AmiananPop champions North Luzon pop music with first edition of its songwriting festival

The movement aims to secure regional music’s place in the contemporary music canon

In an effort to foster a better understanding of the North Luzon culture and identity through contemporary music, AmiananPop Music Inc. is officially launching the maiden edition of its songwriting festival, which will take place online this December 4, 2021.

Taking a page from fellow contemporaries, Visayan Pop Music Festival (Vispop) and Mindanao Popular Music Festival (MinPop), the newly formed institution puts a spotlight on a new breed of composers, interpreters, musicians, and producers representing the Ilocos, Cordillera, and Cagayan region, as well as some non-Tagalog speaking areas in Central Luzon. 

Through AmiananPop Songwriting Festival 2021, artists from the North are encouraged to write, record, and produce songs in their own language as a way to present one’s individuality and debunk misconceptions about non-Manileño Filipino cultures. “Every language and/or dialect is unique, and so are the stories and nuances that come with it, and that is why this is the ultimate goal of the movement, to create a community of storytellers that will represent the NOW generation of Northern singer/songwriters,” says AmiananPop Co-Founder and Chairman Davey Langit.

The annual competition is committed to bringing modern regional pop music at the forefront of mainstream consciousness by making sure that the songs are well-produced and could compete on a global level. As EbeDancel, Co-Founder and President of AmiananPop sums it up, “All the finalists have excellently-written and arranged songs, and the melodies are great. How do we bridge the gap? We make sure that the songs are well-produced, so that when people not familiar with the language hear them, they will be encouraged to look for the translation of all songs.”

Going all out on its debut edition, AmiananPop aims to secure its place on the Philippine music map with its insistence to subvert old practices and embrace new forms of music-making that is at par with the professional level in highly urbanized areas such as Metro Manila. Using the tagline Sikamimet!, which is an Ilocano word for ‘it’s our turn,” the regional songwriting event is keen on igniting a new music movement from North Luzon that turns the resounding battle cry into a marker of an evolving and dynamically growing scene.

“We have to bring it to the fore and show the people that we have an evolving culture, particularly, in music,” Co-Founder and Board Member Noel Cabangon explains the basis behind AmiananPop’s vision. “The songs that we know are already traditional songs. What about the stories and song of the new generation? That’s how important cultural evolution is. Dapat kasabay ng pag-evolve ng panahon ang kultura.”

This year’s finalists have shown promise in making generation-defining anthems that not only assert cultural identity in a compelling way, but also reflect the social conditions of their immediate environment and the community that shaped their individuality. The North Luzon artists that impressed the adjudicators in the preliminary rounds include:

Angelic Mateo, SUNGBAT

Harold Lumandaz, URAYEN KA

Jomabel Trapse, BISIKLETA

Fernan Castro Estrada (Composer) & Melchor Orpilla(Lyricicst), LAINËNG ONAN ARO

Ryan Madrid (Composer) & Kimberly Collado (Lyricist), PUDNO NGA AYAT

Ruth Lee Resuello, AGKA MAPAGA

Ruth Lee Resuello, ANTO KASI NGARAN TU MAN

Rivah-Anne Singson & Remedios Singson, NAPACURUG NGA AYA

Red Gumayagay, ARAPAAP

Patrick Visto, LAB STORY

The selection went through rigorous process of adjudication led by Chairman Davey Langit, President EbeDancel, as well as Foundation Board Members Maestro Ryan Cayabyab, Noel Cabangon, Gary Granada, Ma. Cristina Joy Balajadia, Melvin Morallos, Christopher Donaal, and Agat Morallos.

According to Co-Founder Noel Cabangon, the finalists are selected based on musicality, lyrics, creativity and new sound. “We determine entries not on their winnability but how the songs are creatively crafted,” the award-winning and critically acclaimed singer-songwriter adds.

AmiananPop Songwriting Festival 2021 is the first project of AmiananPop Music Inc., a non-stock, non-profit organization that aims to champion the beauty and diversity of contemporary pop music in North Luzon and its peripheral regions. This year’s festival is co-presented by official partners and sponsors: PhilPop, FILSCAP, NLEX-SCREX, PotenCee, Office of Senator Risa Hontiveros, Office of Cong. Kristine Singson, Office of Cong. Christopher de Venecia, Mansho, and Island Living.

Source: Nyou

ADELE RETURNS WITH “EASY ON ME,”NEW SINGLE AND VIDEO OUT NOW

NEW ALBUM 30 

AVAILABLE NOVEMBER 19

PRE-ORDERS FOR 30 BEGIN TODAY

Global superstar Adele returns with the release of her brand new single and video “Easy On Me.”  

“Easy On Me” precedes the November 19th release of Adele’s newest album 30, on Columbia Records.  Earlierthis week, Adele shared the news of her new album release date and inspiration with a personal note to her fans letting them know she was “finally ready to put this album out.”  

The video for “Easy On Me,” shot last month in Quebec, finds Adele once again collaborating with Cannes Grand Prix winning director Xavier Dolan (Mommy, It’s Only The End The World).  

“I was honestly hoping for this to happen,” noted Dolan. “For me, there’s nothing stronger than artists reconnecting after years apart.  I’ve changed. Adele’s changed. And this is an opportunity to celebrate how we’ve both evolved, and how we’ve also both remained faithful to our dearest themes.  It’s all the same, but different.”  The video begins in the same house the pair used to shoot the video for Adele’s 2015 smash single “Hello.”  

Listen to “Easy On Me” here and check out the video here.

30 is the first new music from Adele since the release of her third studio album 25 in November 2015.  The album is produced with former collaborators Greg Kurstin, Max Martin, Shellback and Tobias Jesso Jr as well as new collaborators Inflo and Ludwig Göransson.  30 is available for preorder at all physical and digital retailers globally.  

In addition, exclusive configurations will be available at select retailers nationwide including a Target deluxe CD featuring three bonus tracks and a Walmart clear exclusive double vinyl.

An Amazon white exclusive double vinyl will be available globally.  30 and lead single “Easy On Me” will also be offered on cassette, exclusive to Adele’s D2C store while supplies last.  The album will be available on all digital platforms.  Pre-order 30 here. 

Source: Nyou

Ben&Ben team up with Taiwanese Mandopop star WeiBird on dreamlike track “Cheap Love”

2021 has been a massive year for Filipino folk-pop collective Ben&Ben in terms of commercial and critical success. Their sophomore album, Pebble House, Vol. 1: Kuwaderno has earned glowing praises from reputable music critics and publications in the Philippines and Asia, with Rick Olivares of ABS-CBN News calling it a “brilliant masterpiece” and Paul John Caña of Esquire Philippinespointing out its vital role in establishing the band as the “pre-eminent artist of their generation.” In less than two months, Ben&Ben’s recently released album has surpassed more than 30 million streams on Spotify alone—a groundbreaking feat that attests to the group’s universal appeal and enduring impact for nearly an entire decade.

