and special citations from 2021 to 2025.

Getting the nods from organizations like the CMMA continues to spotlight Christian

Contemporary Music, giving audiences alternatives to mainstream songs and inspiring artists to create music that transforms lives.

Have you listened to Reverb Worship's songs yet?

Stream Bahaghari on all digital streaming platforms worldwide! Stay tuned for Reverb Worship’s upcoming song releases, follow on Facebook, YouTube, TikTok, and Instagram.

Source: CBN Asia

Ben&Ben expands The Traveller Across Dimensions universe

Album tie-ins include an e-book and plush collectibles of characters from the TTAD story

(LEFT) Paolo Benjamin with the characters of the TTAD lore in plushie form; (RIGHT) Miguel Benjamin reading the free-to-download TTAD e-book

28 November 2025 — In celebration of the first anniversary of the release of The Traveller Across Dimensions (TTAD) concept album, the country’s biggest folk-pop band Ben&Benis taking it to the next level by releasing various album tie-in materials and merchandise to bring the album to life.

The 2025 Awit Awards Album of the Year honoree was released on November 29, 2024, and went on to produce a number of hits such as “Autumn,” “Could Be Something,”and “Triumph,” which received the Best Performance by a Group Artist nod from the same awards program.

They mounted the first TTAD concert on December 14, 2024, playing to a sold-out crowd at the SM Mall of Asia Arena. The show was packaged as an animation-concert hybrid that combined live music and animation to tell the story of Liwanag, the album’s titular character. Since then, the band has brought the show to various parts of the country, including Cebu City, Bacolod City, Baguio City, Davao City, and Cagayan de Oro City, with the last stop for the year happening in Iloilo City on December 7.

To reach an even wider audience, the band last month released an e-book companion to the TTAD album, which fleshes out Liwanag’s story in greater detail. Liwanag belongs to a race of inter-dimensional beings called Travellers, whose goal is to reach a place called the Duyan Dimension—a place where all Travellers are said to achieve perpetual inner peace.

In her journey, she goes through three Dimensions: Light, depicting innocence; Energy, depicting struggle; and Feel, depicting maturity. She writes 12 songs along the way, which relate her experiences in each of the Dimensions. In every step that she takes, she tries to answer a fundamental question: “How must we live?” After many adventures and both good and bad experiences, she eventually reaches the DuyanDimension, her ultimate goal.

Liwanag’s songs—the 12 songs in the TTAD album—reflect the various experiences of the band members over the past several years and showcase their growth as people, as songwriters, and as musicians.

While the songs themselves reflect the whole TTAD narrative, the companion e-book gives the story more flesh.

To make the TTAD universe even more tangible, the band has also launched the Traveller Plush Series, featuring four characters from the TTAD lore: Liwanag, Mahiwaga, Puhon, and Dilim. These are advocacy-driven collectibles inspired by the TTAD story’s message of being “present with love.”

“In the story of The Traveller Across Dimensions, to be ‘present with love’ is what is generally known as mindfulness, or being aware of our thoughts and emotions, and responding to the present moment with love and kindness. As you listen to the songs in the album and read the e-book to get a more detailed story about the Traveller, you will be taken on a journey through the three dimensions to discover what it means to be present with love,” Ben&Ben said.

Join us in our journey into the TTAD universe. Let us never forget to always be “present with love.”

To read the TTAD story, go to thetravelleracrossdimensions.com/story

About Ben&Ben

Ben&Ben is a multi-awarded Filipino band known for their anthemic sound and electrifying live performances. With critically acclaimed albums that set records in streaming and sales, the nine-piece collective explores personal, emotional, and socio-political themes with underlying messages of human connection, courage, hope, and vulnerability. In less than a decade, they’ve managed to shape an entire generation’s cultural awakening through music that uplifts, inspires, and invites introspection. The band’s songs also serve as both a mirror and a compass, which guide listeners on a journey of self-discovery.

 Source: Nyou

SB19 releases THE FIRST TAKE versions of “DAM” and “Time” on digital music platforms worldwide

Available globally starting today, these exclusive one-take recordings mark another trailblazing achievement for the P-Pop supergroup

Sony Music Entertainment announces the official worldwide release of THE FIRST TAKE versions of “DAM” and “Time,” two of SB19’s most celebrated hits. Starting today, music fans across the globe can stream the new versions on all digital music platforms.