After achieving records in both streaming and digital sales and sending their songs to the top of the music charts, Ben&Ben are determined to put their work on the global music map with the release of “Cheap Love,” a new collaborative single with acclaimed and best-selling Taiwanese singer-songwriter WeiBird.

Epitomizing the moment when dawn shows its first light, “Cheap Love” is the sonic equivalent of wandering between a dreamlike state and an awakened mind throughout the night. It’s about the journey of finding a long, lasting love after having experienced so much pain in the past. According to William Wei, known professionally as WeiBird, the title of the song is a play on words, and nothing more than just faint bliss and ecstasy. “It’s a temporary band-aid for a big gushing wound, but it never fills the hole inside. Moreover, it increases the feeling of emptiness. What I’m trying to say is, you can’t bargain your way into love. Love is truly hard to find.”

Ben&Ben interprets the material in the same manner as WeiBird does, aware of the reality that comes with seeking genuine love in the direst of situations. “With the chorus repeating over and over how difficult it is to find a ‘rhyme better than you and I,’ it shows how drawn and enamored we are by the idea of love but oftentimes find ourselves in a pit when trying to really make it something more.”

With its stripped-down instrumentation embracing listeners with a sense of comforting warmth, “Cheap Love” expresses the woes and triumphs of a generation caught up in romantic longing and desire. The listening experience is made more compelling by the vocal harmonies of Paolo Benjamin and Miguel Benjamin, and the earnest delivery of WeiBird, making the audience feel more hopeful than ever despite the uncertainty of the present conditions.

“We’re grateful that by just being our authentic selves musically, we were able to add to the song both in production, vocals, and instrumentation something that WeiBird seemed to be happy with,” the nine-piece group shares in a statement. “We took an active role in building on the magic that the song already had, and we’re happy with how it turned out.”

The song was written and produced by WeiBird himself, with co-production and mixing duties by frequent collaborators Aven Tsai and Sean Sinclair. The Mandopop and folk-pop star explains that Ben&Ben also pitched in ideas for the arrangement and music side of things, resulting into a more polished, sonically impressive output that showcases the best of both worlds. 

WeiBird adds, “I wrote, played and produced the whole song on the album version. However, for this collab I haven’t had to do much because Ben&Ben was amazing. I remember listening to a demo of them playing along to my original track, and I could already imagine how it would come to be later. And the final results were not far from my imagination. It was awesome.”

“Cheap Love” is the first single off WeiBird’s first official English album. It follows the success of his fifth studio album, Sounds Of My Life, which peaked at No.1 on Taiwanese album charts in 2020, and received four nominations at the 32nd Golden Melody Awards, including Album of the Year and Best Mandarin Album. The track also serves as the second international collaboration of Ben&Ben after “Leaves,” featuring K-pop star Young K. 

“Cheap Love” is out now on all digital music platforms via Sony Music Taiwan. The official music video will premiere on on 10.15.21 at 10pm, PH time.

Source: Sony Music Philippines

Nobody’s Home hits the road in the music video of Ely Buendia-produced “Cigarette Daydreams”

The Filipino alt-rock trio reimagines Cage The Elephant’s chart-topping 2014 hit

Filipino alternative rock trio Nobody’s Home has released the official music video of their new single “Cigarette Daydreams”—a cover of Cage The Elephant’s chart-topping hit in 2014.

Directed by Ysa Aranda of Swimming Pictures, the clip features the promising trio on a random road trip, performing in front of a warehouse and running away from reality “to find peace of mind,” as the lyrics suggest.

As for the concept behind the music video, Aranda shares that it’s derived from her own personal experience, particularly the feeling of comfort that driving brings. “I had to go for a drive and dream scenarios that would resonate to the song itself. Aside from the lyrics of the song, driving has helped me cope specially in these trying times, hence the driving scenes present in the MV.” 

Aranda’s take on “Cigarette Daydreams” is inspired by the visual narrative of Jóhann Jóhannsson's End Of Summer, a short film that serves as a document of a calm scenery in “one of the most crucial and endangered areas of our planet.” 

Paying homage and making it their own

The song was produced by Nobody’s Home and Ely Buendia, and its overall treatment maintains the melodic charm of the original, while incorporating ‘90s-sounding guitar-rock affair, candied pop hooks, and pulsating synths to the mix.

“Generally, we wanted to pay respects and keep the original vibe of the song,” Frontman and principal songwriter Eon Buendia explains. “We stuck to that nostalgic acoustic feeling for the verses while making it simpler in terms of instrumentals. But when it came to the choruses, that's where we changed the vibe from the original’s lighter feeling to a darker and synth-y tone that is more akin to the sound of the band.”

Nobody’s Home strikes a balance between paying homage to the song and making it their own—a task that they supremely aced with conviction and confidence. “The main idea we had was that the verses would be simple and we wouldn't add much to it in order to keep the spirit of the original, and then the choruses would be where we came in and do our thing,” Eon shares in a statement. “And then we put elements that we usually use when producing our personal tracks such as vocal layering, synthesizers, and lead guitar lines.”

Production notes

The track’s producer, Ely Buendia, also commends the alt-rock outfit’s dedication in upping the ante of their version, while retaining the song’s feel-good catharsis in the process. “I just trusted the boys’ musical instincts, knowing that their own personal preferences would make sure that this will not be a note for note translation.” 

In terms of production, Ely points out, “we at least wanted the production to be gritty yet polished, if at all possible, to honor the vibe of the original.”

Nobody’s Home’s version of Cage The Elephant’s “Cigarette Daydreams” is out now on all digital music platforms worldwide via Sony Music Philippines.Watch the music video here.

Source: Sony Music Philippines

Young Cocoa sets his sights on conquering the Asian region and beyond with summer anthem “Zesto”

Breakthrough Filipino rapper Young Cocoa has been gainingsignificant attention worldwide thanks to his previous chart-topping hits “Manila,” which got included in one of the playlists curated by BTS’ very own RM, and received props from Korean music stars such as Eric of The Boyz, Omega X, Dawon of SF19 and Lia Kim from 1Million Dance Studio. To date, his signature smash has racked up more than a million streams on Spotify alone, and has enjoyed airplay on mainstream radio stations in Metro Manila.

Now signed to pan-regional music label, OFFMUTE, the promising newcomer sets his sights on conquering Asia one step at a time with his genre-fluid jams that cut across cultural boundaries and sonic expectations. “I feel so blessed to be the first hip-hop artist of OFFMUTE but even more so, a part of a movement that is so unified and allows Southeast Asian music to move forth in a collaborative effort,” Young Cocoa beams with pride as he talks about being part of this game-changing movement. “There’s so much inspiration and talent we collectively have as a region, and the artists OFFMUTE already have on board prove that already. To say I'm proud to be a part of a label that embraces this region's diversity is an understatement.”

Driven by propulsive electronic beats and clubby production, Young Cocoa’s first single under OFFMUTE, “Zesto” reimagines the very definition of a summer anthem with effortless cool and undeniable charm. According to the rising Asian artist, “Zesto” was conceived as a way for Young Cocoa to express his FOMO (fear of missing out) on what could have been the perfect season to unwind and celebrate fun away from the bustling metropolis. He also considers “Zesto” as his most upbeat material so far, a bop that in the words of Young Cocoa himself, would “make you groove in your own space.”

“I felt like envisioning what the perfect summer would have been like for my friends and I, and channeled that daydream and nostalgia into my writing,” Young Cocoa says. “It ended up acting as a release for me in a positive way, and with ‘Zesto’ as everyone’s go-to refresher, naming it that and using it as a primary element aligned quite well.”

“Zesto” was written by Young Cocoa and produced by Korean-based beatmaker/producer Lazy Wanderlust a.k.a. Juhyeong Jeon. The latter approached him on Instagram and shared a couple of beats in his repertoire for approval. “It’s interesting because the stars sort of aligned when we got in touch,” Young Cocoa recalls. “His sound is what I’m looking for in this particular track. In general, we tweaked certain things here and there, with help from my engineer Joseph Gregory, but Juhyeong really understood my sound from the get-go.”

The track is accompanied with a music video that was originally developed by the 24-year-old hip-hop artist and his good friend, Kartik Gupta, and further enhanced by Chapters PH. The visual narrative centers on a playful little trip that blends fantasy elements with reality. As Young Cocoa puts it, “There are notably a lot of Southeast Asian references sprinkled into the video as well that a lot of people might be able to point out. Overall, it was a really fun time under director Kurt Rebolledo, and there were a lot of memorable moments during the shoot.”

Young Cocoa’s “Zesto” is now available on all digital music platforms worldwide via OFFMUTE and Sony Music. Check out the music video here.

Source: Sony Music Philippines

Warm Tea on a Rainy Day

It is a huge honor to be a part of the anthology Warm Tea on a Rainy Day. It is exclusively available via Amikaso Library.

I consider this book to be my lucky charm. When my book Speak Blog Live was being published, this anthology was in its editing stage. When the book’s editing team has closed the call for submissions, my book’s publishing process became smooth sailing. I cannot imagine launching my book without the boost of confidence from Warm Tea on a Rainy Day.

I hope that this inspires you all to continue writing and reaching for your dreams!

Transit Dialog

Transit Dialog has shared my essay on my writing process a few days before my book launch. I wrote this piece while my book was being published. ✍️

"𝘐𝘵 𝘪𝘴 𝘮𝘺 𝘥𝘳𝘦𝘢𝘮 𝘵𝘩𝘢𝘵 𝘮𝘰𝘳𝘦 𝘱𝘦𝘰𝘱𝘭𝘦 𝘸𝘪𝘭𝘭 𝘥𝘪𝘴𝘤𝘰𝘷𝘦𝘳 𝘩𝘰𝘣𝘣𝘪𝘦𝘴 𝘵𝘩𝘢𝘵 𝘦𝘯𝘳𝘪𝘤𝘩 𝘵𝘩𝘦𝘪𝘳 𝘭𝘪𝘷𝘦𝘴 𝘢𝘯𝘥 𝘪𝘯𝘴𝘱𝘪𝘳𝘦 𝘵𝘩𝘦𝘮 𝘵𝘰 𝘣𝘦𝘤𝘰𝘮𝘦 𝘵𝘩𝘦 𝘣𝘦𝘴𝘵 𝘷𝘦𝘳𝘴𝘪𝘰𝘯𝘴 𝘰𝘧 𝘵𝘩𝘦𝘮𝘴𝘦𝘭𝘷𝘦𝘴."

𝗦𝘁𝗶𝘁𝗰𝗵𝗶𝗻𝗴 𝗠𝘆 𝗦𝘁𝗼𝗿𝘆

𝘉𝘺 𝘚𝘢𝘮𝘢𝘯𝘵𝘩𝘢 𝘓𝘶𝘤𝘢𝘴

Unlike most crocheters, I did not learn the craft in school. Instead, I learned how to crochet from a DIY box from Target during a summer vacation spent in LA. My first project was a slim scarf, and that was it.

I later rediscovered crochet after learning how to knit during the 2018 edition of the "Knitting Adventure" tour at the storied Banaue Rice Terraces. The tour was hosted by Knitting Expedition, a social enterprise that trains mamas in Banaue to knit plush toys, accessories, and home decor.

As expected, Ifugao women are innately skilled in knitting, and have become expert makers in no time.

Joining their tour was a blast! It was my childhood dream to visit the terraces, and I simply did not have the chance to go there before. Finally, a painful breakup motivated me to seek new experiences, and knitting became one of my goals.

The Banaue tour let me see the famous terraces and interact with the friendly locals, while I learned the basics of knitting from the women who are so gifted with their hands. By the time I reached Manila, I was hungry for YouTube tutorials to supplement my knowledge on my newfound hobby.

After a few months, I found knitting to be too slow for my liking. This led me to revisit crochet. I picked up a yarn and a hook from a craft store in the mall, and it all came back to me. I managed to crochet an infinity shawl through muscle memory.

From there, I continued making shawls and scarves for myself and my loved ones. I loved crochet so much that I had this belief that I did not create for profit’s sake. Instead, I wanted crochet to become my safe space, and my happy hobby. It was never an option for money-making.

I brought my yarn bag with me wherever I went. I crocheted during seminars, in between meetings, and during coffee breaks. Crochet became a natural extension of myself. It helped me beat boredom during my long commutes and alleviated my anxiety before interviews and important meetings. I was able to churn out ideas for my blog while making my scarves.

They say that the best ideas emerge while bathing or driving. For me, the best ideas come to me while crocheting. Maybe this ideation process is the reason why crochet became an addiction and a source of joy.

When the lockdown was imposed in 2020, I thought of ways to contribute to society as the Covid-19 pandemic raged on. Luckily, I found an organization online that collected handmade earsavers for healthcare workers. I joined them as a volunteer, and I ended up donating more than two thousand earsavers to medical heroes in various hospitals.

My passion for volunteerism was further ignited when I found another organization for crocheters. This time, they collect octopus amigurumi dolls and beanies for premature babies in government NICUs. I donated 76 octopus amigurumi dolls and 60 preemie beanies. All of these handmade donations were made possible because of my love for crochet.