Both “DAM” and “Time” were originally showcased in exclusive one-take performances on THE FIRST TAKE, which premiered on November 3 and November 24, 2025, simultaneously. The releases mark SB19’s notable return to the influential Japanese YouTube channel, where they hold the distinction as the first and only Filipino and Southeast Asian act to perform and the first ever to do so twice.

[Watch THE FIRST TAKE performance of SB19’s “DAM”]

[Watch THE FIRST TAKE performance of SB19’s “Time”]

THE FIRST TAKE is a Japanese YouTube channel thatinvites artists to perform for only one take. Some of the artists who have appeared on The First Take include BTS’ V, Harry Styles, Stray Kids, and Hitsujibungaku—to name a few.

Representing the Philippines on a global stage remains a milestone the group deeply treasures. Pablo shares, “We are happy and honored to be back in TFT. It has always been our goal to champion Filipino talent and perform on a globally recognized platform. This is a huge opportunity and honor for us, and we are excited to share our passion with the world.”

For Stell, the opportunity to perform on a prestigious platform like THE FIRST TAKE is an achievement worth celebrating.  “Our first appearance already made an impact, and this return makes us even prouder. Performing on THE FIRST TAKE is a huge achievement. It may not be a trophy, but it is an honor to share our music and represent our country. We hope that more Filipino artists will have the opportunity to perform on that stage and share the richness of our music with the world.”

Josh adds, “We used to daydream about performing there, and now we’ve grown and are finally doing it, not just for SB19 but also to show what real Filipino talent is.”

Performing on THE FIRST TAKE is unlike any other stage.Ken emphasized the pressure and pride involved in performing for the global platform. “Although the performance is similar to what we’ve done before, we did the song in a single take. It really is a true one-take recording, and the first take is what they used. We put in a lot of hard work to give our best and perform without mistakes. We are truly grateful for the opportunity and feel proud that we were able to share this moment with everyone.”

Apart from their record-breaking stint at THE FIRST TAKE, SB19 also made history as the first Filipino group to chart on Billboard Japan, debuting at No. 17 on the Top Album Sales Chart with Simula At Wakas EP, released in September 2025. Additionally, their song "Time" previously reached No. 1 on the Line Music Japan World Music Top 50 chart, while “DAM” holds the record for being the second most viewed Filipino music video within 24 hours after its release.

SB19 is also the first Filipino act to make it into The Official MENA (Middle East & North Africa) Chart, entering the UAE Top 10 at No. 7 and the Saudi Arabia Top 20 at No. 17.

“We are very happy and proud to represent Filipino talent and to showcase the skills of Filipinos around the world,’ Justin explains. “Being part of TFT for the second time is such an honor because we know this show is recognized globally. This opportunity brings us one step closer to our goal.”

THE FIRST TAKE versions of SB19’s “DAM” and “Time” are now available on all digital music platforms worldwide via Sony Music Entertainment.

Follow SB19 on their socials: 

Website: https://www.sonymusic.co.jp/artist/SB19

YouTube: https://www.youtube.com/channel/UCm4v7afBTnJKRm4SlfHJzyg

X: https://twitter.com/SB19Official

Instagram: https://www.instagram.com/officialsb19

TikTok: https://www.tiktok.com/@officialsb19

Source: Nyou

ZUTOMAYO Announces Premium Member Presale Ballot Registration for Singapore Debut Show on 17 April 2026

Singapore— Japanese music sensation ZUTOMAYO (Zutto Mayonaka de Iinoni) has officially announced Premium Member Presale Ballot Registration for their highly anticipated Singapore debut, happening 17 April 2026 at The Star Theatre. The Singapore show as part of their expandedZUTOMAYO INTENSE II「坐・ZOMBIE CRAB LABO」Asia Tour, marks a major milestone for the enigmatic band, following their expanding international reach and dedicated fanbase across Asia.

ZUTOMAYO burst onto the Japanese music scene with their debut track “Byōshin wo Kamu” in June 2018, quickly amassing 200,000 YouTube views in its first week before becoming the most-streamed song in Japan upon its digital release that August. Their first live show at Daikanyama Loop embraced total anonymity, audiences were handed opaque glasses and the venue remained completely dark, establishing the group’s now-signature identity-concealing mystique. Since then, ZUTOMAYO has continued to expand their creative reach, contributing major anime themes including “Time Left” for Chainsaw Man, “Taidada” for Dandadan, and “Warmthaholic” for Aharen-san wa Hakarenai (Season 2). Most recently, the group was featured as the third artist on the Dear Jubilee – RADWIMPS TRIBUTE album, offering a reinterpretation of RADWIMPS’ classic track “Yushinron.”

PREMIUM MEMBERS PRESALE BALLOT REGISTRATION NOW OPEN

Premium Members may now register for presale ballot access from Monday, 1 December 2025, 17:00 PM to Sunday, 14 December 2025, 11:59 PM.

Ballot Registration Link: Will be available from 1 December, 17:00 PM via this link
Premium Membership Sign-Up: Open now

Only successful ballot winners will receive an access code on Friday, 19 December 2025, which grants the ability to purchase up to two (2) tickets during the Premium Members Presale from Saturday, 20 December 2025, 10:00 AM toMonday, 22 December 2025, 11:59 PM.

The General Sale begins on 23 December 2025, 12:00 PM via Ticketmaster. For more information, please visit https://ticketmaster.sg/activity/detail/26sg_zutomayo.

This presale mechanism ensures a fair, controlled ticketing environment while rewarding Premium Members with exclusive early access.

HOW THE PREMIUM MEMBERS PRESALE BALLOT WORKS

For Existing Premium Members

STEP1: Register for balloting presales here from Monday, 1 December to Sunday, 14 December. Registration link will only be available from 1 December 17:00pm.

STEP 2: (For Winners): Only winners will receive the email on Friday, 19 December.

STEP 3: Access Ticketmaster and purchase your tickets using the access code provided, from Saturday, 20 December to Monday, 22 December.

For New Members

STEP 1: Sign up for ZUTOMAYO Premium Membership here.

STEP 2: Register here from Monday, 1 December to Sunday, 14 December. Registration link will only be available from 1 December 17:00pm.

STEP3: (For Winners): Only winners will receive the email on Friday, 19 December.

STEP 4: (For Winners): Access Ticketmaster and purchase your tickets using the access code provided, from Saturday, 20 December to Monday, 22 December.

Each member ID may purchase up to 2 tickets. All tickets sold during presale are reserved seating, and seats are allocated on a first-come, first-served basis during the purchase window.

TICKET PRICING:

CAT 1: $218

CAT 2: $188

CAT 3: $158

CAT 4: $128

CAT 5: $98

CAT 6 (RESTRICTED VIEW): $98

* Ticket prices are in Singapore Dollars and exclude a $6 Booking Fee.

ABOUT ZUTOMAYO

ZUTOMAYO is the creative project led by singer-songwriter ACAne, known for its hybrid rock-pop sound, surreal creative direction, and a uniquely anonymous band identity. The collective has built a massive international following through emotionally charged performances, inventive staging, and viral hits such as “Byoushinwo Kamu” and “TAIDADA.”

Their 2026 tour marks a new milestone, taking their production outside Japan on a broader scale and reinforcing their cultural footprint across Asia.

ZUTOMAYO also recently contributed a cover of “Yushinron” to the RADWIMPS 20th Anniversary Tribute Album, further cementing their status within Japan’s contemporary rock landscape.

EVENT DETAILS

ZUTOMAYO INTENSE II「坐・ZOMBIE CRAB LABO」IN SINGAPORE 2026Singapore
17 April 2026 (Friday)
Open 19:00 / Start 20:00
The Star Theatre

For more information, please visit https://ticketmaster.sg/activity/detail/26sg_zutomayo.

Promoted by Astellar Experience and CROONER

Supported by blackstar and blacklab.

Connect with ZUTOMAYO

Website | Instagram | YouTube | X

Connect with Astellar Experience

Website | Instagram | Facebook

Connect with CROONER

Facebook

For more information or interview opportunities, please contact mabuhay@blackstar.space

rouri404 Drops Glitchy Club-Ready Single "videostar"

OUT NOW ON RED BULL RECORDS

LISTEN HERE

Photo Credit: Dylan Bradshaw

November 24th, 2025 – Rising genre-bending EDM artist rouri404 is back again and has released his new single “videostar” on Red Bull Records. Fans can stream the song here and watch the visualizer here. 