My ability to crochet for hours on end has inspired me to apply myself to the other aspects of my life. I am also a writer, and with four years of blogging under my belt, I realized that it was time to fulfill my childhood dream of publishing my own book. I wrote the book using the same discipline I acquired through crocheting. I worked on a certain number of words a day, then I took breaks to refresh and recharge my mind.

After writing my manuscript and several productive meetings with a leading publisher, I am proud to share that my self-published book, "Speak Blog Live", will finally be released soon. It is currently undergoing registration and publishing.

It is a nonfiction book that teaches you the discipline and habit of regularly writing on one’s blog. I give examples on how one can enrich his or her life in order to be inspired to regularly compose blog entries with a unique voice. I am so excited to share this book to the world!

Who knew that my crochet habit and hobby would lead me to writing a book? Indeed, a solid work ethic and a healthy crafting mindset can open doors and opportunities. The pandemic may have forced me to stay home, but it has also switched on my passions for crafting, volunteering, writing, and self-publishing.

It is my dream that more people will discover hobbies that enrich their lives and inspire them to become the best versions of themselves.

𝘚𝘢𝘮𝘢𝘯𝘵𝘩𝘢 𝘎𝘢𝘪𝘭 𝘉. 𝘓𝘶𝘤𝘢𝘴 𝘩𝘢𝘴 𝘣𝘦𝘦𝘯 𝘣𝘭𝘰𝘨𝘨𝘪𝘯𝘨 𝘰𝘯 𝘩𝘦𝘳 𝘸𝘦𝘣𝘴𝘪𝘵𝘦, 𝘸𝘸𝘸.𝘴𝘱𝘦𝘢𝘬𝘰𝘶𝘵𝘴𝘢𝘮.𝘤𝘰𝘮, 𝘴𝘪𝘯𝘤𝘦 𝘔𝘢𝘺 2017. 𝘚𝘩𝘦 𝘩𝘢𝘴 𝘢𝘵𝘵𝘦𝘯𝘥𝘦𝘥 𝘴𝘦𝘷𝘦𝘳𝘢𝘭 𝘤𝘰𝘯𝘧𝘦𝘳𝘦𝘯𝘤𝘦𝘴, 𝘸𝘰𝘳𝘬𝘴𝘩𝘰𝘱𝘴, 𝘢𝘯𝘥 𝘯𝘦𝘵𝘸𝘰𝘳𝘬𝘪𝘯𝘨 𝘰𝘱𝘱𝘰𝘳𝘵𝘶𝘯𝘪𝘵𝘪𝘦𝘴 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘩𝘦𝘳 𝘸𝘦𝘣𝘴𝘪𝘵𝘦. 𝘚𝘩𝘦 𝘳𝘦𝘨𝘶𝘭𝘢𝘳𝘭𝘺 𝘴𝘩𝘢𝘳𝘦𝘴 𝘩𝘦𝘳 𝘧𝘢𝘷𝘰𝘳𝘪𝘵𝘦 𝘭𝘰𝘤𝘢𝘭 𝘧𝘪𝘯𝘥𝘴, 𝘧𝘰𝘰𝘥𝘪𝘦 𝘢𝘥𝘷𝘦𝘯𝘵𝘶𝘳𝘦𝘴, 𝘤𝘩𝘢𝘳𝘪𝘵𝘢𝘣𝘭𝘦 𝘢𝘥𝘷𝘰𝘤𝘢𝘤𝘪𝘦𝘴, 𝘢𝘯𝘥 𝘮𝘦𝘥𝘪𝘢 𝘱𝘢𝘳𝘵𝘯𝘦𝘳𝘴𝘩𝘪𝘱𝘴. 𝘚𝘩𝘦 𝘪𝘴 𝘢𝘯 𝘈𝘉 𝘏𝘶𝘮𝘢𝘯𝘪𝘵𝘪𝘦𝘴 𝘨𝘳𝘢𝘥𝘶𝘢𝘵𝘦 𝘧𝘳𝘰𝘮 𝘜𝘈&𝘗.

𝘏𝘦𝘳 𝘧𝘪𝘳𝘴𝘵 𝘣𝘰𝘰𝘬 𝘚𝘱𝘦𝘢𝘬 𝘉𝘭𝘰𝘨 𝘓𝘪𝘷𝘦 𝘸𝘪𝘭𝘭 𝘣𝘦 𝘳𝘦𝘭𝘦𝘢𝘴𝘦𝘥 𝘰𝘯 𝘖𝘤𝘵. 7, 2021.

Israel joins in Dubai Expo 2020

The inauguration ceremony for the Israel Pavilion at Expo 2020 Dubai took place in the presence of 300 invited Israeli guests and UAE guests led by H.E Dr. Ahmad Belhoul, Minister of State for Entrepreneurship and Small and Medium Enterprises. The inauguration ceremony was held in the presence of Israel Minister of Tourism Yoel Razvozov and with the participation of Ministry of Tourism Director-General Amir Halevi, MFA Deputy Director General for Media and Public Affairs Noam Katz, the Commissioner-General of Israel's Expo 2020 Pavilion Elazar Cohen, Rabbi Eli Abadi and the Israeli Consul in Dubai Ilan Sztulman.  Rabbi Duchman affixed the mezuza during the opening ceremony. 

This is the first time that the State of Israel has a national pavilion in an event of such magnitude in an Arab country. The invitation for Israel to participate in the event was already extended in 2018, even before the decision was taken to establish official relations. It is estimated that around 15 million people will visit the Israeli pavilion during the course of the event.  

The Israeli pavilion, under the banner Connecting Thoughts - Creating the Future and the headlineTo Tomorrow  in a Hebrew and Arabic logo, features a design (by AVS Creative) inspired by the desert dunes common to both Israel and the Gulf States. The pavilion, which has no sides or barriers, signifies openness and welcoming guests. All these reflect the idea of ​​the power of tomorrow to connect us and that creating a better future for humanity is within reach if we combine forces. The secondary theme, Opportunity, Mobility and Sustainability, allows Israel to showcase its capabilities in a variety of different areas such as agriculture, cyber security, medical equipment, water technologies and more. 

Israel Minister of Tourism Yoel Razvozov: “Peace allows us to forge a new reality in the Middle East that will bring prosperity, security and stability to all. We believe that in order to reach a better tomorrow, one should choose practical and positive actions today. So, I'm delighted to invite each and every one of you and each and every visitor, participant and host at this EXPO to come and visit our country.” 

Source: Israel Ministry of Tourism Philippine Office

Speak Blog Live Book Launch

Last October 7, 2021, I celebrated the launch of my book, Speak Blog Live. Due to the pandemic restrictions, I only had my family with me. My partner, Lorenz, and my mom were with me to share in the festivities.

We had delicious food and a minimalist ISBN cake from The Round Robin Cafe. My partner also gave me another cake, as well as a bouquet of flowers. He served as my book’s editor and proofreader. I could not have done this without him.