The new track builds on the momentum following four prior releases this year, only further showcasing his ability to move between the subgenres of EDM without losing his clear personal sound. “videostar” takes a high-tempo production and seamlessly blends in Dance-Pop stylings. It’s raw with the same intensity that listeners have come to expect from the electronic artist, but “videostar” turns up the heat.

From the thumping beat that kicks off the track to the growing layers to his production, it is immediately clear that the listener is joining rouri404 on a journey. His vocals take the front seat in this track, as he builds a perfect accompaniment to the song’s production. As “videostar” builds to its drop, listeners hear bold, clear inspiration from classic EDM – a danceable, infectious energy and undeniable groove.

On the single, rouri404 shares, “"videostar" feels like the peak of everything I’ve been working on for the last year. The energy, production, lyrics; everything about it is a culmination of our work since the beginning. From the first couple of pulses of the beat I knew exactly what I wanted it to be. Hard captivating EDM, intense vocals tinging towards a scream with an almost kind of raw intimate delivery behind them”.

Working with incredible director Chris Bradford – who has previously worked with Yung Fazo, tonser, jackzebra, and more to bring their music to life – the visualizer for “videostar” sees rouri404 bring the energy straight from the song to the screen.

rouri404 - "videostar"

Reflecting on this third release of the year, rouri404 continues, “The track's title was inspired by the song “Video Killed the Radio Star”, which I have seen on VH1 classics more times than I can remember as a kid. All in all, the song is a homage to house, dubstep and EDM as a whole, with my best attempt at keeping some catchy pop elements in the mix as well”.

After taking nearly a year away from releasing music in a starkly more emo-adjacent/hyperpop lane, rouri404 has made a clear comeback in a new direction. He started his set of new releases with synth-heavy track “miss it” and his most recent electronic single “body (i want you)” – followed shortly by two “body (i want you)” remixes in collaboration with breakout electronic artists Kets4eki and Parv0.

Listen to "videostar" here
Watch the visualizer here

About rouri404

Art and the internet are society’s last true equalizers, a refuge for the disadvantaged and dispossessed to take on an alias or avatar, rise above their circumstances and become whoever they want. Indeed, for most of his life, Orlando native Joseph (Joey) Cash thrived in the grids and waveforms of Logic and SoundCloud when more traditional structures failed him - a high school dropout at 16, Joey’s future was clouded by substances and self-doubt. By the beginning of 2021, Joey realized that he could not half-step his way towards transcendence.

Expanding beyond his early incarnation as a hyperpop artist, Joey took on the name rouri404 and finally became himself. Following 2022’s striking 'GORE' EP, rouri404 leans even harder into guitar-driven rock and emo, a showcase for his emerging talents as a lyricist, arranger and executive producer.

He’s coherent and concise, inspired by the duality that comes with creating art in online spaces - how does one reconcile the unlimited capacity for self-expression with the unlimited capacity for self-invention? rouri404 sees artists like the prolific Bones and the perfectionist Daft Punk as his two guardian angels; “I’ve found myself struggling between being mysterious with perfect visuals and perfect aesthetics and the other side of, I want to get as much out as fast as possible”. Yet, as rouri404’s skills and stature escalate, the creative process remains true to his origins as a lost soul with a lifeline to his audience, representing for people like himself - the misunderstood teens, the budding lyricists stuck behind the cash register of a dead-end job, the overwhelmed music nerds searching for something permanent in a time where everything feels disposable.

FOR MORE INFORMATION
 SECRET SIGNALS 

FOLLOW rouri404

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Twitter

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The Itchyworms to light up Dubai and Abu Dhabi with back-to-back concerts this January 2026

The Pinoy pop-rock legend is set to bring decades of music, humor, and warmth to the Middle East audience

Multi-awarded Filipino pop-rock outfit The Itchyworms are set to bring their widely celebrated “Akin Ka Na Lang” tour to Dubai and Abu Dhabi this January 2026. Marking their highly anticipated return to the Middle East after more than a decade, the Love Team act will be performing some of their greatest hits and rarities at the Pakistan Auditorium in Dubai and at New Bar, Arkadia in Abu Dhabi on January 17 and 18, respectively.