I fulfilled my childhood dream of becoming an author. I never stopped believing in my dreams, and I hope that this achievement of mine will inspire you to believe in yourself! It is possible to create opportunities for yourself, for as long as you work hard and hustle smart.

Buy my book here! NEVER GIVE UP ON YOUR DREAMS!

Zack Tabudlo delivers romantic earnestness on new song “Ba’t Ganto Ang Pag-ibig”

Listen to Zack Tabudlo’s Ba’t Ganto Ang Pag-ibig:https://ZackTabudlo.lnk.to/BatGantoAngPagibig

It’s interesting to think how infatuation can bloom into something divinely romantic, yet difficult to articulate. But in Zack Tabudlo’s universe, expressing one’s affection is better delivered in stripped-down, guitar-pop music—as if he knows that a way to someone’s heart is a sweet, melodic chorus and a soaring instrumentation. 

Released ahead of his highly anticipated debut album, Episode, Zack Tabudlo’s new single “Ba’t Ganto Ang Pag-ibig” proves that he’s a troubadour of unrequited love songs. It captures the conflicting emotions that people of all ages could relate to. But most importantly, it’s a song that bursts with earnest sentimentality.

According to Zack himself, “Ba’t Ganto Ang Pag-ibig” is about someone you like, but is admired by a lot of people. “You don't know if you stand a chance to everyone else, but you genuinely just want the person to be happy,” the young hitmakers shares in a statement. “You will always be the one call away for that person no matter what.”

With acoustic guitars and subtle, meditative arrangements shaping the tune into a laid-back and bittersweet affair, Zack knows how to work his charm with a deceptively simple tune. He questions his love for the other person, yet at the end of it all, he’s just trying to muster the courage to confess and open up his feelings no matter the consequences.

“I want the audience to feel that they're not alone with what they feel for someone they admire,” Zack explains. “It’s hard to confess feelings, and with this song, they can lean towards it and maybe help with their confidence or help with what they feel.”

Like his other material, “Ba’t Ganto Ang Pag-ibig” is written, composed, produced, mixed, and mastered by Zack Tabudlo. Zack points out, “it has a very laid-back feel to it lyrics wise or production wise. It’s something that a lot of people would just vibe to.”

Zack Tabudlo’s “Ba’t Ganto Ang Pag-ibig” is out now on all streaming platforms worldwide via Island Records Philippines and MCA Music Inc.

About Zack Tabudlo

Zack Tabudlo is an alt-pop RnB artist from Manila, Philippines. He hit the ground running when he began his music career, becoming a finalist for reality talent show Talentadong Pinoy at the age of 10. He was a contestant for The Voice Kids season 1.

When it comes to music production, Zack has certainly earned his stripes. With the help of Jonathan Ong and Chris Anthony Vinzons of Sonic State Studio, Zack continued to hone his techniques and sensibilities, and has produced for artists such as Sharlene San Pedro and Darren Espanto. He was also mentored by Cleng Saturno, and was given tips and tricks by celebrated composer Vehnee Saturno. 

Among his influences are contemporary pop chart-toppers Charlie Puth, Harry Styles, and Island Records label mateShawn Mendes. But Zack approaches the genre of pop with his own distinct approach. His artistry can be characterized as a tasteful blend of R&B, soft rock, funk and vocally driven pop.

With a slew of catchy singles under his belt, all leading up to what’s looking to be a promising full-length in the future, the young musician is gaining momentum. His hustle may have been riding below the radar, but one can expect 2021 to be Zack’s year. To date, Zack’s latest single ‘Binibini’ has topped both the Spotify and YouTube trending charts for more than a month, and also breaking through Spotify Global Viral, several Spotify viral charts in Asia-Pacific countries, and also including Canada and New Zealand - making Binibini one of the biggest songs of 2021 so far. His other track ‘Nangangamba,’ which was released in 2020, also peaked at No.1 on both Spotify Global Viral 50 and Philippines Viral 50.

Follow Zack Tabudlo:https://zacktabudlo.lnk.to/FollowZack

Follow MCA Music: Facebook |  Instagram  |  Twitter  |  YouTube

Source: GNN Entertainment Productions

Chlöe shines on her own with sultry R&B single “Have Mercy”

Listen to Chlöe’s Have Mercy: lnk.to/Chloe-HaveMercy

After gaining prominent attention as part of a soulful pop duo with her with sister Halle, alt-R&B sensation Chlöe proves that she’s ready to shine on her own with the release of her new single “Have Mercy.”

The sultry showstopper marks the 5x Grammy-nominated producer and singer-songwriter’s debut effort as a solo star. With its slinky, minimal textures and confident vocals, “Have Mercy” has received exemplary praises across the board upon its release. 

NPR called Chlöe a “pristine-voiced, technically brilliant ingenue” and commended her latest jam for its themes of women empowerment and “unabashed booty positivity.” Renowned hip-hop publication Complex praised the track for its “saucy” and “uptempo” vibe, citing how it “boasts major sex appeal.” Teen Vogue also sung adoration for Chlöe’s new song, describing it as “sensual” and “feel good.”

Produced by Murda Beatz, Chlöe, Joseph L'étranger, FnZ, and BoogzDaBeast, the acclaimed urban single debuted at No. 28 on US Billboard Hot 100, and is currently taking over R&B/hip-hop and pop radio all over the world. Its music video, which was helmed by Karena Evans, channels the charisma of Chlöe and her captivating choreography.

Last month, Chlöe flaunted a breakthrough performance at the 2021 MTV VMAs where she floored the audience with top-notch vocals and headliner energy, singing “Have Mercy” while delivering her dance moves like a pro. Glamour compared her performance to the theatrics of Britney and Beyonce, calling it a “serve of the highest degree.”

“Have Mercy” is out now on all digital music platforms worldwide via Parkwood/Columbia/Sony Music. Watch the music video here.

Source: Nyou

BLASTER joins Island Records Philippines, releases Japanese version of new song“DISKO FOREVER”

Listen to BLASTER’s “DISKO FOREVER”: https://BLASTERSILONGA.lnk.to/DiskoForeverJP

Promising newcomer BLASTER has recently joined the esteemed roster of Island Records Philippines, a domestic label division under UMG Philippines, which is dedicated to helping the best musical talent from the Philippines to achieve local success, whilst reaching new audiences worldwide.

The lead guitarist and occasional vocalist of award-winning band, IV of Spades will be part of an internationally renowned label that includes some of the most exciting and future-forward artists in the country such as Zack Tabudlo, Juan Karlos, Over October, Fern., and dia mate.

A&R Manager and Label Head of Island Records Philippines Bel Certeza recently expressed interest in working with BLASTER on upcoming releases that will showcase the multi-hyphenate’s core strength as both an artist and an innovator. “Island Records Philippines is looking forward to help and guide BLASTER to where he wants to take his music and vision as an artist. Releasing a body of work is in the pipeline but it’s not yet final as we’d also like to learn with him and his audience as we go along.”

Certeza, who used to be the former Road Manager of IV of Spades, pitched the idea to BLASTER with the intention to understand where he is now as an artist and where he wants to go moving forward. After hearing what Blaster has in mind, she immediately presented how Island Records Philippines can help bring his vision to reality. “After a series of long Zoom calls with MCA Music Managing Director Enzo Valdez, we were able to come up with a deal that caters to BLASTER’s integrity as an artist but also something that would make sense to the label,” Bel shares. “And now here we are.”

On the heels of the official signing is the release of “DISKO FOREVER (Japanese version),” a retro-modern bop that blends Manila Sound with bedroom electronicaand avant-pop influences. Sung completely in Japanese, the new iteration serves as a warm-up track to the Tagalog version, which the young Filipino artist will be releasing soon. 

With its groovy rhythms, art-rock guitars, and eclectic arrangements, the genre-averse jam takes you back to the dance floor in a time that doesn’t allow communal gathering. The delightfully bittersweet track also doubles as a tribute to the golden era of Pinoy pop music, and is reimagined for a new generation of listeners to enjoy.

BLASTER’s “DISKO FOREVER” is out now on all streaming platforms worldwide via Island Records Philippines and MCA Music Inc.

About Blaster 

With a knack for making experimental pop music that is characterized by immutable prettiness and bedroom-lite production, Blaster Silonga is set to make a significant impact as one of the promising young solo stars of his generation. As the former lead guitarist and occasional vocalist for award-winning and commercially successful Filipino rock band, IV of Spades, Blaster has endeared fans and peers in the industry with his inventive but technically adept musicianship, often wielding his instrument with the sophisticated cool of Nile Rodgers and the effortless edginess of Johnny Greenwood. 

Outside of his work with his former band, Blaster has worked with several artists, including doing production work for alt-R&B artist dia maté on the luscious summertime tune, “Dream,” and jamming with artists such as Ebe Dancel and Hilera’s Chris Padilla at some point in his career.

Now signed to Island Records Philippines as a solo musician, Blaster is ready to release new music that strikes a balance between remarkable restraint and sonic adventurousness, seemingly inspired by outlandish personalities in music such as Radiohead and David Bowie, and genres that range from art rock to space rock, funk to Japanese city pop. So far, he’s is currently recorded demos for his upcoming releases, which will see the light of day soon: there’s the deceptively simple “Disko Forever,” which pays tribute to a glorious era in music, while also dressing it up with woozily beautiful things this side of Krautrock and modern electronica, and the lighthearted and gorgeous number “Nararamdaman” which showcases Blaster’s minimal instrumentation and guitar/bass skills.

The 21-year-old singer-songwriter and producer also reveals that he is channeling his daily life experiences and random observations through music, purposefully aligning it with his brooding, socially aware, and intimate worldview. His writing feels more personal and honest this time around—not afraid to create artistic statements that double as confessionals.

Follow BLASTER: Facebook |  Instagram  |  Twitter

Source: Nyou

Grammy-nominated R&B powerhouse Givēon Continues global domination with new song “For Tonight”

LISTEN HERE. WATCH HERE.

Thanks to his massive success on TikTok and other video-sharing platforms, Givēon has established himself as one of the biggest R&B acts in recent years, reaching the summit of the Spotify Philippines Top 50 and Viral 50 charts, respectively with the inescapable jam “Heartbreak Anniversary” and peaking at No. 1 on the Billboard Hot 100 with the Justin Bieber-headlined “Peaches,” featuring Daniel Caesar. The former also went No. 1 on all fronts, from digital sales to mainstream radio charts in Metro Manila and beyond, and conquered the media landscape from noontime shows to online dance challenges.

This year, the promising newcomer returns with another heartfelt tune called “For Tonight,” which serves as the first single off his highly anticipated album to be released later this year. The fascinating slow jam is produced by Seven Thomas (Drake, Rihanna, Travis Scott), JahaanSweet (Eminem, Kehlani) and Akeel Henry (WizKid, SwaeLee).

Accompanied by a music video directed by Academy Award nominated filmmaker, Sophia Nahli Allison, Givēon’s new song delivers emotive and soulful infectiousness that showcases his smooth vocal styling against a stripped-down instrumentation.

When asked about his new release Givēon says, “This is the story of a taboo vice that I just can’t seem to stop indulging in.”

A few week ago, Givēon announced his “Timeless Tour.”The 14-city tour went on sale September 17thand sold out in a matter of minutes. The tour will kick off on November 28th in Detroit, MI. He also attended the MET Gala for the first time with Maison Valentino, after snagging a VMA for Best Pop for “Peaches” with Justin Bieber ft. Daniel Ceasar, which is riding its 30th week on the Billboard Hot 100 list.

His other hit “Heartbreak Anniversary” ended up topping at number 16 on the Billboard Hot 100 list and stayed on the list for an impressive 29 weeks. In addition to “In TheBible” by Drake ft. Givēon & Lil Durk that has reached number seven on the list.

Givēon’s new single “For Tonight” is out now on all digital music platforms worldwide via Epic Records/Not So Fast/Sony Music. Watch the music video here!

FOLLOW GIVEON:

WEBSITE | FACEBOOK | INSTAGRAM | TWITTER

 Source: Nyou

Speak Blog Live

Hi everyone! My book, Speak Blog Live, is now available exclusively at https://linktr.ee/speakoutsam 📕 I hope that you can support me by purchasing a copy! To know what the book is all about, please read the description on the website. My work will only be available on that link. 💻 My book has been classified under “Computer Science” by the National Library of the Philippines 🇵🇭 Thank you in advance for your support! NEVER GIVE UP ON YOUR DREAMS!✨

Framed Sheerness

Here’s a DIY project that I can recommend for you all: framing your artworks! I chose to frame these sheer embroidery works that I made as a pattern tester for The Craft Central. I purchased these floating wooden frames here, then I simply placed the embroidered fabrics inside the acrylic pieces.

I liked the end result. These frames can also hold photos, drawings, doodles, concert tickets, notes, plant specimens, and other memorabilia. Best of all, they cost less than Php130 each.

I hope that you can also try this project soon! Enjoy!

Hackensack Carhop

I experienced vintage Americana with my Hackensack carhop experience! I ordered their 50’s cheeseburger and strawberry milkshake, which were both delicious! Their car tray added a touch of nostalgia and whimsy.

I highly recommend their burgers! Check out their Instagram account to view their menu and updated schedule. Enjoy!