The two-city run aims to rekindle the band’s connection with their overseas Filipino audience, and at the same time, bring full circle moment in a journey that started in the region decades ago.

[MORE PHOTOS HERE]

“Our first-ever out of the country tour was in Dubai and Abu Dhabi way back in 2007,” the band shares. “We’ve been back a few times since, but our last UAE show was in 2014. We are so excited to fly back and perform for our kababayan out there!”

For The Itchyworms, returning to the Middle East is both nostalgic and momentous. Since their last performance in the region, the band has continued to evolve musically, perform on international stages, and expand their iconic catalog while remaining anchored in the melodic pop-rock DNA that fans love.

Now, with a renewed sense of artistry and confidence, The Itchyworms are ready to deliver a show that honors their humble beginnings while celebrating their creative growth as artists. “When we first went there, we were still very young and in our 20s. Now, we are more mature musically, as individuals, and as a band. This return feels very special.”

Known for their contagious energy and famously interactive live shows, The Itchyworms are poised to take overseas audiences “home” even if just for a few hours. Fans can also expect a powerhouse setlist composed of chart-toppers, deep cuts, crowd favorites, and few surprises sprinkled in.

“Our out-of-country sets are highly interactive,” admits the award-winning band. “Sometimes, we end up playing for 2.5 or even 3 hours. We always make it a point to bring back our kababayan to the Philippines, even for just a short time.”

Beyond the music, the trip provides an opportunity for the band to reconnect with the region’s culture and people. The Itchyworms are especially eager to explore the rapidly changing cityscapes, particularly Dubai’s iconic Burj Khalifa.

“It’s been 12 years since out last performance in Middle East,” The Itchyworms admit. “Aside from the yummy food, we’re very excited to see Burj Khalida up close. It wasn’t even built yet when we were last there.”

Catch The Itchyworms on the Akin Ka Na Lang Middle East Tour:

Janauary 17, 2026 – Dubai

Pakistan Auditorium

Tickets

January 18, 2026 – Abu Dhabi

New Bar, Arkadia 

Tickets

Follow The Itchyworms on social media for updates and behind-the-scenes moments:

Facebook: The Itchyworms Facebook Page

Instagram: @theitchyworms

X (formerly Twitter): @theitchyworms

Spotify: The Itchyworms on Spotify

TikTok: @theitchyworms

YouTube: The Itchyworms Official Channel

Source: Nyou

Multiplatinum Global Superstar Hilary Duff Announces New Album 'luck...or something', Her Highly Anticipated Sixth Studio LP Arrives February 20, Acclaimed New Single "Mature" Out Now

PRE-SAVE HERE

ACCLAIMED NEW SINGLE "MATURE" OUT NOW

Photo Credit: Lauren Dunn

“"Mature" proved a perfect point of re-entry, pushing Duff’s sound in new directions while still feeling quintessentially Hilary” – VOGUE

November 24th, 2025 — Philippines – Multiplatinum global superstar Hilary Duff has announced the highly anticipated arrival of her first new album in more than 10 years. ‘luck…or something’ arrives everywhere via Atlantic Records on Friday, February 20, 2026. Pre-orders/pre-saves are available the album here. 

“In interviews I constantly get asked how I still have my head on straight after growing up in this industry,” says Hilary. “The album title is my way of answering that question, which felt right for a record that’s about where I’ve landed and all the things I’ve been through along the way”.

Duff’s sixth studio album, ‘luck…or something’ will include the acclaimed new single, “Mature”, available everywhere. Co-written by Duff, her husband, GRAMMY® Award-winning songwriter/producer Matthew Koma (Britney Spears, P!nk), and hitmaker Madison Love (Halsey, Ava Max), the sardonic, shimmering track – which quickly earned over 5M global streams in its first week of release – arrived as a piece of autofiction inspired by romantic misadventures in her formative years. Set against bright pop production and layered with Duff’s signature wit and vulnerability, “Mature” is accompanied by an evocative music video directed by Lauren Dunn (Olivia Rodrigo, Dove Cameron, Saweetie) which has garnered over 2.4M views and counting via YouTube.

Hilary will herald ‘luck…or something’ this January with the “Small Rooms, Big Nerves” tour in UK and US, an instantly SOLD-OUT run of very special live shows marking her first headline concert appearances in over a decade.

Pre-Order/Pre-Save to 'luck...or something' here
Watch the music video for "Mature" here

About Hilary Duff

One of the defining stars of her generation, multiplatinum global icon Hilary Duff is returning to the pop world with her boldest and most self-assured project yet. After rising to fame as the titular star of the Disney Channel blockbuster, 'Lizzie McGuire', Duff first kicked off her music career with 2003’s 4X platinum 'Metamorphosis' (featuring the Top 40-charting “So Yesterday” and “Come Clean”), then released her platinum-selling 2004 self-titled LP and 2007 autobiographical dance-pop collection 'Dignity'. With those three albums alone selling a collective 15 million copies worldwide, she also established herself as a producer, entrepreneur, philanthropist, and New York Times-bestselling author, all while continuing to deliver standout performances in TV and film, including her award-nominated turn on Darren Star’s 'Younger'.

Recently signed to Atlantic Records, Duff is now launching a thrilling new chapter and sharing her first new music since 2015’s "Breathe In. Breathe Out." (a No. 5 debut on the Billboard 200, made with an extensive lineup of producers/co-writers including Tove Lo and Ed Sheeran). 

With over 31.7M+ social media following, 🇵🇭 the Philippines is at #3 on her top 10 audience across platforms! 

FOR MORE INFORMATION
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Following a Breakthrough Year, Rol3ert Releases “frozen” as His First Commercial Collaboration.

Listen here

Watch the MV here

(Credit: Exciter Records)

Rising 20-year-old Japanese singer-songwriter Rol3ert releases his highly anticipated sixth digital single “frozen”, written as the official theme for the new campaign from apparel brand GLOBAL WORK. As his first commissioned commercial song, the release marks a key milestone in his fast-growing career.

The single is now available worldwide on all major streaming platforms, with the music video premiering on 21 November at 10:00 p.m. JST on YouTube. Rol3ert will also host a special Instagram Live at 9:30 p.m. JST ahead of the premiere.

2025 has been a defining year for Rol3ert. Since debuting with “meaning” in January, he has sold out his first solo acoustic show at Daikanyama SPACE ODD, performed at FUJI ROCK FESTIVAL and SWEET LOVE SHOWER, and won Best Breakthrough Artist at the Tokyo Alter Music Award 2025.

His new single “frozen” captures winter not only as a season, but as a memory, a wound, and a quiet prayer. It opens with Rol3ert’s unmistakable low, grainy tone — a near-whisper that feels like someone speaking through cold night air — before expanding into distorted guitars and dry drums that eventually break into a soaring, emotional chorus. The closing line, “but ihope you’re doing fine,” lands like a message never sent.

Produced largely by Rol3ert himself and mixed/mastered by Hinata Kashiwai (Bigfish Sounds), known for work with NOT WONK, the HIATUS, and SHISHAMO, the track carries an intimate, analog warmth that reinforces his growing identity as a songwriter of emotional clarity and cinematic depth.

Beyond Japan, Rol3ert is seeing regional momentum from listeners across Southeast Asia. His recent covers of Regina Song (903K views) and Bernadya (837K views) — released around their TIMM performances — both climbed close to one million views, generating lively engagement from Indonesia, Malaysia, the Philippines, Thailand, and Singapore. The comments reflect a wave of new SEA listeners discovering him organically.

As Southeast Asia continues to embrace Japanese artists and emotionally driven pop, “frozen” positions Rol3ert as one of the emerging voices connecting deeply with youth across the region.

The music video presents Rol3ert in stark monochrome — a visual metaphor for a young artist caught between innocence and maturity. It also features his first-ever full-band performance scene, hinting at the sonic direction of his next era. Anticipation has been building since his surprise live session in August, which drew international attention after he performed unreleased arrangements live.

Rol3ert returns to the stage on February 27, 2026 with his first full-band headline show “katachi” at Shibuya WWW X. Ticketsare now on sale.

STREAM “say my name” HERE

WATCH “say my name” OFFICIAL MUSIC VIDEO HERE

About Rol3ert

Rol3ert is a 20-year-old Japanese singer-songwriter blending global pop sensibilities with introspective lyricism and cinematic emotional depth. After debuting in 2025 with “meaning”, he quickly broke into major playlists worldwide with follow-up singles “HOPE” and “Nerd”, receiving support across Japan, Southeast Asia, the U.S., and Korea.