PhilPop 2021 DigiCamp integrates workshop-based approach to this year’s virtual edition

Thyro and Yumi, Marlon Barnuevo and Krina Cayabyab talk about major adjustments to foster a more inclusive learning environment for DigiCamp participants

Despite the challenges of adapting to a virtual setting, PhilPop 2021 DigiCamp: Music Breaking Borders has successfully integrated strategic innovations to its curriculum that would help aspiring singer-songwriters enhance their skillset and be part of a progressive learning experience.

Facilitated by some of the Philippines’ most respected educators, artists, and music leaders via Zoom, the country’s premier songwriting competition continues to hold a series of lectures and workshops for a period of four months (from July to October 2021) to put a spotlight on the next generation of OPM stars and future music industry fellows.

PhilPop Program and Marketing Manager Gab Cabangonreiterates that the team has always believed in the importance of opening several opportunities for the attendees to learn different aspects of music outside of songwriting. “We wanted to give the fellows options, guides, and tools that could help them with the direction on their music journey. The additional skills that they learn from this could help them evolve as practitioners in the music industry and further fuel their passion and love for the craft of music. Lastly, it wouldn’t hurt to also encourage songwriters to learn how to write songs to make society a better place for everyone.”

Marlon Barnuevo, PhilPop finalist 2013 and one of the resident coaches, considers PhilPop 2021 DigiCamp: Music Breaking Borders as one with the most matured curriculum for a songwriting camp. “Aside from the fact that most of the coaches came from the acclaimed Elements Songwriting Camp, all the past PhilPopbootcamps provided valuable knowledge that allowed the teaching contents to be refined into what we are currently delivering now.” 

Given the virtual format of this year’s bootcamp, the coaches have tweaked some of their best practices to adhere to a more inclusive learning environment. As a college educator, Marlon has been doing full-online modality since the pandemic started, so there was little adjustment on his part when it comes to delivering lectures for the PhilPop DigiCamp participants.

“PhilPop has also successfully adapted the synchronous-asynchronous method of delivering lectures, which is now a very common approach in all academic institutions around the country,” Marlon beams with pride. “What I had to adjust to, and what I sorely miss is the absence of face-to-face fellowship activities. In all the previous camps, it has always been a tradition to hold jamming sessions every evening over food and drinks. This form of fellowship is what’s missing in this year’s camp.”

In order to compensate with the need to make the songwriting mentorship more interesting, PhilPop coaches provided a workshop-based approach to give participants an inclusive and well-rounded perspective on different areas and fields in the music industry such as songwriting, music production, digital marketing, and advocacy writing—to name a few. 

A first-time coach herself, University of the Philippines instructor and Baihana member Krina Cayabyab shares that aside from making slides and presenting music during her lecture, she made her sessions more informative by giving clearer pointers that are essential for interacting with the current creative and digital economy. 

“I believe this virtual setting has given more flexibility and opportunity for the participants to sink deeper into their work and absorb discussions further, and make the most out of these in their own time, capacity, and space,” says coach Krina. “Though it might be challenging in some circumstances, collaborating with fellow participants and meeting them virtually, I think, still achieved much of the DigiCamp’s objectives. It’s really like accomplishing tasks through today’s reality, and the DigiCamp has made it happen as effectively as it can ever be.”

Award-winning R&B singer-songwriter, producer, and composer Thyro Alfaro is generally satisfied with how the participants took the new format this year despite the prolonged period of remote learning. “I think they’re enjoying the process,” the two-time PhilPop winner explains. “I can hear it in their songs that they’re really applying what we’re teaching.”

Yumi Lacsamana, another acclaimed pop/R&B multi-hyphenate and two-time PhilPop grand champion, echoes Thyro’s observation, pointing out how her mentees have managed to adapt easily in a virtual setting. “It’s not the same but it’s more challenging on their part collaborating with the other fellows virtually. And the outcome is pretty good.” 

Yumi emphasizes that some of her best moments during the DigiCamp as a mentor includes seeing the participants grow as artists and turn their songs into a fully realized material that has potential to be massive. In terms of personal adjustments, Yumi makes the most out of her time holding a more relaxed conversation with the participants regarding what needs to be improved on their songs. “It felt like we’re not in a camp. It’s more of like we’re just in a video call talking to a friend and asking/giving an advice.”

Notwithstanding some minor drawbacks of remote learning, the DigiCamp proves to be a game-changing alternative for the traditional setup as it supported collaborative and higher-level learning through breakout room sessions, and fostered a virtual learning experience that allows participants to learn at their own pace. To quote Marlon Barnuevo, “If I were to gauge how much the participants were able to ‘step up and deliver’ through the quality of their most recent song submissions, I’d be proud to say that the entire PhilPop team has been very successful in meeting its goals.” 

PhilPop 2021 DigiCamp: Music Breaking Borders is an initiative of the PhilPop Music Foundation, chaired by Mr. Manny V. Pangilinan. This year's virtual event is co-presented by MAYNILAD, SMART, MULTISYS, TUNECORE and BELIEVE.

Source: Nyou

Over October navigates uncertainty with hope on new EP, Maybe Today, Maybe Tomorrow

Listen to Over October’s EP, Maybe Today, Maybe Tomorrow: https://overoctober.lnk.to/MTMT

Filipino alternative rock quartet Over October has spent a good chunk of their early days making a definitive bid for legitimacy with their brand of melodic and transcendent music. They started building their cred by playing for small gigs in bars such as Route 196 and Saguijo, before eventually headlining bigger venues and releasing two critically acclaimed records within the last 7 years: the delightful EP Free and the sonically arresting full-length album Press Play, both released under MCA Music Inc. in 2019.

Fast forward to 2021, Over October returns with a brand-new EP helmed during a time when everyone is navigating the pandemic with an uncertain future. Their latest EP, Maybe Today, Maybe Tomorrow is their answer to the ongoing crisis: a collection of songs that reflect their feelings, frustrations, and hopes during a tumultuous period in their respective lives. 

“At the same time, we wrote the songs during the well-known, often-cliche, but still heavy-hitting quarter life crisis happening in our personal lives,” Josh Buizon (lead vocalist, rhythm guitarist) shares in a statement. “It speaks about the journey of loss, self-reflection, emotional and mental struggles, perseverance, and wanton joy despite things turning to shit. Some of these are in the context of love songs, but ultimately the message that we want to get across is that even though the world we live in is in chaos and the future seems so bleak, there is hope.”

The bulk of songwriting in the album was done by Josh Buizon and Joshua Lua (lead guitarist), but all the members have a hand in writing lyrics one way or another. Over October also took part in arranging the tracks off Maybe Today, Maybe Tomorrow, with guidance from their producer Jazz Nicolas and sound engineer Peavey Nicolas. This also marks the group’s most collaborative and experimental work to date, harnessing new sounds and arrangement styles to elevate the material into what it is now: a more eclectic sonic brew that’s more open to possibilities, without letting go of the accessibility that defines most of their releases in the past. 