His voice — intimate yet bold — and his storytelling have already positioned him as one of the most promising young artists emerging from Japan’s new wave of global pop.

Follow Rol3ert

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Follow Exciter Records

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For more information, contact mabuhay@blackstar.space

BEL8TED! 8 Years of Any Name's Okay

Photo Credit: Mayks Go

Any Name’s Okay’s Latest Single ‘Sungit’ Says Love is Alive in Imperfection

An exciting Alternative-Pop/Rock outing from the 5-piece, Any Name’s Okay latest single ‘Sungit’ is a song that reminds listeners that love is recognizable, alive, and true during the imperfect moments. This track will be part of the group’s first full-length album, set for release in 2026.

“This song takes such a common Filipino word, and plays around with all the complex feelings that surround it. It is meant to be a snapshot of what a ‘mature’ love and relationship is–it’s never perfect, or nicely pleated. There is something so comforting about that,” said the quintet. “We always try to root our songs in a youthful, hopeful heart,” they added.

‘Sungit’ is a lighthearted reminder that no amount of petty spats, teasing, and bickering can stop you from returning home to the person you love. In fact, these small misunderstandings fill us with gentle affection – they make a bond feel real and alive. It is the cycle we are so familiar with: arguing one minute, smiling the next, and falling back into the same rhythm as if it were just innate in us. Love is alive in these tiny cracks. With lyrics that are playful as they are tender, ‘Sungit’ believes that we thrive in these pockets of imperfection.

Stream ‘Sungit’ now on your favorite streaming platforms, and follow Any Name’s Okay on all social media platforms for shows and updates.

#AnyNamesOkay #ANOSungit

Sungit - Any Name’s Okay (Lyrics)

Verse 1:

kalimutan ang ‘yong mga iniisip

sorry na, pwedeng mag-bati na lang?

kahit na wala tayong masisisi

ipag-tagpi lahat ng ating nawala

Pre-chorus:

sana ay mapakinggan

Chorus:

sa'n ang galit 'pag hawakan ang ‘yong kamay at salita?

‘wag pigilan ang 'yong tawa – ang sungit ay mawawala

Verse 2:

minsan lang tayo magkapikunan

sayang lang kung patagalin ko pa

lalapit din sayo nang dahan-dahan

ang lakas mo sa'kin, kahit noon pa man

Pre-Chorus:

sana ay mapakinggan

tabihan na lang kita

Chorus:
sa'n ang galit 'pag hawakan ang ‘yong kamay at salita?

‘wag pigilan ang 'yong tawa – ang sungit ay mawawala

Bridge:

huwag kang malungkot

lilipas lang din 'to

Chorus:

sa'n ang galit 'pag hawakan ang iyong kamay at salita?

'lang kailangang pag-usapan - andito ka't malinaw ang

lumilipas na taon, sana ay makita mo balang-araw para s'an lahat ng 'to

‘wag pigilan ang 'yong tawa – ang sungit ay mawawala

Any Name’s Okay – Band Description

Any Name's Okay, a 5-piece group under the Sony Music Philippines banner, has been creating alternative pop tunes that are equal parts heart, wonder, and the chaotic in-betweens that have been soundtracking your youth since 2017.

From headlining self-produced, sold-out shows, playing big stages across the country, and even repping the Philippines in the Taiwan Pasiwali Music Festival–the group has turned every performance into their own personal playground.

They’re not just crowd favorites, they’re also 9-time Awit Award nominees, with nods for ‘Album of the Year,’ ‘Song of the Year,’ and Best Group Performance.’

They have since released fan-favorite singles ‘Clouds,’ ‘Yugto,’ and ‘Vivid’, as well as two compilation albums ‘All I Feel and See’ and ‘Leaving Home.’

The band is composed of Sofia Abrogar on vocals, Renzo Lumanog on rhythm guitar and vocals, Juan Lada on bass, Arvin Olete on drums, and Anton Atienza on lead guitar.

Any Name’s Okay: Instagram | TikTok | Facebook | Spotify

Source: Sony Music