“In these songs, we were able to try arrangements and instruments that we haven’t used before,” Lua admits. “It’s honestly amazing how the songs transformed from the first day of the recording to how they are now.”

To start the recording process for the EP, the members of Over October holed up on a house in La Union for fivedays to write and arrange their material and spent another two weeks in Manila-based Big Baby Studios with Jazz Nicolas and Peavy Nicolas for recording. Because of the current state of the pandemic, they stayed together for two weeks under a bubble, and the experience somehow gave the band a deeper perspective on the music-making side, and tested their friendship along the way.  

“Chemistry-wise, since we’ve been working with the Nicolas brothers for the past few releases, it was also easier to come up with ideas during the recording itself,” Buizon says. “They’re very chill and cool people, actually. Outside of recording, we’d watch Netflix documentaries about spicy food. They have a lot of different chili sauces in their studio and we’d get to try them all.”

Other than the fact that it has some Tagalog songs—a first in Over October’s repertoire, their brand-new EP, Maybe Today, Maybe Tomorrow is a lot more introspective as compared to their other releases. The songwriting is moresophisticated and subdued, with lovely moments where you can picture the emotions as if it were speaking to you in the dark. And most importantly, the new EP is musically cohesive, flowing neatly without sounding too curated or rehearsed. “That’s probably the best part— when you get in the studio and don't know what to expect,” Janessa Geronimo (drummer) points out. “We surprised ourselves a lot during this project. The most conscious effort we put in was probably writing in Filipino and trying to come up with new and refreshing sounds that still retain our music style.”

Joric Canlas (bassist) also shares that the album reflects how they’ve grown as individuals. “The EP’s a new feel because of being able to collaborate more with Sir Jazz and Sir Peavey and even amongst ourselves. You can cry, laugh, or even dance to these songs but the whole EP is meant to be a release and an encouragement to everyone who’s currently in a hard place.”

Over October’s new EP, Maybe Today, Maybe Tomorrow is out now on streaming platforms worldwide through Island Records Philippines and MCA Music Inc. 

About Over October

Over October is an alternative pop/rock band from Manila, Philippines. The band consists of Josh Buizon (lead vocals and rhythm guitar), Josh Lua (lead guitar), Janessa Geronimo (drums), and Joric Canlas (bass). They are known for their EP Free (2016) and their singles 'Never Stop' (2017), and 'Wait' (2018). In 2019, they released three more singles 'Mr. Sun,' 'Alive,' and 'Without Your Love,' and their debut album Press Play. In 2020, the band signed with Island Records Philippines.

Over October is a group of friends bursting in the seams with personalities that translate coming-of-age experiences and life lessons through an easy-listening sound with cleverly crafted lyrics. Through their songs, Over October invites their audience to go through life with them: a never-ending road trip that is best enjoyed with your friends.

Follow Over October: Facebook |  Instagram  |  Website |  YouTube

 Source: GNN Entertainment Productions

Sheer Embroidery Day 3

I have finally completed the Sheer Yellow kit from The Craft Central. This concludes my pattern tester duties for this round.

This third pattern was more challenging because of the wavy leaves. This did not stop me though, and I still enjoyed stitching the pattern to life! The result was worth the effort! I think I found a new hobby.

Visit The Craft Central for embroidery kits and more crafts!

Rising alt-pop artist Mezzaluna conquers music on her own terms

Watch the music video of her brooding, sultry number “In Situ”

Introduced earlier this year as one of the first Asian artists to join pan-regional music label, OFFMUTE, Mezzaluna has captivated music fans with her jazzy, soulful and sometimes brooding take on pop music. With deep, sultry vocals and intensely personal storytelling style, the Indonesian newcomer delivers inspiring and powerful songs with a universal reach.

She also grew up in a musical household as the daughter of Indonesian rockstar, BimBim — drummer of the legendary Indonesian rock band Slank, and started picking up the piano and guitar at an early age. Despite coming from a lineage of acclaimed and respected musicians, Mezzaluna forged a path of her own, and developed her own sense of artistry in a uniquely humbling way.

This sense of eclecticism is deeply felt on her debut single “In Situ,” which she wrote at the start of her music journey. “It was one of the quickest writing processes I’ve done as I was being honest with my feelings,” Mezzaluna shares. “Since it was based on my own personal experience, I was just speaking from my heart.”

Carrying the weight and wisdom of heartache beyond years, the alt-pop star explores darker but relatable themes that come from a place of experience. The glacially paced pop tune, which threads the line between darkwave and trip-hop, soul and jazz, came to fruition with Indonesian producer Gio Wibowo. 

“Working with Gio on the song was surreal to me as I didn’t think that I would make it this far,” the 20-year-old artist admits. “It started out as a fun little project that I thought would only stop there but it turned out great and I really am proud of it.” 

The track is accompanied with a music video helmed by Deby Sucha and produced by Howdy Productions Indonesia. The visual treatment conveys the anxious wistfulness and melancholy Mezzaluna sings about in her song: The juxtaposed imagery of light and dark mirrors the feelings of exposed vulnerability and obscured hopelessness, while exuding the polarizing tension of stillness in waiting and restlessness of impatience. 

"'In Situ is a song about reaching out to someone that isn't responding, so what's left is a feeling of hopelessness to the point where you just accept anything without expecting or fighting for it anymore," Mezzaluna explains. "The music video truly captures the essence of the song. I couldn't be prouder." 

Mezzaluna’s In Situ is now available on all digital music platforms worldwide via OFFMUTE and Sony Music.Check out the music video here.

FOLLOW MEZZALUNA ON SOCIALS:

Facebook | Twitter | Instagram | YouTube | TikTok

ABOUT OFFMUTE 

OFFMUTE is a new pan-regional label by Sony Music Entertainment focused on championing new and emerging Southeast Asian artists from across all genres, giving them a dedicated platform to pursue their creative vision and reach audiences across the region. 

The new label will support Southeast Asian artists in amplifying their music and building a strong pan-regional audience base with the enhanced promotional, marketing, and artistic development of Sony Music’s global expertise and resources. 

OFFMUTE is the first-of-its-kind in Southeast Asia, embracing the eclectic appeal and rich diversity that Southeast Asia has to offer, and empowering artists with the resources and expertise to find cross-border success. 

OFFMUTE was launched in March 2021 with new artists signed from Indonesia (Mezzaluna), the Philippines (Clara Benin), and Malaysia (liesl-mae). Source: Nyou

FOLLOW OFFMUTE ON SOCIALS: 

Facebook | Twitter | Instagram | Youtube | TikTok

Source: Nyou